West coast blues-rocker David Gogo set to release 'Vicksburg Call'

West coast blues-rocker David Gogo set to release 'Vicksburg Call' September 4th on Cordova Bay Records   Pre-order link: www.davidgogo.com/shop Pre-Order now and instantly get downloads of “Cuts Me To The Bone” and “Our Last Goodbye" View “Cuts Me To The Bone” promo here For immediate release August 14, 2015 (Victoria, BC) - For over two decades David Gogo has been recording and performing all over the world, bringing his magnetic and accessible groove-fueled blend of blues and rock to audiences of all ages.  The British Columbia based guitarist and vocalist's name has become synonymous with the Canadian blues scene, and with good reason.  Vicksburg Call (September 4) is Gogo’s 14th release and is poised to add even more acclaim to an already impressive inventory.  He’s earned numerous accolades, including five JUNO nominations and multiple Maple Blues Awards.  He has thousands of tour miles under his belt and has played on stage with B.B. King, Johnny Winter, Bo Diddley and Otis Rush as well as opened for ZZ Top, Buddy Guy, Charles Bradley and many others. Undoubtedly a rockin’ blues album, Vicksburg Call was recorded in a studio with a live, intimate atmosphere, which yielded an overall grittier sound with lots of feeling.  "I wanted this album to have more of a “band” feel to it, rather than just going into the studio and basically dictating the parts to the musicians", says Gogo.  "I also wanted as many songs as possible to have a very live feel and be easily transferrable to the stage." With the help of his backing band consisting of Bill Hicks on drums and Jay Stevens on bass, each of the tracks on Vicksburg Call are replete with the grooves, emotion and soulful delivery that David Gogo is known for. From the opening rocker “Cuts Me To The Bone”, the  bluesy “Fooling Myself”, featuring Kim Simmonds and the haunting “There’s A Hole”  with a guest appearance from Shawn Hall of The Harpoonist & The Axe Murderer.  Vicksburg Call also highlights Gogo’s aptitude for selecting cover songs that one would not expect to hear on a blues album including Neil Young’s “The Loner”, Stephen Stills’ “Jet Set (Sigh)”, and Annie Lennox’s “Why”. “In the time that has passed since the last album, there has been a lot of loss in my life with the passing of friends and colleagues in the world of music. There were many sad days, but also tears of joy when I think back at fond memories from my time on the road”, Gogo recalls. “Relationships can also have their ups and downs as the years pass by, and many of my new songs deal with this. I tried to write from many viewpoints of love and loss, reconciliation, regret, acceptance and hope for new horizons.” Gogo’s passion for blues and his extraordinary, virtuosic guitar talents are laid bare alongside his emotions on this album - a combination that grabs you from the opening bars and keeps you hooked through all 10 tracks. davidgogo.com  /DavidGogoBlues  @DavidGogoBlues                              Photo by Scott Doubt Track Listing 1. Cuts Me To The Bone (3:19) 2. Fooling Myself (4:12) 3. The Loner (3:55) 4. There’s A Hole (3:26) 5. Jet Set (Sigh) (4:16) 6. What’s Not To Like? (3:01) 7. Our Last Goodbye (6:21) 8. Vicksburg Call (5:06) 9. Coulda Shoulda Woulda (2:37) 10. Why (5:29) Upcoming Tour Dates: August 14 - Class Axe Calabogie Blues & Ribfest, Calabogie, ON August 21 - Moose Hall, Nanaimo BC August 29 - Woofstock Music Festival, Prince George BC August 30 - PNE Mosaic Concert Series, Vancouver BC September 5 - Fascinating Rhythm, Nanaimo BC *in-store appearance September 11 - Waverly Hotel, Cumberland BC September 19 - The Bassment, Kamloops BC *solo September 25 - Ghost Town Blues - Maple Creek SK *solo October 1 - Ironwood Stage And Grill, Calgary AB October 3 - B Street Bar, Edmonton AB October 4 - Fratter’s Speakeasy, Red Deer AB October 10 - Tally Ho Sports Bar, Victoria BC October 16 - Canal Bank Shuffle, Thorold ON October 30 - Duncan Showroom, Duncan BC November 28 - De Flint, Amersfoort Netherlands December 4 - Theater De Molenburg, Delfzijl Netherlands December 5 - L’Esprit, Rotterdam Netherlands

The Fab Faux celebrate JOHN ONO LENNON 75TH - 10/24 at The Beacon -

• NYC, THE BEACON THEATRE

JOHN ONO LENNON 75TH - 10/24

"This show will feature music from John Lennon's entire career - both Beatles and Solo - including his best known greatest hits, as well as a couple of eclectic "deep cuts."   The Fab Faux will be augmented by the 4-piece Hogshead Horns, the Creme Tangerine Strings, guest musicians Jim Boggia and Erin Hill, and the 6-member Nutopia choir - allowing them to perform every facet of Lennon - from the most intimate numbers to full-out 19 piece Wall of Sound."


SATURDAY, OCTOBER 24, 2015 - 8 p.m.
MANHATTAN, NY
THE BEACON THEATRE - 2124 BROADWAY
Fab Faux Celebrate A Life In Songs:
John Ono Lennon 75th
featuring The Hogshead Horns, The Crème Tangerine Strings,
Erin Hill, Jim Boggia and The Nutopia Choir
http://www.ticketmaster.com/event/1D004EA6A6FA236A



The Wall Street Journal articulated what sets The Fab Faux apart: “The Fab Faux…are not interested in nostalgia – they are a musical ensemble, and, unlike any other Beatles recreation that I have seen, they play the Beatles canon like it was, well, music.  They don’t dress up in Beatles outfits or don fake mustaches and Sgt. Pepper suits – no more than Leonard Bernstein felt compelled to wear a powdered wig when he conducted Mozart.” Read the full story, here: http://blogs.wsj.com/speakeasy/2013/10/26/the-fab-faux-go-beyond-beatlemania/ <http://blogs.wsj.com/speakeasy/2013/10/26/the-fab-faux-go-beyond-beatlemania/>


For those of us who never got to see The Beatles in concert, we're fortunate to have The Fab Faux dedicate themselves to faithfully recreating some of the most extraordinary music ever written. The band commemorated the 43rd Anniversary of The Beatles' performance on The Ed Sullivan Show with an appearance Late Show with David Letterman. Check out their fantastic recreation of ‘I Am The Walrus’ here:
http://www.youtube.com/watch?v=9lknCpGbsJc <http://www.youtube.com/watch?v=9lknCpGbsJc>





The Fab Faux brings together the talents of five of New York's most respected musicians: Will Lee of Late Show with David Letterman, who released a solo album last year which Rolling Stone Magazine praised as “hitting an intersection of the Average White Band and solo Paul McCartney,” Jimmy Vivino, band leader of the ‘Conan’ Show, Rich Pagano, who has performed with Rosanne Cash, Ray Davies and released a solo effort Blurt Magazine described as “one of the best albums of 2009,” Jack Petruzzelli, who has toured and recorded with Joan Osborne, Patti Smith and Rufus Wainwright (and co-wrote and co-produced Osborne's latest album, "Love and Hate," which came out in April,) and Frank Agnello, whose musical credits include Phoebe Snow, Marshall Crenshaw and Joey Molland of Badfinger.

Watch this live, in-studio performance of The Fab Faux recreating ‘Abbey Road’, side two: http://www.vimeo.com/11237479 <http://www.vimeo.com/11237479>

Watch The Fab Faux 60 Second Teaser (OFFICIAL VIDEO):
http://www.youtube.com/watch?v=aZoxzNkdhVY <http://www.youtube.com/watch?v=aZoxzNkdhVY>

ROLLING STONE MAGAZINE named the band as #18 on a list of the “40 reasons to get excited about music.” Rolling Stone also praised: “sometimes a tribute band sounds better than the original.” In a live concert review, THE WASHINGTON POST’s John Kelly blogged that the band had tackled “the task of reverse engineering the Beatles' late catalogue, obsessively learning every guitar figure, every drum fill, every lush harmony, every tap of the cowbell and shake of the tambourine, until the songs could be played in concert.” THE HUFFINGTON POST raved: “They do the one thing, no amount of officially sanctioned Beatles merchandise can do... bring The Beatles music back to life.”

Rolling Stone, Huffington Post, New Yorker ‘On the Horizon’, WFUV, The NY POST Fall Arts Preview, Time Out NY, RELIX Magazine, USA TODAY, Metro NY and other key outlets weighed in on The Fab Faux, as Radio City Music Hall became the setting for an epic three-hour concert --‘A Night In The Life - A John Lennon 70th Birthday Celebration.’ The 2010 event featured two sets of John Lennon’s greatest music from The Beatles and his solo career. A portion of the evening's proceeds benefited 'Spirit Foundation' - a charitable foundation set up by John Lennon and Yoko Ono. Prior to the show, the band was honored to receive a personal note and bouquet of flowers from Yoko Ono.

>

NY POST: http://nypost.com/2013/12/29/the-fab-faux-is-the-ultimate-beatles-cover-band/ <http://nypost.com/2013/12/29/the-fab-faux-is-the-ultimate-beatles-cover-band/>
HUFFINGTON POST - http://www.huffingtonpost.com/holly-cara-price/george-harrisons-musical_b_4142867.html <http://www.huffingtonpost.com/holly-cara-price/george-harrisons-musical_b_4142867.html>
ELMORE PART 1 - http://www.elmoremagazine.com/2013/10/news/the-fab-faux-roll-out-george-harrison-tribute <http://www.elmoremagazine.com/2013/10/news/the-fab-faux-roll-out-george-harrison-tribute>
ELMORE PART 2 : http://www.elmoremagazine.com/2013/10/news/the-fab-faux-roll-out-george-harrison-tribute-part-2 <http://www.elmoremagazine.com/2013/10/news/the-fab-faux-roll-out-george-harrison-tribute-part-2>

SOMETHINGELSEREVIEWS: http://somethingelsereviews.com/2013/10/16/a-mark-that-no-one-will-ever-make-again-the-fab-faux-return-with-tributes-to-the-beatles-george-harrison/ <http://somethingelsereviews.com/2013/10/16/a-mark-that-no-one-will-ever-make-again-the-fab-faux-return-with-tributes-to-the-beatles-george-harrison/>

ROLLING STONE  - Concert Review
Alternate Take Blog, by David Fricke, 9/27/10
Every Twist of Lennon: The Fab Faux Meet the Quarrymen at New York Tribute Show

http://www.rollingstone.com/music/david-fricke/blogs/DavidFricke_May2010/210806/38726 <http://www.rollingstone.com/music/david-fricke/blogs/DavidFricke_May2010/210806/38726>


THE HUFFINGTON POST –interview feature   By Holly Cara Price, 9/16/10
http://www.huffingtonpost.com/holly-cara-price/the-fab-faux-celebrate-jo_b_719296.html <http://www.huffingtonpost.com/holly-cara-price/the-fab-faux-celebrate-jo_b_719296.html>

THE WASHINGTON POST – ‘CLICK TRACK’ POP MUSIC BLOG – LIVE CONCERT REVIEW
http://blog.washingtonpost.com/clicktrack/2010/05/in_concert_the_fab_faux_at_lis.html#more <http://blog.washingtonpost.com/clicktrack/2010/05/in_concert_the_fab_faux_at_lis.html#more>

Recent interviews: The Fab Faux keeps Beatlemania alive and prospering:
http://www.newjerseynewsroom.com/movies/the-fab-faux-keeps-beatlemania-alive-and-prospering <http://www.newjerseynewsroom.com/movies/the-fab-faux-keeps-beatlemania-alive-and-prospering>

Fab Faux bring Beatles tunes to New Brunswick
East Brunswick native Jack Petruzzelli plays keyboards & guitar
http://newstranscript.gmnews.com/news/2009/0930/front_page/011.html <http://newstranscript.gmnews.com/news/2009/0930/front_page/011.html>
The Fab Faux’s Jack Petruzzelli appeared live on FOX-TV in Washington, D.C. to discuss the band’s approach to recreating the albums of The Beatles, note-for-note.

The John Lennon 70th Birthday concert, mentioned above, marked The Fab Faux’s return to Radio City Music Hall, following their sold-out 10th Anniversary event, during which they delivered a 36-song marathon performance that began with 'Magical Mystery Tour' and ended three hours later with 'Hey Jude' -- with the audience of more than 6,000 people on its feet. Their 10th Anniversary 'Psychedelia!' concert was The Fab Faux's largest headlining concert ever, their largest-ever sold out concert, and their largest NY concert-to-date as well.

The Fab Faux are now in a league of their own, consistently performing music that The Beatles themselves never played live. Beginning with a pair of concerts at Webster Hall in late ‘07, the band has reached a new level of fan support as well as media awareness, with growing coverage including ABC-TV World News Tonight with Charles Gibson, NPR, Rolling Stone, Associated Press, Reuters Newswire, NY-1 News, The New York Times, NY Post, New Yorker, NY Sun, Hollywood Reporter, Time Out NY, The Nation and much more. An NPR Morning Edition segment
(http://www.npr.org/templates/story/story.php?storyId=18342562 <http://www.npr.org/templates/story/story.php?storyId=18342562> ) praised the group as a "Collective that's about attention to detail." A Front Page feature in The Hollywood Reporter noted: “After nearly 10 years together, (they) find themselves in the midst of a surprising leap from club fringe to center stage...” Critics have weighed in, and have described the band as nothing less than "Brilliant" (AP).  A live concert review in THE NATION.com described their show as “Almost magical.” Read Will Lee’s interview with GLIDE MAGAZINE here:
http://www.glidemagazine.com/hiddentrack/interview-will-lee-of-the-fab-faux/ <http://www.glidemagazine.com/hiddentrack/interview-will-lee-of-the-fab-faux/>


ABOUT THE FAB FAUX:
With a commitment to the accurate reproduction of The Beatles' repertoire, The Fab Faux treat the seminal music with unwavering respect, and are known for their painstaking recreations of the songs (with emphasis on the later works never performed live by the Beatles).  Far beyond a cover band, they play the music of The Beatles so impeccably that one must experience it to believe it. Imagine hearing complex material like "Strawberry Fields Forever" or "I Am the Walrus" performed in complete part-perfect renditions; or such harmony-driven songs as "Because", "Nowhere Man", and "Paperback Writer", reproduced not only note-for-note, but with extra vocalists to achieve a double-tracked effect.

The musical virtuosity of The Fab Faux – in actuality five of the hardest working musicians in NYC – completely up-ends the concept of a Beatles tribute band. Far beyond being extended sets of cover versions, their astounding shows are an inspired re-discovery of the Beatles’ musical magic, as The Fab Faux tackles the group’s most demanding material live onstage in a way that has to be experienced to be believed.

Calling them, “the greatest Beatles cover band – without the wigs,” Rolling Stone senior editor David Fricke wrote, “the Faux invigorate the artistry of even the Beatles’ most intricate studio masterpieces with top chops and Beatlemaniac glee.” Approaching the songs with the intent of playing them live as accurately in musical reading and in spirit as possible, The Faux’s breathtaking performances tend to dispel all concertgoers’ previous notions of a Beatles tribute act.

The Fab Faux are a labor of love that was born in 1998 when neighbors Jimmy Vivino,
bandleader/guitarist for Conan O’Brien's new show, 'Conan,' and Will Lee (who’s played with all 4 Beatles), bassist for Paul Shaffer’s CBS Orchestra on the Late Show With
David Letterman kicked around the idea during an elevator ride in their NYC building. Rounding out the line-up are lead-singing drummer/producer Rich Pagano (Rosanne Cash, Patti Smith, sugarCane cups, etc.), guitarist Frank Agnello (Marshall Crenshaw, Phoebe Snow, etc.) and ace keyboardist/guitarist Jack Petruzzelli (Joan Osborne Band, Rufus Wainwright). All five principals contribute vocals, making the Faux’s soaring harmonies as resonant as their multi-instrumental chops, which are further enhanced by the four-piece Hogshead Horns (with Blues Brothers, Blood, Sweat & Tears and SNL band alums) and Creme Tangerine Strings.

The Faux’s high energy shows have generated serious buzz not only at top NYC venues including The Beacon Theater, Hammerstein Ballroom, and Webster Hall – with Beatles fans, movie stars and world class musicians in attendance – but at major dates in Los Angeles, Atlanta, Las Vegas, Park City, Utah (Sundance), Philadelphia and Toronto, among other locales. They’ve headlined 4 of the last 5 years at Liverpool’s annual Beatle Week, playing before 35,000 Beatle fanatics – while in England, they had the rare honor of recording an original song at Abbey Road Studios – and also delighted the masses performing live on the Howard Stern Show. Benefit and corporate dates have included events for JVC, the N.B.A. and the Michael J. Fox Parkinsons Research Foundation.

“It's not just a cover band,” says the Faux’s Pagano. “This is the greatest Pop music ever written, and we're such freaks for it.” Imagine the instrumental complexities of “Strawberry Fields Forever” and “A Day in the Life” performed part-perfect with an orchestra. The lush, multi-layered harmonies of “Because,” and “Eleanor Rigby” sung note-for-note. The adrenaline rush of “Helter Skelter” and “Paperback Writer,” delivered spot on…
 

FBJoy Records artists: Sam Hooper & Mike Null - HooDoo Blues - New Release Review

I just received the newest release, HooDoo Blues from Sam Hooper & Mike Null and I really like it. Hooper and Null take classic blues and contemporary blues tracks and make them fresh. Opening with Jr Wells' HooDoo Man Blues, Hooper takes the vocal lead with confidence and over a renewed rhythm track rips a really nice guitar solo. Hooper is a creative and talented soloist and isn't afraid to let it out! On original track, Itchin' To Be Your Man, Hooper takes the lead on vocal of this low slung jazz number with tight drum work by Reggie Holmes and dazzling key work of Sakait Bakksar. Derrick James lays down a solid bass line and Hooper trades lead guitar riffs with Mike Null molding smooth results. On Albert Collins', If Trouble Was Money, Null does a super job on lead vocal and shares lead guitar responsibility with Hooper. A blistering intro by Null sets up high expectations and the boys don't disappoint. Maintaining the general flavor of Collins' original track but without mimicking any of his distinctive guitar style, Hopper and Null craft their own successful interpretation of this classic. Excellent! Hooper is back out front again on Billy Gibbons' Just Got Back From Baby's opening with a nice keyboard intro by Baksar. With a clever move of pace, this track from the Best Little Ol Band In Texas has a totally different feel and impact. Null and Hooper's innovative guitar soloing goes places that Billy has never gone on any ZZ Top release making this track sound totally fresh and original. Clocking in at almost 8 minutes sit back and enjoy the ride. Wrapping the release is a new look at Messin' With The Hook, John Lee's take on Messing With The Kid. With a plucky jazz infused sound and hot bass riffs from James, a nice extended electric piano solo from Baksar and relaxed guitar soloing by Null, this track sings. This is a solid finish to a solid EP by 4 talented musicians.

   

If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 

VizzTone Label group artists: Andra Faye & Scott Ballantine - Coulda Woulda Shoulda - New release review

I just received the newest release, Coulda Woulda Shouda from Andra Faye & Scott Ballantine and it' clever and mature. Opening with Walkin' Home To You a 40's style country influenced blues track, Andra Faye, a multi instrumentalist leads on vocal, and fiddle backed by Ballantine who is actually quite fluid on guitar. Crackheaded Man has traditional blues styling and Faye finds the perfect venue for her vocals. Faye pairs up on mandolin with Ballantine on guitar for a very nice instrumental duet. Boogie track, It's A New Day has a more modern feel, Faye joined on vocal by Ballantine. Her mando work on this track is quite clean and Ballantine lays down dome fine guitar work. Liz Pennock penned, Take It Slow, sets up nicely for a bluesy ballad featuring Faye on vocal. Ballantine has a really nice opportunity to show his acoustic blues chops and he does a really fine job. Blues For A Crappy Day is a bit more uptempo with vocal duets and and a driving guitar rhythm. Faye's fiddle work coupled with Ballantine on guitar makes for a real nice toe tapper. Jazz influenced, Too Much Butt (For One Pair Of Jeans), has a sassy style reminiscent of early Maria Muldaur. Ballantine shows his acoustic chops again, taking a nice stylized guitar solo on this one. Piedmont style, One Dream At A Time, is driven by the tight guitar work of Ballantine. Faye adds a nice mandolin solo but it's the guitar rhythm that makes this track tick. Title track, Coulda Woulda Shoulda, is a quick little boogie with a swing flare. A woven play of mandolin and guitar and call and answer by Ballantine and Faye vocally sum up this track. Ballantine takes the vocal lead on traditional, Standing In The Need Of Prayer. Nice blending by Faye and expressive guitar work by Ballantine makes this one of the nicest tracks on the release. Working Mama Is Gone has a deliberate feel and bluesy tensions. Faye does some of her best vocal work on this track, complimented by mandolin and again Ballantine takes a real nice solo on guitar. John Hyatt's Feels Like Rain gets a really tender interpretation and Ballantine plays particularly expressive guitar riffs. Very nice! Mike Dowling's When You Gonna Stop Your Drinkin'? has a lot of spank making it one of the best tracks on the release. Faye really sells it vocally and Ballantine drives the train on guitar. A clever mandolin solo from Faye adds some additional spark getting ready for the conclusion. Bluesy, Clyde, is my favorite original track on the release with just the right tempo and style. Faye's vocals are solid and clear and Ballantine provides a tight bottom for another mandolin solo. Nice wrapper for a solid release.

   

If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 

American Showplace Music label artist: John Ginty - No Filter - New Release Review

I just received the newest release, No Filter, from John Ginty and it's super! I had earlier reviewed John's super debut "Bad News Travels" and I like this one even better! Opening Fredo with a very sumptuous guitar organ duo of Ginty and Lou Pallo, this track kicks into a cool strut driven by Ginty on B3, Paul Kuzik on bass and Dan Fadel and Andrei Koribanics on drums and percussion. Very nice! Ball Of Fire features Cris Jacobs warm vocals on a cool bed of keyboards and Latin rhythms and Spanish guitar riffs by Jacobs and Mike Buckman. An easy jazz break takes the track on a cloud like ride and Ginty heats up the keys nicely. This is an excellent radio track with broad appeal. My favorite track on the release, Old Shoes, features none other than the fabulous Alexis P. Suter. Taking a modern blues stance on an old style rhythm, this track really digs in and Suter has the perfect voice for the job. Ginty on piano, Kuzik on bass, Jimmy Bennett on guitar and only enough drums to tie it all together, this track smokes! Instrumental, Elevators, is Ginty's first chance to really let it all hang out on this release and on the driving bass line of Kuzik, that's exactly what he does. Jacobs is featured on guitar on this number and sets out a nice slash of his own. Ripper! Battlegrounds has an easier laid back sound featuring Cara Kelly on lead vocal. A nicely constructed track with a simple rock rhythm and strong vocals from Kelly, and a rich solo from Ginty makes this a solid addition to the release. Rock 'n Roll Sunday has a rock/revival sound featuring Ghost & The Big Sky vocalist, Paul Gerdts and driver with almost Winwood like piano riffs from Ginty. Trading riffs with guitarist Buckman gives the track a lighter feel and Ginty's B3 a more gospel sound against an R&B rhythm...Do You Get The Message (ref Humble Pie)? Annandale has a real somber feel with rich vocals from Cris Jacobs. This is a really nice ballad with a lot of the features of a Gary Moore track. Ginty amps up the B3 and Jacobs lays in a super nice guitar solo. Another of my release favorites. Chugging, No Jelly, starts out on a solid drive from the first note and builds momentum from there. Jimmy Bennett lays on a real nice melodic guitar lead and Ginty takes the first solo on B3. Trading/sharing riffs with Ginty, Bennett keeps up the momentum and backed by Buckman, Kizik, Fadel and Koribanics this track is the most adventurous yet! On Pirates, Cris Jacobs, in harmony with Billy Harvey create a smooth vocal track and Ginty takes the B3 for a solid ride. The rise in dynamics on this track are particularly effective, topped off with an excellent guitar solo by Jacobs. Title track, No Filter, features really clean vocals by Cara Kelly. This track has a particularly theatrical sound and Ginty's piano creates a lot of the emotion needed to balance the creative tension in Kelly's vocals. A switch to B3 and lap steel work by Jimmy Bennett drives the point home. Very nice! Wrapping the release is a totally different take on Fredo featuring a hip hop version of the track by Redman. A funky track to start with, Ginty's B3, and a ton of bottom gives Redman to do his thing. This is a really cool conclusion to a really cool release.

   

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”