Until The Sun - Drowning In Blue - New Release Review

 I just had the opportunity to review the most recent release, Drowning In Blue, from Until The Sun and it's a cool blues rocker. Opening with title track, Drowning In Blue, finds Bruce Jensen on lead vocal and bass, and Brandon Teskey on lead guitar, backed by Alyssa Swartz on vocal and Chris Tex on drums. With amostly straight line rock feel, a dash of metal and a tad of blues, this is a solid opener.  On Shadow of the Valley, Tesky dons a slide and with a more rural feel lays down a contemporary blues track. This track has a bit of the rawness of the Stripes or Keys but with just a bit more complexity and polish. Rock ballad, 1,000 Miles Away follows a blues rock formula with cool vocals and fluid lead guitar lines by Tesky and a firm bottom by Jensen and Tex. Swartz has the mic on prime radio track, Burning Home, a country influenced blues number showcasing her solid vocals. I like Tesky's guitar solo on this one not only demonstrating strong phrasing but clean technique and feel. Very nice. A traditional blues intro on Doing My Best, shows the band in prime blues form. An 8 bar line by Jensen sets the pace and Tesky moves outside of the box showing not only blues but rock and jazz riffs giving the track a nice jolt. Wrapping the release is soulful, Deathbed Blues with Swartz showing her best vocal on the release, paired with simple percussion and Tesky on resonator and slide. Solid closer for a solid release. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

The Livesays - Not What I Bargained For - New Release review

 

I just had the opportunity to review the most recent release, Not What I Bargained For, from The Livesays, and it's a cool power pop rocker. Opening with driving rocker, Two Sides, Billy Livesay on lead vocal and guitar has a solid radio sound with influences of the likes of Elvis Costello, Tom Petty and Bruce Springsteen. Backed by Victor "Cuqui" Berrios on organ and vocal, Tim Murphy on piano and vocal,  Jorge LaPlume on bass and Howard Goldberg on drums. Title track, What I Bargained For is a strong radio contender with a super melody and straight ahead rock character. One of my favorite tracks on the release is In A Small Town with it's pop folky approach. With Livesay on acoustic guitar and lead vocal, simple piano by Murphy and with the addition of pedal steel by Dana Keller it has simple beauty. Better Angels has an interesting melody and harmonies over a solid, straight ahead beat. I like the slight key change accent giving the track that hint of complexity. Wrapping the release is Crazy Isn't It, a pop rocker with rhythmic vocal lead and flashy guitar intro. This track has it all wrapped up in a ball like a tv theme song with a solid melody, warm harmonies and a nice balance. Cool closer for a cool release. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE 

 NOT FRON THIS RELEASE

 

BMG artist: Nina Simone - Little Girl Blue - New Release Review

 I just had the opportunity to review the newest release (August 13, 2021), Little Girl Blue, by Nina Simone and it's terrific! This is a classic album which was originally recorded in 1957 by the then 24 year old Simone on her first recording outing. This release has been remastered and engineered by Michael Graves and Cheryl Pawelski and the vinyl (180g blue or black) cut by engineer, Kevin Gray. Opening with Ellington's, Mood Indigo and opens with Simone showing that she really knows her way around the keyboard having attended Julliard. In this hot jazz improvization, she really swings in with potent piano lines and great offset vocals, joined by Jimmy Bond on bass and Albert "Tootie" Heath on drums. Excellent opener. Don't Smoke In Bed, a Willard Robinson composition, finds Simone singing the blues with only a bed of piano as a light accompaniment for the most part and highly tense at the end of her phrases. Masterful. Another terrific blues, He Needs Me, shows Simone really knows how to work the track vocally and just the right amount of accompaniment to make the vocals glisten. You don't often hear the purity of feeling as expressed in this track. Moving into full throttle swing, Simone pours on the heat on Donaldson's Love Me Of Leave Me. Her vocal phrasing is really poised and her piano work blends classical lines with full on jazz. Just enough bass by Bond and a tight rhythm by Heath makes this a top track on the release. Rogers and Hammerstein classic, You'll Never Walk Alone gets a formally classical type arrangement tht will leave you sitting back thinking, this is a blues/jazz singer? She really is exceptional. Gershwin's I Love You, Porgy is a precious gem among the diamonds here. This track has been covered by most of the greats, most notably Miles Davis but this is no second class cover. Simone's expressive vocals and her dynamic piano work is stunning. Wrapping the release is Simone original, Central Park Blues with Bond walking the bass and Heath on brushes. A straight up blues number positions Simone on piano at lead but giving Bond a fine opportunity to front on solo as well. Her lead lines are stark and dynamic yet quiet and sensitive. This is an excellent closer for one of the classics of our times. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Endless Blues Records artist: Mick Kolassa - Wasted Youth - New Release Review

 I just had the opportunity to review the most recent release, Wasted Youth, from Mick Kolassa, and it's chocked full of hot contemporary blues players doing what they do best. Opening with blues rocker, Throwing Away These Blues, Kolassa on vocal and guitar leads the way with James Cunningham on drums, Tullie Brae on backing vocal, Rick Steff on piano, Jeff Jensen on guitar, Bill Ruffino on bass and Marc Franklin on trumpet. Solid opener. Title track, Wasted Youth, has a thunder bass line by Ruffino and with Doug McMinn on drums, Brad Webb lays in some real nice slide work and Eric Hughes adds some real nice harmonica. Funky rocker, I Can't Get Enough gives Anthony Paule a nice chance to show his stuff and Kirk Smothers blows a real nice sax solo topping the track off. Victor Wainwright plays a real clean piano on Feeling Sorry For Myself, a cool blues track with just the right amount of sway. Brandon Santini adds his superlative harmonica tone to My Mind Doesn't Wander, an easy blues rocker. Slow blues, Pieces of my Past has a real nice pace and Jensen plays a soulful lead solo on guitar over his rich chords. Very nice. Wrapping the release is Edge of a Razor, an acoustic blues featuring  Albert Castiglia on slide guitar. Very nice closer. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

 

“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Memphis International Records artists: The Dinallos - The Dinallos - New Release Review

 

I just had the opportunity to review the most recent self titled release by The Dinallos and it's interesting and diverse. Opening with a cool instrumental, All The Ponies Go 'Round (Danny's Lullaby), Michael Dinallo on guitar, Jim Gambino on keys, Dave Jacques on bass, Justin Armaral on drums, and Mike McAdam on guitars create a very inviting opener. The track has a beautiful lushness to it, with a simple yet creamy guitar harmony. Very nice. Folk rocker, Lemonade, features Annabel Dinello on lead vocal in harmony with Juliet Simmons Dinello creating a Breeders like vocal sound with some cool Nashville style guitar picking. Very cool. Country flavored, Purgatory Road features a solid duet between Juliet and Will Kimbrough. With a contemporary turn around and inclusive of Aaron Till on fiddle and Gambino on accordion, this is a promising radio track. Nothing to Lose But the Blues has a retro early 60's surf feel with a cool rhythm. You Got Nothing on Me is a solid ballad featuring Juliet on lead vocal with really lush backing vocals by Ann McCrary, Regina McCrary and Alfreeda McCrary Lee. Very nice. Wrapping the release is another instrumental, The Long Goodbye, with lead guitar melody, piano by Gambino and a snappy drum beat by Amaral under a swaying R&B style structure. This is a real nice composition and one that nicely ties the release together. Solid outing. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Gulf Coast Records/Hillside Global artist: Tito Jackson - Under Your Spell - New Release Review

 I just had the opportunity to review the most recent release (August 6, 2021), Under Your Spell, by Tito Jackson and it blends modern funk, blues, pop and rock for his own style. Opening with Wheels Keep Turning, Jackson on lead vocal and guitar sets a pop pace joined by Michael Harris on drums, Michael K Jackson and Brandon Adams on keys, Darnell Neal on bass, Jason Parfait and Ian Smith on horns. I really like the horn work and slide guitar efforts by Jackson on this track. Heavy footed, Under Your Spell, has a great foot drum thump and with strong addition by Joe Bonamassa on guitar, Robert King on bass and sassy horn work by Parfait and Smith, this track has a great groove. R&B track, Big Leg Woman has a strong sax intro by Parfait, and gives Jackson a great chance to shine on lead vocal, features Kenny Neal on guitar with Jackson and keeps with the theme of ballsey horn throughout. My favorite track on the release is You're Gonna Push Me To Far with some really nicely stylized guitar "JG Watson" like work by KT Thomas. Very cool. George Benson is a standout on lead guitar on Rock Me Baby, a smooth, R&B take on BB King's classic track. Also featured are James "Boogaloo" Bolden on trumpet, Russell B Jackson on bass, Eric Demmer on sax, Wilber Crosby on lead guitar, lamar Boulet on trumpet, Darrell Lavigne on keys, Brandon Jackson on drums, and with Claudette King on lead vocal, Michael Lee and Tito Jackson on lead vocal and guitar. Wrapping the release is smooth soul track, I Got Caught (Loving In A Dream) with warm vocal harmionies and featurning Tito on guitar, Harris on drums, Brandon Adams on organ, synth bass and piano, Tyree Neal on guitar, and with pootent horn accents by Parfait and Smith. Solid closer. 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE


  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

earMUSIC artist: Robben Ford - Pure - New Release Review

 I just had the opportunity to review the most recent release, Pure, from Robben Ford and it's my favorite in years. This release is all instrumental and opens with the prelude to Pure, with an intriguing melody with a definite eastern influence. Ford is joined by guest musicians Nate Smith, Toss Panos and Shannon Forest. Ford's tone is excellent as always and with a unconventional bass line and a jagged drum rhythm, I really love this opener. Balafon is a jazz rock piece with lush melodies, primarly playing off of chords with minimal percussion. Very cool. Funk salted, Go, has a solid blend of guitar and bari sax with terrific bass and drum lines making this one of my favorite tracks on the release. Terrific jam! Very strong. With contemporary blues styling, Blues for Lonnie Johnson is a great opportunity for Ford to show the excellent blues guitar phrasing that he's know for, backed by rich sax work and a compact drum rhythm. Who wouldn't love this excellent track. A second, expanded version of Pure appears now with it's haunting melody, virtuoso guitar improvisation, cool drum pattern, unusual percussion work and ethereal presentation. Very nice. Wrapping the release is If You Want Me To, an easy flowing jazz rocker with a slightly funky beat. Ford really knows how to craft and play strong pieces and this releases confirms that his work is very essential. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Blind Pig Records artist: Altered Five Blues Band - Holler If You Hear Me - New Release Review

 I just had the opportunity to review the most recent release (September 3, 2021), Holler If You Hear Me, from Altered Five Blues Band, and it's a strong contemporary blues release. Opening with blues rocker and title track, Holler If You Hear Me, Jeff Taylor is authoratative at the mic, backed by Jeff Schroedl on guitar, Mark Solverson on bass, Raymond Tevich on keys and Alan Arber on drums plus some cool harmonica work by Jason Ricci. Great opener. Ricci and Schroedl really hit the road running on If You Go Away (She Might Come Back), and with a modern take on Chicago style blues, Taylor sets a grat pace. With a great blend of instrumentation and a tight drum rhythm by Arber, this track rocks. Slow blues, Holding on With One Hand, is one of my favorites on the release with excellent guitar lead, and powerful vocal from Taylor. The addition of Ricci on this release I think is a master stroke because everything that he plays on gains substantially from his feel. Another solid Chicago style track is Where's My Money in the vein of Muddy Waters. This is a nicelt paced track with strong lead vocal and a healthy dose of Ricci on lead harmonica. All Suit, No Soul is another of my favorites with clever lyrics, a Latin beat, warm keys by Tevich and with a lot of open floor for Schroedl on lead guitar. Very nice. R&B based, Leave Before I Let You Down, is a real nice showcase for Taylor's vocals and Schroedl shows his tasty chops. Solid. Wrapping the release is high energy blues, Big Shout Out, with Taylor, Ricci and Schroedl trading call and response. I really like Ricci's gritty sound contrasted against Schroedl's clean sting. This is a super closer for a very tasty release. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Polly O'Keary and the Rhythm Method - 50- New Release review

 I just had the opportunity to review the most recent release, 50, from Polly O'Keary and the Rhythm Method and it's quite good. Opening with Brand New Day a super blues rocker with a light Lating twist,Polly is up front on vocal and bass, backed by Dave Miller on guitar and Tommy Cook on drums. With a suspenceful bass line, strong gitar lead and plenty of cow bell, this track is a super opener. With a tango rhythm accentuated by Cook on snare, Can't Catch Me really catches the mood and Miller's "early Santana" like guitar phrasing really gives this track spark. Excellent! Blues ballad, Smiling is one of my favorites on the release with Miller at the mic. His guitar work, gilstening chords as a part of the rhythm part, and with searing lead, really sets the mood on this track giving it a real emotional grip. Very nice. Lumbering blues rocker, I'm Not Guilty, is really a nice showcase for O'Keary's vocals with it's rock solid bottom and dramatic styling. Miller lays in a cool guitar solo with shimmery effects and solid statements giving the track great balance. Wrapping the release is a power rocker, American Highways, with O'Keary on lead vocal and a strong guitar punch. Miller's lead work on this track takes a firm blues rock stand, flexing his guitar muscle with nicely formed statements. This is a solid closer for a real nice release. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Shark Park Records artist: Lea McIntosh - Blood Cash - New Release Review

I just had the opportunity to review the most recent release, Blood Cash (August 20, 2021), from Lea McIntosh and it's a cool bluesy rock release. Opening with title track, Blood Cash, with it's country blues rock influences, McIntosh's vocals are authorative joined by Travis Cruse on guitar, bass and drums, and Andy Just on harmonica. Solid opener. Slinky, soul fused, Blue Stoned Heart, shows McIntosh at her best vocally with a funky bass line by Myron Dove and Deszon Claiborne on drums, Eamonn Flynn on keys, Cruse on Vibanet and laying down a sweet guitar solo. Latin based, Purple Suede Boots is one of my favorites with Just and Cruse trading riffs and a tight drum rhythm by Claiborne. Very cool. Soul Stripper has all of the characteristics of a pure radio track with strong vocals and melody and includes warm Hammond work from Flynn and some flashy guitar lead by Cruse over a real nice bass line by Dove. Very nice. Wrapping the release is The Fire Is Coming, a solid rocker with straight ahead attack with backing vocals by Tammi Brown and Will Bell and another fiery guitar solo by Cruse. Nice closer. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Lauren Anderson - Love On The Rocks - New Release Review

 I just had the opportunity to review the most recent release, Love On The Rocks by Lauren Anderson and she has a powerhouse voice with a variety of music styles. Opening with Keep On a spiritual based format with a deep lead vocal by Anderson and rich vocal backing that leaves you wanting more. Back to Chicago is a cool R&B based, slightly funky blues rocker with a great feel. With a solid bottom, laid down by Matt Doctor on drums and Hutch on bass, complimented by Jim Greene on guitar, Kiran Gupta on keys and fdeaturing some real nice lead guitar riffs by Mike Zito, this is a real nice track. Slinky, Holdin' Me Down, had a funky, pop, hip hop kind of sound with repetitive monotonic vocal styling as is popular in contemporary pop music. Stand Still is a folk ballad style and one that I like pretty well. Anderson seems comfortable in this skin and with warm, guitar, drum and key backing, a strong entry for best radio track on the release. Wrapping the release is ballad, Your Turn, an obvious radio track with it's solid melody and smooth lead vocal. Backer by keys, drums and strings by Jon & Liz Estes, a cool closer. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Brandon Isaak - Modern Primitive - New Release review

 I just had the opportunity to review the most recent release, Modern Primitive, from Brandon Isaak and it's an interesting mix of blues, rock, folk and jazz music. Opening with Lost Love and Loose Women, a bluesy shuffle, features Isakk on lead vocal and guitar and lap steel and Keith Picot on bass. Jazzy, Valentine Blues is a fleet fingered rag with solid vocals and trademark guitar soloing by Isaak. Very nice. With a bit of swampy blues, I Wish I Did What I Said is another really cool tracks with Isaak on resonator, harmonica and lead vocal. This track has it's own feel but traces to early southern country blues. Very nice. My choice for radio track of the release is swing track, Something New, with a solid melody, strong rhythm and really nice lap steel work by Isaak.  My favorite track on the release is Six Little Letters with it's driving piano rhythm and vocal/guitar call and response. I really like Isaak's guitar soloing on this track with excellent phrasing and feel. Another track with hot guitar lead is Back To New Orleans and it's uptempo swing beat. A nice harmonica solo and strong vocals make this another of the most memorable tracks on the release. Wrapping the release is seasonal, I Wanna Swing For Christmas. Isaak really knows how to swing and his vocals just float on the track. Solid closer for a real nice release. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

 

“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Henri Elkan Music artist: Wayne Alpern - Frankenstein - New Release Review

 I just had the opportunity to review the most recent release, Frankenstein, from Wayne Alpern and it's a clever blend of pop, hip hop, jazz, blues and sampling in an organized fashion. Opening with Carol King's top hit, You've Got A Friend, Alpern remolds the track with with synthesized sounds, trumpet and guitar leads and extended turnarounds. With help from David Mann on reeds, Tatum Greenblatt and Brad Mason on trumpet, Mike Boscarino and Mike Davis on trombone, John Patitucci on bass, Andy Ezrin on keys, Kevin Ramessar on guitar and Clint De Ganon on drums, its a full house. Mann, Greenblatt and Mason produce the fire power for horn led Motown track, Ain't That Peculiar made popular by Marvin Gaye. Herbie Hancock's Cantaloupe Island is my favorite track on the release with Greenblatt and Mason working with Ezrin on the lead and warm backing by Boscarino and Davis. Martha and the Vandellas' hit, Dancing In The Streets is another top track on the release with some hot playing by Patitucci, Greenblatt, Mason, Mann, Boscarino and Davis but for me, artistic vocal additions throughout the track really detracted from the musical efforts of the instrumentalists. Wrapping the release is Steve Winwood's Gimme Some Lovin', which is really done in orchestra style a la Doc Severinsen style arrangemet. If you like dual trumpets and upbeat driving tempos, this is your day. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

 

“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

ATM artist: Billy Test Trio - Coming Down Roses - New Release review

 I just had the opportunity to review the most recent release (August 13, 2021), Coming Down Roses, from the Billy Test Trio and it's really cool. Opening with All of You, a traditional Cole Porter number, Billy Test on piano is anything but subdued. His piano energy is over the top and Evan Gregor on bass stands out nicely on standup bass. Playing a bit of drums myself, I appreciate Ian Froman's tight time, textural use of ride cymbal and snare accents as much as his riding splash cymbals. Great opener. Original track, Fate is a bit more adventurous with a strong lyric melody but inventive improvization by Test. His use of not only phrasing but intensity and delicacy of presentation adds nicely to the composition. Driving track, Coming Down Roses, really is a solid concept with the agressive bass line of Gregor holding the bottom, Test really running hard on piano and Froman's complimentary drum accents. Gregor takes a really nice detour on bass  while Test and Froman lay back easy as he does, but never does the track sag. The piano return is a surprise with intense drumming from Froman giving it a great kick. Very nice. Mother's Day With Freud is another track that I really enjoy with an emphasis on a jagged rhythm pattern laid down by Froman. Gregor has the intermediary role, setting a great walking bass line, giving Test the freedom to improvise over a supple melody. It's really cool to listen to how tight Gregor holds the bottom as Test shifts the melody and Froman really wids it out. Froman and Gregor share the space on a loose jam before Test rejoins with accents of his own creating a really nice fusion frenzy. Very nice. Closing the release is Belonging, a much more restrained track with a strong piano melody. Test shows subtle intensity and Froman and Gregor, balance. This is a really nice closer for a solid release. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Blue Heart Records artist: Johnny Tucker featuring Kid Ramos and the Allstars - 75 and Alive - New Release Review

I just had the oppoortunity to review the most recent release, 75 and Alive, from Johnny Tucker featuring Kid Ramos and the Allstars and it's really good. Opening with All Night Long, All Night Wrong, a hot swinging shuffle, Kid Ramos on guitar shows why he is one of the top slingers in the business. Teaming up with Johnny Tucker on vocal, these guys are really humming with Carl Sonny Leyland on piano, John Bazz on bass, Jason Lozano on drums, Bob Corritore on harmonica, and with exceptional backing from Ron Dziubla on sax. Wow! Slow blues, There's A Time for Love, is a terrific track, really showcasing Tuckers soulful feel and giving Ramos a wide open road to show just how good he really is. Been listening to Ramos for years and on the rare chance that you don't know him from his solo work, this is an excellent sampling of his crisp, fluid style and bluesful phrases. Excellent! Chicago style shuffle, Can't You See is another solid vocal blues number with strong piano work by Leyland. Latin fused, What's the Matter gets a real going wit some great bends by Ramos adding great guitar tension a la Albert King. Dziubla's sax really punches up the bottom and Lozano's drum work is snappy. Hot! Snowplow is a strong instrumental with solo breaks for Ramos, Leyland, and Diubla. Strong loping shuffle with toneful jams. High energy, piano boogie, What's On My Mind is a driving from start to finish. Leyland drives the boat with a great bass line from Bazz and Corritore's harmonica work sweet. The band really gets humming on this one and Tucker gets so geared up that he's hooting. Excellent! Ramos breaks out his slide on Dance Like I Should giving it a real Chicago feel and between Tuckers hooting, Corritore's harmonica, and Leyland's piano work, this is another great addition. Wrapping the release is funky blues, Gotta Do It One Time, with a great presence. Bazz's bass is very active and Leyland really stirs the pot on piano. Ramos plays hot riffs under the lead and Tucker's natural excitement gives this final track a great kick. Never like to say this is the best or anything, but this is one of the best blues releases I've heard this year. Congratulations!

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

   

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Watchtower Entertainment artist: Clay Melton - Back To Blue - New release review

 I just had the opportunity to review the most recent release (July 23, 2021), Back To Blue, from Clay Melton, and it's strong. Opening with title track, Back To Blue, a real nice slower blues ballad, Clay Melton has the lead on vocal and guitar, backed by Dan Smith on bass, Billy Justineau on organ and keys and Danny Jones on tambourine. With it's solid rhythm and tense nature, it's a great base for Melton show his bluesy riffs. His pinched harmonics and fluid phrasing really works this track. Live track, Say That You Love Me, is a thumping blues rocker with potent, modern blues rock phrasing and soulful lead over the powerful bass of Raymon Minton and Grindle on drums. Another live rockin' instrumental, Texas Cyclone, features a cool bass solo by Minton and some really nice blues rock guitar soloing. I'm happy to say it soesn't sound like everything else and really gets your foot going. Very cool. Wrapping the release is ZZ Top's classic, Jesus Just Left Chicago, with not a lot of variation from the original arrangement. Melton's gravely voice works nicely into the format without much difficulty and working up his own guitar lines improves the overall delivery of the track, everyone having heard this track by Gibbons more than a million times. This is a cool closer for a really solid release. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

 

“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Ofeh Records artist: Blind Lemon Pledge - A Satchel Full of Blues - New Release Review

 I just had the opportunity to review the most recent release, A Satchel Full of Blues, from Blind Lemon Pledge and it's an easy going folk blues rocker. Opening with steady rocker, Wrong Side Of The Blues with it's acoustic side approach but it rock rhythm. With BLP on vocal, guitar and harmonica, Peter Grenell on bass and Juli Moscovitz on drums. Moving to an amplified resonator guitar, BLP sets a slide riff under his traditional blues like vocal phrasing and cool harp response. His raw, side technique adds nicely to it's authentic feel. Ballad, Blue Heartbreak, has a sweet, R&B feel with a light touch backing, with a simple break for his melodic guitar soloing, really calling attention to BLP's vocal lead. Very nice. Shuffle track, Detour Blues has a clean, easy rock structure and forward focused vocals over a simple guitar/drum/bass backing and harmonnica accompaniment. With cool rock changes in melody, a radio style track. Before I Take My Rest has a country western feel and I really like it. The simple acoustic rhythm and BLP's vocal and slide resonator solo give this track a lot of traction. Wrapping the release is Death Don't Ask Permission, a really nice blues track in the manner of Rev. Gary Davis but with silde resonator instead of a thumping finger picking as Davis was known for. This is a great closer for an interesting release. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

 

“Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

Blues Rocker Clay Melton Releases Killer EP "Back To Blue"

 

Blues Rocker Clay Melton Releases Killer EP "Back To Blue"

"We love it! Blues rock the way we like it.."  - Blues Moose Netherlands "It's a fabulous EP! All killer and no filler with this one.." - Barry Maxwell Blues On The Hill Australia     Houston, TX (July 19 2021)  Texas Blues Rocker Clay Melton’s Red Hot New “Back To Blue” EP Twenty seven year old blues rocker Clay Melton is looking to light up the airwaves with his brand new red hot blues and rock EP titled “Back To Blue”.  This five song compilation contains four originals plus an incredible tribute track that absolutely gets it done: “Jesus Just Left Chicago.” (track 5) The title track “Back To Blue” (track 1) is an emotionally charged blues number which releases the artist’s gritty soulful down home sound while at the same time showcases his remarkable lead guitar work. Both reminiscent of the original Southeastern Texas and Southern Louisiana sound. “Say That You Love Me” (track 3) is an over the top driving blues rock number that reveals the deep desire in a man’s heart as he pleads with his girl to once again say that you love me. The song’s lyrics begin with “My girl got me acting like a fool” which immediately reveals heart felt desire while Clay’s blistering on fire guitar work reinforces the narrative. The official release date is July 23rd but the press and radio are receiving right now.  This is one very hot release.  www.claymelton.com # # # #