|
Exclusive Blues Interviews, Blues Reviews, Blues Videos, Top Blues Artists, New Blues Artists.
Pages
CLICK ON TITLE BELOW TO GO TO PURCHASE!!!!
CD submissions accepted! Guest writers always welcome!!
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Tuesday, May 12, 2015
Blues Legend Captain Luke Passes Away at Age 87
Cleopatra Records artist: Canned Heat with John Lee Hooker - Carnegie Hall 1971 - New release review
I just received the newest release, Carnegie Hall 1971 from Canned Heat and it's a living snapshot of a great live band at it's peak with one of the kings of the blues! Opening with the slinky, Framed, Bob Hite speaks the lines and belts out the chorus. Backed on lead guitar by Henry Vestine, Fito de la Parra on drums, Joel Scott Hill on guitar and Antonio de la Barreda on bass this is a great track! Classic Heat, Let's Work Together is up next and a classic Heat jam. Vestine takes a cool lead solo but this track is all about the mystique of Heat. Hey Babe features the one and only John Lee Hooker on vocal and guitar. There are few vocalists to my hearing that deliver the blues like Hooker and this track spells it out in spades. One of the difficulties that I have complained about with Hooker in a larger band setting was the band's inability to capture Hooker's real sound and trying to make all of his measures even and equal. Hooker's sense of timing is not harmed here and Heat follows the master like a hound on a rabbit. Excellent! Shake 'N' Boogie is an extended track (in excess of 19 minutes) with Hooker leading the way. The track breaks about 7 minutes in for a frenzied guitar solo by Vestine. Cranking this track up to the end is Canned Heat's inspiration by Hooker. A true boogie with loose solos including a longer solo by de la Parra on drums. A great driver! Willie Dixon's Back Door Man is up next opening with a lot of guitar distortion and loose playing. Maturing into a loaded jam, this track is the embodiment of Heat jamming during it's prime. Hooker takes the lead once again for one of his own creations, Tease Me Baby. This track, showing one of Hooker's tracks with a blues rock base, gives the band the opportunity to close this performance with an upbeat rocker while still featuring the super power of JL Hooker. I tight little rocker and a sure closer for a cool live release.
“Like” Bman’s Facebook page. I use Facebook to spread the word about my blog (Now with translation in over 50 languages). I will not hit you with 50 posts a day. I will not relay senseless nonsense. I use it only to draw attention to some of the key posts on my blog each day. In this way I can get out the word on new talent, venues and blues happenings! - click Here Get Facebook support for your favorite band or venue - click HERE
Here's a studio version of Framed:
“Like” Bman’s Facebook page. I use Facebook to spread the word about my blog (Now with translation in over 50 languages). I will not hit you with 50 posts a day. I will not relay senseless nonsense. I use it only to draw attention to some of the key posts on my blog each day. In this way I can get out the word on new talent, venues and blues happenings! - click Here Get Facebook support for your favorite band or venue - click HERE
Here's a studio version of Framed:
Monday, May 11, 2015
Cajun and Blues Music Festival Coming Next Month To Simi Valley, CA
BIG BAD VOODOO DADDY |
CANNED HEAT |
LEO "BUD" WELCH |
ROYAL SOUTHERN BROTHERHOOD |
CANDYE KANE |
GUITAR SHORTY |
REVEREND TALL TREE |
THE RECORD COMPANY |
SPENCER DAVIS GROUP |
BIG BROTHER AND THE HOLDING COMPANY |
Jazz Great Cheryl Barnes Sky Rockets on Billboard
| |||||||
|
Labels:
Billboard,
Cheryl Barnes,
Listen To This
Three Alligator Artists Receive Five Blues Music Awards
Elvin Bishop Leads All Artists -- Wins Album, Song And
Band Of The Year
Newcomer Selwyn Birchwood Wins Best New Artist Album Of The Year
Marcia Ball Wins Piano Player Of The Year -- The 10th BMA Of Her Career
Newcomer Selwyn Birchwood Wins Best New Artist Album Of The Year
Marcia Ball Wins Piano Player Of The Year -- The 10th BMA Of Her Career
Newcomer Selwyn Birchwood -- winner of the 2013 International Blues Challenge -- received the award for Best New Artist Album Of The Year for his breakout Alligator debut, Don't Call No Ambulance. This is Birchwood's first nomination and first win.
Austin piano queen Marcia Ball won the Pinetop Perkins Piano Player Of The Year Award. This is Ball's 10th career Blues Music Award. She has received a total of 44 nominations.
The 36th Annual Blues Music Awards were presented in Memphis on Thursday, May 7, 2015 at the Cook Convention Center.
Alligator artists and awards are as follows:
ELVIN BISHOP:
Song Of The Year - Can't Even Do Wrong Right (written by Elvin Bishop)
Band Of The Year - The Elvin Bishop Band
SELWYN BIRCHWOOD:
MARCIA BALL:
Carl Hall, Northern soul singer, 'Loma/Atlantic Recordings 1967-72' coming on Omnivore June 23
|
Provogue Records artist: Sonny Landreth - Bound By The Blues - New release review
I just received the newest release (June 9, 2015), Bound By The Blues, by Sonny Landreth and I think it may be his best yet! Opening with Delta blues track, Walking Blues, Landreth maintains a sense of the original but with just the right amount electric slide and drums to make it sound fresh. Very nice! Title track, Bound By The Blues, has a more modern sound but it's basic bones are very primitive. I like his mixture of acoustic and electric instruments and the driving beat which gives it it's certain footing. The High Side has a cool funk but set over a mostly acoustic sound. A unique track for these reasons alone but coupled with Landreth's skillful slide work and a catchy melody, it's really nice! Tampa Red track, It Hurts Me Too, again done stripped down with only basic backing to Landreth's vocals and slide this track is a screamer. It is great to see Landreth laying down on the blues straight up and he's doing it here. Excellent! Latin jazz influence on Where They Will has an entirely different flavor and I really like the smooth slide work on this track for a lot of reasons. Very cool! Skip James' Cherry Ball Blues has a total rework, but maintaining it's primitive grittiness. Fat slide runs and a solid blues base makes this one of the killer tracks on the release. Firebird Blues is done in memory of the great Johnny Winter. Winter, who dominated the blues rock scene for more than 40 years was a figure to be reckoned with,with lightning fast riffs, outrageous slide work and voracious energy. This is a nice 12 bar number with just basic cardboard box drum by Brian Brignac and ukulele bass backing by David Ranson. Robert Johnson's Dust My Broom is done shuffle style with a real nice drum lope. Instead of Elmore James style slide riffs which anyone else would have done, Landreth steps back and rips melodic slide lines of his own, giving in only on the track close with these sliding landmarks. Very nice! Big Bill Broonzy's Key To The Highway, played by just about everyone and especially popular by Derek & the Dominos with Clapton and Duane Allman, is up next. Landreth seems content to keep it simple as a basic blues track for a chorus or so but them opens the can and lets out the dogs. Fat slide tones and nicely thought through guitar runs, leading to a full blown slidathon makes this one of the releases strongest outings. Wrapping the release is cool instrumental boogie, Simcoe Street, with a great walking bass line by Ranson. Landreth takes a remarkable slide journey with tight backing by Brignac and Ranson capping a spuer outing by Landreth.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Thursday, May 7, 2015
Ironing Board Sam's Electric Jazzfest Return!
|
Subscribe to:
Posts (Atom)