Presenting Jeremy Baum - The EEL!

Jeremy Baum The EEL     Jeremy Baum is a musician's musician.  A world-class keyboard maestro with a star-studded playing history...with great ears and a soulful delivery, keeping him busy in recording studios, concert halls, and nightspots of every stripe…. "The behaviour of eels in fresh water extends the air of mystery surrounding them. They move freely into muddy, silty bottoms of lakes, lying buried in the daylight hours in summer..."     He is the first-call player of choice for artists who perform blues, jazz, funk, and all the styles that fill the cracks in between. Jeremy applies his tasty style to many types of music... ""Eels are voracious carnivores, feeding mainly at night and consuming a wide variety of fishes and invertebrate creatures...."     Baum is a monstrous talent, coaxing tones and textures from his instrument as he moves freely from subtle comping to stunning solos and back in the blink of an eye... "The eels are sea monsters; they are comprised of the giant eel and electric eel. The kraken is sometimes categorised with them as well. They are referred to as a group by virtue of the drowning attack they share."     Jeremy Baum plays the Hammond Organ and piano and leads his own band, which is rooted in the blues and funky soul-jazz sounds of the late 60s (think Booker T and the MG’s, the Meters, Jimmy Smith!)  His style is also informed by the current masters of the groove from the jam-band scene (Medeski, Martin & Wood, Soulive, Derek Trucks Band, Marco Benevento.)     While still in college, Jeremy joined Murali Coryell's band, and soon began leading his own organ trio. In 2002 Jeremy released his first album, Lost River Jams, on Flying Yak Records.  JB’s Band was also featured on Boogaloo to McDuff, a tribute to Jack McDuff, available on Scufflin’ Records. Jeremy has been leading his band at festivals and clubs in the New York and New England region ever since.     Jeremy has been a successful sideman, working with Shemekia Copeland (6 years in her band), Levon Helm, soul-jazz legend Melvin Sparks, Sue Foley, Joe Louis Walker, Debbie Davies, Chris O’Leary, John Hammond Jr., and many more.  He has played in nearly every state in the USA, in over 25 countries in North America, Europe and Asia, at countless music festivals, at Carnegie Hall, and many television appearances including Late Night with David Letterman. The man has paid some dues!      Back in the studio for his sophomore release, The Eel, on Flying Yak Records, Jeremy Baum knocks it out of the park with 10 Hammond organ and piano driven arrangements.  It's an album of funky, bluesy new compositions as well as original arrangements of songs by Beck, Prince, James Brown and more.  Recorded by the amazing Dave Gross at Fat Rabbit Studios, this album features many of the best and brightest musicians from Jeremy's twin musical homes of New York City and the Hudson Valley/Woodstock NY area. Special guests include, among others, Jay Collins, Eric Kalb, Scott Sharrard, guitar prodigy Myles Mancuso, Chris Vitarello, and VizzTone artists Dennis Gruenling, Michael Bram, and Chris O’Leary. presenting Jeremy Baum The EEL Needless to say, this album covers a lot of ground stylistically. For those of you looking for BLUES CONTENT, may I particularly suggest:         3. THREE MORE BOTTLES             and         7. PACIFIC DRIVE JEREMY BAUM – THE EEL 1. THE NEW POLLUTION - Cover of Beck's groovy hit! Souljazz for the new millennium. Jeremy Baum - Accordion, Hammond B3 Organ, Wurlitzer 200A Electric Piano Chris Vitarello - Guitar Eric Kalb - Drums Jay Collins - Tenor Sax, Flute Juma Sultan - Congas 2. FUNKY MONKEY - An original B3 party jam. Jeremy Baum - Hammond B3 Organ Myles Mancuso - Guitar Chris Reddan - Drums Juma Sultan - Congas Dave Gross - Tambourine 3. THREE MORE BOTTLES - New Orleans flavor, piano and harmonica driven, with lyrics and vocals by Blues Blast Award winner Chris O'Leary. Jeremy Baum - Piano Chris Vitarello - Guitar Michael Bram - Drums Matt Raymond - Acoustic Bass Chris O'Leary- Vocals, Harmonica 4. CHARLIE BAUM - Jeremy's nod to Vince Guaraldi and the Peanuts, as well as Ramsey Lewis' "The In Crowd." Jeremy Baum - Piano Matt Raymond - Acoustic Bass Michael Bram - Drums Eddie Torres - Congas 5. DANCE WITH ME - A tribute to Jeremy's friend Larry Hoppen, this is a pretty instrumental arrangement of the Orleans classic. Jeremy Baum - Hammond B3 Organ, Wurlitzer 200A Electric Piano Chris Vitarello - Acoustic Guitar, Electric Guitar Eric Kalb - Drums Dennis Greunling - Harmonica 6. BORRACHO - Boogaloo cover of obscure 70's West Coast band Dyna-Might. Jeremy Baum - Hammond B3 Organ Myles Mancuso - Electric Guitar Anthony Candullo - Electric Bass Chris Reddan - Drums Eddie Torres - Congas Jay Collins - Tenor Sax Phil DeMier - Trumpet Dean Jones - Trombone 7. PACIFIC DRIVE - Guitar driven instrumental featuring 17 year old prodigy Myles Mancuso. If you like The Crusaders / Larry Carlton... Jeremy Baum - Hammond B3 Organ, Wurlitzer 200A EP Myles Mancuso - Electric Guitar Tony Tino - Electric Bass Eric Kalb - Drums Juma Sultan - Congas 8. AIN'T IT FUNKY NOW - B3 driven guitar heavy funk jam ala James Brown. Jeremy Baum - Hammond B3 Organ Chris Vitarello - Guitar (Left Speaker) Scott Sharrard - Guitar (Right Speaker) Eric Kalb - Drums Juma Sultan - Congas, Vocal 9. PURPLE RAIN - Instrumental guitar driven version of the Prince classic - with a Bruce Hornsby inspired piano solo. Jeremy Baum - Hammond B3 Organ, Piano Chris Vitarello - Electric Guitar Eric Kalb - Drums Juma Sultan - Congas 10. THE EEL - B3 driven far out funky instrumental with elements of Led Zeppelin, The Meters and Tower of Power!!! Jeremy Baum - Hammond B3 Organ, MiniKorg-700, Korg R3 Myles Mancuso - Electric Guitar Chris Reddan - Drums Juma Sultan - Congas

PREVIEW AND BUY THE EEL! AUTOGRAPHED CDs from JeremyBaum.com CD or Digital Music from CD Baby Digital Music from iTunes Amazon THE EEL features a host of amazing musicians, many of whom you've probably heard before... Chris Vitarello: Guitar (Jimmy McGriff, Bruce Katz, Chris O'Leary Band) Eric Kalb: Drums (Deep Banana Blackout, John Scofield, Charlie Hunter) Jay Collins: Tenor Sax, Flute (Greg Allman Band, Levon Helm) Juma Sultan: Congas (Jimi Hendrix, Archie Shepp) Michael Bram: Drums (Jason Mraz, Watermelon Slim, VizzTone Artist) Chris O'Leary: Vocals, Harmonica (Levon Helm, VizzTone Artist) Dennis Greunling: Harmonica (VizzTone Artist, Doug Deming & the Jewel Tones) Chris Reddan: Drums (Popa Chubby) Tony Tino: Electric Bass (Gavin Degraw, Clay Aiken) Scott Sharrard: Guitar (Gregg Allman Band, The Chesterfields) Myles Mancuso: Guitar (Myles Mancuso Band) - fast-rising guitar prodigy Matt Raymond: Bass (Chris O'Leary Band, Mikey Junior) Dean Jones: Trombone (Soñando, Grammy-winning producer) Phil DeMier: Trumpet (Soñando) Eddie Torres: Percussion (Mark Egan, Joel Rosenblatt) And chances are, you've probably heard Jeremy Baum before — mabye even on some of your favorite records! 1996: Bill PERRY / Love Scars 1998: SLAM ALLEN / Things Sho Done Changed SUE FOLEY / Ten Days In November BILL PERRY / Greycourt Lightining DEBBIE DAVIES / Round Every Corner LITTLE MELVIN UNDERWOOD / Dealin' With The Feelin' 1999 DEBBIE DAVIES with DOUBLE TROUBLE / Tales From The Austin Motel 2003 JIM WEIDER (guitarist for The Band) / Remedy 2004 MELVIN SPARKS (Soul-jazz legend) / It Is What It Is 2007 SHEMEKIA COPELAND / On Stage at World Cafe Live (DVD) 2012 DEBBIE DAVIES / After The Fall CHRIS O'LEARY BAND / Waiting for the Phone to Ring MICHAEL BRAM / Suitcase in the Hall PETEY HOP / The Levee 2013 BRAD VICKERS and the VESTAPOLITANS / Great Day In The Morning 2014 ALBERT CASTIGLIA / Solid Ground MIKEY JUNIOR / Traveling South some early press... Poughkeepsie Journal John Barry   June 19, 2014 New CD from Jeremy Baum offers soul, jazz and the blues     One Hammond B3 player I've been watching for years is Jeremy Baum of New Windsor, whose touch on the keyboard can be tender or torrential, quiet or quick.     Baum, a graduate of the State University of New York at New Paltz who has performed often in Dutchess County, doesn't just play his instrument, he draws sound from it. He teases sound from the organ, coaxes it out, and at the right moment, he propels it forward, to a legion of faithful followers who enjoy his fusion of soul, jazz and the blues.     And just as they're chewing on it all, Baum lobs another one their way.     He simultaneously negotiates and executes his way up and down that keyboard, while keeping the crowd abreast of any and all musical equations he happens to piece together, with the insight of a college professor and the sheer joy of a kid in a candy shop.     All of this brings me to Baum's new CD, "The Eel," a dissection of musical genres stamped with the personality of a musician who knows when to take a gallop to a stampede, when to batten down the hatches and when to throw caution to the wind.     This CD has a lot of great tunes on it. But if it only had "Pacific Drive" on it, just one song, it would be worth getting your hands on. Written by Baum, this bouncy, optimistic song meanders just enough to pique your curiosity, but returns repeatedly to the grit and grime of a good blues tune, thanks in large part to the unrelenting guitar licks of Myles Mancuso, who is originally from LaGrange.     I found myself playing this song over and over, tapping my feet and rocking back and forth in my chair. With these tunes, prepare to move — and be moved.   Steven M. Alper     I was immediately grabbed by the guy at the Hammond. (Jeremy's) playing was by turns intense and understated, showing such mastery of the instrument. Brilliant, well-shaped solos, slipping back and forth over that line between inside and outside, never quite treading beyond the style (but hinting at the possibility). It was the subtle, effervescent accompanying that really surprised, the ever-changing tone and texture, slapping rhythm juxtaposed with sustain. This guy knows the Hammond from the inside out, digging out the sounds of the physical tone wheels from the new electronic box. The Working Musician (.com) Roger-Z   March 01, 2014     Jeremy Baum puts the fun back into keyboard-based, instrumental garage-rock. Think back to "99 Tears" by Question Mark and The Mysterians or "Wooly Bully" and "Little Red Riding Hood" by Sam the Sham and The Pharaohs. The Sixties managed to reflect the turmoil as well as the joy in American society. We still share the distress -- but Jeremy Baum puts smiles back on our faces. Our star here finds himself surrounded by some of New York's finest -- guitar (Chris Vitarello, Myles Mancuso, Scott Sharrard), vocals (Chris O'Leary), drums (Eric Kalb, Chris Reddan, Michael Bram), bass (Matt Raymond, Tony Tino, Anthony Candullo), sax (Jay Collins), percussion (Dave Gross, Juma Sultan, Eddie Torres), harmonica (Dennis Gruenling), trumpet (Phil DeMier), trombone (Dean Jones). Jeremy Baum produced the album and guitar phenonomen Dave Gross captured it at Fat Rabbit Studios in Montclair, New Jersey.     The jubilant music romps wild. It kicks off with "The New Pollution," a one chord stomp with a bass line similar to The Beatles' "Tax Man". Baum pegs the perfect Hammond B3 tone to weave in with Vitarello's so tasteful guitar. "Funky Monkey" gets the blues down on the "good foot." Baum turns his organ up and lets it all hang out! The turnaround provides the hook. "Three More Bottles" features Chris O'Leary apologizing for his bad behavior. Woman gone -- but plenty of booze and harp playing! Don't know who "Charlie Baum" is, but this composition reeks of Ramsey Lewis!     Lots of variety on this album. "Borracho" shows off horn-driven Latin roots. Myles Mancuso dominates on "Pacific Drive" with the tastiest R&B guitar. James Brown's "Ain't It Funky Now" launches a monumental blowing session between Chris Vitarello, Scott Sharrard, and Baum. The anthematic "Purple Rain" proves a most inspired cover. Once again, Baum and Vitarello bob and weave like brothers from a different mother! The title cut, "The Eel," evokes Soulive and allows Mancuso and the group to show off monster tempo changes and chops!     Jeremy Baum manages to bring "peace, love, and happiness" back to instrumental music. He mainlines his inner joy. Job exceedingly well done! Almanac Weekly John Burdick   November 22, 2013     Keyboardist Jeremy Baum has been a highly visible and in-demand regional-and-beyond sideman for a long time now, flexing his fine touch, great ears and multigenre fluencies in some pretty top-shelf blues, Latin and jazz settings. Like so many courted and coveted sidemen, Baum leads his own band as well, when he can, finding time about once a decade to record his own material with his sidemen of choice. 2003’s Lost River Jams was a funky, spacious set, foregrounding Baum’s tasteful Hammond and piano-playing. Owing more to the brainy, Monkish lines of a Larry Golding than to the non-stop blowing of Joey DeFrancesco, Baum keeps things fresh with jazz, Latin and gospel colors sprinkled throughout this fine trio-plus-friends blues session.     Baum has reconvened a trio – this time with guitarist Chris Vitarello and drummer Chris Reddan – for the soon-to-be released CD The Eel. It is this trio that Baum brings to the Liberty Lounge in Rhinebeck on Saturday, November 23 at 9:30 p.m. The Eel isn’t out yet, but the band will no doubt be offering a sneak peak of what to expect. MORE LINKS: JeremyBaum.com Facebook YouTube

FORMER SQUIRREL NUT ZIPPERS LEADER TOM MAXWELL DEBUTS "BLOW WOLF" FROM FORTHCOMING ALBUM

FORMER SQUIRREL NUT ZIPPERS LEADER TOM MAXWELL

DEBUTS "BLOW WOLF" FROM FORTHCOMING ALBUM

“Tom Maxwell & The Minor Drag” Album Out On August 26, 2014

“Hell: My Life In The Squirrel Nut Zippers” Out August 26, 2014 On Oyster Print Press

Listen To "Blow Wolf" via The AV Club:

http://www.avclub.com/article/hear-jumping-new-song-tom-maxwell-squirrel-nut-zip-207009?utm_source=Twitter&utm_medium=SocialMarketing&utm_campaign=Default:1:Default

July 18, 2014 - After an almost ten year hiatus from recording, the former lead singer of the Squirrel Nut Zippers, Tom Maxwell returns with a new album, a new band Tom Maxwell & The Minor Drag and a new book.

As a member of the Squirrel Nut Zippers between 1994 and 1999, Maxwell became a critic’s darling and his song “Hell” became a smash hit at radio.  Tom’s songs propelled the Squirrel Nut Zippers to multi-platinum status, selling over 3 million albums.

His new self-titled album, Tom Maxwell & The Minor Drag, was recorded with long-time Zippers producer Mike Napolitano and features guest vocals by Ani DiFranco.  The Minor Drag is an extraordinary collection of musicians, featuring members of Lost In The Trees and The Old Ceremony. They display remarkable flexibility and nuance, and boast instrumentation not often found: drums, tuba, vibraphone, piano and guitar. 

Along with the new album, a memoir written by Maxwell about the Squirrel Nut Zippers’ strange rise, Hell, will be published by Oyster Point Press (formerly Pressque Publishing) on August 26^th, simultaneous with the release of this album. 

You can read more about the album and book via USA Today here:

http://www.usatoday.com/story/life/music/2014/07/07/tom-maxwell-ani-difranco-roll-with-it-premiere/12284783/

Both are available for pre-sale now on Tom Maxwell’s website at: www.tommaxwell.com  

Tom Maxwell & The Minor Drag have just announced an album release show at the Mercury Lounge in New York City on August 25th.  Tickets go on sale today at Noon EST : http://www.mercuryloungenyc.com/event/633211-tom-maxwell-minor-drag-new-york

The Harpoonist & the Axe Murderer - A Real Fine Mess - New Release Review

I just had the opportunity to review the most recent release, A Real Fine Mess, from The Harpoonist & The Axe Murderer and it's clever and entertaining. Opening with Black and Blue, a poppy track with roots in the blues but with modern feel and almost a Sting like quality. Do Whatcha has a cool stripped down Willie Dixon kind of sound with a cool blues guitar riff by Matthew Rogers (who also plays drums) and crying harp by Shawn Hall (who also sings and plays bass). Tea For Two almost has a calliope feel but with a light funky rhythm. Nice! Mama's In The Backseat has a country rock feel driven mostly but a thumping rhythm guitar. Hall goes apes**t on the harp making it quite a cool track. Closer To Death has a strong funky beat and a super blues harp sound. Feel Me Now has a lot of strong airplay characteristics with a bit of Journey mixed with R&B and a rock twist. Interesting. Don't Make'em Like They Used To has a feel of the Black keys if they were British. A bit of grind and a bit of pop. Very cool with nice backing vocals. My Paradise has a R&B feel with a bluesy kick. Again on this track backing vocals by Andrina Tuenne, Alexa Dirks and Dawn Pemberton add nice warmth. In And Out Of Love has a Bo Diddley beat and strong harp work over the lead work and direct drumming giving it a distinct NO feel. Sweat This Pain almost gets into a James Brown groove with funky guitar riffs and a groovy rhythm. Cry A Little returns to a more pure blues feel but still with a contemporary feel. Again backing vocals give it a R&B edge. This track has a different kind of vibe with a guitar/harp exchange, making it one of the coolest tracks on the release. With it's light guitar lead and harp overtones, In The End has an almost Neil Young feel but with a softer edge. This could easily be the best radio track on the release. Act Your Age is a bright, happy kind of track with a plucky rhythm guitar/bass feel. Again warm backing vocals give the track a special smoothness. Wrapping the track is A Real Fine Noise, the most eccentric track on the release and likely my favorite. With it's unusual rhythm pattern and underlying funk rhythm, this is a real nice finish for a solid consistent release.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 

This Stone Has "Gotta Keep Rollin'" - Chicago Blues Singer/Harmonica Master Rob Stone Delivers High-Energy Mojo on His New CD for VizzTone Label Group, Due September 9

This Stone Has Gotta Keep Rollin’ – Chicago Blues Singer/Harmonica Master Rob Stone Delivers High-Energy Mojo on His New CD for VizzTone Label Group, Due September 9

Special Guests on Stone’s First Album for VizzTone Include Blues Hall of Famer Eddie Shaw, John Primer, David Maxwell and Henry Gray

NEWTON, MA – The VizzTone Label Group announces a September 9 release date for Gotta Keep Rollin’, the new CD from Chicago blues singer/harmonica master Rob Stone, distributed nationally by Redeye Distribution. Joining Rob Stone and his battle-hardened group of band mates Chris James (guitar), Patrick Rynn (bass) and Willie “The Touch” Hayes (drums), are several special guests, including newly-inducted Blues Hall of Famer Eddie Shaw (sax), guitarist John Primer, Blues Music Award-winning piano player David Maxwell and Henry Gray, former piano man for the legendary Howlin’ Wolf.

From the first notes of the lead-off track, a rousing take on Johnny Jones’ “Wait Baby,” through the album’s closer, “Not No Mo,” (a swingin’ entreaty to a lady friend), it’s obvious that Rob Stone’s music, while steeped in the finest traditions of Chicago blues, is not here gathering dust. It’s exciting, vibrant music for the 21^st century with more grooves and high-energy than the law should allow.

Over the course of an dozen high-energy tracks that feature six originals, plus blistering covers of the aforementioned Johnny Jones, John Lee Williamson, (“Wonderful Time”), Jazz Gillum (“She Belongs to Me”), Billy “The Kid” Emerson (“Move Baby Move”), Willie McTell (“Cold Winter Day”) and Cornelius Green (“It’s Easy When You Know How”), Rob Stone and Co. take the listener on a tour of the sounds heard in Chicago-land’s finest blues clubs.  

Gotta Keep Rollin’ is Stone’s fourth album as bandleader and first for VizzTone. His previous CD, Back Around Here (Earwig – 2010) scored big on the blues radio charts and was also named by Living Blues magazine as one of that year’s top release. Prior releases also include No Worries (1998) and Just My Luck (2003), which was nominated for a Chicago Music Award in the “Best Blues Album” category. Rob was also prominently featured in the Martin Scorsese-produced “Godfathers and Sons” episode of the critically-acclaimed blues series that aired on PBS stations nationally in 2003.

Now based in Los Angeles, Rob Stone cut his musical teeth in the gritty clubs of Chicago’s north, south and west sides, learning from the masters. He got his start at age 18, when he slipped into a blues joint in his native Boston to check out harp great Charlie Musselwhite and was instantly transfixed. He bought his first harp the next day and began listening to recordings of Little Walter, Big Walter Horton, Junior Wells, James Cotton and the two Sonny Boys.  Before long, Rob was learning the finer points of the instrument from ex-Muddy Waters mouth organ maestro Jerry Portnoy and playing regularly with Rockabilly legend Sleepy LaBeef. Relocating to Colorado in 1990, he got his feet wet playing with biker bands on the smoky bandstands around Colorado Springs. Then in ‘93, legendary drummer Sam Lay invited the young harpist to sit in with his combo, leading to a job offer and a move to Chicago the next year. Touring internationally with Sam Lay for four years introduced Stone to blues fans worldwide. Despite leaving Sam’s band in 1998 to form the first incarnation of his current band, the C-Notes (with Chris James and Patrick Rynn), Rob and Sam continued to perform together over the years, and Sam has appeared on several of Rob’s albums. “I have worked with many harmonica players, and he turned out to be the best,” says Sam (quite an endorsement, considering Lay was a member of Paul Butterfield’s vaunted mid-‘60s band and also kept impeccable time for Howlin’ Wolf and Little Walter). “That cat is a monster harmonica player and musician!”

Besides headlining his own club tours, Stone has opened major shows for a wide-range of stars, including B.B. King, Sheryl Crow, Robert Cray, Los Lobos, James Cotton and Etta James. He’s also gaining a wide reputation as an emerging talent throughout Europe with consistent overseas touring, as well as in Japan, where he’s built an impressive following of fans.

Rob Stone’s hard-hitting, honest and highly-danceable blues never fails to delight crowds at his shows. Firmly committed to spreading the blues gospel, Stone is nevertheless his own man, carving out a niche for himself with exceptional singing and harp work, plus a knack for writing terrific original blues songs.

Rob Stone and his band will support the release of Gotta Keep Rollin’ with non-stop touring both in the U.S. and abroad.

For more information, visit www.robstone.com and www.vizztone.com.

Richie Onori's Blues Messenger at Arcadia Blues Club

Richie Onori's Blues Messenger                                                   (Photo by Deja Cross)             RICHIE ONORI'S BLUES MESSENGER TO ROCK             ARCADIA BLUES CLUB - FRIDAY, JULY 25   (Arcadia, Calif.) - Acclaimed veteran rock musician Richie Onori unleashes his new band, Richie Onori's Blues Messenger, in a headlining show at the Arcadia Blues Club, 16 E. Huntington Dr., Arcadia, Friday, July 25. 9 p.m. Tickets $6.25 (advance), $11.50 (at the door). Info: (626) 447-9349 or visit http://www.arcadiabluesclub.com/.          Onori, who also drums for legacy muti-platinum act, Sweet, steps out from behind his drum kit and takes front-and-center on guitar and lead vocals for Richie Onori's Blues Messenger, a band ten years in the making. The group includes guitarist Phil Woodard (Sahara); bassist Marvin Sperling (who previously played with Onori and famed keyboardist Keith Emerson in the group Aliens); keyboardist Stevie Stewart (who also plays in Sweet); drummer Paul Maselli (Dread Zeppelin); and backing vocalist, Aina O'Kane. The live show includes a preview of Richies' Rock-Theater project In The Name Of Freedom, also the title of his recently-released album.  Critics Praise In The Name Of Freedom/Richie Onori's Blues Messenger                 "Revolutionary...An exceptionally powerful collection”                                             VINTAGE ROCK “…the rawness of Jimi Hendrix mixed with some modern-day blues of Joe Bonamassa.”             NATIONAL ROCK REVIEW                                             "...modern, rich and vibrant. The Great American Anthem Album of 2014!"                          XOMBIEWOOF MAGAZINE                                                                                               www.richieonori.com            https://www.facebook.com/richieonoribluesmessenger     Huffington Post (Feature) Vintaqe Rock - In The Name Of Freedom (CD Review) American Live Wire (3 Quick Questions)

Blind Pig signs Canadian artist JW-Jones!

JW-JONES SIGNS WITH BLIND PIG! CANADIAN ARTIST SET FOR U.S. BREAKOUT JW-Jones, a red hot young Canadian guitar slinger/singer, is set to break out in the U.S. and worldwide markets with his signing with acclaimed American roots music label Blind Pig Records. His first release for the label, entitled Belmont Boulevard, was produced in Nashville by Grammy-winning producer Tom Hambridge,  who’s helmed projects for Buddy Guy, George Thorogood, and Susan Tedeschi.   Jones chose Hambridge to produce because “This CD is all about getting out of my comfort zone musically and lyrically, working with a big producer and creating a high-energy experience that matches our live show, and I knew Tom was the man to make that happen.”  For the songs on the album, Jones decided for the first time to delve deep into his personal life and tell some of his stories that had never been told before.   He co-wrote many of the songs with Hambridge, a noted songwriter whose tunes have been recorded by Lynyrd Skynyrd, Rascal Flatts, and Delbert McClinton, among others, and featured in movies, commercials, and television. "Digging deep into some very serious personal stories from my past and turning them into songs has been liberating and part of the healing process.  I hope these songs resonate with listeners that have been through similar experiences," said Jones. Known as a high-energy crowd-pleaser, Jones has played in nineteen countries in his brief career, and recently opened U.S. tours for Johnny Winter and Jimmie Vaughan, one of his strongest influences.   Looking forward to his association with Blind Pig and the release of the album in October, Jones said, "Signing with Blind Pig is truly an honour and major milestone in my career.  I am ecstatic to be on a label that is a fixture in roots music.  I've been listening to their records since I was a kid!"

Ruf Records artist: Royal Southern Brotherhood - HeartSoulBlood

I just received the newest release, HeartSoulBlood from Royal Southern Brotherhood and it's smooth! Opening with World Blues, a swampy, funky rocker with underlying hot slide and guitar work from Mike Zito and Devon Allman. Cyril Neville adds a super percussion track giving the track tht extra spark. Rock And Roll is a classic rocker with driving guitar riffs and drum work by Yonrico Scott. Groove On has a jazzy feel and hints of Steely Dan. Warm vocal harmonies and a distinctive rhythm are the keys to this track. Nice twin guitar leads to cap the track add a bit of bite. Here It Is is built over a cool funky bass riff from Charlie Wooton. A very funky jam track to get you moving. Callous has a slow slinky bluesy feel and is likely my favorite track on the release. A romping bass line and raw guitar soloing really make this a standout track. Lead vocals on this track are also particularly effective. Ritual had a grinding rhythm guitar part and actually reminds me a bit of Joe Walsh with a metallic edge. A cool track for radio play with a good melody and just enough edge. Shoulda Known is a very well composed R&B style track. I particularly like the vocals on this track and think that it could be the gem of the release. Let's Ride has components of soul and metal but an overriding feel of southern funky rock... funky Lynyrd Skynyrd with vocal harmonies. Cool! Trapped takes a more laid back shot at rock with sonic guitar riffs added over a easy funk rhythm. She's My Lady oozes soul. Keeping the instrumental backing light the vocals are king on this track and nicely executed. Takes A Village features supple vocal lead over light percussion and vocal like slide work. Very nice! Wrapping the release is a jagged tempo intro leading into anthem like, Love And Peace. Cool stagger step rhythms breaking the uniformity of the chant like melody creates a nice duality to the track and dualing guitar leads with Zito and Allman make this another release favorite. If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

Johnny Winter's passing has been confirmed - Our prayers are with his friends and family

GENEVA (AP) — Texas blues icon Johnny Winter, who rose to fame in the late 1960s and '70s for his energetic performances and musical collaborations including with childhood hero Muddy Waters, has died. He was 70.
His representative, Carla Parisi, confirmed Thursday that Winter died in a hotel room in Zurich a day earlier. The statement said his wife, family and bandmates were all saddened by the loss of one of the world's finest guitarists.
He had been on an extensive tour this year that brought him to Europe. His last performance came Saturday at the Lovely Days Festival in Wiesen, Austria.


 Winter, along with his younger brother Edgar, rose to prominence in their early 20s and turned heads both for their musicianship and stark-white hair, a result of the musicians' albinism.


 The guitarist was born in Beaumont, Texas in 1944 and rose to prominence in his early 20s after a Rolling Stone cover story on Texas music in December 1968. "If you can imagine a 130-pound, cross-eyed albino with long fleecy hair playing some of the gutsiest, fluid blues guitar you ever heard, then enter Johnny Winter," wrote Larry Sepulvado and John Burks in the issue. "At 16, [Mike] Bloomfield called him the best white blues guitarist he ever heard.... No doubt about it, the first name that comes to mind when you ask emigrant Texans about the good musicians that stayed back home is Winter's." The guitarist, who had previously played in a band with his younger brother Edgar (who scored a Seventies hit with "Frankenstein"), was playing in a trio at the time. After the article came out, Winter was offered several deals and eventually signed a reported $600,000 contract with Columbia.

Winter was found dead overnight in a hotel room outside Zurich, according to a police spokeswoman. A prosecutor has ordered an autopsy because the cause of death is unclear.

There was no indication of third-party involvement, and early indications pointed to a medically related incident.

   

If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”