Blue Canoe Records artist: Tritone Asylum - The Hideaway Sessions - New Release Review

 I just had the opportunity to review the most recent release, The Hideaway Sessions from electro- acoustic collective, Tritone Asylum and it's really interesting. Opening with Grasshopper, a Latin influenced track, the band, made up of Philip Topping on electronic Valve Instrument, Ian Vo on sax and flute, Mitch Forman on keys, Peter Sepsis on bass and Dave Johnstone on drums really get moving. I particularly like lively sax solo by Vo which is a screamer. Off centered, The 54 Blues is one of my favorite tracks on the release with 5/4 time and Topping leading the way on Electronic Valve over a tight drum cadence by Johnstone. Waddell breaks loose with a dynamic guitar solo that speaks nicely and Vo's sax solo is quite soulful. Forman lays in a real nice key solo and precise guitar punctuation really adds a nice touch. Very cool. With a funky bottom thanks to Sepsis and Johnstone Simple is really humming and Topping and Vo carry the melody. I really like Vos' sax work on the solo of this track cutting loos from convention and shining strong. Forman sets up a real nice electric piano phrase and develops it nicely and Waddell steps in with nicely phrased guitar lead of his own giving the track a bit more edge making this another of my favorites on the release. Wrapping the release is light, springy, First Days Of Summer with a radio style melody and interesting yet controlled soloing by the band. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

 

“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Stony Plain Records artist: Kenny "Blues Boss" Wayne - Blues From Chicago to Paris - New Release Review

 I just had the opportunity to review the release, Blues From Chicago to Paris, and it's a strong traditional blues release from Kenny "Blues Boss" Wayne. Opening with piano boogie, Rock This House, Wayne really has the keys rolling with his terrific vocals and solid backing by Russell Jackson on second vocal and bass and Joey DiMarco on drums. Great opener. Slowing things down a bit, Willie Dixon's A New Way To Love is a scorcher with soulful vocals and really strong piano work by Wayne. Clocking in at over 7 minutes, this is a showcase tune. Memphis Slim's Messin' With the Blues is a real cool addition to the set with it's jazzy approach but solid blues core. Wayne, again is showcased on vocal but his piano work is really tops, both under the melody and in soloing conditions. Excellent! Up tempo, After While has a revival feel with Wayne and Jackson on vocal and Wayne's piano rolling. Another fun piano boogie, I Ain't Gonna Be No Monkey Man, really rolls along with great piano riffs and solid vocals by Wayne and Jackson. Wrapping the release is Slim's, Wish Me Well, another tight piano boogie. I like how Wayne has really tapped into the flow of these classics and blended them together on a contemporary recording. Very nice.  

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Professor Louie & The Crowmatix - Strike Up The Band - New Release Review

 I just had the opportunity to review the most recent release, Strike Up The Band, from Professor Louie & The Crowmatix and it swings. Opening with A Thousand Ways to Freedom, an uplifting rocker with power vocals by Professor Louie who also provides keys, backed by Miss Marie on piano, Gary Burke on drums, Frank Campbell on bass and John Plantania on guitars. With a island flavor, Golden Eagle, has terrific percussion and solid lead vocal by Marie. Louie on accordion really adds another dimension and trumpet by Danny Coyle and strong guitar work by Plantania. Tick Tock is set to a cool, 60's style rock beat. Louie on keys and lead vocal really makes this track groove. Plantania lays in a nice little slide solo on guitar for some real spice. Very cool.   Radio oriented, End of the Show is a really nice blend of spiritual and soul. I think that it's my favorite track on the release with a strong melody, super vocals by Louie and solid backing vocals. Very nice. Wrapping the release is Flaming Ray, a calm ballad featuring Louie accompanying himself on keys, blended nicely with acoustic guitar and light snare work. With smooth vocal blending with Marie, and nicely intgrated horn work by Jim Buckley on sax and flute, Coyle on trumpet, Chuck Smith on trombone, and Tony Aiello on sax and flute, a solid closer. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Karl Stoll and the Danger Zone - The Workhouse - New Release Review

 I just had the opportunity to review the most recent release, The Workhouse, from Karl Stoll and the Danger Zone and it's a cool blues flavored rocker. Opening with Meet Me In New Orleans, a cool,  NO flavored rocker with a snappy drum line by Brian Alpert. Upfront is Karl Stoll on lead vocal and guitar, backed by John Dickson on harmonica, Dean Dalton on bass, with David Torkanowsky on piano, Joe Brotherton on trumpet, Megan Nortrup on sax, David Sager on trombone, and Josh Howell on percussion. Cool party opener. Title track, The Workhouse is a solid contemporary interpretation of delta blues with Stoll on acoustic guitar and vocal paired with Dickson on harmonica with spartan drums and bass backing. Very clean.  He Was My Dad is a strong, driving boogie with a heavy bass line by Dalton and solid slide guitar work by Paul Bell and a hot harmonica solo by Dickson. Real nice. On a cool, T Bone Walker style track, Bad Girl, Stoll drops the band back with predominant lead vocal, shimmery lead guitar, and cool interwoven trumpet (Brotherton) and harmonica (Dickson). The powerhouse rocker on the release is Great Rain with a solid Hendrix riff driving the train. This is the best track to show off Stoll's vocal and guitar prowess, with a heavy drum  and bass bottom and organ work by Lepson. This is a firm rock release with a little for everyone. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Gulf Coast Records artist: Mike Zito - Blues For The Southside - New Release Review

 I just had the opportunity to review the most recent release, Blues for the Southside, from Mike Zito and it's really strong! Recorded live at the Old Rock House in St Louis, MO. this band is cranking. Opening with Mississippi Nights, Mike Zito is up front on lead vocal and guitar. Mike has great a super grinding tone and his slide work is great. Backed by Matthew Johnson on drums, Lewis Stephens on piano, Doug Byrkit on bass, this band is smoking. Larry Davis' Texas Flood really gives Zito a chance to put his foot to the floor and he doesn't hesitate a bit. His vocals are firm and his guitar work inspired and scorching! Hell On Me is a great, rolling blues with a solid walking bass line from Byrkit opening up a super land for Zito to wind it up and he's on it. Building a lot tension with his vocals and nice use of a chorus pedal, Zito sets it up nicely. Stephens' organ work adds a lot of lather setting the lob up for a slam by Zito to close. Very nice. Opening side two of this concert is Highway Mama, and adding Tony Campanella on guitar. I really like this track... a perfect example of blues rock at it's best along the lines of Frank Marino's Mahogany Rush. Excellent! Hendrix's Voodoo Chile finds Eric Gales on stage with Zito and a real shootout. This is a 12 minute duel and lots of smoke. Very nice! On Life Is Hard Zito really take his time and works his solo. His chops are excellent and clocking in at over eight and a half minute, it really makes you sad that you  missed this show in person. Wow! Wrapping the release is Chuck Berry's Johnny B. Goode. With nothing left on the table, this is an excellent closer keeping the energy up and Zito keeps the riffs flying. This is a really strong closer for a really potent double live concert. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Blue Heart Records artist: Kathy Murray & The Kilowatts - Fully Charged - New Release Review

 I just had the opportunity to review the most recent release, Fully Charged, from Kathy Murray & The Kilowatts and  its a cool current day blues rocker. Opening with Expense of Love based around an up tempo Sonny Boy Williamson riff, Kathy Murray leads the release off with supple, lead vocals in front of a band that sounds like it's chomping at the bit to run. With Michael DeSantis on bass, Richard Ross on drums, and Bill "Monster" Jones on guitar, solid opener. Rolling into a great blues track, My Mistake, Jones steps up with some hot riffs over DeSantis' bass line, and with the addition of the Texas Horns (Kaz Kazanoff on tenor sax, John Mills on bari sax, and Al Gomez on trumpet). Very nice! With a modified walking bass line driven by DeSantis, Henny Penny Blues is a cool change up mid disc with a nice exchange between Murray and Jones. With solid riffs and a snappy drum base by Ross, a solid addition. Pulling out Tampa Red's It Hurts Me Too, Jones slips on the slide and with Murry's vocal prowess, really delivers on this classic. Wrapping the release is Extra Nice with Murray sharing the vocal spotlight with Jones (who of course has lead guitar and adds accordion) over a cool bass line by Jeff Botta with Jason Corbiere on drums. Cool closer. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Ruf Records artist: Bernard Allison - Highs & Lows - New Release Review

 I just had the opportunity to review the most recent release, Highs & Lows from Bernard Allison and I really like it. Opening with So Excited, Bernard Allison is back with heat. This opening track is a potent blues rocker with Allison on lead vocal and guitar, backed by Dylan Saifer on bass, Steve Potts on rhythm guitar and Jose Ned James on drums. A romping rhythm and Allison on slide guitar gives this track real spunk. With a laid back, "Steely Dan" jazzy feel, Allison for sure set Strain on My Heart up as the radio track with it's solid melody, Toby Lee Marshall on B3 and Wurlitzer and a fat sax solo by Toby Lee Marshall. Colin James guests on My Way or the Highway, a cool shuffle, giving James and Allison a nice opportunity to trade riffs including Allison on an organ guitar. One of my favorite tracks on the release is I Gave It All with a funky bottom and soulful vocals by Allison. With the addition of Marshall on B3 and James on sax, Allison lays down some of his bluesiest riffs on the release. Very nice. Wrapping the release is Last Night with it's sax soaked R&B drive and stinging guitar riffs by Allison. This is a strong closer for a real solid release. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

VizzTone Label Group artist: Louisiana Red & Bob Corritore - Tell Me 'Bout It - New Release Review

 I just had the opportunity to review the most recent release, Tell Me 'Bout It, from Louisiana Red & Bob Corritore and it's a really strong helping of Chicago blues. Opening with Dora Minter's Mary Dee Shuffle, Louisiana Red is up front on vocal and guitar trading the center spot with Bob Corritore, backed by Buddy Reed on guitar, Matt Bishop on piano, Mario Moreno on bass and Brian Fahey on drums. Corritore plays some real nice riffs on this track making it a strong opener. Louisiana Red original, Alabama Train, has a great rhythm and Red's vocals really carry the track nicely with rich, harmonica soaked backing. Very cool. Another Chicago blues with a slower pace is New Jersey Blues that really nicely showcases Red's vocals. With Paul Thomas on bass, Chico Chism on drums and some excellent soloing by Reed and Red, a strong entry to the set. Red pulls the slide in an Elmore James styled track, Freight Train To Ride. With soulful wailing lyrics, strong slide compliment and Corritore's master harmonica work, this track adds variety and depth to the release. Another of my favorites on the release is Edith Mae with it's Muddy Waters like feel. I particularly like Red's vocal enthusiasm on this track, complimented nicely by Corritore's harmonica and Red's primitive slide sound. Wrapping the release is one final Red original, Bernice Blues, showing strong Morganfield roots. I really like Red's slide playing and Johnny Rapp on guitar throws sown some great riffs as well. Excellent closer for a really solid release. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Music Maker Foundation artist: Beverly "Guitar" Watkins - In Paris - New Release Review

I just had the opportunity to review the most recent release (March 18, 2022), In Paris, from Beverly "Guitar" Watkins and it's a solid blues and R&B live set from a great entertainer. Opening with Baghdad Blues, a dark, Hill Country style track with plenty of grit. Backed by  rhythm guitarist Albert White, Eddie Tigner on keys, and Lil Joe Burton on trombone. On lead guitar and lead vocal, Watkins shows how it's done. Solid opener. On a rowdy cover of Ray Charles' What'd I Say, Watkins really gets the live audience going with her rockin vocals and flashy yet raw guitar style. Very cool. Lonesome Window Blues is one of my favorites on the release with it's slow pace, T Bone Walker style and featuring Watkins playing harmonica, guitar and sings. Very nice. Sugar Baby Swing is a really nice guitar showcase for Watkins with Chuck Berry style rhythm and quick little guitar riffs. Very cool. A cool cover of Cooke's You Send Me features not onle some real nice vocals but a strong trombone solo by Burton. Wrapping the release is funky, R&B track Get Out On The Floor which is a terrific closer for a live set and giving Watkins one more chance to show her stuff on guitar. Solid closer and a lot of fun. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

VizzTone Label Group artist Bob Corritore & Friends - Down Home Blues Review - New Release Review

 I just had the opportunity to review the most recent release, Down Home Blues Review, from Bob Corritore & Friends and it's a heaping load of Chicago blues. Opening with Rooster Blues, Robert "Bilbo" Walker is upfront on lead vocal and guitar with Bob Corritore on harmonica and really has the place jumping. Joined by Johnny Rapp on guitar, Paul Thomas on bass Chico Chism on drums this is an excellent opener. Tomcat Courtney has center stage to himself on Clara Mae. With an electrifying voice and great guitar backing and solid backing by Corritore and Chris James, this is another favorite. Henry Townsend has the spotlight on piano and lead vocal on Nothing But Blues, backed by Rapp and Corritore. Nicely balanced, this is a great piano track showcasing Townsend. One of my favorite old school blues men is Dave Honeyboy Edwards and it's a pleasure to hear Take A Little Walk With Me featuring Honeyboy on vocal and guitar, backed by Corritore and Willie "Big Eyes" Smith. Strong. Slower blues, My Money Run Out, is super with great vocals by Al Garrett who also plays guitar, backed by Rapp, Thomas, Chism and of course nice harmonica by Corritore. Dave Riley has the mic on Home In Chicago with strong vocal lead and fluid runs, complimented nicely by Corritore on harmonica, backed by Yahni Riley on bass and Brian Fahey on drums. Wrapping the release is  J.L. Williamson track, Bluebird Blues featuring Big Jack Johnson on lead vocal and guitar. This track is really a great closer with Johnson showing his guitar chops, Corritore getting a nice chance to stretch and with Rapp, Thomas and Chism rounding out the band. This most recent release from Corritore's archives may be my favorite with some really electrifying jams. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

VizzTone Label Group artist: Big Al and the Heavyweights - Love One Another - New Release Review

 I just had the opportunity to review the most recent release, Love One Another, from Big Al and the Heavyweights and it's a energetic blues rocker. Opening with title track, Love One Another, is a cool track with roots in canned heat and the Allman Brothers band. With  Wayne Lohr on vocal and keys, Marcel Anton on guitar and vocal, Mark Parsons on bass, Big Al Lauro on drums and featuring Luther Dickinson on guitar and Jason Ricci on harmonica, this is super opener. Wild Tchoupitoulas has a cool bass line and the vocal lead and backing is strong. Lohr's piano solo adds a nice a strong Louisiana spice. Soulful ballad, Guardian Angel has a solid melody and with Anton on lead vocal and lead guitar, really showing how much soul this band can conjure. Very nice. Cool blues rocker, What Can I Say has a real nice feel with a heavy bottom thanks to Big Al and Pasons and with cool harmonica work by Jason Ricci and low fret guitar soloing by Anton, this is one of my favorites on the release. Another strong track on the release is deep blues rocker, Underground with gangly slide work, mic distorted vocals and as simple yet effective bottom as I could imagine. This track could be right out of a juke joint on the Hill Country so it automatically gets my attention. Very cool. Wrapping the release is Zydeco flavored Zydeco Love. With a firm bass line and active percussion by Tom Larson, Anton leads the way on vocals and with the addition of Gina Forsyth on fiddle, this is a fun closer. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

True Groove Records artist: Regina Bonelli - Truth Hurts - New Release Review

 I just had the opportunity to review the most recent release, Truth Hurts, from Regina Bonelli and it's a funky blues rocker. Opening with title track, Truth Hurts, Bonelli on lead vocal and keyboards really has the band humping with Tomas Doncker on guitars, Mark Henry on sax, Kevin Jenkins on bass, James Dellatacoma on guitars, Nick Rolfe on organ and piano and Leroy Thompson on drums. Bonelli resurrects a great Gregg Allman track, Cross To Bear, that was a real workhorse for the original ABB with Duane Allman. Her vocals are heartfelt and Michael 'Kidd Funkadelic" Hampton's blues guitar riffs are smoking. Very nice. Ballad, Baby Don't Hurt Me is a strong original really showcasing Bonelli's soulful delivery, caressed in warm organ backing. Darondo's R&B favorite, Didn't I really works well with this set with it's funky underpinnings, groovy bass line by Jenkins and creamy vocals by Bonelli. Willie Dixon's Killing Floor got a great R&B redo with powerful horns supporting Bonelli letting it all hang out on vocal over a great bass line by Jenkins and a slick guitar solo by Doncker. Really cool. Wrapping the release is blues rocker, I Got To Go with it's high stepping feel. Tight drum work by Thompson and solid accent guitar work by Dellatacoma and Doncker gives the track just the right grit for this power closer.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Karney - Gonna Be Beautiful - New Release Review

 I just had the opportunity to review the most recent release, Gonna Be Beautiful, from Bay Area songwriter Anna Karney and it's interesting. Blending folk, rock and pop, Karney opens with title track, Gonna Be Beautiful, with it's indie guitar rhythm and solid vocal lead. Backed by Kevin White on bass, Jim Bogios on drums,and James DePrato on some pretty tasty slide guitar, this is the best track on the release.  Breaking back to full acoustic, Trust is Anna Karney and her acoustic guitar. A solid melody and voice, Karney is showing her wares nicely. Wrapping the release is Neil Young's Heart of Gold. With fuller instrumental backing including slide guitar, bass, drums and her own keyboard work, and with a slight adjustment to Young's original arrangement, Karney closes her latest endeavor. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Belly Up Records artist: The Sully Band - Let's Straighten It Out! - New Release Review

 

I just had the opportunity to review the most recent release, Let's Straighten It Out!, from The Sully Band, and it's solid R&B/soul. Opening with Dr John's When The Battle Is Over, this band is firing on all cylinders with Robert "Sully" Sullivan and Rebecca Jade on lead vocals. With an aggressive chugging rhythm and soulful vocals, backed by Jon Harford on guitar, James East on bass and backing vocal, Mark charles Hattersley on keys, Tres Hodgens on drums and backing vocals,  and Nacho Sobers on percussion, this is a great opener. I really like the band's take on Shuggie Otis' funky Ice Cold Daydream with some screaming guitar work by Harford and great horns by Tripp Sprague on sax, April Leslie on Bari sax, Tomoka Nomura on alto sax and Steve Dillard on trumpet. Excellent! Billy Preston's smash hit, Nothing From Nothing, maintains it's original arrangement but with the addition of some screaming guitar by Harford, Grant Benginger on banjo and some real nice sax work by Sprague, punched up by Leslie, Nomura and Dillard. Little Johnny Taylor's If You Love Me Like You Say, is really drum fueled thanks to Hodgens and with it's ultra funky beat, Anthony Cullins on guitar and tight horn work, this is another top track. Wrapping the release is Jackie Wilson's Higher and Higher highlighting Sully's vocals and the warm backing vocals of East, Hodgens and Jade. This is a really enjoyable release with a lot of solid soul.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

 

“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

NOLA Blues Records artists: The Love Light Orchestra - Leave The Light On - New Release Review

 

I just had the opportunity to review the most recent release, Leave The light On, from The Love Light Orchestra and it's quite good. Opening with soul track, Time Is fading Fast, front man, John Nemeth on lead vocal sounds great. With it's Memphis sound, dominated by horns by Marc Franklin and Scott Thompson on trumpet, Jason Yasinsky on trombone, Art Edmaiston on tenor sax and with some outrageous alto sax by Kirk Smothers and including Joe Restivo on guitar, Gerald Stephens on piano, Tim Goodwin on bass, and Earl Lowe on drums, this is a great opener. Blues shuffle, Come On Moon has a really great feel with excellent guitar work by Restivo and warm horn backing by Franklin, Yasinsky, Edmaiston, Smothers and Paul McKinney on trumpet. On Lowell Fulson's 3 O'Clock Blues, Restivo really steps out on one of my favorite tracks on the release. His paced guitar soloing, and of course the excellent vocals of Nemeth accented by Thompson and Franklin really push this track over the edge. Excellent! Nemeth's vocals on Tricklin' Down are really super with strong horn backing and really nice guitar again by Restivo making this another of my personal favorites. Wrapping the release is swing track, Follow The Queen with power brass and shining vocals by Nemeth. Edmaiston really wails on sax and the band pulls together for a power punch... big band style. This is a real nice release with a lot of horsepower. Excellent closer for a really strong release. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

the Waterstreet Blues Band - Talkin About - New Release Review

 I just had the opportunity to review the most recent release, Talkin About, from the Waterstreet Blues Band, and it's a cool mix of blues, rock and rockabilly tracks. Opening with title track, Talkin About, Paul Sapounzi is up front on lead vocal and bass, joined by Rob Deyman on guitar, Silvia Dee on keys, Jonny Sauder on drums and Chris "Junior" Malleck on harp. A high energy rocker with a lot of radio appeal, this is a solid opener. Blues rocker, Miles Too Go features Dee on lead vocal and some real nice slide guitar by Deyman making this one of my favorites on the release. With a cool Latin/rock beat, Walked Away is a really cool track. Led by Dee on vocal and with some real nice guitar work by Deyman, cool harp work by Junior and snappy drum work by Sauder, this track rocks. Driving blues rocker, Don't Stop has a great beat and is a showcase for Dee on vocal with C Hynde attitude. Deyman cuts loos with some real nice guitar riffs but never breaks stride keeping the 60's beach like feel and Junior's harp work is a cool kick in the pants. Another cool track is Temptation with it's slower latin flair and the addition of Dee on accordion. Her vocals are really appealing and Deyman's guitar stylistically perfect. Breaking into a Klezmer like romp before returning to the smoky basis, this is a real nice track. Closing the release is Baby Be Strong, possibly the most radio oriented track on the release with a sweet melody and tight, familiar feel. This is a tight release with a lot of general appeal. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE