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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

Wednesday, April 8, 2015

Cleopatra Records To Release Three Unreleased Live Albums By Blues Rock Legends Canned Heat


Cleopatra Records To Release Three Unreleased Live Albums By Blues Rock Legends Canned Heat
Los Angeles - Cleopatra Records are happy to announce the release of three unreleased live albums by legendary blues rock band Canned Heat! Canned Heat is an American blues/boogie rock band that formed in Los Angeles, California, in 1965. The group has been noted for its own interpretations of blues material as well as for efforts to promote the interest in this type of music and its original artists. It was launched by two blues enthusiasts, Alan Wilson and Bob Hite, who took the name from Tommy Johnson's 1928 “Canned Heat Blues”. After appearances at the Monterey and Woodstock festivals at the end of the 1960s, the band acquired worldwide fame.
Canned Heat with John Lee Hooker - Carnegie Hall 1971 Release date – April 14, 2015
Canned Heat teamed up with blues legend John Lee Hooker for the classic 1971 double album Hooker n' Heat and embarked on a subsequent historic tour together that has been captured here in all its glory!This vintage set shakes and boogies with tons of authentic blues rhythms including the fantastic “Back Door Man” and “Let’s Work Together” as well as the Hooker-led bonus track “Tease Me Baby!” Available on both CD and limited edition green vinyl, and packaged with liner notes by Dave Thompson with a brand new interview by Heat drummer Adolfo “Fito” de la Parra!
1. Framed 2. Let’s Work Together 3. Hey Babe 4. Shake ‘n’ Boogie 5. Back Door Man BONUS TRACK 6. Tease Me Baby

Purchase the digital version on iTunes: http://geni.us/CHandJLHCarnegie71digi

Canned Heat - Stockholm 1973 Release date - May 12, 2015
A very special never before released concert that features the revered post-Alan Wilson Heat line-up including vocalist Bob “The Bear” Hite, guitar Henry “The Sunflower” Vestine, drummer Adolfo “Fito” La Parra, guitarist James Shane, bassist Richard Hite, and keyboardist Ed Beyer!
1. Let’s Work Together 2. On The Road Again 3. Harley Davidson Blues 4. Election Blues 5. So Long Wrong 6. Shake ‘n’ Boogie 7. Goodbye For Now

The third Canned Heat release Illinois Blues 1973 will be released July 7, 2015!
Canned Heat official website: http://www.cannedheatmusic.com/

LARRY CAMPBELL & TERESA WILLIAMS’ DEBUT out June 23 on Red House

LARRY CAMPBELL & TERESA WILLIAMS’ DEBUT
HONED AT LEVON HELM’S MIDNIGHT RAMBLES 
OUT JUNE 23 ON RED HOUSE
 
Listen to "Surrender to Love" at Wall Street Journal: http://on.wsj.com/1xyRU5a
In-demand guitarist/producer and singer for Dylan, Simon, Lesh, Crow, Harris, Staples, and more
 


On June 23, two of the most in-demand artists in roots music, Larry Campbell and Teresa Williams, will take center stage with their self-titled debut album on Red House Records. After decades of marriage and seven years working closely with Levon Helm - Campbell as bandleader and producer (winning three Grammys for his work) and wife Williams as singer - their first album together features eight originals and three covers honed at Helm's legendary Midnight Rambles.
 
"It was the most pure musical experience I've ever had," Campbell says of their time with Helm. "It gave me the template for how to make music for the rest of my life: no egos, no agenda, no petty stuff. I got inspired to write more songs for Teresa and me to sing."
 
After Levon’s 2012 passing, they grieved, celebrated his life, and got to work finishing "Larry Campbell and Teresa Williams." They had the tunes, and, with drummer (and ace recording engineer) Justin Guip and Ramble Band member Byron Isaacs on bass, they had an ass-kicking, road-worthy band. Additionally, the lovefest of guests on Larry Campbell and Teresa Williams sweetened the pot considerably: Amy Helm’s voice melding with Larry and Teresa’s on the gorgeous Grateful Dead hymn “Attics Of My Life,” Little Feat keyboardist Bill Payne’s rollicking touch on several tracks, and Levon himself appearing on “You’re Running Wild,” a tune made famous by the Louvin Brothers, now given an Orbison touch (originally recorded during Levon’s Dirt Farmer sessions). Finally, it all dovetailed into place.
 
In addition to Helm, Campbell and Williams have played with a Who's Who of Music Icons: Bob Dylan (Rolling Stone called Larry's eight-year tenure "the greatest period of the Never Ending Tour"), Paul Simon, Phil Lesh, Emmylou Harris, Sheryl Crow, Keith Richards, Cyndi Lauper, Hot Tuna and Mavis Staples. In addition to his Grammy wins with Helm, Campbell has won the Lifetime Achievement Award (2008) and Instrumentalist of the Year Award (2013) from the Americana Music Association.
 
With Larry Campbell and Teresa Williams, this duo not only brings a lot to the table, they bring the table itself – plus the house, the still, the church, the marriage bed, the sawdust-covered floor, and abiding, unconditional love, all carried in two voices harmonizing across hills, hollers, porches, and fire escapes. Those close harmonies ride atop music made in a mountain refuge, far from the madding crowd, connected to a spirit that lives on in song.   
 
Campbell and Williams will tour the country this spring and summer, including two New York shows before album release (4/8 at Rockwood and 5/18 at City Winery) and a two-day stand at Phil Lesh's Terrapin Crossroads in San Francisco (6/18-9). See current dates below (more TBA).
 
'Larry Campbell and Teresa Williams' Track Listing:
01. Surrender to Love
02. Bad Luck Charm
03. Another One More Time
04. Down on My Knees
05. You're Running Wild
06. Everybody Loves You
07. Did You Love Me At All
08. Ain't Nobody For Me
09. Midnight Highway
10. Keep Your Lamp Trimmed and Burning
11. Attics of My Life


Tour Dates:
* w/ Phil Lesh
! w/ Hot Tuna
5/09 - Woodstock, NY @ Levon Helm Studios (Midnight Ramble)
5/18 - New York, NY @ City Winery
6/06-7 - Hunter, NY @ Mountain Jam Fest
6/12 - Marlboro, NY @ Falcon
6/13 - Amagansett, NY @ Stephen Talkhouse
6/18 - San Rafael, CA @ Terrapin Crossroads *
6/19 - San Rafael, CA @ Terrapin Crossroads
6/26 - Saratoga Springs, NY @ Caffe Lena
6/27 - Katonah, NY @ Caramoor Roots Fest
7/10 - Plymouth, NH @ Flying Monkey !
7/11 - Beverly, MA @ Cabot Theater !
7/12 - Truro, MA @ Payomet PAC !

Ironing Board Sam's Return (short documentary)

Long lost soul man Ironing Board Sam is the subject of a 25-minute documentary. Sam's got an incredible story, from playing the TV show Soul Train in 1965 to Jimi Hendrix sitting in with his band around then; from playing Jazz Fest while submerged in a tank of water in 1979 to inventing the keytar (really). The Music Maker Relief Foundation recently found him and he moved to Hillsborough, NC. The former New Orleanian is returning to Jazz Fest this year. It's inspiring, touching, and full of incredible soul music from the '60s to today.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 
Ironing Board Sam's Return (short documentary) from Tom Ciaburri on Vimeo.

The Blues Rebels- Open Road - New Release review

I just received the newest release, Open Road from the Blues Rebels and it's title is spot on. Blues artists Andy Watts (guitars) and Dov Hammer (vocals/harp), together with Avi Barak on drums and Amos Springer on bass make up the blues rebels. Opening with boogie track, All I Want,the Rebels establish a gritty take no prisoners attitude with a solid bottom, a driving guitar rhythm and solid vocals with Dov and Andy trading hot licks on harp and guitar. Very cool! Before The Jubilee has a real poppy sound with a catchy tune but I particularly like the hot guitar riffs at the end. Driving rocker, Seen The Light, has a steady rhythm and warm harp additions. Devil By My Side is a smokey boogie with a great bass line. Dov maintains the lead throughout with some creative harp riffs. Turn Back The Clock has a R&B feel with another cool bass line from Springer. Vocal harmonies on this track give it a more polished feel that may appeal commercially. What If is slower paced, constructed over the bones of a pop format. Watts takes a nice guitar solo in this track complimented by Hammer on harp. Reason To Live has a bit of western styling with guitar strumming and wind swept harp soloing. Very nice! Don't Want You Back is a nice blues based rocker with a cooker of a groove. Watts and Hammer both take nice stretches on this track. One of my favorite tracks on the release. Ballad, Looking In, opens with a sorrowful harp riff and is followed by smooth vocal harmonies. This track reminds me of Marshall Tucker Band in structure. Watts lays down a cool solo on this track and Hammer carries melody on harp when he breaks from vocals. Boogie track, Secret Smile, really grinds it down and Hammer cooks on harp. Yes he does. Living The Dream has a bright but cocky strut. I Don't Mind has a lighter jazzy feel with vocal harmonies and a catchy sound. This track catches a nice wave reminding me of some of the sounds that Savoy Brown used to get on some of their jams. Very nice! Trying To Get Paid is a jazzy shuffle track. Hammer takes his nicest run on harp on this track with the band keeping a tight track behind him. His vocals are also nicely suited for this style of music. Watts takes a crisp solo on this track as well but overall always remaining contained. Wrapping the release is title track, Open Road, with Matan Ashkenazy on Fender Rhodes piano and Hammer on harp. This is a really clean instrumental ballad with Watts' screaming guitar riffs taking center stage. Excellent completion to an interesting release.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 

Tuesday, April 7, 2015

Captain Luke Moved Home With Hospice Care

Music Maker Logo



Captain Luke Moves Back Home With Help From Hospice

 

We learned today that Captain Luke has been moved home for the time being, with the help of home hospice care. This was very important to him as he feels more comfortable in familiar surroundings.
Thank you so much for all your thoughts and prayers for Captain. He has enjoyed hearing from many of you and knowing that you are thinking of him! If you'd still like to reach out, he would love to hear from you; his home telephone is 336-722-2965.
Captain's prognosis is still the same, and so he has been speaking with his family about his final wishes. Captain has a devoted family, and they want to provide a memorial for their father. However, like so many other families of Music Maker artists, the funeral costs for even the most basic service are out of their reach.  

This is one way Music Maker steps in to help the artists we serve
, and if you would like to assist in our efforts to help with burial expenses for our artists, you can make your donation to Music Maker here.
 

Shouting From the Rocky Mountains - The Wendy Woo Band - Tipping Point CD out May 9


Shouting From the Rocky Mountains
The Wendy Woo Band Reaches a Tipping Point
New Release Out On May 9th

“…her vocals exude a sensuality that's unexpectedly subtle.”  - Michael Roberts, Westword
Atlanta, GA – Woo Music recording artists, The Wendy Woo Band, gets set to take their unique blend of rock, folk and Americana to the national stage with Tipping Point, on May 9th. The popular Colorado quintet, which consists of the ever charismatic Wendy Woo (lead singer/guitar), Robin Hoch (viola, guitar, vocals), Chris Maestas (drums/vocals), Mitch DeZwarte (keyboards) and Steve Cox (Bass). They are looking to take their regional success nationwide and Tipping Point appears to be just the vehicle to cross over state lines.

Tipping Point, recorded at Colorado Sound in Westminster, Colorado by the legendary Jim Gaines. Gaines’ resume, which includes Stevie Ray Vaughan, Carlos Santana, Huey Lewis and countless others made a warm, relaxing atmosphere for Wendy and the band to create and put forth their best effort.

Wendy’s alto voice along with her unique phrasing has often brought comparisons to Natalie Merchant with attitude. What separates the Wendy Woo band, however, is when Robin Hoch steps up to blend her voice with Wendy’s. The two have a tight, intuitive sound that is rarely found outside of families. The results are surreal. “I was in awe and captivated by her sultry voice and beauty” Wendy states in an interview with axs.com, Denver (2015).

“Down the Backbone Road.   Down the Backbone Road.
You can lose yourself, down the Backbone Road.” – Backbone Road

The songs on Tipping Point are perhaps the album’s strength. The band shows more depth than the average “boy meets, girl/boy loses girl” subject matter. Wendy and the band choose to explore not only love but other subject matters which everyone can relate to. Songs like, “In the Middle,” speaks of human reconciliation while, “Today” reminds us to take in the good times and enjoy them while they are happening.

Wendy, the daughter of bohemian parents who were founding faculty members at Naropa University, was exposed to the unexpected in life. Growing up, the family home would be a social center with such visitors as Allen Ginsberg, Merry Prankster, Ken Kesey and Norman Mailor. In the past, Wendy has thanked her unconventional upbringing with the song, "One Way Ticket," (unreleased live show favorite) which mentions growing up as a "beatnik's kid," and Gregory Corso teaching her how to play poker. Woo and her father also did an album of music and poetry together titled, Ecolalia, which was named by both the Denver Post and Westword as one of the top 10 Colorado albums of 2001.
“Sometimes we change
And we meet back in the middle” – In The Middle

While Woo grew up singing, she didn't start playing the guitar until she was 18 and wanted to accompany herself. Soon after learning her way around the guitar, she began writing songs and performing in songwriting circles. She attended at both University of New Mexico and University of Colorado, where she studied various musical genres, theory and composition.

As Woo’s prowess grew she developed a technique she calls “Slaptap.” "Slaptap" is performed by using the guitar as a percussion instrument. She hits and slaps at various point of the acoustic guitar creating a performance art piece. The fluid movement between her hands and body keep the viewer focused throughout the song. You can watch her here by clicking on the photo.
"Wendy Woo is a one-woman musical machine. ... The guitarist's music is chock full of varying styles, ranging from ballads to Latin beats and rock 'n' roll … “ - Jen Mulson, Colorado Springs Gazette Telegraph
Early on her musical journey, Woo took a job at the Fox Theater. This is where her ambitions started to take off and she began playing more frequently. She won the Colorado Lilith Fair Talent Search in 1999, which let her share the stage with an elite lineup that included Sarah McLachlan, Shawn Colvin and Sheryl Crow. She also toured nationally during this time, which helped her gain a larger following. Meanwhile, her accolades from the Colorado media grew exponentially, and the alternative weekly, Westword, put her in their Hall Of Fame.
Wendy has recorded more than 100 original songs, played over 200 dates a year and operating her own musical empire called WooMusic. But Wendy and her band find gratification in the personal relationships that have with past and present members creating a sense of family. Sacrificing their personal lives to be a part of something bigger they have all stayed in close contact with Woo, giving her a sense of comradery that can’t be replaced.

BEJEB Music artist: Deb Ryder - Let It Rain - New Release Review

I just received the newest release (April 21, 2015), Let It Rain, from Deb Ryder and it swings. Opening with That's Just How It Is, Ryder comes out hot and heavy with powerful backing from Kirk Fletcher, Ric Ryder on bass, Mike Finnigan on B3 and Tony Braunagel on drums. Fletcher really hits the groove and Finnigan lays it flat out. On Latin/shuffle track Can't Go Back Again, Braunagel sets a mean line and Johnny Lee Schell joins Fletcher on guitar with Lee Thornburg on Trumpet and Lon Price on sax. Very nice! On You Won't Be True Thornburg and Price give the track a much heavier swing and Schell and Fletcher lays down some really hot riffs. I really like Ryders vocal work on this release. Excellent! On the smokey, Guilty As Sin, Ryder guides her listeners down a dark slinky alley. Finnigan's B3 punctuation is particularly effective, Kim Wilson tips in some warm harp work on this track and Fletcher steps up with a few real nice R&B style blues guitars solo as well. Very smooth! Cry Another Tear has a spiritual undertone with Finnegan leading the way on both piano and B3. With a hand clapping revival feel, Ryder shows she has it all joined by Johnny Lee Schell and Finnigan on backing vocals. Fletcher steps up with a flight fingered country style solo on guitar which I would have sworn was Albert Lee. Very nice! Ryder's solid bass work drives the train on Hold Your Lamp High with rich horn work from Thornburg and Price. Finnegan creates the tension on B3 but it's the super lead vocals by Ryder that shines brightest on this track. Thornburg takes a cool muted trumpet solo on this track giving it a quiet jazz sound for a bridge but Ryder drags it back into the soul arena with her gritty voice. On boogie stack, Money Monsoon, Fletcher again shows his fast finger work and Finnegan, Thornburg and Price push it over the top. Excellent! On quiet ballad, Kiss and Dream, the entire band softens it back with James Hutchinson on double bass and Finnegan on piano accompanied by Braunagel on brushes. Ryder shows the clarity of her vocals and Price lays out a really nice sax solo. Title track, Let It Rain has a R&B feel and Fletcher steps up and delivers Robert Cray style. Kim Wilson blends his harp work in nicely with finesse and control. This is really an ideal radio track with a catchy melody, simple but tight instrumentals and of course the super vocal work of Ryder. David Fraser joins on accordion for New Orleans flavored Ma Misere and Albert Lee takes the lead guitar role bouncing off of the super piano work of Finnigan. Wrapping the release is a stripped down bluesy track, Round and Around with Ryder on vocal, Wilson on harp, Schell on guitar and backing vocals. Nice wind down from a really pretty hot release!

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 

Monday, April 6, 2015

Chris Cain Relief Fund

Friends and fans, thank you, thank you, thank you....for all your generous contributions to Chris Cain. Dave and I are overwhelmed with the outpouring of love and support this site has generated from friends and fans all over the country. I hope to print out a complete list of all the donors for Chris to see, along with all your kind words of encouragement and appreciation for the amazing man that Chris is. Thank you to those of you who have shared this to others as well. Please keep the love coming. -Tracy Pain Subscribe to Updates A message from Dave Mathews (bandmate and longtime close friend of Chris Cain): Due to some recent sudden personal changes in his life, Chris Cain has fallen on hard times. All of his fans need to know that as great a musician and as wonderful a person as Chris is, he struggles to make ends meet in day to day life and needs all of your support right now. In spite of his tremendous talent, Chris never has a lot of money. It's difficult for him to travel (he doesn't drive), he can't get enough gigs to pay his bills, and he struggles to keep the business end of things together. And, to top it off, Chris is now faced with the financial challenge of moving after being in the same place for years. That's just not his way; he's about MUSIC. Chris is a genius on many levels besides music, incredibly funny, witty, an incredible mimic of some of our most beloved celebrities from the 60's thru today, well read, very observant of humanity in general, and loyal to ALL of his many fans. I'm a friend, but I've also always been a fan, since the first time I heard him play, in about 1981 (although I didn't get to play with him until about '87). I love Chris like a brother, and try to play with him whenever I can. Myself, along with Chris' longtime friends, Louis and Tracy Pain, set this site up so his many fans can give back what he's given to us all these years. Our goal is to get Chris some funds needed to give him a fresh start as he goes through a difficult phase in his life. Please donate what you can. Every dollar helps. If you are unable to donate, you can also help Chris in other ways. PLEASE come out and support him whenever you can. Buy his CDs, hire him for a private party, whatever you can do for this amazing artist and human being...let's raise the roof for Chris! All the more reason to try and help our very gifted friend sooner than later..... Thank you, David K Mathews

 

Fat Possum Records artist: Jimbo Mathus - Blue Healer - New Release review

I just received the newest release (April 21, 2015), Blue Healer, from Jimbo Mathus and it's rowdy! Opening with pouncing rocker, Shoot Out The Lights, Mathus has the band in high hear right out of the gate. Joined by Ryan Rogers, Eric Carlton, Stu Cole, Bronson Tew, Kell Kellum, Eric Amble, Barrett Martin and Gig and Sunny Stuckey, Mathus blends rock, psychedelics and country for a hot rocker. Mama Please quiets down a bit with a tex mex kind of flavor with keys, accordion, vocal harmonies and simple country guitar riffs. Title track, Blue Healer, has an intoxicating feel with really cool guitar effects. A simple melody and dynamic vocals make this a strong selection for the title track. Excellent! Sometimes I Get Worried has strong bones, supported by strumming guitar rhythm and sliding guitar soloing. Backing vocals and Mathus own vocal lead make this a good radio choice. Ready To Run is a straight up rocker with a nod to Bruce Springsteen. With a driving rhythm and a natural anthem, this is a track that will likely garner broad attention. Ballad, Thank You, is particularly sensitive and primarily acoustic with only necessary instrumental appointments. Very nice! Coyote is a really cool track with a strong dose of western styling. Shimmery guitar tones and Mathus honest vocals make this one of my favorite tracks on the release. Bootheel Witch is a gritty rocker with a bit of David Bowie at his cockiest. With guitar riffs sounding more like Joey Santiago, this track transcends many eras but still sounds like Jimbo Mathus. Excellent! Old Earl has the sounds of a european/country track. What I mean by that is country music with strong roots in europe being more like a folk tune. A cool story, something that Mathus is in my mind best known for, with that country twist and light country styling gives this track a certain bite. Waiting On The Other Shoe To Fall is a driving country rocker with raucous vocals and a British flavor. Save It For The Highway is a solid rocker with just a dip of country. Stripped down and high on energy, this one is bound to be another crowd favorite. Mathus has so many musical influences, it all comes out as one natural blend with seamless integration of all sounds music. Wrapping the release is R&B track Love and Affection. Opening with a spiritual style piano riff, it quickly turns into a cool New Orleans style piano blues. Mathus leads the way joined by nicely blended backing vocals and a tight little guitar solo. Excellent piano riffs throughout and overall super styling makes this an excellent closer for another wild adventure from Mathus.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”
Sorry but so early that I can't find a suitable video. Here's Jimbo playing a cool boogie:


Friday, April 3, 2015

JOHNNY CASH RE-ISSUE / American Recordings Boxset (6 LP)

THE COMPLETE AMERICAN RECORDINGS OF JOHNNY CASH

 
USM are proud to present the Johnny Cash American Recordings LP boxed set, a classic black box housing all studio albums released between 1994 and 2010 on 180gm vinyl.

American Recordings is the 81st album by the country singer Johnny Cash after he was approached by producer Rick Rubin and offered a contract with Rubin's American Recordings label, better known for rap and heavy metal than for country music. Under Rubin's supervision, he recorded the album in his living room, accompanied only by his guitar.  His successful collaboration with Rick Rubin was in part due to Rubin seeking a minimalist sound for his songs. The album was hailed by critics and many declared it to be Cash's finest album since the late 1960s, while his versions of songs by more modern artists such as Tom Waits and Glenn Danzig helped to bring him a new audience.

American Recordings received a Grammy for Best Contemporary Folk Album of the Year at the 1994 Grammy Awards.  In 2003, the album was ranked number 364 on Rolling Stone magazine's list of the 500 greatest albums of all time. Unchained is the second album in Johnny Cash's American Recording series and contains songs by Tom Petty ("Southern Accents"), Soundgarden ("Rusty Cage") and Beck ("Rowboat"). Unchained received a Grammy for Best Country Album and Cash was nominated for Best Male Country Vocal Performance for his version of “Rusty Cage”. American III: Solitary Man was notable for being Cash's highest charting solo studio LP since his 1976 One Piece at a Time. Between Unchained and Solitary Man, Cash's health declined due to various ailments, and he was even hospitalised for pneumonia.

American IV: The Man Comes Around is the fourth album in the American series by Johnny Cash and his 87th overall, released in 2002.  This is the last album released before his death in 2003.  The majority of songs are covers which Cash performs in his own sparse style, with help from producer Rick Rubin. For the song "Personal Jesus", Rubin asked then-Red Hot Chili Peppers guitarist John Frusciante to re-work an acoustic version, which featured a simple acoustic riff that stripped down the song to a blues style.

American V: A Hundred Highways is the 93rd overall album and a posthumous title by Johnny Cash released on July 4, 2006.  The liner notes of “Unearthed”, a box set composed of outtakes from the first four entries into the series, claim "around 50" songs were recorded during the American V sessions before Cash's death on September 12, 2003.  However, only two albums worth of material were released, including American VI: Ain't No Grave, which was released in February 2010

Israel's Blues-Rock King, Lazer Lloyd, delivers a hot, new, self-titled album due June 9th in North America and kicks off his 2015 tour at the House of Blues in Chicago on April 20th

Israel’s Blues-Rock King, Lazer Lloyd, delivers a hot, new, self-titled album due June 9th in North America and kicks off his 2015 tour at the House of Blues in Chicago on April 20th


Lazer’s signature deep lyrical writing and vocals combined with his virtuoso guitar work takes listeners from the depths of mind-searing pain to the highest pleasures of love, hope, and healing

CHICAGO, IL – Israeli blues-rock singer/songwriter and guitaris­­­­t Lazer Lloyd announces a self-titled album of all new electric and acoustic material to be released on CD and vinyl in the USA on June 9th.  The Lazer Lloyd album, releasing on the Chicago-based LL Records label, is packed with 11 new original songs and a cover of Otis Redding’s “(Sittin’ on the) Dock of the Bay.” It follows on the critical success of his 2013 stripped-down acoustic solo album, Lost on the Highway (on U.S. label Blues Leaf Records) and his 2012 electric CD, My Own Blues (on Helicon, chosen by the Israeli Blues Society’s for best 2012 blues album). The new album was written and recorded in two Tel Aviv studios (Sonic and Papa) during a period of intense songwriting throughout 2014.  Lazer gives voice to his experiences shuttling between a demanding touring schedule on the stages of Israel, as well as in Russia and North America – often playing live knowing his wife and five children were sitting in a bomb shelter back home. 
The cover art for the album was done by Markus Greiner, a brilliant Chicago-based artist who designed the DVD release cover for the 2015 Oscar-winning film, Ida, as well as many album covers for Bloodshot Records, and other musicians such as Graham Parker, among others.
Highlights of Lazer Lloyd's upcoming Spring and Summer 2015 tour include: House of Blues (Chicago) on April 20 and May 19 (as part of the Israeli Jazz & World Music Festival); Steve’s Live Music (Atlanta) on April 30; Waterfront Blues Fest (Portland, OR) on July 5; Hayward Russell City Blues Festival (San Francisco Bay Area) on July 12 (afternoon); Biscuits & Blues (San Francisco) on July 12 (evening); The Ark (Ann Arbor, MI) on August 3; and Bayfront Blues Festival (Duluth, MN) on August 7. For a complete listing of tour events, visit his website. On his 2015 North American tour, Lazer will perform his new material backed up in the Midwest by notable blues veterans Johnny B. Gayden (Albert Collins and Johnny Winter) on bass, and in the West by Ron Perry (John Lee Hooker) on bass, with drums by Kenny Coleman of the Chicago Blues Kings and previously Koko Taylor and Sugar Blue, among others.

On the new CD, Lazer Lloyd takes his signature songwriting to another level with guts and groove that won’t quit, and is certain to become a favorite with global blues and blues-rock audiences.  During the recording sessions, Lazer was joined by his regular Israeli bass player, Moshe Davidson, and studio pros Kfir Tsairi on keyboards and Elimelech Grundman on drums.

Lazer’s music is influenced by blues, gospel, southern rock and the great guitar traditions of power and groove from Jimi Hendrix to Wes Montgomery.  Known by many as Israel's King of the Blues, he cites B.B. King as one of his biggest inspirations in music and in life. He also draws on the blues work of Clarence Gatemouth Brown, Son House, Lightnin’ Hopkins, Albert Collins, Albert King, Buddy Guy, Stevie Ray Vaughan, Johnny Winter and Santana.

“This is the first record I ever made where I successfully recorded in the studio things better than I can do live,” Lazer says, “and I really am happy finally with how things came out. Hopefully, I can help release some pain from someone's heart and make them feel good. I think blues in all its forms continues to generate a devoted following because it's real; it's about everyone's life story and it heals." 
He also used a wide array of guitars to get specific sounds he wanted in each of the songs. “All of my guitars are always messed up because I'm always looking for a unique sound somewhere between a Gibson 335, a Fender Telecaster and a Stratocaster, so I usually have homemade stuff that I've changed the pick-ups on at least 100 times and I'm still not happy,” he recalls.

Lazer offered up some comments on the origins of several of the tracks on Lazer Lloyd. “On ‘Burning Thunder’ - this is a song about the raw energy of both the Godly and Animal soul driving a person in opposite directions.”

“Suffering” - “The life on the road and becoming a successful performer tears you in 1000 directions and it's no secret that there are dark times when a person feels alone and enslaved.”

“Rocking in the Holy Land” - “There were many places that I had a chance to break my career from and places that the record company thought I should break it from. But Man makes plans and God laughs - from a strange twist of meeting a homeless man in New York City’s Central Park, I played a concert with a hippie rabbi, who convinced me to play with him in Israel to check it out and I fell in love, so I'm there more than 20 years.”

“Love Yourself” - “This song is expressing the reality of the ultimate oneness of the world and to internalize the fact that if you hurt someone else or - God forbid - kill someone else, you are hurting or killing yourself. My original concept for the song was for so-called religious terrorists.”

“Time to Love” - “Everybody has their own blues and everybody has different levels of blues: their personal blues, blues for their loved ones, blues for their friends, blues for the country and then you have the big picture blues for the world.”

Born Lloyd Paul Blumen in New York, Lazer moved at a young age to Connecticut with his parents.  Eliezer Pinchas Blumen is his Hebrew name.  Lazer is short for Eliezer and Lazer Lloyd is a combination of his Hebrew and English names. Growing up in Connecticut, at age 15, Lazer was already playing in night clubs along the Connecticut shoreline. At 18, Lazer went to Skidmore College to study music under Milt Hinton (bass player for Louis Armstrong), Randy Brecker (Blood, Sweat and Tears), and Gene Bertoncini.

After college, an A&R executive at Atlantic Records organized a showcase for Lazer in Manhattan with plans to send him to Nashville to work with producer Garry Tallent (of Springsteen’s E-Street Band fame).  One night in New York, Lazer played a gig with the legendary singing Rabbi, Shlomo Carlebach, who invited Lazer to play with him in Israel and he quickly decided to take his music to the Middle East in 1994.  Once in Israel, Lazer joined Reva L’Sheva as their lead guitar player.  With few blues fans in his new home country, Lazer became a trailblazer, as he wrote and performed his own blues tunes mixed with the classics and built an audience for the blues in a country where it was an exotic delight. 
In 2014 and 2015, Lazer brought his blues act to the USA to rave reviews, featuring great musicians such as bassists Johnny B. Gayden and Ron Perry, drummer Kenny Coleman, and for  Canadian dates his band featured blues all-stars Gary Kendall and Mike Fitzpatrick from JUNO award-winning band, Downchild. 

Lazer has successfully crossed over into the Israeli mainstream music scene, and has been featured playing live on some of Israeli TV and radio’s most popular programs. As one radio host said, “From the moment the sounds of his blues guitar reached the air, it was completely clear that this is an international-level guitarist. His shows are worth every minute. He’s one of the great musicians.”

Reviews of his previous albums have been total raves. “I have been listening to the blues for most of my life and had never run into a blues record from Israel before, but this first one is setting the bar high. His guitar playing alone is worth the price of admission, and when you add in his vocals and strong songwriting skills, this disc is a winner,” wrote Blues Blast Magazine in its review.

Compass Records artist: Mike Farris - Shine For All The People - New Release Review

I just received the newest release, Shine For All The People, from Mike Farris and it's nothing short of spectacular. This release is classified as Roots Gospel but I've got to tell you, it's simply great music. Opening with a powerful horn section Farris takes immediate control on River Jordan. Farris has one of those incredible voices that pushes the envelope and with the soul and power inside of him, he just belts it out. This track has an super R&B feel with warm vocal backing and incredible horn work bringing all of the heat you could possibly want. WOW! Up next is Jonah & The Whale with a solid Mustang Sally kind of strut. A groovy organ part keeps up the middle and with a hot bassed bottom and load of sax, Farris just cruises the melody in voice. Very cool! Sparrow opens with Farris sounding like he's standing in front of a congregation, delivering the word with spiritual like key work. Sliding into a dixie blues infused strut with piano, horns and rat a tat drums, this track has a great feel. Warm backing vocals and dixieland styling with that overlaid horn styling makes this track hard to ignore. Excellent! Mercy Now is a solid R&B /soul style featuring Farris in more of a mellow Al Green stance. A solid radio player with powerful backing vocals and instrumentation. Real Fine Day is a country style 2 stepper with twanging guitar and Farris riding the wave. With the power and carefree feel of This Note's For You, Farris just lays it out there. Very nice! The Lord Will Make A Way Somehow has a really nice groove and Leon Russell/spiritual style piano playing doubled up with Billy Preston like riffs. Farris, teamed with the incredible backing vocalists makes this one terrific track. Solid horn overtones and spiritual style singing carries this track high. Farris shows over and again his ability and sense of timing to bring it. Power Of Love is a great high stepper with Farris and crew really standing on it. Is there a spiritual message in there. I'm sure there is, but if you're alive, you can hardly missed being moved by this music just based upon it's presence. Farris keeps taking it up a notch and it really seems he's there and up it goes again! Soul ballad, Something Keeps Telling Me is a straight up radio track with a catchy melody, spot on backing vocals and well blended instrumentation. How It Feels To Be Free has the strongest relationship to a traditional contemporary spiritual track with solid vocal lead, and organ accompaniment. Farris' flawless delivery and backing vocals punctuation just floats. Wrapping the release is This Little Light, a track that most everyone has heard a million times as a child. Farris takes it on as if it has never been heard and with this girth and with occasional children vocal backing, maybe it never has been. Heavy piano soloing on the track is stellar and bluesy guitar riffs give it a rocky feel. I don't remember anyone since the early days of Leon Russell and the Shelter People who was in the broad national spotlight giving spiritual music this kind of attention and feel. Mike Farris sets himself head and shoulders above his peers with this excellent performance! This is a must hear release and a must see artist!

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 

Thursday, April 2, 2015

Dale Watson performs on NPR's Mountain Stage

Dale Watson
 
Austin's king of honky-tonk performs on NPR's Mountain Stage
New episode out on April 3, click here for local listings and airtimes 
Watson's new album, Call Me Insane, out June 9 on Red House/Ameripolitan Records
 
 
 
 
Austin, TX: Dale Watson, keeper of the true country music flame, will be featured on the next episode of NPR's Mountain Stage. The episode will premiere on Friday, April 3; click here for stations and airtimes. Watson will be previewing new songs from his upcoming release Call Me Insane, a new studio album recorded in Austin with veteran producer Lloyd Maines (Robert Earl Keen, Jerry Jeff Walker, etc.) The album will be released on June 9 in North America via Red House/Ameripolitan Records on CD, digital, and vinyl. Dubbed "the silver pompadoured, baritone beltin', Lone Star beer drinkin', honky-tonk hellraiser" by The Austin Chronicle, Watson  recently sat in with Jimmy Kimmel’s house band as a guest on Jimmy Kimmel Live (ABC) from SXSW. He also emceed the first ever SXSW “Ameripolitan” showcase featuring the best of Honky-tonk, Outlaw Country, Rockabilly and Texas Swing music. 
 
Album highlights include “Jonesin’ For Jones,” a love song to the music of the legendary George Jones, “A Day At A Time,” about “getting by by barely getting by;” “Call Me Insane,” the album’s moody title track; “Bug Ya For Love,” a fun warning to all the single ladies, and “Mamas Don’t Let Your Cowboys Grow Up To Be Babies.” (Yes, it is an answer song to the Waylon Jennings/Willie Nelson hit.) “Crocodile Tears” is a barstool weeper that sounds like an instant classic and “Burden Of The Cross,” a reference to the tragic death of Watson's fiance in a car crash, show's his serious side.
 
Call Me Insane was recorded in Austin by Watson and his ace touring band, “His Lone Stars”: Don Pawlak (pedal steel), Mike Bernal (drums & percussion), and Chris Crepps (upright bass & background vocals). Dale plays electric guitar throughout and Lloyd Maines added acoustic guitar. They were joined in the studio by Danny Levin on piano and the Honky Tonk Horns: Jon Blondell (trombone), Joey Colarusso (saxophone), and Ricky White (trumpet).  
 
Since the release of El Rancho Azul in 2013, Watson’s profile has risen considerably via appearances on The Late Show with David Letterman (CBS), Austin City Limits and The Sun Sessions (PBS) and as a guest on NPR’s Wait Wait... Don’t Tell Me and American Routes. A veteran touring artist and consummate entertainer, he is on the road more than 300 days a year. He also put his money where his heart is and took over ownership of two struggling Texas honky-tonks, the Little Longhorn Saloon in Austin (home of Chicken $#!+ Bingo) and The Big T Roadhouse in St. Hedwigs (outside San Antonio).  If not on the road, he and His Lone Stars perform at one of them each Sunday.
 
Dale has flown the flag for classic honky-tonk for over two decades. He’s christened his brand of American roots music "Ameripolitan” to differentiate it from current crop of Nashville-based pop country. The Alabama-born, Texas-raised Watson may be the hardest working entertainer today and is rapidly approaching legendary status.  He is a country music maverick, a true outlaw who stands alongside Waylon Jennings, Willie Nelson, and George Strait as one of the finest country singers and songwriters from the Lone Star State.

www.DaleWatson.com
www.facebook.com/Official-Dale-Watson
www.twitter.com/TheDaleWatson
www.Ameripolitan.com
www.twitter.com/ameripolitan

RECENT KIND WORDS:
“I’m one of Dale’s biggest fans.  - Willie Nelson
 
“Country music’s a crazy, gold-diggin’ whore, and Dale Watson wants a divorce.”   - The Austin Chronicle 

“Graced with a deep, fluid George Jones-ish voice, Watson was mesmerizing, whether making fun of The Voice’s faux-country judge on ‘Old Fart (Song For Blake)”’or simmering through a train-chugging original such as ‘My Baby Makes Me Gravy.’” 
- The Philadelphia Inquirer 

“Nothing else is Dale Watson. In he strode in a long black Cash-worthy coat with long leather cuffs and a tux shirt.  His white hair was ship’s prow, or perhaps a mighty iceberg. And his Telecaster guitar, festooned with silver coins of every size and denomination, glinted in the footlights.  All through, Dale’s banter was loose and wry.  His guitar tone was just platonically perfect.”   - Music City Roots  

“To call Dale Watson’s music country is like calling Ray Charles’ music soul ... both have an air of authenticity that transcends genres and demands that they be put into a class of one.  Ray Charles is gone, but you can see Dale Watson…"
- The Troy Record 

"...he proved that he is the real deal, and when it comes to tradition, sometimes you can't get too much of a good thing."   
- Country Standard Time 
 
"This songwriter prides himself on crafting authentic, old-school country music, which he does so quite masterfully. Watson definitely nails the old-school country star persona." - No Country For New Nashville 

" He’s spent the past two decades proving there are still powerful tales to be told from the honky-tonk pulpit, and he's brought that message to the faithful.”  - The Nashville Scene


For Dale’s full tour schedule, please visit www.dalewatson.com or www.redhouserecords.com. 

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