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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

Wednesday, September 20, 2017

Bruce Katz Band on Tour, Kicks off Headlining Big Buggs Island Blues Bash




BRUCE KATZ BAND HIT THE ROAD FOR FALL EAST COAST TOUR; HAMMOND B-3 KEYBOARDIST/IN-DEMAND SESSION PLAYER IS 4-TIME BMA NOMINEE LATE OF BUTCH TRUCKS & THE FREIGHT TRAIN, ALLMAN BROS SPIN-OFF BAND LES BRERS

Performs Locally: BIG BUGGS ISLAND BLUES BASH - Sat., Sept. 30



  (Clarksville, VA) -Bruce Katz, legendary Hammond B-3 organist/keyboardist and four-time Blues Music Award nominee, and his Bruce Katz Band, hit the road for a Fall East Coast Tour, with their first date headlining the 3rd Annual Big Buggs Island Blues Bash, the Lake at Robbins Ballpark, 104 Woodland Dr., Saturday, September 30. 2pm-10pm. Tickets $30. in advance, $35. at the door. Info: (919) 451-4356 or visit www.bbibb.org.

     In addition to leading the Bruce Katz Band, Katz has performed with the Delbert McClinton Band, Jaimoe's Jasssz Band, and John Hammond, the latter whom he still plays with on occasion. This past Summer found Katz bringing his cool 'jam-band' sounds to Riverfront Fest, Roots Rhythm & Blues Fest, and famed BB King's Blues Club in New York City. Katz - who was a member of the Gregg Allman Band from 2007-2013 - continues to tour as a member of Les Brers, featuring former members of the famed Allman Bros. band, and was a full-time member of Butch Trucks and the Freight Train, fronted by the legendary ex-Allman Bros. drummer who passed away last January.






   

Cassie Keenum & Rick Randlett - Hauntings - New Release Review

I just had the opportunity to review the most recent release (9/23/17), Hauntings from Cassie Keenum & Rick Randlett and it's aninteresting mixture of blues, gospel and country. Opening with Seventh Day, Keenum is upfront on lead vocal adding acoustic guitar and Randlett adds interesting lap steel work. One More Last Time gets a Latin/rock feel with the addition of Little Mike's cool harp work, Rusty Valentine on drums and Nicole Wagner on bass. Shuffle track, All Along has a cool guitar solo to compliment Keenum's powerful vocals. Not a big fan of Leonard Cohen, but Randlett's slide work on his Hallelujah is pretty cool! On She's Gone, a duet by Keenum and Randlett is my favorite track on the release with just the right blend of texture and tension. Minute Man is a cool swinger with tidy guitar riffs by Randlett. With it's up tempo shuffle feel and laid back soloing, it hits the mark. Wrapping the release is hill country style blues track, How Long, with a modern feel.



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Tuesday, September 19, 2017

Tone Center Records artist: Jing Chi - Supremo - New Release Review

I just had the opportunity to review the to be released (October 27, 2017) recording, Supremo, by Jing Chi. After a 13 year break Jing Chi, featuring Robben Ford, Jimmy Haslip and Vinnie Colaiuta is delivering their 4th record for Tone Center Records and it's a doozy. Opening with The Majestic, this band is off the hook with a fusion sound made in heaven. Ford has incredible chops and Colaiuta (who coincidentally grew up only a few miles from my childhood home) is one of the best drummers on the planet. On a who's who list of drummers, it's easier to list who he hasn't played with... even Jeff Beck! Haslip sets a great bottom, doing what most great bassists do... setting a great foundation for the track while playing incredible lines that would blow you away if you just listened to them without the band. Mike Haynes on trumpet adds tight trumpet work as well. Powerful opener. Showtime is a super track with a strong bass line and various time changes. With clean guitar lead and punchy horn work by Jeff Coffin and Haynes, this track has great texture. Secrets has a strong underlying R&B feel supported by soulful horns but with contemporary lines and powerful bluesy guitar lead by Ford. One of the nicest tracks on the release is easy going, Casablanca, with it's almost waltz like flow. Warm chords by Ford, with light percussion and bass set the stage and as the track opens Ford lays out some beautiful improvisation lead perfectly appointed by Colaiuta's remarkable sense of drum rhythm.  Excellent! Vegas has a country feel with a tight bass line and twangy jazz guitar riffs by Ford. At The Apollo has a real nice groove with a power horn feel.  Coffin and Haynes carry the melody set by Haslip and Ford takes the front as the track develops with more adventurous exploration of the theme. Fat rich guitar tones and powerful drum rhythm by Colaiuta anchor this track. Wrapping the release is title track, Jing Xi with a jagged rhythm pattern giving Colaiuta a real opportunity to show his stuff. Anyone who has seen him play would immediately recognize his sound and with masters like Ford and Haslip to work with, this blues infused track is a great closer. If you want to hear something that isn't mainstream but really hits... this is it! 

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Monday, September 18, 2017

Alt 45 Records artist: Big Joe Shelton - Ridin' A Chicken - New Release Review

I just had the opportunity to review the most recent release, Ridin' A Chicken, from Big Joe Shelton & The Black Prairie Blues Ambassadors and it's real cool. Opening with Put The Chairs In The Wagon, a driving rocker, Big Joe Shelton is up front on vocal and harp with firm backing by Bob Damm on percussion, Ed Swan on bass and Ben Ferrell laying down some real strong riffs on guitar. Title track, Ridin' A Chicken, has a real Latin flavor and the tight percussion work of Damm is nicely complimented by Bobby Shannon on keys. Shelton shows solid vocals and Swan lays solid footing under the adventurous guitar soloing of Ferrell. Very nice! Got So Hot is a smokin' blues rocker with shifting keys, nice guitar work and strong percussive punctuation. With a walking bass line and a familiar Sonny Boy Williamson form, Just Let Me Breathe has a great feel. Shelton's vocals are solid and rich key work by Shannon is nicely complimented by the flowing guitar riffs and a nice sax solo by Doug Thomas. No Man's Land is a hot rocker with Shelton leading the way on vocals, tight riffs by Ferrell and cool sax by Thomas. Low slung blues number, Pool Hall Red, features some real nice harp work by Shelton and stinging guitar riffs by Ferrell over percussive key work of Shannon. Heavy bottomed, Too Wet To Plow has super blues roots with the rock edge of Led Zep. A great rock groove and powerful harp work, this is one of my favorites on the release. Wrapping the release is country flavored, My Future Lies Behind Me Now with it's ballad sensibilities and subtle pedal steel work of Susan Alcorn Lobato. Very nice.



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Friday, September 15, 2017

Hamilton Loomis - Basics - New Release Review

I just had the opportunity to review the most recent release, Basics, from Hamilton Loomis and it's really great! Opening with blues rocker, Sugar Baby, bassist, Sabrina LaField also takes the mic. With just a bit of swish in the tail this is a snappy rocker with Loomis on harp and lead guitar joined by Armando Aussenac on drums. Getting into a super funky groove, If I Would've, Loomis is back up front on vocal, guitar and harp creating a purely infectious track. His electrifying guitar riffs and bass lines are tight. Super! With an easy sway, Candles and Wine has just the right feel featuring tasty guitar riffs and cool vocal backing by Aussenac, Fabian Hernandez and Chris Eger. Ain't What It Ain't is a solid rocker with cool vocal blending but what really sets this track apart is super harp and hot slide riffs from Eger. Bluesy ballad, Breaking Down, is pure Loomis and it's a thread that you can trace from release to release. Rich composition, super vocals and warm interwoven instrumentation with Loomis' certain hand on guitar soloing makes this one strong track. a really hot sax solo by Fabian Hernandez bouncing back and forth with Loomis on lead guitar coupled with strong vocals makes Looking Into a Dream another of the top tracks on the release. Funky, Cloudy Day has really nicely arranged instrumentation, punchy sax work, great rhythm and vocals. Another super Loomis creation.  Quiet ballad, Prayer, has strong R&B bones, featuring Loomis' beautiful lead vocals with rich backing vocals and a slick melodic guitar solo. Very nice. Wrapping the release is Funky Little Brother with Sarah Kimberly on keys and trumpet, Reagan Kimberly on drums, Austin Morris on guitar and Daniel Holder on bass with Loomis on lead vocal and guitar and Alex Mckown, Zach Person and Michael Bryan-Harris on guitars. Almost getting into Sly world, this is a great funky rocker and a super closer for a super release. Excellent!

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Thursday, September 14, 2017

Out of the Past Music artists: Steve Howell & Jason Weinheimer - A Hundred Years From Today - New Release review

I just had the opportunity to review the most recent release, A Hundred Years From Today, by Steve Howell & Jason Weinheimer, and it's quiet and soothing. Opening with Fats Waller's Lulu's back In Town, Howell shows his clean acoustic finger work and holds down lead vocal while Weinheimer is on bass. Rag style Kansas City Blues has smooth flow and nice tempo. Lightning Hopkins' Going Back To Florida is somber and bluesy with solid vocal emphasis staid guitar accompaniment. Mississippi John Hurt's Louis Collins has super tempo and tight guitar riffs. Blues standard, Basin Street Blues, has an easy pace and nicely articulated guitar lead. Limehouse Blues / After You're Gone has a 20's sound with springy pace and light vocals. Wrapping the release is Hoagy Carmichael's Rocking Chair with a light jazzy sound. Nicely presented chords and lightly peppered fingering by both men make this a cool closer for this release. 

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Wednesday, September 13, 2017

Supersonic Blues Machine Return with CALIFORNISOUL on October 20 - Featuring Special Guests Billy Gibbons, Steve Lukather, Eric Gales, Walter Trout and Robben Ford


SUPERSONIC BLUES MACHINE ANNOUNCE THE GLOBAL RELEASE OF 
CALIFORNISOUL ON OCTOBER 20 VIA MASCOT LABEL GROUP / PROVOGUE

ALL-STAR CAST INCLUDES BILLY GIBBONS, STEVE LUKATHER, ERIC GALES,
WALTER TROUT AND ROBBEN FORD

Los Angeles, CA – Supersonic Blues Machine, featuring Fabrizio Grossi (bass / producer), Lance Lopez (guitar / vocals) and Kenny Aronoff (drums) has announced the global release of CALIFORNISOUL! On October 20 via Mascot Label Group / Provogue Records.  The title, available on CD, double vinyl, download and streaming, presents the sound the band spent much of 2017 sharing with audiences from Texas to Holland and India to St. Petersburg, Russia, picking up right where the they left off on their well-received debut record, West of Flushing, South of Frisco. Grossi shares, ““CALIFORNISOUL! That’s exactly what it is. It’s the missing soundtrack to a summertime drive from Los Angeles to San Francisco in 1971!”

Recorded at Fab’s Lab in North Hollywood, California, the repertoire is all about great songs.  “Cry” is a soul searching, simmering piece of poetry and Lance Lopez preaches it in the most righteous way. “I Am Done Missing You” is another number that reaches down deep with a message that will resonate with both spurned lovers and those who have left their bad habits and ways in the past. Californisoul is a study and celebration of the human condition, and “This Is Love” could be the lovechild of Bob Marley and War with some stinging guitar action spread on top. We’re living in times in which it’s hard to keep on keeping on, and it’s easy to fall prey to habits, vices, and distractions - “Elevate” takes a close look at the “high” life, and how one must raise above the temptations and tribulations if the music is to be made.

Fabrizio Grossi talks about a soundtrack for an imaginary road trip up the California coastline in the heady, halcyon days of the early 70s, and that really captures the vibe and mojo that is Californisoul. The songs Grossi has written for this album are as top notch as they are diverse. This machine covers a lot of ground. As the ever-tighter core of Lopez, Grossi, and Aronoff comes together with the elite of the modern-day blues rock community, this is much closer to Woodstock and Watkins Glen than it is to a cut and paste A-list vanity session. This is about friendship, the brotherhood of the blues, and bringing the blues up to this moment in time.

Lance Lopez is once again at the front and center.  His guitar work is as hot and gritty as anything ever cooked up down in Texas, and his singing evokes memories of the great soul, blues, and rock vocalists. You’ll hear the influence and heritage of Bobby “Blue” Bland, the funk of Sly Stone, and the world-weary rumination of the late, great Gregg Allman, but Lopez never really sounds like anything but himself. Kenny Aronoff is truly one of the most in-demand drummers on the planet, and his work on the album is one of the ingredients that make the record so special. Aronoff has also brought along his substantial arranging and compositional skills to great effect.   Whether performing with John Fogerty, BoDeans, Sir Paul McCartney, John Cougar Mellencamp, The Smashing Pumpkins or Supersonic Blues Machine, he is simply one of the best players on the planet.

Guests on the album include Billy Gibbons, who returns with pen and guitar (“Broken Heart”), Steve Lukather (Toto / Ringo’s All-Starr Band) throws down some stunning licks (“Hard Times”), Eric Gales is back in the fold (“Elevate”), Robben Ford brings his bag of soulfully sophisticated chops (“Somebody’s Fool”), Walter Trout brings some silky slow blues (“What’s Wrong”), and the party is rounded out with Alessandro Alessandroni Jr. on keyboards, Serge Simic (co-writer and background vocals on “Love” and “Hard Times”), and Andrea and Francis Benitez Grossi (background vocals). You may come for the stars, but you’ll stay for the whole show.

Fabrizio Grossi adds, “Lots of people have been saying to me ‘why does Supersonic Blues Machine always bring guests around? You guys can stand your own ground’, and there are three answers to that – first, we’re all super friends and we're having a blast; second, most of them don't give lessons and for us it's only way to learn their secret "ways"; and thirdly, because the inspiration and the challenge they bring to the table!”  Supersonic Blues Machine is truly a family as well as a band, and these guests don’t mail it in, they stay for dinner. The community aspect is very real, and one of the band’s great treasures.


The complete track listing features: “I Am Done Missing You,” “Somebody’s Fool” (featuring Robben Ford). “Love,” “Broken Heart” (featuring Billy Gibbons), “Bad Boys,” “Elevate” (featuring Eric Gales), “The One,” “Hard Times” (featuring Steve Lukather), “Cry.” “The Stranger,” “What’s Wrong” (featuring Walter Trout), “Thank You,” “This Is Love.”

The Wailin' Jennys premiere a song from their new album "Fifteen" out 10/27



Acclaimed folk trio The Wailin' Jennys announce the release of "Fifteen"

Fifteen, their first new album in six years, will be out on October 27
Select Live Dates Announced 



September 12, 2017: One of today’s most respected folk groups, The Wailin’ Jennys are releasing their first new recording in six years, Fifteen. This long-awaited follow-up to Bright Morning Stars finds the trio bringing their passion and stellar musicianship to a carefully curated collection of some of their favorite songs, including tracks by Tom Petty, Emmylou Harris and Dolly Parton. Billboard is premiering the trio's delicately beautiful version of Tom Petty's "Wildflowers," long an audience favorite, and features an interview with Wailin' Jenny Nicky Mehta. For members Mehta, Ruth Moody and Heather Masse, Fifteen celebrates a 15-year musical partnership that has created three award-winning, Billboard-charting studio albums and one magical live recording and brought them a loyal worldwide fanbase.


Steeped in the artistry and elegance that has defined their career, Fifteen presents The Wailin’ Jennys at their very best. Opening with their stark-yet-exquisite rendering of “Old Churchyard,” sung a cappella over a single droning viola tone, the album then shifts to a gorgeous full-band acoustic version of Tom Petty’s “Wildflowers.” Other highlights include their moving interpretation of Emmylou Harris’s “Boulder to Birmingham,” their update of Paul Simon’s “Loves Me Like a Rock” (from a women’s point of view) and songs by Jane Siberry, Warren Zevon and Patty Griffin. They also do an achingly beautiful a cappella version of Dolly Parton’s “Light of a Clear Blue Morning” that resonates as a call to hope in these troubled political times.  

All three of the Jennys now have young children and — coupled with living in two countries and different sides of the North American continent — making the time to record has been a challenge. 

“We are all mothers now, living in different cities, so we knew we couldn’t spend a month in the studio the way we used to,” Moody says. “Nicky and Heather could only be away from their boys for a week, which gave us five days! So we decided to do something that was true to our live show. Arranging other people’s songs has been something we’ve enjoyed doing since the beginning, so we thought that a covers album would be fun to do, especially given the time restraints. Even so, it was a little nuts: We were arranging harmonies on the fly… my son was just shy of three months old and I was feeding him every couple of hours… Nicky had a bad cold which made things tricky for her. But we just went with it, and trusted that it would all work out; maybe that’s the thing we’ve gotten better at as mothers.”

Produced by The Wailin’ Jennys and engineered by Joby Baker, the album also features additional musicians Richard Moody (Ruth’s brother), Sam Howard, Adrian Dolan and Adam Dobres.

NPR wrote of their last Newport Folk Fest appearance, The Wailin' Jennys are more than just impeccable bluegrass harmonizers; they're also terrific bandleaders who give their traditional roots music a sense of real reverence.” It’s this respect for their craft, as well as the Wailin’ Jennys heartfelt, impeccable vocal performances, that has cemented the trio’s reputation in folk and roots music circles.

More information about The Wailin’ Jennys tour schedule and the members’ solo dates can be found at www.thewailinjennys.com or www.redhouserecords.com.

Pre-order links:
iTunes
Amazon


The Wailin' Jennys Tour Dates:
SA  11/18          Colorado Springs, CO - Stargazers Theatre
SU  11/19          Boulder, CO - Boulder Theatre
SA   12/16         Rocky Mount, VA - Harvester Performance Center
MO  12/18         Alexandria, VA - The Birchmere
TU  12/19          Alexandria, VA - The Birchmere

2018 Dates 
TH  2/01            Greensboro, NC - Carolina Theatre    
FR  2/02            Wingate, NC McGee Theatre (The Batte Center)        
SA   2/03           Raleigh, NC  Duke Energy Center for the Performing Arts    
TH  2/15            College State, PA - The State Theatre    
FR  2/16            Bethlehem, PA - Zoellner Arts Center (Lehigh University) 
SA  2/17            West Long Branch, NJ -  Pollack Theatre (Monmouth University)  
TH  2/12            Interlochen, MI - Interlochen Center for the Arts (Corson Auditorium)    

FR  2/13            Saugatuck, MI - Saugatuck Center for the Arts       US
SA  2/14            Clinton Township, MI  - Macomb Center for the Performing Arts
SU  2/15            Goshen College – Sauder Concert Hall
  

THE SHERLOCKS Announce U.S. & Canada Tour Dates!


THE SHERLOCKS ANNOUNCE
U.S. & CANADA TOUR
FOR 2017/2018



"Many attempts have been made to bury Indie Rock - but The Sherlocks are proof of it's enduring appeal...Assured and always on the front foot, with driving guitar riffs and melodic lyrical hooks, they charge 
 The Sherlocks have announced a U.S. & Canadian tour for 2017 and 2018, including dates in Montreal, New York & Los Angeles. Their debut album Live For The Moment was released Friday, August 18 to fantastic critical reviews and entered the UK charts at Number 6, an outstanding achievement for a debut album. To coincide with their album celebrations, The Sherlocks performed an energetic set the same weekend at Leeds & Reading festivals to thousands of fans.

Sheffield four-piece The Sherlocks were relentlessly touring the UK ahead of the release of their debut album and dates have included joining both Kings Of Leon & Richard Ashcroft as main support on their arena tours as well as numerous festival dates.

The band, consisting of two sets of brothers, have been steadily building a solid live following and were the first unsigned band since Arctic Monkeys to sell out their local venue the Sheffield Leadmill. With support from the likes of Steve Lamacq, Annie Mac, Mistajam & Huw Stephens, this is a young band following in the great tradition of guitar groups from their area. The Sherlocks have drawn obvious comparisons from their influencers (The Jam, The Clash, Arctic Monkeys) but this is a band with unquenchable ambition intending to create their own unique sound and already captivating new audiences. The Sherlocks have been earning excellent live reviews up & down the country after selling out multiple venues (including Sheffield’s Foundry & Manchester’s Albert Hall) and their fanbase is going from strength to strength with their singles "Will You Be There" & "Was It Really Worth It?" both reaching Number 1 in the Vinyl single charts, a new generation discovering the adrenalizing rush of rock n’ roll.

The official North American tour routing is below.

 



The Sherlocks - North American Tour Dates
11/01 - Baby G's; Toronto, ON
11/03 - Le Ritz; Montreal, QC
11/04 - Sonia's; Cambridge, MA
11/06 - Baby's All Right; Brooklyn, NY
11/08 - Boot & Saddle; Philadelphia, PA
11/09 - DC9; Washington, DC

01/16 - The Echo; Los Angeles, CA
01/17 - Brick & Mortar; San Francisco, CA
01/19 - Bunk Bar; Portland, OR
01/20 - The Vera Project; Seattle, WA

Tickets on sale now!

The Sherlocks are Kiaran Crook (Lead vocals/Rhythm Guitar), Josh Davidson (Vocals/lead Guitar), Andy Davidson (Backing Vocals/Bass Guitar) and Brandon Crook (drums). Live For The Moment was recorded at Rockfield Studios in Wales and produced by Gavin Monaghan. It is available now on digital, CD and LP formats. 

The Sherlocks - Live For The Moment




Webster Avenue - Daylight - New Release review

I just had the opportunity to review the most recent release, Daylight, from Webster Avenue and it's cool and diverse. Opening with Pop rocker, This Angry World, David Webster blends cool southern rock style slide guitar riffs with Becker and Fagen style writing with Tony Mercadante on bass and Andrew Caturano on drums to create a smooth opener. On bluesy, Sing me A Sad Line, Webster shows his soulful side with super vocals and tight guitar riffs, backed by Jamie Finegan on trumpet and Joe Meo on tenor sax. Very nice. Nicely blended vocal harmonies are the trick on Midnight Sun, another track with serious notes of Becker and Fagen. Title track, Daylight has a shuffle rhythm with nice vocal harmonies and really nice guitar lead, backed by thee horn work of Meo and Finegan. Funky jazz/rocker, Ain't That A Shame is my favorite track on the release with it's cool bass/drum groove, rhythmic vocals, deep sax riff and tight trumpet vamp. Webster lays in a nicely phrased guitar solo and with the nicely woven sax, trumpet, bass, drum, rhythm guitar fabric, this track really hits it. Wrapping the release is Just Don't Need The Rain,  a solid radio track with a staggered rhythm pattern and contemporary pop styling. This is a real nice closer for a solid release.



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Tuesday, September 12, 2017

Big Legal Mess artist: Bette Smith - Jetlagger - New Release Review

I just had the opportunity to review the most recent release (September 29, 2017), Jetlagger, by Bette Smith and I really like it. Opening with original track, I Will Feed You, a dynamic "Macy Gray" styled ballad with a really strong melody, Smith lays out what I think it a sure fire radio track. With Jimbo Mathus on guitar and keys, Bronson Tew on drums, Matt Patton on bass, Scott Goolsby on guitar, Jamison Hollister on violin, Marc Franklin & Kirk Smothers on horns, and Susan Marshall on backing vocals, the music is thick. Excellent! R&B track, Flying Sweet Angel of Joy has rich gospel like backing vocals giving this track a super richness. Jimbo Mathus' Dirty Hustlin' gets a super funk treatment and it really is strong. This track is perfect for Smith and deep backing vocals, paired with the bass/drum work and a clever guitar solo by Mathus makes it one of my favorites as well. Another Mathus penned track, Moaning Bench, has strong R&B drive with punchy horns and powerful vocals. Isaac Hayes, Do Your Thing, has a super darkness with Smith showing the lower vocal range and the bari sax and bass working nicely with the organ and drums give it just the right feel. Wrapping the release is City In The Sky, another solid R&B track with a beefy bass line. Smith's vocals are sure and Mathus' guitar work has a nice looseness further showcasing just how strong Smith is. I really like this release. If you want a rich earful of soulful music...this is it!



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Monday, September 11, 2017

"Blues Been Good to Me" Declares James Armstrong on New Catfood Records CD, Coming October 20





Blues Been Good to Me Declares James Armstrong on New Catfood Records CD,
Coming October 20

EL PASO, TX – Catfood Records announces an October 20 release date for Blues Been Good to Me, the new CD from James Armstrong, which he produced with Blues Music Award-winner Johnny Rawls. This is his third album for Catfood, following Blues at the Border (2011) and Guitar Angels (2014).

Recorded primarily at Sawhorse Studios in St. Louis, as well as at associate producer Jim Gaines’ Bessie Blue Studio in Tennessee, Blues Been Good to Me showcases the vocals and guitar of James Armstrong, backed by a hand-picked group of musicians who have played with him on numerous live shows, which made for a very comfortable fit. The band includes Matt Murdick - keyboards, vocals (who has worked with Buddy Guy, John Primer, Little Melton, and Johnny Johnson); Johnny McGhee - rhythm guitar (one of the founding members of LTD and has worked/recorded with Marvin Gaye, Natalie Cole and, George Duke); Andrew Blaze Thomas – drums (who has worked with Billy Branch, Bernard Allison, Anna Popovic and Ronnie Baker Brooks); and Darryl Wright – bass (who has worked with Mavis Staples).

“Whenever I'm working on a new CD, I always like to be extremely prepared,” says James Armstrong about the recording process. “On this project, it didn't turn out that way, which seems like a blessing in hindsight. I was extremely busy when I was writing songs and arranging music for this project. Four months prior to going into record, I played over 70 shows. I had a European Tour in March and did 19 shows in 25 days in different cities, came home for two weeks and worked in the States and then flew to Spain for two weeks playing 12 shows back-to-back in different cities in 14 days.

“When we got into the studio in St. Louis, everyone knew how stressed I was because I didn't feel prepared. Prior to the session, I had sent demos for everyone to hear. Two songs I had to finish writing at the session, ‘Second Time Around’ and ‘Old Man in the Morning,’ but I told myself that I was just going to see what happens. I had asked Johnny Rawls to produce the CD with me, who is a master and a veteran at recording.

“Working with the legendary Jim Gaines as associate producer was a special treat. I recorded all of my guitar and vocals at his studio in Tennessee. Jim really helped me get over some of my fears and limitations from my injury in 1995 which resulted in permanent nerve damage to my left hand. I was able to do things on the guitar I have not been able to do since my injury.”

The 10 tracks on the new disc include a number of originals, as well as exciting covers of songs from Robert Palmer (“Addicted to Love”), and Marvin  Gaye  (“How Sweet It Is to Be Loved by You”).

Armstrong explains the genesis of the two cover songs: “Growing up in California as a teenager I wanted to be Jimi Hendrix. I listened and played a lot of rock 'n' roll. Darryl Wright (bass player on the CD) came to me with this song idea to put in to my live show. After doing it for a while, I realized I wanted to record it. I always enjoy changing certain song formats like rock, country, etc. into my style of the blues.

I've always loved Marvin Gaye's and James Taylor's versions of ‘How Sweet It Is,’ so I decided to speed it up with a swing-shuffle feel. With my country music background, I wanted to add a little country guitar lick in there. Also, I've never heard the song done before with slide guitar.”

Armstrong also reprises a new version of “Sleeping with a Stranger, a song he originally recorded as the title track of his first album for HighTone Records. “I wrote and recorded ‘Sleeping with a Stranger’ for HighTone Records in 1995, and it was the first song I ever had any major success with. I stopped playing it in my live shows for the last ten years but I'm always getting requests to do it. I decided to re-record it. In the early ‘90s I was in a relationship that I was not happy with. One morning, I woke up and there was a poem that she wrote called ‘Sleeping with a Stranger’ on her pillow. I changed a few words, added music and the next thing I knew I had a song.”


James Armstrong will continue touring throughout the summer and fall in support of the new album, and summarizes his feelings about it thusly: “I'm extremely happy with the results of the recording. Blues Been Good to Me is the most exciting recording I've done in years.”

Lloyd Spiegel 'This Time Tomorrow' Tour - New Dates Announced


Lloyd Spiegel 'This Time Tomorrow' Tour - New Dates Announced



Lloyd Spiegel 'This Time Tomorrow' Tour - New Dates Announced


Australian Blues master and acoustic guitarist extraordinaire Lloyd Spiegel is two months into the tour to launch his new album ‘This Time Tomorrow’ and the ‘sold out’ signs have been hanging on many venue doors thus far.

After such an incredible start, Lloyd is delighted to announce new dates in SA, WA, TAS and a handful of other shows on the east coast, including ‘Back by Popular Demand’ performances in Sydney and Melbourne.

‘This Time Tomorrow’ has spent 3 months at #1 of the Australian Blues Radio Airplay chart, peaked at #5 on the ARIA Jazz and Blues Chart, and #1 on the iTunes Blues Chart, and the album was written as Lloyd travelled through Europe, Central and North America and delivers driving rhythms that return Spiegel to his gut bucket blues roots. Shady and colourful characters spread out over continents and decades, through places forgotten and familiar. ‘This Time Tomorrow' is a return in fine form from an artist at the top of his game, and lead track ‘Devil On My Shoulder’ sets the mood of the album right from the get go.

Says Spiegel of the new songs,
“I’ve never written at home. I find it hard to be creative in my lounge room looking at bills and checking footy scores - and find that the inspiration to write comes from those few quiet hours in a hotel room on tour, the airport transit lounge or the long bus ride. This is where I can reflect and put those experiences into lyrics. I've travelled most of my life so really, they're like letters home."

It’s been a while since Spiegel’s last studio album - 2010’s Tangled Brew - but he’s been far from idle in that time. He's toured the world relentlessly, launched his own signature model guitars and has cemented his position as a bona fide festival headliner in Australia, with his recent performance at Bluesfest in Byron Bay the cherry on top.

With European and North American tours under his belt, along with recent showcases at Folk Alliance in Kansas City, the ECMAs in Canada and AMW in Sydney, Spiegel has many years on the road ahead of him.

‘This Time Tomorrow’ is available in stores through Only Blues Music.

“Australian blues and roots icon Lloyd Spiegel, in his first Bluesfest appearance, holds his own full house in the palm of his hand, just him and his trusty Cole Clark, a full swag of songs, a full tote of stories told with humour and aplomb, the man able to make his guitar do anything at all as he tells tales both tall and true, his own superbly written material marrying with blues standards in a way few others are able to manage. The man is a mountain, he’ll surely be back.” - Rolling Stone Magazine

“Spiegel has stamped himself as one of the best songwriters in the country, regardless of genre, of history, of ANYTHING. It’s a powerhouse of brutal honesty.” - Rhythms Magazine

“a guitarist almost without peer … Spiegel deconstructs how the blues guitar is supposed to operate, makes sweet love to it, then kicks it out the back door.”
- Australian Guitar Magazine


www.lloydspiegel.com



 



Tour Dates


Saturday 7th October
The Frankston Guitar Festival
Beach 162, Frankston, VIC
Show 7:00pm
Tickets call: 03 9783 7109

Friday 13th October
The Prince of Wales Hotel, Bunbury, WA
Doors 8:00pm
$15 plus BF presale, $20 door
Tickets: https://tickets.oztix.com.au/?Event=75232

Saturday 14th October
The Fremantle Folk Festival
Tickets and info: http://www.fremantlefolkfestival.com.au/

Sunday 15th October
Indi Bar, Scarborough, WA
Doors 1:30pm
$15 plus BF presale / $20 doors
Tickets: https://tickets.oztix.com.au/?Event=75204

Tuesday 17th October
The Perth Blues Club, The Charles Hotel, North Perth, WA
$20
Tickets at door

Sunday 22nd October
Marysville Jazz and Blues Weekend, Marysville, VIC
Tickets and info: http://www.marysvillejazzandblues.com/

Thursday 26th October
Smith’s Alternative, Canberra, ACT
$25 + BF presale, $30 door
Doors 9:00pm
Tickets: http://bit.ly/2wwAGZU

BACK BY POPULAR DEMAND
Friday 27th October
The Camelot Lounge, Marrickville, NSW
9:00pm
$30 + bf
Tickets: https://www.stickytickets.com.au/10322

Saturday 28th October
Sounds Delicious, Jervis Bay, NSW
$60 dinner and show
Doors: 7:00pm
Tickets: http://bit.ly/2gDjhtb

Sunday 29th October
The Heritage Hotel, Bulli, NSW
$25 + BF presale, $30 door
Doors: 5:00pm
Tickets: http://www.heritagehotel.com.au/

Saturday 4th November
Wangaratta Festival of Jazz and Blues, VIC
Tickets and info: http://wangarattajazz.com/

Saturday 11th November
Healesville Music Festival, VIC
Tickets and Info: http://www.healesvillemusicfestival.com.au/

BACK BY POPULAR DEMAND
Friday 17th November
The Wonderland Spiegeltent, Docklands, VIC
Tickets and Info: http://bit.ly/2ewYzH1

Saturday 18th November
The Montrose Cricket Club, Montrose, VIC
$25
7:30pm
Tickets: http://bit.ly/2gCRGIz

Sunday 19th November
St Cuthbert's, Menzies Creek, VIC
$35
Doors: 1:30pm
Tickets: https://www.trybooking.com/book/event?eid=281041

Friday 24th November
The Republic Bar, Hobart, TAS
$28.50
9:00pm
Tickets: http://www.moshtix.com.au/v2/event/lloyd-spiegel/97024

Friday 1st December
The Wheatsheaf Hotel, Thebarton, SA
$20 + BF presale, $25 door
Doors: 8:30pm
Tickets: https://tickets.oztix.com.au/default.aspx?Event=75411

Saturday 2nd December
The Lower Wilmot Hall, Lower Wilmot, TAS
$41 presale
Doors: 6:00pm
Tickets: https://www.eventbrite.com.au

Saturday 2nd December
The Hive, Port Lincoln, SA
$42.50
Doors: 7:00pm
Tickets: https://www.stickytickets.com.au/54968