Bman's Blues Report

Friday, December 5, 2025

Origin Records artist: Bobby Rozario - Healer - New Release Review

I just had the opportunity to review the most recent release, Healer, by Bobby Rozario, and it's cool jazz rock with potent Latin influences. Opening with title track, Healer, Bobby Rozario opens with fluid guitar riffs underscored by Neil Nail Alexander on organ, James Genus on bass, Nathaniel Townsley on drums, and Jhair Sala on percussion and Rosario, Keith Fluitt, and Carlton Jumel Smith on vocals. Lively opener. On Supreme, they crank up the brass with inclusion of Joe Romano on trumpet and Jimmy Bosch on trombone with vocals in almost chant form reminiscent of a similar track by McLaughlin and Santana. Rozario's guitar work is electrifying and the rhythmic percussion work of Sala, Townsley and Rozario is hypnotic. Latin rocker, Spirits, has a solid bottom courtesy of Danny Kean on organ, bass by Aalics Bronson and Robby Ameen on drums. Tight guitar riffs by Rozario give this track a real jam. Wrapping the release is Seasons, a funky, Latin rocker showcasing Rozario on guitar and David Mann on sax. This is a real solid track and a cool closer.

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Thursday, December 4, 2025

Onion Boy Records artist: Bryan Beller - Calm Before The Storm - New Release Review

I just had the opportunity to review the most recent release, Calm Before The Storm, by Bryan Beller and it's quite good. Bassist, Bryan Beller, additionally known for his work with The Aristocats has done some work with parts of his last solo release resulting in this release. Opening with Greasy Wheel, Bryan Beller on bass is joined by Rick Musallam on guitar who really knocks it out of the park with his rhythmic guitar exchange with Joe Travers on drums and Jeff Babko on Hammond. Relentless guitar lead on Cave Dweller, driven by Beller and Travers and a funky Hammond solo by Babko make this a really great opener. Lumbering drum rhythm by Toss Panos and a staggering bass line by Beller gives lead guitar player, Griff Peters a super field to plays a beautifully obtuse melody. An authoritative bass line by Beller really gives this track weight and Peter's, "Beck" like phrasing and distortion makes this a real standout. Excellent! Wrapping the release is a frantic, possibly Fripp influenced, Love Terror Adrenaline / Break Through with Mike Keneally playing intricate, melodic, structural guitar lead as well as flexible solo guitar stretching and contorting the sound over a tight drum rhythm of Marco Minnemann, Rick Musallam on rhythm guitar and aggressive bass lines by Beller who also adds piano, synth pads and percussion. Really strong closer.

Wednesday, December 3, 2025

Quarto Valley Records artist: Tom Hambridge - Down The Hatch - New Release Review

I just had the opportunity to review the most recent release, Down the Hatch, by Tom Hambridge, and it's a solid mix of blues, rock and soul. Opening with driving, Willie Dixon's Gone with it's train like rhythm. Tom Hambridge on lead vocal and drums leads the way with aggressive guitar rhythm by Rob McNelley, and pumping bass by Tommy MacDonald. Solid Opener. MacNelley sets the pace for shuffle, I Want You Bad with solid rhythm and stinging lead guitar. Hambridge adds a driving pace on drums and solid lead vocal. Hard Times is a cool track with a solid vocal melody by Hambridge and haunting guitar wails by MacNelley and heavy tom tom work by Hambridge. Very cool. My favorite track on the release is Believe These Blues with it's funky rhythm and soulful vocals by Hambridge and relentless guitar work by MacNelley. Additional texture by Jimmy Wallace adds depth to an already very cool track. Piano boogie, You Gotta Go Through St. Louis is another favorite with Kevin McKendree and Buddy Guy really having at it driven by Glenn Worf on bass and Hambridge on drums. Excellent! Clever little track, Start Drinking Early Day has a memorable melody and clever lyrics capped by laid back guitar riffs making it a likely radio and crowd favorite. Wrapping the release is I Wanna Know About You, an absolute radio track with a western flavor. Hambridge leads on vocal and drums supported by Bob Britt on guitar, MacDonald on bass and Noah Forbes on keys. Solid closer.

Tuesday, December 2, 2025

Guitar One Records artist: Misty Blues - Other Side Of Blue - New Release Review

I just had the opportunity to review the most recent release, Other Side of Blue, by Misty Blues and it's smoking. Opening with slow blues, I've Got Vices, Gina Coleman with her powerful vocals lead the way, joined by the blistering guitar work of Seth Fleischmann and power sax work of Aaron Dean, Diego Mongue on bass and David Vittone on keys and Rob Tatten on drums. Funky, Trust Ain't Given is a solid mover with snappy drum/guitar rhythm supporting Coleman on vocals. Vittone on organ really thickens up the funk and Tatten's stick work on drums really stiffens up the slam. Very cool. Dark, jazzy, Three Mississippi's, is one of the coolest tracks on the release pairing Coleman's vocals with the backing of Chantel McCullouch, Wendy Lipp, Kathy Ryan, Rebecca Mattson and Sean Bottoms on vocal and the warm guitar work of Fleischmann. Carry On This Way has a swaying blues feel giving Dean a great opportunity to show his sax chops and Coleman's vocal phrasing and depth gives the track a rich feel. Fleischmann enters the closer, I Ain't Buying with a tight, funky guitar riff joined by Bob Stannard on harmonica providing an excellent field for Coleman's vocal style. Mongue on bass and Tatten on drums hold the bottom tight and Dean's sax work is fat fat fat. Solid closer for a cool release.

Monday, December 1, 2025

Cleopatra Records artist: Humble Pie - Sunset Blvd 1969 - New Release Review - Purple Vinyl!!!

I just had the opportunity to review the most recent release, Sunset Blvd 1969, by Humble Pie and it’ gives a very cool insight into one of the most dynamic blues rockers of the era. Headlined by Peter Frampton, a well known guitar wiz and Steve Marriott, possibly the best blues rock vocalists of our time, this band was spectacular. This is a recording that I have never heard and recorded live at the Whiskey A Go-Go, this catches the band in all of it’ s rawness and very finely recorded on their first US tour.

Opening with the Yardbirds’ For Your Love, this track has a whole new feel. Jerry Shirley sets a cool bongo like rhythm and Peter Frampton plays Flamenco stylized acoustic guitar, backed by Marriott on acoustic rhythm guitar. Marriott, always soulful wails the lyrics, complimented by Frampton who plays lush acoustic lead throughout. This is a real cool track and not at all what you’d expect from the band who “Rocked the Fillmore” but it’s quite good. Next up is Johnny Kidds (Think the Who Live At Leeds) Shakin’ All Over. Greg Ridley really puts his fingerprints on this one laying down a distinctly Humble Pie bass line with Shirley keeping it tight. Frampton and Marriott both contribute a lot on vocals and Frampton shows some of his blues chops on guitar while Marriott plays in on harp and keys. Solid Pie. Really getting that Humble Pie Swagger” Shirley on bass leads the way on Ray Charles’ Hallelujah I Just Love Her So with Frampton trading lead vocal with Marriott. Wrapping the release is a exceptional spin on Dr John’s haunting, I Walk On Gilded Splinters. With a strong bass/ drum anchor, Frampton and Marriott explore blues riffs on guitar and Marriott’s exceptional vocals are displayed. Marriott blows his trademark harp style and Frampton on guitar works with Ridley and Shirley, building the anticipation. Breaking into a definite Felix Pappalardi / Corky Laing riff from the time, the band is driving hard. This is a great jam circling back to a heavy ending on the Night Tripper’s classic. Excellent addition to my Humble Pie set.

Monday, November 24, 2025

Teskey - White Wolf - New Release Review

I just had the opportunity to review the most recent release, White Wolf, from Teskey and it's a solid blues based rocker. Opening with Under The Sun, Teskey hits hard with a potent guitar riff by Brandon Teskey who also leads the way on vocal and a stiff snare swat by Brandon Gaddy. Matt Baldwin on bass creates a driving urgency on bass and Peter Murphy adds melodic keyboard rounding out the track. Slow blues, Upside Down World, follows a basic 8 bar format with Teskey setting the melody on vocal and accompanying himself on guitar. A firm bottom by Gaddy and Baldwin gives him plenty of room to lay down contemporary guitar riffs falling back to the blues root. Lemon Tree is a cool acoustic track with Teskey laying down a basic blues bottom on acoustic guitar and singing and soloing over that showing fine dexterity. Shadow Side is a straight up rocker and my favorite track on the release. With a strong bottom and nicely blended vocals, this could be a good radio track. Wrapping the release is ballad, Make The World Sing, with a solid melody and powerful approach. Teskey on vocal is firmly backed by Murphy on vocal and keys and his own guitar accompaniment over the solid bottom by Gaddy and Baldwin make this a strong closer.

Thursday, November 20, 2025

OA2 Records artist: Randy Napoleon - Waking Music - The Music of Gregg Hill & Randy Napoleon - New Release Review

I just had the opportunity to review the most recent release, Waking Music: The Music of Gregg Hill & Randy Napoleon and it's solid, inspired and inventive. Opening with Super Moon, you immediately get a sense that this release is going to be a new excursion. Clock like rim shots and unexpected snare/cymbal shots by Quincy Davis, piano rhythm by Rick Roe and featuring Randy Napoleon and Jocelyn Gould on guitar creates a euphoric feel. Breaking to a real nice bop, led by Rodney Whitaker on bass, Napoleon lays down a low slung solo that really creates a groove. Gould picks up the baton and runs with it creating a nasty groove of her own. Whitaker takes center focus and he makes the groove fly. Circling back, Davis recreates the clock like timing and reggae slap. Very interesting. The Speckled Frog has a cool Latino bop feel with super drum and percussion by Davis and walking guitar texture by Napoleon and Ben Turner. Anthony Stanco sits in on trumpet shoveling a heap of bluesy tasty bop riffs on the fire. Napoleon takes the lead with really nicely stylized soloing, accented by Roe. Two Thoughts is really a nice break with classical/jazz construction featuring Roe on piano, Davis on drums and Napoleon weaving a lush fabric of guitar tones. Roe breaks into a strong groove and Davis is tight on his heels. Napoleon enters with plenty of swagger making it very difficult to keep yourself stationary. Very nice. The Singer really is high energy with excellent guitar work by Napoleon and Luke Sittard, expanded and reinforced by a dynamic Latin bottom by Roe, Michael J. Reed on drums and Langston Kitchen on bass. Smoking! Riverside Blossoms showcases the excellent chops of Michael Dease up front on trombone punctuated by the solid piano rhythm of Roe and Davis on drums. Napoleon shows his warm side with fluid guitar lead and a tight bass lead by Whitaker gives the track even more weight. Rich. Jo Jo Jo has a really contemplative intro with beautiful guitar illustration by Napoleon. This piece kicks into high gear lead by Napoleon, Sittard and Roe and Davis' splashy drum work is tops. Wrapping the release is Boom Boom with exuberant guitar solos by Chris Minami, Ben Turner, and Gould, a rich Tenor sax solo by Walter Blanding and topped off by hot drumming by Davis. What a closer.

Wednesday, November 19, 2025

Dixie Frog artist: BB & The Bullets - High Tide - New Release Review

I just had the opportunity to review the most recent release, High Tide, from BB & The Bullets and it's a solid blues rocker. Opening with rocker, Something In The Water, Brian Baker on lead guitar and vocal gets things going with with a solid mix of melody, rhythm and spunk. Stu Duncan on bass and vocal and Brad McMillan on drums and vocals makes for a solid opener. Bo Diddley's I Can Tell has a simple rock beat and a deep bass and drum anchor. With cool vocal blending and Baker rocking the vocals, backed by cool rhythm guitar and some real simple yet tasty lead guitar makes this track one of my favorites on the release. Rufus Thomas' Walking The Dog gets a cool makeover with an excellent backbeat emphasized by snappy drumming by McMillan. Simple sixties styling, a cool bass line and prime vocals make this another standout on the release. The Beatles' I Want You retains much of the original feel with it's echoed vocals and bluesy guitar work yet stepped up a few notches in style by McMillan on drums. Stretched a little for a real nice guitar solo and tasty instrumentation gives this track a great kick. Letting good is the best original track on the release with a sophisticated melody and nice vocal harmonies. Blending solid rock bottom with soulful guitar and vocals gives this track real punch. Wrapping the release is Big Boot Running with a clever guitar riff and thumping kick drum. Leaning toward Nirvana just slightly the track has a real interesting feel and a clean guitar solo gives it tension making it a solid closer.

Tuesday, November 18, 2025

Origin Records artist: Shawn Purcell - Oblivity - New Release Review

I just had the opportunity to review the most recent release, Oblivity, by Shawn Purcell, and it's intensively satisfying. Opening with title track, Oblivity, Shawn Purcell on guitar and Walt Weiskopf on tenor sax chisel out a really cool melody supported by Chris Ziemba on piano, Jeff Reed on bass and Steve Fidyk on drums. Weiskopf really rips a great sax solo, tightly punctuated by Ziemba on piano, then surrendering the lead to Ziemba who really holds the line. Purcell picks up the groove on Guitar Synth sending it even further before returning to TDC for a climatic conclusion. Explosive opener. Verdigris with it's steady pace and sophisticated drum pattern provides fertile soil for double time guitar work by Purcell over the stable melodic base by Ziemba on piano. Weiskopf really soars on sax with full scale melodic assault before Ziemba takes the lead with calming yet vibrant piano lead, anchored by Reed and Fidyk. Very nice. Laid back, Lazy Reverie, is an easy shuffle featuring Purcell on Synth laying down the melody. Weiskopf really stirs the pot with a strong tenor solo, punctuated by Ziemba on piano. Purcell keeps things simple with a breezy Synth solo with Darden Purcell on voice and Ben Patterson on trombone adding warm texture as Ziemba stretches on piano. Nicely cool. Sunday Best has a strong melody and a real bluesy swing, adorned nicely by the sassy sax work of Weiskopf. Purcell steps in with some great eighth note runs and double stops creating excellent tension against the solid bottom created by Ziemba, Reed and Fidyk. Deep. Wrapping the release is Flow, a strong, anthem like track with Purcell and Weiskopf paired in tandem creating a forceful front. Taking it low, Ziemba on piano sets the base melody before Purcell comes on full force on Synth really tearing a hole in the atmosphere, followed by Weiskopf on sax creating a sense of the storm winding down over an excellent front of percussion by Fidyk, paring down even further to the basis by Ziemba who leads the ensemble to a solid close. Powerful closer. Beautiful cover by the way...

Monday, November 17, 2025

Joplin Sweeney Music Company artist: Jim Witzel Quartet - Very Early (Remembering Bill Evans) - New Release Review

I just had the opportunity to review the most recent release, Very Early (Remembering Bill Evans), by Jim Witzel Quartet, and it's terrific! Opening with Victor Young's, Beautiful Love, JimWitzel on guitar paints a lush landscape of guitar chords setting up this jazz standard. With Phil Aaron on piano punctuating the melody and Dan Feiszli on bass and Jason Lewis on drums, this track is really humming. Aaron really stretches the melody on piano giving the track real width and Feiszli and Lewis alternate riffs adding the depth. Excellent. opener. Steve Swallow's Falling Grace has a stylistic Latin rhythm and Witzel really rolls on guitar with flowing rhythmic lead and Aaron on piano uses a percussive style to really deliver the goods. John Carisi's Israel has an incredible groove. Witzel and Aaron outline the melody nicely in duet, with Aaron first breaking loose with a light piano lead with just the least amount of bass and drums to set up the interplay. Witzel steps up with really nice guitar lead slowly but certainly ramping up the track. His intuition is terrific ... I mean this groove will push you back in your seat. Lewis shows his crisp sense of rhythm and articulation before the rest of the band falls back wrapping the track. Very nice. Feiszli leads off Miles' Nardis with a super bass line. Witzel outlines the melody on guitar with Aaron working the counter and response. Taking the first solo line, Aaron sets a solid bop followed by lavish guitar lead by Witzel . Wrapping the release is Bill Evans' Peri's Scope with a tight Latin feel. Witzel and Aaron pair the lead before Witzel peels away with swinging, stylized guitar lead. Changing the rhythm up a little with cool rim shots by Lewis, Aaron hits it hard on piano before letting it go in full swing meeting back with Witzel for a warm finale. Excellent release.

Thursday, November 13, 2025

BMG Records artist John Lee Hooker - Boom Boom - New Release Review - VINYL

I just had the opportunity to review a Terrific release by John Lee Hooker, Boom Boom recorded in 1989. John Lee Hooker has been on of my favorite blues guys since I was a kid so to have the good fortunate to review this release on vinyl is really special. The release explodes with Boom Boom right out of the gate featuring Hooker on guitar a vocal, Jimmie Vaughn on guitar, Richard Cousins on bass, Kevin Hayes on drums and Jim Pugh on keys. Unlike some of the more contemporary releases by Hooker, this band stays out of Hookers way with his eccentric timing and vocal style, Jimmie Vaughn fitting right in the slot under Hookers trademark vocals, Pugh adds just the right amount of organ and Hayes kicking the drums tight to make this track an exceptional opener. Hooker also plays a solo take on his classic I’m Bad Like Jesse James. This recording is not just clean but alive with plenty of air around Hooker with his vocals sounding immediate and present and his guitar seeming to fall behind him with just the right amount of environment to place him in my room. Excellent! Robert Cray joins Hooker on Same Old Blues Again with soulful guitar riffs. Richard Cousins on bass keeps his work steady and lively, stepping back giving Hooker plenty of room to work his vocal style and guitar riffs at his own pace. Stinging solo guitar work by Cray adds nicely to the track, augmented with warm organ by Pugh. Another solo effort is Sugar Mama with Hooker singing in essential Hooker style over his own, heavily worked guitar accompaniment. This is crisp and beautiful. Trick Bag (Shoppin’ For My Tombstone) features Hooker up front on vocal and his own scatter style playing joined by Mitch Woods on piano, Rich Kirch on guitar, Deacon Jones on organ, Jim Guyett on bass and Bowen Brown on drums. It’ so refreshing to hear the liveliness of Hooker on vinyl again with all of the spark of original recordings and the cleanliness of a modern recording. Side two starts off with Boogie At Russian Hill pumped up by Albert Collins on guitar, and Deacon Jones on organ. Hooker rides high on vocal and guitar joined by Mike Osborn and Rich Kirch on guitars, Jim Guyett on bass and Bowen Brown on drums…. Boogie! A strong addition on the release is Hittin’ The Bottle Again featuring Hooker on National Steel Guitar and vocal. In rural blues style, Hooker sings a folk tune outright with uncompromised National Steel Guitar strumming. A cool, rare look at raw Hooker. Bottle Up And Go is another of my favorites on the release with Hooker driving the boogie. With the backing of master John Hammond on authentic harmonica and guitar, Steve Ehrmann on bass and Scott Matthews on drums this track is a gem. Hooker teams up with the great Charlie Musselwhite on harmonica for Thought I Heard. Hookers soulful vocals and rudimentary guitar riffs are paired nicely with the urgent sounds of Musselwhite making this another of the most essential tracks on the release. Excellent! Wrapping the release is I Ain’t Gonna Suffer No More with Hooker leading the way on slow blues, his vocals impeccable and his guitar riffs captured in their full regalia, backed by Osborne and Kirch on guitars, Guyett on bass, Brown on drums and Jones on organ. It really is a pleasure to hear solid recordings of Hooker without all of the modernized attempts to make him pop and fall into a rigid, unnatural playing coupled with the liveliness of vinyl. Definitely super release.

Wednesday, November 12, 2025

Joe Elefante's Wheel of Dharma - Return of the Light - New Release Review

I just had the opportunity to review the most recent release, Return of the Light, from Joe Elefante's Wheel of Dharma and I really like it. Opening with Jazz For Dummies, a cool bop track, Joe Elefante on piano sets the scene with David Heilman on drums. Freddie Hendrix on trumpet and Erena Terakubo on alto sax reinforce the phrasing for a strong start. Elefante takes the first leg with an energetic phrasing, chided on by Sameer Shankar on bass and Heilman. Terakubu on alto cuts clean with some dynamic lead and Hendrix on trumpet really hits the groove, extending the concept nicely. Strong opener. Title track, Return of the Light in 6/8 rolls along with really creative melodic summaries by Hendrix, punctuated by Elefante and Terakubu plays cleanly over mostly light bass and drums seeming to float. Elefante and Heilman exchange percussive phrases, passing to the reconciliation. Very nice. Ankara Blues really has a great feel with a driving bass line by Shankar. Terakubu really digs in on sax laying out some of the best lead on the release followed by Hendrix on trumpet and a hot drum solo by Heilman. Simple Girl is one of my favorites on the release with a strong bottom and intense trumpet work by Hendrix followed in contrast by the supple piano work of Elefante. Shankar turns up the juice on bass and Terakubo again lays in some really soulful lead. Excellent! Wrapping the release is John Coletrane's Some Other Blues featuring Elefante on vocal and piano. With a super, shuffle beat Elefante scats with piano and a super bass line by Shankar. Terakubo digs in and swings on sax followed by crisp trumpet lead by Hendrix. Shankar gets one more chance to captivate and his lines are smokin. Excellent closer for a really potent release.

Monday, November 10, 2025

Jon Hines - Memphis Sun - New Release Review

I just had the opportunity to review the most recent release, Memphis Sun, from Jon Hines and I really like it. Opening with title track, Memphis Sun, Jon Hines lays down a solid boogie featuring Cameron Palmer on drums, George Wolf on bass and Hines himself singing lead, playing harmonica and some knockdown electric slide with overdriven fat tone. Excellent opener. Slow easy blues, Until The Wheels, has a cool, easy feel with Jon singing lead and playing rhythm guitar. Taking a melodic solo on guitar and with with just the right texture added by Wolf on bass, this a a real nice track. Shuffle, Pitter Patter, is anchored by Wolf on bass and Palmer on drums as Hines plays a loose rhythm on guitar and takes lead on vocal. The track has a springy feel and Hines finger work ties it all together nicely. Wrapping the release is Working Man with a lumbering, rhythmic, almost Hill Country swagger courtesy Wolf and Palmer. Kevin Fletcher really gets the harmonica howling giving Hines a great platform for his vocal and guitar assault. A squawking guitar riff and real nice slide work make this track an excellent closer for a real solid release.

Friday, November 7, 2025

OA2 Records artist: Ted Piltzecker - Peace Vibes - New Release Review

I just had the opportunity to review the most recent release, Peace Vibes, from Ted Piltzecker and it's a solid combination of original and classic covers. Opening with Benny Golson's Whisper Not, Ted Piltzecker on vibraphone begins the melody joined by Brad Goode playing counter melody on trumpet. Gonzalo Teppa on bass and Paul Romaine on drums provide a tight rhythm section for a lush exploration of this well known classic. Piltzecker's strokes float on air and Goode's trumpet work is really crisp. Excellent opener. Toots Theilemans' Bluesette has a terrific Latin rhythm emphasized by Vinicius Barros on percussion, reinforced by Romaine on drums. Piltzecker's vibes really fill the air and Goode's trumpet lead it enthusiastic and fun. Miles Davis' Nardis features Goode on lead on trumpet, his noted caressed in warm vibes tones. Romaine lightly drives the beat as Piltzecker extends the melody and a real nice bass solo by Teppa adds another dimension to an already complex track. Very nice. The intro for Horace Silver's, Peace, is formed by Piltzecker and slowly built to full potential adding first light drums and bass, then Goode on trumpet, for a warm conclusion. Wrapping the release is jazz standard, Old Devil Moon with a Latin rhythm. Romaine adds a lot of texture with Goode taking the lead and Piltzecker adding vital warmth on vibes. Solid closer.

Thursday, November 6, 2025

Qualified Records artist: Mike Henderson - Last Nite at the Bluebird Live - New Release Review

I just had the opportunity to review the most recent release, Last Nite at the Bluebird Live, from Mike Henderson and it's a super live recording. Opening with Weepin' and Moanin', Mike Henderson wastes no time diggin' in deep on his guitar, squeezing the blues out of the neck. With Kevin McKendree playing impeccable rhythm on piano, Steve Mackey on bass and Pat O'Connor on drums Henderson sings the blues bringing to mind the vocals of Johnny Winter. Excellent opener. JB Hutto's Too Much Alcohol is up next and Henderson slips on his slide and puts it to work. This is a tasty shuffle with great vocals and with Henderson and McKendree both really rolling. Smoking! Mercy Dee Walton's One Room Country Shack is a strong, slow blues, giving Henderson to show his soulful vocals. McKendree plays some great piano lead. Henderson slide in with authority showing excellent blues style slide work giving this track real grit. Big Walter Horton's Have A Good Time is another solid addition with Henderson on harmonica and vocal. His tone is fat and gutsy and McKendree really delivers on piano with top rate drum and bass work by O'Connor and Mackey. Wrapping the release is Hound Dog Taylor's Gimme Back My Wig with a real rocking feel. Henderson kicks out the stops on vocal and guitar, not following Taylor's style and McKendree is really jamming on piano giving this track the feel of a Chuck Berry/Little Richard style roots rocker. Excellent closer.