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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

Monday, July 18, 2016

Aussie Folk Rocker Owen Campbell is Breathing Bullets - CD out on August 19 - Produced by Devon Allman

Owen Campbell is Breathing Bullets

New Album Out On August 19 - Produced by Devon Allman

Aussie blues-rocker clips cars as he speeds down the road






Atlanta, GA - “His grit and passion are sublime, and his unique storytelling is a true gift,” is what producer Devon Allman says about musician Owen Campbell. The Oz native brings his smoky vocals to the U.S. with his new album, Breathing Bullets on August 19th on ROC Records via MGM Distribution World Wide. This was recorded at High Low Studios in Memphis, TN and then mixed and mastered by the Grammy Award Winning wizard Tom Hambridge (Buddy Guy). Campbell will embark on a U.S. Tour in August with Devon Allman and Andy McKee.

Owen calls his producer, “a real soul surfer… hungry… and beyond expectations.”


Breathing Bullets is filled with many flavors of music that comes from his musical background. A native of Canberra, Australia Campbell began his musical journey at home when his dad, a musician himself, gave his young son a guitar at the age of nine. “My father was a big influence,” he says. “But so were Bob Dylan, Van Morrison, The Band, and The Rolling Stones. I always liked the way The Band brought variety and diversity to their sound. So my sound has bits of country, soul, Celtic, and rock. I love the variations.”

“There’s nothing like songwriting,” Owen says.

I've had a rough couple of years, I guess it's about that, coming back to busking on the streets after touring overseas, feeling a little entombed by it. So this is the Phoenix rising, a recreation of oneself... Something along these lines?” – Owen Campbell – about the song “Breathing Bullets”

The songs on Breathing Bullets are powerful with the clutch shifting chords in “Breathing Bullets”, hair rising melodies of “Eagleman” and to steady meter of “Rise” show off his musical chops. Campbell talks about nine lives, asking a medicine man for a sign in his journey and begs for love as he begins to age. His voice echoes both of a well-weathered man and an antsy, hungry young musician who asks questions about the world he lives within. Title song “Breathing Bullets” is classic Campbell, for he takes his cues from busking by tapping his feet and tinkering with the slide to make it almost wail. He pairs this with the local Memphis musicians that Devon Allman brought in and he sounds very comfortable in High Low Studios.


Owen on the song “RISE”: This was written as the stark realization one has sometimes when you sit back and realize YOU have been the problem. Not all the people you blame, circumstances situations, etc... ME! Important to not to make yourself wrong for this realization but to affirm you're gonna rise to the occasion, stronger for it, with gratitude for those that support you. And dealing with anxiety, every time I go on tour I think I'm gonna die... It's not nice, but I deal with it!


Owen on the song “Eagle Man”: This was a crazy experience I had leaving the Grand Canyon, In the tour van I was in this delirious dog-tired state, and it came to me in a dream, a Gnarly old Indian man retold the story of Eagle Man:
In a time long before your great grandfathers there lived a people in the canyon, among them was the one they called Eagle Man. He was a fierce and fearless young warrior. But, he was miserable. All he wanted in the life was to become an Eagle. Every day he would rage with jealousy at the eagles flying above the canyon. He turned his back on his people and one day, he scaled the highest point of the canyon, adorned himself with eagle feathers, willing the gods to recreate him like an eagle, he jumped! And fell to his death…
I asked the old Indian man in the dream why he's telling me this story, and he simply smiles and said; "You should be proud of who you are and grateful for what you have." And I woke up... Might sound crazy but it was vivid as the daylight.

Over the past few years, Owen has released five albums that all stem from his fiery live performances. This took him from the sidewalks of busking to the stages of international festivals and theaters in a matter of just a few years. But when he appeared on Australia’s Got Talent show on national TV, he soon became a very popular contestant that carried him to the finale of the show. Even though he didn’t win the competition, his exposure served as a springboard taking him to a higher level in his budding career. In 2014 Own released The Pilgrim that land him some chart success in his native Oz and New Zealand on both countries iTunes charts and Australia’s blues music chart. This success carried him to the U.S. to begin conquering the larger audiences.


“Campbell plays the slide guitar like an angel on the harp with confidence, purity and a shot glass in hand.” – Vulture Magazine


He plays anywhere from 100-200 shows a year worldwide, and he’s always up to back to his roots: Busking. There he earned street cred and honed his chops as a slide player and singer. But don’t let that fool you he’s the total package of singer, songwriter and guitar picker. 


Summer 2016 Tour Dates -                                          
August 2016
5th/6th Mammoth Lakes CA *
7th Commons Beach Park, Tahoe City CA *
9th The Birk, Birkenfeld OR *
10th The Nectar Lounge, Seattle WA *
11th Munch and Music, Bend OR *
12th/13th Bronze Blues and Brews, Joseph OR *
13th Red Lion Hotel, Spokane WA *
17th Oriental Theatre, Denver CO *
21st Cedar Cultural Centre, Minneapolis MI **
23rd High Noon Saloon, Madison MI **
24th Acorn Theatre, Three Oaks MI **
25th The Ark, Ann Arbor MI **
26th The Warehouse, Carmel IN **
27th Taft Theatre, Cincinnati OH **
28th Cosmic Charlies, Lexington KY **
(* Devon Allman shows, ** Andy McKee shows)


Anni Piper Summer '16 "More Guitars Than Friends" Tour Kicks Off at Darwin's












Anni Piper is getting ready to play some red-hot blues on tour this Summer, in support of her latest album release, "More Guitars Than Friends"  featuring her award-winning song "Wonder Woman." Itinerary below. More at annipiper.com.


BLUES GAL ANNI PIPER SUMMER'MORE GUITARS THAN FRIENDS' TOUR KICKS OFF JULY 26 AT DARWIN'S IN MARIETTA, GA; FEATURING HER AWARD-WINNING SONG, 'WONDER WOMAN'


Performing Locally: Tuesday, July 26 - DARWIN'S BURGERS AND BLUES








    (Marietta, GA) - Anni Piper kicks off her "More Guitars Than Friends" Summer 2016 U.S. Tour with a performance at renowned Marietta venue Darwin's Burgers & Blues, 1598 Rosewell Rd., on Tuesday, July 26. Showtime: 8:00 pm. All ages. Tickets $7. Info: (470) 399-5060 or http://darwinsburgers.com/. Complete Tour Itinerary below. 





    The colorful bassist-vocalist who fronts the Anni Piper Band released More Guitars Than Friends to critical acclaim and worldwide airplay this past February. The album features the hit single "Wonder Woman," nominated for awards in both the U.S. and her country of origin, Australia, from which she moved approximately two years ago. Recently married, Piper now calls Cocoa, FL her home.


           Some Recent Reviews of "More Guitars Than Friends"

"An entertaining album with some fine comic songs, a good vocalist, and solid musicianship."                     BLUES BLAST


"A strong addition to Anni Piper’s catalog. Though a departure from her more popular Texas Blues, and swing music that her fans have come to expect, it is a good record that stands up well to repeated listening. Piper's ability to write songs in genres other than the blues has grown with each new release, as has the emotional maturity of her singing."
                                                    MUSIC NEWS NASHVILLE


"The sultry bass-playing blues-woman from Down Under offers a wry line in her lyrical story-telling. Piper’s voice provides a smooth and soulful feel, mixed up with a coquettish twinkle in “I’m Lost Without You.” She gives a raucous earthy feel to “Paper Bag,” which demonstrates her vocal dexterity, and has a great saxophone solo from Charlie De Chant (Hall & Oates band)."          NATIONAL BLUES REVUE


"More Guitars Than Friends puts Piper’s considerable musical talents and smart songwriting on full display....a captivating mix of blues, rock and soul that features her deep and sultry vocals and her formidable skills on the bass guitar."                           BLUES BYTES



  The ten-song disc, the first to be released on Piper's own Sugar Daddy Records imprint, is a lively potpourri of sounds. "All the original songs on the album were written since I moved to the US about a year ago", states Piper. More Guitars Than Friends was recorded, mixed, and mastered at Solar Studio (using exclusively solar power) in Orlando, FL. 

  Anni Piper  - often referred to as "Australia's First Lady of the Blues" - blends deep, sexy vocals with a high-energy bass playing style (often barefoot), making for a thoroughly enjoyable live experience. Anni first started playing electric guitar at age twelve, but switched to bass two years later.  In 2004 Piper released Jailbait, which earned her "Best New Talent"at the 2005 Australian Blues Music Awards. Subsequent album releases include 2007's Texas Hold 'Em, 2009's Two's Company (which reached #1 on the Australian Roots music chart and #21 on the Living Blues chart), 2010's Chasin' Tail (released by Blues Leaf Records), and 2013's Split Second, a duet effort with Nicole Hart.   








      
"More Guitars Than Friends"  - Summer 2016 Tour Itinerary


July 26 (Tues.)        DARWIN'S BURGERS & BLUES        Marietta, GA
July 27 (Wed.)          PRESERVATION PUB                      Knoxville, TN
July 28 (Thur.)         BRACKIN'S                                    Maryville, TN
July 30 (Sat.)           THE RED WOLF                              Birmingham, AL
July 31 (Sun.)          UNDERBURG HOUSE CONCERT      Cape Girardeau MO
Aug. 1 (Mon.)          THE ALAMO                                 Springfield, IL
Aug. 2 (Tues.)         HOUSE OF BLUES                          Chicago, IL
Aug. 3 (Wed.)          WALNUT ST. WINERY                    Rochester, IL
Aug. 4 (Thur.)         POTTER'S MILL                             Bellevue, IA
Aug. 5 (Fri.)            BREEZER'S PUB                              Dubuque, IA
Aug. 6 (Sat.)           BLUE RIBBON BLUES FESTIVAL        Fairfield, IA
Aug. 7 (Sun.)          CLUB TAVERN                               Quincy, IL
Aug. 13 (Sat.)         BEACH SHACK                               Cocoa Beach, FL
Aug. 21 (Sun.)        LOU'S BLUES                                  Indialantic, FL
Sept. 22 (Thur.)      DOUBLE DOOR INN                        Charlotte, NC
Sept. 24 (Sat.)         BIG BUGG'S ISLAND BLUES BASH    Clarksville, VA
Oct. 1 (Sat.)            ELLINGTON PRESENTS...                 Lynchburg, VA



                 







Blue Moon Marquee - Gypsy Blues - New Release Review

I just had the opportunity to review Gypsy Blues, by Blue Moon Marquee and I really like it. This band takes a fairly fresh look at fusing old style jazz, rock, blues and ragtime coming up with it's own formula. Opening with Trickster Coyote, a blue rocker, this stripped down band of two features A.W. Cardinal on lead guitar with gypsy style lead riffs over a blues beat with an almost Fogerty sound backed by Jasmine Colette on upright bass. Very nice. On rag style track, Hoodoo Lady, a really cool swing and quick little riffs and believe it or not Black Francis sound on vocals. Really nice. Saddle Sore is a simple rocker typical of the 50's. It has it's own sound, not only because of Cardinal's vocals but with with Robert Gordon attack, cool jazz backing and fluid jazz guitar soloing this track is super. Runaway Lane has a theatrical sound with a touch of a French cafe. With it's solid bass line and driving guitar work, this band is rockin'. Punk meets rag time on Pour Me One, which has some really flashy hot guitar riffs. Cardinals vocals are dark and raspy juxtaposed to a bright airy track. Very cool. Double Barrel Blues with backing vocals by Colette and straight forward attack almost puts me in mind of John Doe with jazzy guitar work. Very inventive. One of my favorite tracks on the release, Ain't No Stranger, has a more definitive blues basis and lead vocals by Colette and cool trem bends by Cardinal. With vocals almost approaching Tom Waits, Cardinal opens Spy Hill. An unusual rhythm sets this track apart and I really like. Jim Morrison like phrasing gives the track a bluesy flavor, enforced by early spiritual/blues backing vocals. Boogie track, Tossin' N' Turnin' has that Green Onions feel. I really like the groove on this track. Cardinal keeps his guitar playing simple with tight riffs and rhythm. Shading Tree is a cool bluesy rock ballad with hints of Eric Burdon/Nina Simone but with a lot of grit balanced by light jazz riffs. Very nice work. Driftin' has a real gypsy jazz feel with simple guitar and bass rhythms. Bright and springy with vocal harmonies, nicely done. Wrapping the release is title track, Gypsy Blues, with it's New Orleans flavor. This is a really well done release and one I'm looking forward to getting into my car for a closer listen.

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Friday, July 15, 2016

Stony Plain artist: Kenny 'Blues Boss' Wayne - Jumpin' & Boppin' - New Release Review

I just received the newest release, Jumpin' & Boppin' from Kenny 'Blues Boss" Wayne and it's a swinging party. Opening with, Blues Boss Shuffle, and with hot solos from Dave Babcock on sax and duke Robillard on guitar, Boss really has this place hopping on piano. Bankrupted Blues features Boss on lead vocal with a really nice swinging guitar solo from Robillard and backing from Russell Jackson on bass, Charlie Jacobson on guitar, Joey DiMarco on drums and Babcock on sax. Very nice. Jumpin' & Boppin' For Joy is really hot with a boogie bottom. This track smokes with great speed and smoking hot solos from Robillard and Boss. Excellent! Blues Stew is low slung and easy. Sexy sax and nicely stated piano work compliments smooth vocals. Classic, You Don't Know Me, features Wayne on upfront vocals highlighted by his own piano and organ work and lightly peppered with guitar and rhythm. Babcock blows another sweet sax solo to cap off the tune. Blackmail Blues has a bit of Jimmy Reeds style. Jacobson and Wayne both take nice solos keeping to the structured blues style. On big band style rumble, Look Out! There's A Train Coming, Wayne and Babcock really get the place hopping. Robillard takes a nice solo and Babcock really gets deep on bari. Super track. On piano boogie, I Need Your Lovin', Jackson's bass work is particularly strong giving Wayne the freedon to solo boogie on piano. Excellent! Ciao, Ciao Baby has a super swing and Wayne and Babcock lead the way. Robillard dresses the track nicely with clean clear riffs and Wayne lays out some of the best vocals on the release. A cool solo on guitar sits simmers nicely in this clever track. Slow blues style, Back To Square One, has great dynamics with nicely blended piano, vocal and rhythm under smooth vocals and really nicely stylized guitar soloing. Very nice! On I'm Comin' Home, Sherman Doucette adds yet another dimension to this boogie woogie with harp. riffs. With change ups and soulful riffs by Doucette this track is soulful. Rock, Rock Little Girl is a hot "Little Richard" style rockin boogie with solid sax backing and of course rolling piano. A super hot rocker with smoking guitar riffs, this track is killer. Wrapping the release is Boogie To Gloryland. This is an excellent piano boogie instrumental and an nexcellent track to wrap a very nice release. Check it out!

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Thursday, July 14, 2016

Spencer Mackenzie - Infected With The Blues - New Release Review

I just had the opportunity to review the newest release, Infected With The Blues by Spencer Mackenzie. Mackenzie is a 16 year old gun slinger with an aim to make a mark on the blues scene and this is a good start. Opening with title track, Infected With The Blues, a contemporary shuffle track featuring Mackenzie onlead vocal and guitar. David "Groove Doctor" McMorrow provides solid piano solos and support with Alan Duffy on bass and Sean O'Grady on drums. A cool track with some clean guitar work by Mackenzie. Chicago style, Mess Around, has great horn support by Bill Holinaty on sax, Ryan Baker on trumpet, and Mike Polci on trombone. A high energy track gives Holinaty a great opening for a super sax solo and Mackenzie shows his cards as well. Very nice. Opening in old delta style, Devil Under Her Skin, fills out in modern style with warm bass lines and additional vocals by Sharon Riley, Rochelle Harrison, Camille Harrison and Dean Malton. Nicely blended lead vocals and with Max Hiller on harp and lead guitar work by Brant Parker gives this track a special feel. Memphis Minnie's, Kissing In The Dark has an Eric Clapton style arrangement but Mackenzies vocals have a different dimension. The maturity in the backing vocals give the track a richer feel and some of Mackenzie's nicer guitar riffs show on this track. Goodbye Lucille is one of my favorite tracks on the release with it's slow tempo and soulful guitar phrasing. Hot jump track, Jumpin' from Six to Six has a lot of energy and backed by the full horn section, this track rocks. Particularly snappy drumming by O'Grady and super piano work by Groove Doctor set off by a hot sax solo by Holinaty and a short smoker by Mackenzie gives this track real legs. Lowell Fulsom's, Sinner's Prayer, is another track with a lot of Clapton feel but Mackenzie's vocals are right at the edge of maturity. His phrasing is good but a little more thickness in his chords will benefit him on future releases. His guitar does do much of his talking for him and the maturity is really coming along nicely. Wrapping the release is Dylan's All Along The Watchtower, a la Hendrix. Again I really like what O'Grady brings to the table on drums. Mackenzie's riffs are solid and his vocals spot on. Soloing efforts on this track are real nice and backup vocals add nicely. A very cool first effort.
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Wednesday, July 13, 2016

Delta Groove Music artist: John Long - Stand Your Ground - New Release Review

I just received the newest release, Stand Your Ground, by John Long and it has a great authentic feel. Opening with Homesick James' Baby Please Set A Date, Long is stroking the slide, Elmore James style, backed by Fred Kaplan on piano, Bill Stuve on acoustic bass and Washington Rucker on drums. This track could easily have been recorded in the 40's or 50's by Muddy with a rich early feel. In addition to Long's slide work, Kaplan's exceptional piano work is sweet! Great opener. Son House style creeps into Red Hawk and long shows his powerful vocal style as well as his command of House's excellent slide style. Excellent! On country style blues, Things Can't Be Down Always, Long continues to demonstrate his versatility in style and delivery. His vocals are pure and his playing clean. On title track, Stand Your Ground, Long introduces a bit of New Orleans feel with Stuve and Rucker. A cool rhythmic track with a more contemporary feel. Welcome Mat is an excellent Delta blues track with early Muddy /JL Hooker delivery. Because of Long's vocals and guitar phrasing, this may be my favorite track on the release. On No Flowers For Me, Long pulls out his harmonica to assist in his delivery and with his guitar, delivers some of the best vocals on the track. It's really quite hard to imagine that these tracks are contemporary and not 75 years old. Very nice! One Earth, Many Colors has a gospel swing, punctuated by Stuve, Kaplan and Rucker. Kaplan's solo is jangly and stylish and Stuve's bass right in the groove. Healing Touch has a real soulful style and again essential vocals by Long. His harp work is nicely complimentary to his unadorned guitar work. Very nice. Willie Johnson's I Know His Blood Can Make Me Whole is a cool track with slide / vocal melody. A cool entry among mostly all original tracks. Mike Cronic's Mop, Bucket and Broom is a cool, 30's style swing track with Long showing yet another style and doing it nicely with fine picking, chords and a light dusting by Rucker. Blind Wilie McTell's Climbing High Mountains has a spiritual swing but updated with a swing rhythm. Morphing his vocals to a more pure smooth singing style, Long shows he can sing it all. Very nice! Rev. Thomas Dorsey's Precious Lord, Take My Hand maintains much of the original gospel feel but with just a light touch of blues. This is an excellent interpretation of this classic gospel number, given it isn't being sung by the likes of Aretha or Mike Farris and more in the style of Ray Charles. Wrapping the release is Suitcase Stomp, a great boogie woogie track with Long chasing himself on guitar and harp. This is an excellent release with a lot of heart and reality. Check it out!


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