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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Tuesday, June 17, 2014
Here Comes The Hurricane: Vancouver's Dave "Hurricane" Hoerl Releases Un-Twisted
Labels:
Canada,
Dave "Hurricane" Hoerl,
International,
Untwisted,
Vancouver
Tommy Malone's Texas Swing
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Labels:
MC Records,
Subdudes,
Tommy Malone
FMI Records artist: Dave Fields - All In - New Release Review
I just received the newest release (July 1, 2014), All In, from Dave Fields and it's quite strong. Opening with Changes In My Life, a blues shaped rocker, Fields,playing most all instruments lays out a pop blues rocker with a catchy feel and blues riffs blended with modern tapping techniques making for an interesting change of pace. Voodoo Eyes is up next with more of a ballad style but with a cool rhythm. Fields again steps up with some really nice guitar riffs and key work that nicely highlights the track. Let's Go Downtown has a really happy feel and pacing march rhythm not a lot unlike what you might expect from Wet Willie or Elvin Bishop. This is a cool track with strong blues guitar riffs. Yeah, he has a better voice than my pal Crabshaw, but I ain't holding that against him. Nice track. Dragon Fly takes a much more serious approach to the music with more of an orchestral arrangement, powerful bottom and soaring guitar. Cream's (Robert Johnson) Cross Road is up next with a totally different feel. The reason that I say Cream has more to do with it sounding like an interpretation of Cream's interpretation of Robert Johnson's Crossroad Blues. With a slower pace and a heavier attack, this track has new life and modern guitar pyrotechnics yet retains a bit of the rawness of Johnson's original. Wake Up Jasper is a straight up 12 bar number along the lines of Blind Willie McTell's Statesboro Blues. Fields has a nice voice that blends well with his musical style. Breaking into a R&B track midway through, this track is one of the coolest on the release with Jeff Beck like guitar sounds and a Wilson Pickett step. Excellent! A really cool twist is a funky take on Led Zep's Black Dog! Retaining a bit of Robert Plant's senseless groans and grunts might be the easiest tip off that it's the same track it's done so nicely, Led Zep fans will easily pick it out... but it is really a new track. Not retaining the flash and flair of Page's guitar work opting instead to do it "Texas Style" this is quite a cool track. Not Gonna Let You Get Away retains that southern blues funk with a pop edge. An "Eddie van Halen" like guitar solo breaks the funk but not in a bad way. This is a cool track which nicely blends not only musical styles but also guitar styles and nice vocal work. Got A Hold On Me slides into Ray Charles territory with a touch of Stevie Ray. A cool R&B rocker with modern guitar sounds really separates this track and Fields as a whole as someone who is trying to cut his own road. Nice job! That's All Right is a groove monster with a funky beat and killer guitar riffs. Again Fields is right on vocally making this one of the nicer tracks on the release. Wrapping the recording is Lover's Holiday, an easy, acoustic number primarily featuring Fields on acoustic guitar and vocals, light percussion and backing. This is a cool little track to complete what is certainly Fields finest outing to date.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Labels:
All In,
Dave Fields,
FMI Records,
Review
Monday, June 16, 2014
Eller Soul Records artist: The Nighthawks - 444 - New Release review
I just received the newest release (June 17, 2014), 444, from the Nighthawks and it's a lot of fun. Opening with the Du Droppers' Walk That Walk, the Nighthawks are really swinging with really nicely blended vocal harmonies and super harp work from Mark Wenner. On Livin' the Blues, a traditional 12 bar with a casual lope to it, vocal harmonies are again a key part of the track. Wenner again lays down some nice harp riffs joined by Paul Bell on vocal and guitar, Johnny Castle on bass and vocal and Mark Stutso on drums and vocal. Title track 444 A.M. is a real rocker with flaming guitar riffs from Bell pulling out some really cool rockin solos. You're gone has a twist of country and a radio style arrangement. Honky Tonk Queen continues along with a country flavor and an even stronger radio presence. Got A Lot of Livin' has strong Rockabilly roots with cooking bass work by Castle and crisp riffs from Bell. Authentic roots style vocals punctuate the track. Crawfish has a swampy feel with a repetitive guitar chime and tom tom work. Wenner echo's the vocals nicely on harp. Price Of Love has a stomp to it with nice over driven slide work. The most straight forward blues rocker so far, gives Bell a lot of room to slide and Wenner plays back a nice compliment for each hot riff from Bell. High Snakes is possibly the coolest track on the release with a slow tex/mex rhythm and creative writing. Bell plays subtle but sensuous guitar riffs on this track and Wenner compliments him well. Very nice. Nothin' But The Blues gets into a solid blues groove. The lead vocals are really super on this track and Bell takes a really nice guitar ride on this track. Wenner also steps up with icing for a nice cake. No Secrets is a more prominent blues rocker with Stutso leading the way on drums. Bell cuts it loose again on slide and this track simmers on white hot sliding action. Wenner knows how to work the harp and does a really nice job on this track. On Morganfield's Louisiana Blues, the band is just a few steps from stripped down with fairly raw acoustic guitar and harp. Wrapping the release with Roadside Cross the band is joined by Akira Otsuka on mandolin. A quiet acoustic ballad this is a nice close to a nicely done release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Could not find a clip from this release but this is the Nighthawks:
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Could not find a clip from this release but this is the Nighthawks:
Labels:
444,
Eller Soul Records,
Review,
The Nighthawks
Friday, June 13, 2014
Sword & Cross Records artist: Stephen Anthony Gregory - Me, Myself & I - New release Review
I just received the newest release, Me, Myself and I from Stephen Anthony Gregory. This is certainly not a mainline blues release by any means but of course has blues influences. Opening With Red Light, White Light, Gregory who plays all instruments, plays intricate classically shaped guitar solos over a metal based rhythm. Tapping, bending and shredding are all present but quite tastefully done. On Old Avila, the backing is a little lighter in nature but use of bass the track still has a bit of a metal sound. Gregory weaves the drums, rhythm guitar and bass into a cool underlayment for wailing guitar melodies. Gregoria is a bit lighter yet with arpeggiated chords and solid twin lead guitar solo melodies making for a pleasant instrumental. Wrapping the release is The "Hip Do's" a hard driver with grinding rhythm guitar and high overdrive lead guitar melody. Rapid fire lead guitar work leading into anthem like melodic lines and soaring dives makes this an entertaining diversion from much of what I typically hear.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Thursday, June 12, 2014
Delmark Records artist: Steve Freund / Gloria Hardiman - Set Me Free - New Release Review
I just received the newest release, Set Me Free, from Steve Freund and Gloria Hardiman and it's quite entertaining. Earlier released on Razor Records in 1983 (LP) this release is now available on CD with a few unissued tracks. Opening with R&B style You Got Me (Where You Want Me) Hardiman shows her command of the genre and Freund plays some hot riffs really getting the release off to a good start. On Jimmy Rogers track, That's All Right, Hardiman brings it down a bit and shows some rich blues feeling. Freund is always standing ready with a loaded fretboard making most anything that he touches come to life. Accompanied by Sunnyland Slim on this track it's good to hear the master at work. Bob Stroger on bass and Fred Grady on drums keep it simple while Freund plays a frenzied guitar solo sitting you back in your chair. Jammin' With Sam, a hot swinging instrumental track features a great lead melody by Sam Burckhardt on tenor sax and again solo work from Sunnyland and Freund. Ike Turner's The Way You Love Me, gives Hardiman a great opportunity to showcase her vocal style and Freund rips a nice solo lead. Harlan Terson sits in on bass on this track and Eddie Turner handles the drums. Ken Saydak lays down a really nice spiritual style piano line on King Curtis' Let Me Down Easy, giving Hardiman the opportunity to perform some of the best vocal work on the release. Freund isn't far from the mark when she takes a breath and crisp guitar riffs flow like water. On Aretha Franklin's Dr Feelgood, both Hardiman and Freund hit a nice groove, Freund really getting some smoking riffs off. On Guitar Slim's, Well I Done Got Over It, Hardiman really belts out the lead and Freund is always ready to throw some fuel on the fire with the guitar. New Orleans Hop Scop Blues is a swinging boogie like track with a nice guitar intro by Freund. Saydak really kicks it on piano on this track and of course Freund's contributions and certainly noteworthy. Things That I Used To Do, another Guitar Slim number is hot as a poker with Freund smoking the strings. Freund also takes the lead on vocals with a pretty nice vocal impression of Slim. Sunnyland Slim is back on piano and his personal styling, especially on this track is spot on. Possibly the best track on the release. Cleanhead Vinson's Kidney Stew Blues, a hot swinging blues instrumental is up next with great work from Burckhardt on tenor sax, Saydak on piano and Freund on guitar. Excellent! Otis Rush's Homework, never before released maintains the 60's rock beat and features Ron Sorin on harp and excellent vocal backing by Diane Holmes, Gail Washington and Gloria Hardiman. Freund punches the track with quick jabs and Gary Heller adds guitar work as well. Brook Benton's free wheeling, Kiddio, another never before released track has super piano presence from Saydak and Sorin is back on harmonica making this a great inclusion. Shoppin' And Snackin' features Saydak on vocal and piano as well as Bob Levis on guitar for a cool swinging piano blues. Wrapping the track is a boogie instrumental version of Swanee River Boogie. Saydak really hammers it out for a great conclusion of a very cool release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Wednesday, June 11, 2014
New music from Eden Brent and more
New Music from Eden Brent and more
Eden Brent picks up the pieces of her Jigsaw Heart with a soul-baring set of new songs
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- The Soul of John Black – A Sunshine State of Mind – R&B/Soul Album
- The Soul of John Black – “Higher Power” – R&B/Soul Song
- The Claudettes – Infernal Piano Plot...HATCHED! – Instrumental Album
- The Claudettes – “The Claudettes: Live in the Studio” – Long Form Music Video
Andy T - Nick Nixon Band "Livin' It Up"
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Labels:
Andy T- Nick Nixon Band,
Livin' It Up
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