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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

Thursday, April 21, 2016

Pop star Prince has passed. My prayers are with his family

Pop superstar Prince, widely acclaimed as one of the most inventive and influential musicians of his era with hits including "Little Red Corvette," ''Let's Go Crazy" and "When Doves Cry," was found dead at his home on Thursday in suburban Minneapolis, according to his publicist. He was 57.
His publicist, Yvette Noel-Schure, told The Associated Press that the music icon died at his home in Chanhassen. No details were immediately released.
The singer, songwriter, arranger and instrumentalist broke through in the late 1970s with the hits "Why You Wanna Treat Me So Bad?" and "I Wanna Be Your Lover," and soared over the following decade with such albums as "1999" and "Purple Rain." The title song from "1999" includes one of the most widely quoted refrains of popular culture: "Tonight I'm gonna party like it's 1999."

 The Minneapolis native, born Prince Rogers Nelson, stood just 5 feet, 2 inches tall, and seemed to summon the most original and compelling sounds at will, whether playing guitar in a flamboyant style that openly drew upon Jimi Hendrix, switching his vocals from a nasally scream to an erotic falsetto or turning out album after album of stunningly original material. Among his other notable releases: "Sign O' the Times," ''Graffiti Bridge" and "The Black Album."

 He was also fiercely protective of his independence, battling his record company over control of his material and even his name. Prince once wrote "slave" on his face in protest of not owning his work and famously battled and then departed his label, Warner Bros., before returning a few years ago.
"What's happening now is the position that I've always wanted to be in," Prince told the AP in 2014. "I was just trying to get here."
In 2004, Prince was inducted into the Rock and Roll Hall of Fame, which hailed him as a musical and social trailblazer.
"He rewrote the rulebook, forging a synthesis of black funk and white rock that served as a blueprint for cutting-edge music in the Eighties," reads the Hall's dedication. "Prince made dance music that rocked and rock music that had a bristling, funky backbone. From the beginning, Prince and his music were androgynous, sly, sexy and provocative."
Rarely lacking in confidence, Price effortlessly absorbed the music of others and made it sound like Prince, whether the James Brown guitar riff on "Kiss" or the Beatle-esque, psychedelic pop of "Raspberry Beret."
He also proved a source of hits for others, from Sinead O'Connor's "Nothing Compares 2 U" to Cyndi Lauper's "When You Were Mine." He also wrote "Manic Monday" for the Bangles
Prince had been touring and recording right up until his death, releasing four albums in the last 18 months, including two on the Tidal streaming service last year. He performed in Atlanta last week as part of his "Piano and a Microphone" tour, a stripped down show that has featured a mix of his hits like "Purple Rain" or "Little Red Corvette" and some B-sides from his extensive library.
Prince debuted the intimate format at his Paisley Park studios in January, treating fans to a performance that was personal and was both playful and emotional at times.
The musician had seemed to be shedding his reclusive reputation. He hosted several late-night jam sessions where he serenaded Madonna, celebrated the Minnesota Lynx's WNBA championship and showcased his latest protege, singer Judith Hill.
Ever surprising, he announced on stage in New York City last month that he was writing his memoir. "The Beautiful Ones" was expected to be released in the fall of 2017 by publishing house Spiegel & Grau. The publishing house has not yet commented on status of book, but a press release about the memoir says: "Prince will take readers on an unconventional and poetic journey through his life and creative work." It says the book will include stories about Prince's music and "the family that shaped him and the people, places, and ideas that fired his creative imagination."
A small group of fans quickly gathered in the rain Thursday outside his music studio, Paisley Park, where Prince's gold records are on the walls and the purple motorcycle he rode in his 1984 breakout movie, "Purple Rain," is on display. The white building surrounded by a fence is about 20 miles southwest of Minneapolis.
Steven Scott, 32, of Eden Prairie, said he was at Paisley Park last Saturday for Prince's dance party. He called Prince "a beautiful person" whose message was that people should love one another.
"He brought people together for the right reasons," Scott said.
CHANHASSEN, Minn. (AP)
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Wednesday, April 20, 2016

Little Lightning Productions artist: Shari Puorto - My Obsession - New Release Review

I just received the newest release, My Obsession, from Shari Puorto and she's still slamming it. Opening with funky rocker, It's A Damn Shame, Puorto's vocals are tight and her phrasing is super. Johnny Hawthorn knows how to make it hot on guitar and Bob Glaub's bass lines are smokin. Backed by Kenna Ramsey, Julie Delgado and Mike Finnigan, this is my favorite track on the release. On Home of the Blues, Jimmy Vivino and Steve Fister step up on lead and slide guitar (respectively) and Mike Finnigan's B3 work is super. Rock and roller, Six Months Sober is square down the middle with Jim Pugh's piano and B3 and slide soloing by Hawthorn is smooth. Sugar Daddy is a slower sure stepper with a drone bass line and slap snare from Tony Braunagel. Title track, My Obsession, opens with a subdued niteclub feel but kicking into a solid rocker with Vivino and Finnigan trading lead riffs under Puorto's cool vocals. Old Silo Road is a quiet ballad, primarily the purity of Puorto's voice and Finnigan's piano. Johnny Lee Schell's tasty slide riffs add a real nice touch to this solid radio track. Workin' The Room has a definite country feel with a two step rhythm and nicely executed piano work from Barry Goldberg. Schell again steps up with a cool guitar solo making this another track that could easily hit multiple radio lines. Better Left Unsaid has a R&B styling with cool backing vocals from Ramsey, Delgado and Finnigan. Schell's rhythm guitar work and Finnigan's piano work give this track a lot of textural traction. With a New Orleans feel, What's The Matter With The World, has a real nice rhythm and Schell's slide work is spot on the mark. Finnigan gives the track a nice boot of his own with nicely stylized piano work. Very cool! Steve Fister adds his own guitar zip to All About You, a serious ballad with Schell joining on rhythm guitar. The interweaving guitar styles, coupled with Puorto's vocals make this another serious radio track. Turned To Stone has a real "Jackson Browne" feel with Johnny Hawthorn playing some excellent David Lindley style pedal steel lead throughout. Goes without saying that this track, with a cool melodic hook and slick pedal work, could really hit big. Wrapping the release is the soul classic, When A Man Loves A Woman. Finnigan on B3, Pugh on piano and with Darrell Leonard and Joe Sublett on horns, gives this track a rich clarity and Vivino's clean guitar work, coupled with Puorto's power makes this a perfect track to close it up.
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Tuesday, April 19, 2016

Angel Forrest - Angel's 11 - New Release Review

I just received the newest release, Angel's 11, from Angel Forrest and it's got a special feel. Opening with Hangman, a solid blues rocker, Forrest shows that she's serious business and ready for anything. With Johnny Flash on guitar, Dennis Coulombe on bass, Sly Coulombe on drums and Bernard Quessy on B3, this track could easily see a lot of radio play. All The Way has a real cool rhythm and perfect timing from Coulombe on percussion. Forrest has a special voice and this track is perfect for her. Rob MacDonald lays in a nice guitar solo rounding out this track. Spoil Me Up is a real cool, jazzy track featuring beautiful guitar work from Steve Strongman and nice horn work from Frankie Thiffault on tenor sax, Mathieu Mousseau on bari sax, and Nicolas Boulay on trumpet. Excellent! Hold On Tight has a bluesy rock/ country sound with a real cool bass line from Alec Mc Elcheran. Ricky Paquette steps up with some searing guitar lead and I particularly like Sly Coulombe, drum work on this track. Tumbleweed really falls back with a western sound and a sweet melody. With steel guitar work by Dimitri Lebel-Alexandre and Ben Clement on drums, this track is very strong. A bright acoustic number, Goodbye, features Paul DesLauiers on acoustic guitar, building as it goes. This track reminds me quite a bit of a Steve Winwood composition and the instrumentation is tight! Let Me Go is a smooth R&B style track with full horn compliment. With tastes of Etta James styling, Forrest hits the target dead on with solid vocals and Kim Greenwood really rips loose on strat for some of the most emotional guitar work on the release. Wildflower is an uptempo rocker featuring Corey Diabo with metal guitar styling which blends surprisingly nicely with an otherwise pop oriented track. Very cool. Shane Murphy opens Touch of My Hand with fiery guitar riffs, played off of a funky bottom and sassy vocals. This is a pretty cool with a lot of heat. Steve Hill lays out some really nice lead guitar work on Crucify, a vocal ballad, performed nicely by Forrest. There are a number of really note worthy guitar pieces on this release and this is certainly one. Very nice work! Wrapping the release is silky smooth, You and I, with nicely blended vocal harmonies and light, spanish like executed guitar riffs from Adam Karch. This is a really super track to complete a nicely executed release of Forrest sharing her main stage with some excellent guitar players. Very nice job!

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Monday, April 18, 2016

Dave and Anne Ducharme-Jones celebrate CD release!


http://www.ducharmejones.com/

      (Austin, Tex.) Strangest Things is the new release co-written by Austin’s David and Anne Ducharme-Jones (doo-sharm). Strangest Things is 13 lyrically driven rock songs accented by David’s strong melodic blues/jazz/rock guitar riffs. In celebration, the husband-wife team will perform at the One-2-One Bar April 22 at 8 p.m.  The show begins at 8 p.m. and with the $10.00 cover you receive a complimentary copy of the new CD. (www.ducharmejones.com)


http://www.davidducharmejones.com/

     Strangest Things features the songwriting husband-wife team, David and Anne Ducharme-Jones. It was produced and recorded at The Track Shack in South Austin.
     Highlighted tracks to listen to and play include:
Strangest Things (rock)
Red Roses (country rock)
Wherever You Go (poignant singer-songwriter)

      David
and Anne added a new facet to their successful relationship with co-writing these 13 songs. Though Anne has sung on David's solo albums and helped with David's songs this is the first time they have completely collaborated on all aspects. The thing they love the most about the writing partnership is the eclectic nature of the songs they bring to life. These songs are snippets of their own history, mostly love stories, including upbeat roots-rocker "Red Roses" and "Two Satellites", alongside moody and ambient "Of the Water", whimsical, jazzy "Wherever You Go", and funky "The Girl Is Gone." Anne steps into lead vocals on rootsey-rockers "I Don't Need You," "Crazy Heart," and "I Was Wrong."
Click here to take a listen: 
http://www.ducharmejones.com/music/


    Long known for his stellar guitar performances, Dave's prior releases include Weeds (2009), and A LOUD Guitar (2012) on which Annie joined him on background vocals and at live performances.
“Packed with talent.” – PoP Culture Press
"Solid and melodically interesting.” – Bman’s Blues Report
"An original and diverse set of blues-based roots music.” – Blues Bytes
“A sumptuous breadth of styles and influences.” – Lone Star Music
“Supremely smooth six-string maneuvers... also gets gritty.” – The Austin Chronicle
"Sophisticated and fiery, Dave plays with emotion and style.” – Roger Allen, Sun Radio


Follow the Music!
Twitter: @DucharmeJones
Facebook.com/Ducharme-Jones-969848269729243/?pnref=story
Instagram: ducharmejones
www.CDbaby.com/cd/ducharmejones2

THE FLAMIN' GROOVIES UNVEIL NEW "CRAZY MACY" VIDEO! | "CRAZY MACY" SINGLE OUT TOMORROW!




 
THE FLAMIN' GROOVIES TO CELEBRATE THEIR 50TH ANNIVERSARY WITH A NEW SINGLE "CRAZY MACY"/"LET ME ROCK" VIA BURGER RECORDS!

THE GROOVIES ON TOUR IN EUROPE NOW!

CLICK THE IMAGE BELOW TO WATCH THE FLAMIN' GROOVIES' RAUCOUS VIDEO FOR THEIR NEW SINGLE "CRAZY MACY" (PLEASE FEEL FREE TO POST AND SHARE!)


The Flamin' Groovies are in full swing as part of their 50th Anniversary this year. The legendary band are currently on an agressive tour of Europe this month and next, and are also gearing up for a new studio album and documentary film. And tomorrow (April 16th) they'll be dropping a new single from their forthcoming LP via Burger Records. This new single features two Cyril Jordan/Chris Wilson penned tracks - the recently written "Crazy Macy" and the first track ever written by Jordan & Wilson, "Let Me Rock" recorded here for the first time! The first-pressing of the 7" vinyl single has already sold-out online due to high pre-order demands, but a second pressing will be available soon (of course, finer record shops around the nation will also have a limited number of the single available tomorrow as part of Record Store Day). The cassette single of "Crazy Macy"/"Let Me Rock" is available now through Burger Records HERE.

In related news, the Groovies' just released a new video for "Crazy Macy" on their Facebook page this week and received over 30,000 views in just under 24 hours! This energized video was directed by Kurt Feldhun and William Tyler Smith and features footage from their forthcoming documentary, The Incredible Flamin' Groovies Movie.

THE FLAMIN' GROOVIES: clockwise from top left w/ photo credits: Cyril Jordan (John Boydston), Victor Penalosa (Ray Flex), Chris Wilson (Ricardo Bernal), George Alexander (Laurence Le Tiec)

THE FLAMIN' GROOVIES 2016 TOUR DATES:
Fri Apr 15 Gijon Sound Festival, Gijon, Spain
Sat Apr 16 Intxaurrondo K.E., Donostia, Spain
Sun Apr 17 All Tomorrow’s Parties 2.0, Pontins, Prestatyn, North Wales
Tue Apr 19 Whelan's, Dublin, IRL
Wed Apr 20 Brundenell Social Club, Leeds, UK
Thu Apr 21 CCA,Glasgow, SCT
Fri Apr 22 Manchester Club Academy, Manchester, UK
Sun Apr 24 All Tomorrow’s Parties 2.0, Pontins, Manchester, UK (w/ Roy Loney!)
Mon Apr 25 Scala, London, UK
Thu April 28 De Zwerver, Leffinge, Belgium
Fri Apr 29 Le Petit Bain, Paris, France
Sun May 01 Hafenklang, Hamburg, Germany
Tue May 03 Folk & Rock, Malmo, Sweden
Wed May 04 Folk & Rock, Malmo, Sweden
Thu May 05 John Dee, Oslo, Norway
Fri May 06 Pustervik, Göteborg, Sweden
Sat May 07 Nobelberget, Stockholm, Sweden

Fri Jun 24 Nuggets Night @ Mississippi Studios, Portland, OR
Sun Jun 26 Burger Boogaloo @ Mosswood Park, Oakland, CA (w/ Roy Loney!)


FOR MORE INFO ON BURGER RECORDS:
http://www.burgerrecords.org

Connor Ray Music Signs 2016 International Blues Challenge Finalist The Mighty Orq; Houston-Based Singer/Guitarist Is Playing Up a Storm on Label Debut CD, "Love in a Hurricane," Set for Release on May 20





Connor Ray Music Signs 2016 International Blues Challenge Finalist The Mighty Orq

Houston-Based Singer/Guitarist Is Playing Up a Storm on Label Debut CD,
Love in a Hurricane, Set for Release on May 20

HOUSTON, TX – Connor Ray Music announces the signing of Houston-based singer/guitarist The Mighty Orq, and will release the 2016 International Blues Challenge finalist’s label debut, Love in a Hurricane, on May 20. Recorded at Houston’s legendary Sugar Hill Studios and produced by The Mighty Orq and Josh Applebee, Love in a Hurricane features his regular touring band: The Mighty Orq (vocals, electric, acoustic, resonator, cigar box and Weissenborn guitars); Jimmy Rose (drums, percussion, mandolin); Barry Seelen (organ, piano, accordion); and Terry Dry (bass).

“I'm particularly excited about the new album because I've finally been able to combine all the elements of my various performance styles in one place,” Orq says about the new Love in a Hurricane. “There are rockers, singer-songwriter tunes, solo acoustic and cigar box songs, as well as southern rock, gospel and blues. It feels like the most complete portrait to date of all the musical styles I love to play.”
Always known as a stand-out guitarist and vocalist, over the last 13 years Orq has matured both as a writer and arranger. Where early-on the musical emphasis was on raucous drum and guitar lines, now Orq takes a more song-centered approach, letting songs dictate the instrumentation rather than the other way-around. On Love in a Hurricane, new compositions such as the title track, “Say It with Silence,” and the Weissenborn guitar instrumental that closes the album, “Cannon Ball,” showcase an experienced composer, instrumentalist, and singer beginning to reach his stride. Besides the10 original tunes, the new disc also includes exciting takes on Freddy King’s “Pack It Up,” courtesy of Orq’s funky, soulful blues shouting; and Son House’s “Death Letter Blues,” where Orq creates a brooding, atmospheric vibe that befits the content of the lyrics.  
As a testament to his growth as a musician, The Mighty Orq recently made it to the finals in the 2016 International Blues Challenge (IBC) in Memphis sponsored by the Blues Foundation, which saw him competing against musicians from all around the world. He was also a finalist in 2011. Beloved Texas singer/songwriter Ray Wylie Hubbard even posted on Twitter: “I dig that cat – the Mighty Orq stands flat-footed and delivers pounds of solid blues with whatever he plays.”
Born Josh Davidson and raised in Houston, he got the nickname, “Orq,” in high school, which later became “The Mighty Orq,” so dubbed by fellow Houston bluesman Tony Vega.
Since 2002, The Mighty Orq has been performing solo and with his band across the USA and Europe. He has won multiple awards, previously released six albums and an instructional DVD for solo resonator slide guitar. He is a uniquely talented singer, songwriter, and multi-instrumentalist with a focus in the American roots music genres.
The Mighty Orq has also been a frequent winner at the Houston Press Music Awards, garnering honors as “Best Blues Act” in 2015 and 2012; and “Best Guitarist” in 2010 and 2007. He also was awarded an Individual Artist Grant from the Houston Arts Alliance in 2011.

For more information, visit www.mightyorq.com and www.connorraymusic.com.

Muskett Music Media artist: The Dave Muskett Acoustic Blues Band - Recorded Live At The Slippery Noodle Inn - New Release Review

I just received the newest release, Recorded Live At The Slippery Noodle Inn, by The Dave Muskett Acoustic Blues Band and it's tight and clean. Opening with That Kind of Walk, an easy going blues based shuffle, Dave Muskett on vocal and guitar is joined by Mark Carnes on harp and backing vocal, Jay Arnold on bass and backing vocal and Charlie Bushor on drums. On Ain't My Good Girl Now, Muskett leads the way again on a nicely picked track with the tempo and general feel of Alice's Restaurant. Very cool. She Can't Give Me The Blues is a nice, easy shuffle with warm harp soloing. This is one of my favorite tracks on the release for just this reason. Handyman Blues has a deeper blues root but still retaining that easy flow. With a smooth guitar solo from Muskett and Carnes' harp work, this is a strong contender for the radio track on the release. Ain't Got It All has a Jimmy Reed touch and a more deliberate blues styling. I particularly like Muskett's vocals on this track, answered by Carnes on harp. Rain Song breaks the run with a really funky dobro rhythm. A cool sliding pattern, played against Carnes on harp and Bushor on drums makes this another of my release favorites. Sweet Mary Jane has a cool Robert Johnson feel with slide dobro and traditional blues style guitar riffs. With clever word smithing, this is bound to be a crowd favorite. Got A Need has a Jimmie Rodgers feel with a real swing, with some flashy acoustic guitar riffs and a bopping harp solo. Semi-Naked Shoe Shine has a nice polish to it and a warm feel. Arnold drives the train on this one with his bass lines and solo exchanges between Carnes and Muskett give this track real traction. Take A Look At This has a more raw, alive blues feel with the absolute best vocals on the release. The track doesn't stray far from the basic root line and I really like that. Very cool! Pet That Thing has a strong Piedmont style and overt lyrics that are curious and funny. With Carnes on harp and and a tight bottom, this is the absolute crowd favorite. Wrapping the release is You Gotta Know with it's Jimmy Reed feel. Muskett whips out some real nice acoustic guitar riffs and Carnes ices the cake as the band ties this one up neatly. Very nice!

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