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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

Tuesday, March 31, 2015

Hypnotation Records artist: Michael Falzarano - I Got Blues For Ya - New release review

I just received a copy of the newest release, I Got Blues For Ya, from Michael Falzarano and it's a riot. Opening with The Night King Curtis Died, a lumbering 12 bar number, features strong vocals, lead and rhythm guitar from Falzarano, bass by Chris Matheos on bass, Ray Grappone on drums and excellent slide work from Kane Daily who has a lot of the feel of slide master Rod Price. Title track, I Got Blues For Ya, is structured along the Bo Diddley beat with a swampy feel and guitar not unlike Peter Green. Klyph Black joins on bass and Christian Cassan joins on drums. Josh Colow takes the lead guitar on I Never Think About You, a bluesy ballad. Professor Louie adds a cool piano runs and Miss Marie gives the track a warm texture on backing vocals. Colow lays out a few really nice compact solos on this track and the Professor rides the B3 high. A hot riding boogie, Snake Box Boogie, has a super beat and Falzarano really grinds this one out with the Professor and Colow for one of my favorite tracks on the release. Big Fish is one of those great laid back tracks with the Elvin Bishop saunter. Vasser Clements' unmistakable sound on fiddle joined by Kerry Kearney on slide and super chops gives this track a real authentic country blues rock feel. Very cool. Shuffle track, We Got A Party Going On, has really hot rolling piano work by the Professor and cheering backing vocals. Colow lays in a pinched guitar solo backed nicely by Frank Campbell on bass and Gary Burke on drums. Good Good Lovin has a cocky beer chugging Lynyrd Skynyrd feel. Daily lays on a slick melodic "Lindley" style slide solo with Jon Marshall Smith on organ and Lisa Bouchelle on backing vocals. Very nice! One of my favorite blues vocalists, Alexis P. Suter joins Falzarano on vocals for a darker, Hooker style boogie, Crossroads Avenue. Jimmie Fleming on mandolin, Pete Sears on piano, Charlie Wolfe on harp, Frank Celenza on bass and Eileen Murphy provide instrumental texture behind this boogie jam track. Slick blues strut, The Devil's Gone Fishin', featuring Kerry Kearney on lead guitar and the Professor on Hammond and piano has a really nice groove. Kearney smokes the strings up pretty good on this one... enjoy! One of my favorite Rev. Gary tracks caught live, Death Don't Have No Mercy, has a life of it's own here with Falzarano on vocal and acoustic guitar, Mike Miz and Tom Circista on acoustic guitar, Freeman White on keys, Klyph Black on bass, Dave Diamond on drums and featuring Barry Mitterhoff and Jason Crosby with excellent mandolin and fiddle work, respectively. Upbeat shuffle, Trouble, is a cool blues number with rolling piano by the Professor, Farfisa organ by Harley Fine, and fine guitar and slide solos by Falzarano, Daily and Kearney. Wrapping the release is a rocking cover of Wilbert Harrison's Let's Work Together. A nicely blended cover featuring concluding solos by Daily and Falzarano and vocals by Falzarano and Miss Marie make this a super closer.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 

Monday, March 30, 2015

Walkright Records artist: John Earl Walker - Mustang Blues - New release Review

I just received the newest release, Mustang Blues, from John Earl Walker and it digs in deep. Opening with Hey Baby, a cool 12 bar jam with a Allstars flare. John Earl Walker has been playing his guitar for some time and he lays on it early showing he knows his way around. Joined by Peter Harris on bass, Frank Diorio on drums and Gene Cordew on keys, this track is a great opener! Solid down, The Devil Follows Me, sounds like it's straight from Chicago and Walker slings his guitar with comfort. His riffs roll off of his fingertips like water pushed along nicely by Cordew on piano. Title track, Mustang Blues, has a funky R&B feel along the lines of Mustang Sally or Poke Salad Annie. This is a cool track with Steve Ress adding some real nice slide guitar work on the mix. Funkify is a guitar led instrumental with a funky beat and extended guitar soloing. I'm Already Gone is a modern blues style take on a soul feel. It has the blues basis with strong bass by Harris and keys by Cordew with Savoy Brown like guitar and vocals giving it a very cool bluesy sound. One of my favorite track on the release. My Mama Told Me is a nicely paced shuffle track with stinging guitar riffs. Slower drag blues, Superstorm Sandy Blues plays into any blues guitar's hand with a great tempo and plenty of space to improvise. Walker really breaks loose on this track with some great trem bends. Excellent! Readjust falls more into a rock feel with R&B anchor. Tandem guitar leads and one flat out solo near the end of the track cap it off. Another nice shuffle track, One Plus One, finds Walker using some real nice double stop techniques on his solos giving them a grittier feel and George Thorogood like vocals makes this another top track. Wrapping the release is Even Up The Score, a driving shuffle backed track with Walker on vocal and lead guitar. A rowdy blues rocker, this is a fine track to close the set.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 

Friday, March 27, 2015

Up 2 Zero Entertainment artist: Anthony Gomes - Electric Field Holler - New Release review

I just received the newest release, Electric Field Holler, from Anthony Gomes and it's blistering! Opening with Turn It Up, Gomes sets high expectations with a solid cowbell which tells you right off where the track is going. Hot, stinging and rocking. A modern rocker with a blues root and clearly modern riffs permeate this track. Back Door Scratchin' sets down with a bit more southern rock feel and heavy kick drum bottom by Chad Cromwell. Theo Harden on bass and Cromwell set a heavy stage for Gomes who really throws up the pyrotechnics. Whiskey Train has a real cool swagger and I particularly like Gomes vocals on this track. Particularly bluesy guitar riffs make this one of my favorite tracks on the release. Blueschild is a lumbering heavy rocker with snappy blues guitar riffs. Nowhere Is Home has a simple rock rhythm and tight vocal harmonies with Vicki Hampton, Wendy Moten, Minnie Murphy and Kelly Wild. Cool keyboard effects add to the overall effectiveness of this track. A melodic ballad line on guitar makes this a real standout track. Losing Game is a straight up rocker with a solid bottom. Gomes explodes into the track with flame thrower heat from his guitar giving this track particular sting. The Blues Ain't the Blues No More has a primitive blues feel with acoustic resonator slide work and solo vocals with only minimal percussion. Very nice! Junk In The Trunk is another hard rocker with a straight up kick drum. Fans with a love of blues infused rockers will definitely like this one. Love Crazy has a definite pop feel with smooth vocal harmonies. I really like Cromwell's drum attack and Gomes' vocals on this track definitely radio bound with an interesting blend of key and guitar work. Red Handed Blues, a track with deliberate intention kicks down the doors and rumbles. Gomes has never been shy with his guitar and Red Handed is no exception. Wrapping the release is Listen To The Universe with a great groove. With it's guitar chant sounding heavy like Mountain and overlaid guitar riffs, this track hits home. Pulling out all of the stops Gomes lays down some of the hottest guitar riffs on the release making for a super finale.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 

Simi Valley Cajun & Blues Fest lineup announced: Candye Kane, Royal Southern Brotherhood, Leo "Bud" Welch, Dwayne Dopsie, more





SPENCER DAVIS GROUP, CANDYE KANE, DWAYNE DOPSIEROYAL SOUTHERN BROTHERHOO(FEATURING CYRIL NEVILLE AND DEVON ALLMAN)CANNED HEAT, LEO “BUD” WELCH, BIG BAD VOODOO DADDYGUITAR SHORTY, TERRANCE SIMIENBIG BROTHER & THE HOLDING COMPANYHEADLINE 25th ANNUALSIMI VALLEY CAJUN & BLUES MUSIC FESTIVALSATURDAY-SUNDAY, MAY 23-24
Los Angeles area’s largest Cajun, Zydeco, Blues and Roots music festival, held over Memorial Day weekend, features two stages, a Mardi Gras parade, crafts and dozens of food booths
SIMI VALLEY, Calif. — The 26th annual Simi Valley Cajun & Blues Festival will rock once again at Memorial Day weekend, Saturday and Sunday, May 23 and 24, at Rancho Santa Susanna Community Park, 5005 Los Angeles Ave., in Simi Valley. The event features two full stages for each of its musical genres. Music will proceed non-stop each day from 12 noon until 7:30 p.m. Tickets are $25 for adults (13 and over) and children 12 and younger are free.  Discount single day tickets of $20 and two-day passes for $35 are available only online at http://www.simicajun.org. Parking is ample and free. Fast-moving California Hwy. 118 (Ronald Reagan Freeway) can be taken to the Stearns Street exit; the festival is four blocks south.
The blues stage features classic blues-rock (Spencer Davis Group, Big Brother & the Holding Company, Canned Heat) with a side trip into swing (Big Bad Voodoo Daddy), plus the first-ever West Coast appearance of 82-year-old Mississippi bluesman Leo “Bud” Welch. West Coast legends Candye Kane and Guitar Shorty return to the blues stage, while “super group” Royal Southern Brotherhood (featuring Cyril Neville, Devon Allman and Mike Zito) make their Southern California festival debut.
Dwayne Dopsie & the Zydeco Hellraisers become the first band to cross over from the Cajun/Zydeco stage to the blues stage. Two-time Grammy winners Terrance Simien & His Zydeco Experience make their Simi Valley debut, as do Grammy-nominated Arhoolie recording artists The Magnolia Sisters. Andre Thierry & Zydeco Magic, Ruben Moreno, Curley Taylor and Jeffrey Broussard round out the lineup, making the Cajun/Zydeco Stage the pre-eminent Southern California showcase for Louisiana-inflected music.
The annual Mardi Gras Parade will take place both days at 4 p.m.
About the performers:
• Candye Kane, according to B.B. King, “has that big, brassy voice that has authority and sass; the kind of thing men like because it’s seductive and women like because it’s powerful.” Candye cut her musical teeth in the early ‘80s onstage with Hollywood musicians and friends like Social Distortion, Dwight Yoakam, Dave Alvin, The Blasters, X, Fear and Los Lobos to name just a few. Her fans are a mixture of true outsiders: bikers, blues fans, punk rockers, drag queens, big girls, burlesque dancers, rockabilly and swing dancers, gray-haired hippies, and everyday folk of all ages. Her live shows are the stuff of legend  she belts, growls, shouts, croons and moans from a lifetime of suffering and overcoming obstacles.
Canned Heat was founded by blues historians and record collectors Alan “Blind Owl” Wilson and Bob “The Bear” Hite. The band gained international attention and secured its legacy with performances at the 1967 Monterey Pop Festival (along with Jimi Hendrix, Janis Joplin and the Who) and the headlining slot at the original Woodstock Festival. Canned Heat’s unique blend of modern electric blues, rock and boogie has earned them a loyal following and influenced many aspiring guitarists and bands during the past 40 years. Their hits “On the Road Again,” “Let’s Work Together” and “Going up the Country” became rock anthems throughout the world with the last being adopted as the unofficial theme song for the film Woodstock and the “Woodstock Generation.” More than 40 years later and with 36 albums to its credit, Canned Heat is still going strong. Anchored throughout by the steady hand of drummer/band leader Adolfo “Fito” de la Parra (a member since 1967) and with one of their strongest lineups ever, Canned Heat is on track to carry the boogie-blues it made famous well into the 21st century. Since 2009, the lineup has Fito on drums, Greg Kage on bass and vocals, Barry Levenson on lead guitar, and Dale Spalding on guitar, harmonica and lead vocals. The band’s most recent CD is entitled Friends in the Can. This record brings together a number of Canned Heat’s musical friends from the past and present to join them in this musical collaboration and celebration of Canned Heat’s career. Fito’s book, Living the Blues, is available through the band’s web site.
• Royal Southern Brotherhood: Before they even hit a chord, this band has your attention. In the South, where music is religion, two rock ‘n’ roll bloodlines tower above all others. In saloon bars from Mississippi to Maryland, mere mention of the Allman and Neville Brothers casts a magic spell. With a lineup that includes both Cyril Neville and Devon Allman, Royal Southern Brotherhood come pre-loaded with expectations. The family tree might be auspicious, but the new band trades on talent, not genealogy. Let’s rewind to the summer of 2010 and the stifling heat of New Orleans and a pivotal meeting between Cyril, Devon and Mike Zito. Talk turned to forming a new breed of blues-rock band, and when jams began at a secluded studio in the city’s Garden District, the fizzing chemistry was too strong to deny. Their debut album was produced by the legendary Jim Gaines in Louisiana. The rest is history as the band is set to release their third studio album, Don’t Look Back: The Muscle Shoals Sessions, on May 26.
• Spencer Davis Group: Davis, born in Wales, created the famed Spencer Davis Group in 1963, helping to bring British rock ‘n’ roll to the rest of the world. Among nearly 20 Top 10 hit songs are “Gimme Some Lovin,” “Somebody Help Me,” “I’m a Man” and “Keep on Running.” The popularity of these tunes lives on as Davis continues to tour internationally. His latest album is titled So Far on Fuel Records.
• Big Brother & the Holding Company first performed in the Haight Ashbury, San Francisco, in 1965. After their appearance at The Monterey Pop Festival in 1967, lead singer Janis Joplin quickly became a phenomenon, and Big Brother made a real contribution to Janis’ rise to international fame. Big Brother’s classic 1968 album Cheap Thrills charted at #1 for eight weeks. After Joplin left the band in 1968, Big Brother continued to perform with a new female vocalist before disbanding in 1972. Having reformed with the original four members in 1987, they have performed worldwide and throughout the United States. In 2007 Big Brother joined the Summer of Love 40th Anniversary Tour with Jefferson Starship, Quicksilver Messenger Service, David & Linda LaFlamme (It’s a Beautiful Day) and the Grateful Dead’s Tom Constante. Big Brother carries on today with original members Peter Albin and Dave Getz, with Tom Finch and Tommy Odetto playing outstanding guitar. Darby Gould (Jefferson Starship) fronts the band, singing all of the classic material made famous by Janis Joplin and Big Brother & the Holding Company.
• Leo “Bud” Welch was born in Sabougla, Miss. in 1932. Bud picked up a guitar for the first time in 1945. By 1947 at age 15, he played well enough to perform publically and garnered the blessing of many elder guitar players. Welch was offered an audition by B.B. King but could not afford the trip to Memphis. He remained under the radar for 65 years, undetected by the vast majority of blues aficionados. Welch’s debut album, Sabougla Voices, was released in 2014 on Fat Possum’s Big Legal Mess label, just two months before his 82nd birthday. The follow up, I Don’t Prefer No Blues, was released on March 24 of this year, receiving notices in The Wall Street Journal and Rolling Stone.
Big Bad Voodoo Daddy celebrate their 22nd anniversary with a first-ever Simi appearance. The band co-founded by Scotty Morris and drummer Kurt Sodergren made their debut in their hometown of Ventura, Calif. in April of 1993, helping to usher in the swing revival founded on a colorful fusion of classic American sounds including jazz, swing, and Dixieland mixed with the energy and spirit of contemporary culture. Having secured their legendary residency at the Derby nightclub in Los Angeles, they reminded the world — in the middle of the grunge era, no less — that it was still cool to swing, big-band style. Today the high-energy nine-piece ensemble continues the party and takes things to the next level with the release of Rattle Them Bones, which still urges their millions of fans worldwide to shake and move to their inimitable grooves.
• Guitar Shorty, a.k.a. David Kearney, was born in Houston in 1939, raised in Kissimee, Fla., and now makes his home in Los Angeles. Over the years he’s played behind T-Bone Walker, Willie Dixon, Guitar Slim, Big Joe Turner, Little Richard, Sam Cooke and fellow Simi Valley Festival performer Swamp Dogg. His recent albums on Evidence and Alligator albums attest to the high energy level of this survivor of blues’ classic era. Texas Music Magazine writer John Morthland summed things up perfectly: “Axebuster extraordinaire Guitar Shorty is an old-school guitar showman. He plays with technique and flash, without ever sacrificing the passion. He’s a blues-rock hero.”
• Reverend Tall Tree plays original blues and American roots music in the tradition of Little Walter, Howlin’ Wolf, Bo Diddley, and others. His debut album was recently released on Nine Yards Records. In addition to his own headlining tours, Reverend Tall Tree has opened worldwide shows and tours for such artists as B.B. King, Al Green, Toots and the Maytals, Seal, Aaron Neville, Beth Hart, Robert Cray, Blues Traveler and Jamie Cullum. His music has been heard in numerous films including Soul Men and the Academy Award-winning motion picture Crash and has been licensed by such TV shows as True Blood, Grey’s Anatomy, Brothers and Sisters, Single Ladies, Eli Stone, In Plain Sight, Dawson’s Creek and Army Wives.
Dwayne Dopsie & the Zydeco Hellraisers have been rated one of the “Top 100 Reasons to Visit Louisiana.” Dwayne (Dopsie) Rubin hails from one of the most influential Zydeco families in the world. Although inspired by tradition, he has developed his own high-energy style that blazes a new path for 21st century Zydeco music. Dopsie and the Hellraisers have played throughout the world since Dwayne debuted the band at age 19. First appearing at the Simi Valley Cajun & Blues Music Festival in 2014, Dopsie’s set was such a big hit that he’ll return in 2015 and will on both the Cajun/Zydeco and blues stages.
• Terrance Simien has been performing Zydeco music for more than 30 years, and is a two-time Grammy winner and eighth generation Louisiana Creole. Leading his Zydeco Experience band, Simien has become one of the most respected and accomplished artists in American roots music today. Last year marked their 28th consecutive appearance at the New Orleans Jazz Festival, an event that is the gold standard for showcasing and celebrating all Louisiana music traditions.
• Andre Thierry & Zydeco Magic: Thierry’s French Creole heritage is deeply rooted in Louisiana although he was born and reared in Northern California. Thierry and Zydeco Magic won the West Coast Blues Hall of Fame award for Best Zydeco Group in 2008. The 33-year-old is a multi-dimensional musician who has a finely honed ability to merge traditional Zydeco music with hip-hop, blues, jazz and rock. Building from his love and respect for traditional Zydeco, his original music is a blend of old and new.
• Ruben Moreno, making his debut on the Cajun/Zydeco stage, was born in Houston and was immersed in Zydeco music and culture from day one while living in the same building as his grandmother’s bar, Henry’s Lounge. He literally fell asleep each night listening to Clifton Chenier blare out of the jukebox on the other side of the wall. He developed his musical style while playing and touring with C.J. Chenier and Leroy Thomas. And it was Andre Thierry, also performing at the Simi Valley Cajun & Blues Festival, who guided him to his love of the accordion in the summer of 2009.
The Magnolia Sisters are a band of women who can play the whole gamut of musical styles from southwest Louisiana: Cajun, Creole, dancehall favorites, and front porch ballads. They each switch from one instrument to another during their shows. They are also an ideal band for seated concerts because, in addition to their vast dancehall repertoire, they tell stories, sing rich harmonies on a cappella ballads, and play string band numbers from the 1930s. Much of the Magnolia Sisters’ music has been gleaned from long-buried Cajun music jewels. Their most recent album, Stripped Down on Arhoolie Records, was nominated for a Grammy in 2010.
• Curley Taylor & Zydeco Trouble: Curley Taylor’s bluesy, soulful vocals and the band’s hard driving Zydeco beat blend to create high-energy dance music for all audiences. Curley’s music is true to its roots in Zydeco and blues, but contemporary enough to appeal to a broad range of music lovers. When at home in Louisiana, Curley can be found in the studio working on his latest album, or playing in one of the local clubs around the Lafayette/Opelousas area to the delight of his hometown fans.
• Jeffrey Broussard & the Creole Cowboys: One of the most influential accordionists and vocalists in modern Zydeco music, Jeffrey Broussard continues to be one of the genre’s most dynamic performers. He began his career with traditional Creole Zydeco music playing drums in his father’s band, Delton Broussard & the Lawtell Playboys, then moved on to develop the nouveau Zydeco sound in Zydeco Force, and now returns to the more traditional Zydeco sound with his own band, Jeffery Broussard and the Creole Cowboys.
Once again the blues stage is booked by Martin Fleischmann and his company, Rum & Humble. For more than 20 years Rum & Humble has played a key role in presenting some of the world’s most celebrated musical talent (Radiohead, Manu Chao, and the Rolling Stones, to name a few) to Los Angeles audiences, in venues ranging from the Echoplex to the Orpheum Theatre to the Hollywood Bowl. The company has co-produced the Santa Monica Pier’s Twilight Concert Series since 2011. In addition, Rum & Humble has collaborated closely and creatively with artists such as Jackson Browne and Paul Oakenfold as well as with a varied roster of corporate and non-profit clients ranging from KJAZZ Radio to the Conga Room nightclub to the National Geographic Society.
The festival has received national press accolades: “Everywhere you turned, there was something exciting happening. Put this on your 2013 festival calendar,” wrote Blue Revue editor Art Tipaldi, who made the trek from New England. The Blues Blast writer enthused, “I attend many venues and festivals throughout the year but the ones that seem to impress me the most are the ones that serve the community in some way. I highly recommend you put this on your calendar for next Memorial Day weekend.” And the music industry trade journal Hits added, “As the last strains of [Candye] Kane’s set rang in our ears, we left the grounds fully sated by music, food, drink and, as the saying goes, bon temps.”
The festival boasts dozens of food booths featuring a variety of fare: authentic Cajun creations and Southern BBQ as well as multi-cultural cuisine. More than 100 craft booths and retailers will be scattered throughout the festival grounds.
Tickets may be obtained online at http://www.simicajun.org/2015/tickets.html
Support of the not-for-profit Simi Valley Cajun & Blues Music Festival has benefited dozens of local community, national and international organizations, a list of which may be found at http://www.simicajun.org/2014/whobenefits.html.
Simi Valley Cajun & Blues Festival web site:http://www.simicajun.org 

Thursday, March 26, 2015

John Renbourn has passed - Our thoughts are with his family

British folk guitarist John Renbourn, a founding member of Pentangle whose solo career stretched for more than 50 years, was found dead at his home in Hawick, Scotland, on March 25. He was 70.
Renbourn’s body was discovered after he failed to show up for a concert at the Ferry in Glasgow on March 25. Renbourn’s agent Dave Smith confirmed the news, but no cause of his death was given.
One of the finest folk musicians of the 1960s and ‘70s, Renbourn was an active performer up until his death. He had already played nine shows this month in the U.K. with guitarist Wizz Jones and was set to return to Crete for a guitar workshop in May.
Renbourn, like many early British rock ‘n’ rollers and folk musicians, got his start playing skiffle before studying folk music and classical guitar. In London in 1964, he started performing in pubs in Soho, accompanying singer Dorris Henderson, with whom he would eventually record the albums There You Go and Watch the Stars.
During that time, Renbourn fell in with a folk crowd that included Bert Jansch, Davey Graham and Paul Simon. Jansch (who died in October 2011) and Renbourn started performing together and after both secured solo recording deals -- Renbourn was on Transatlantic == and teamed up as Bert & John.
His first full-length solo album, Sir John Alot of Merrie Englandes Musyk Thynge & Ye Grene Knyghte, was released in 1968, and soon thereafter he and Jansch formed Pentangle with Jacqui McShee, Terry Cox
and Danny Thompson. The band’s first tour of the U.S. included performances at the Newport Folk Festival and
Fillmore West with the Grateful Dead.
The group made five albums for Transatlantic, which Reprise released in the U.S., and signed Renbourn to the label as a solo artist as well. All five the band’s albums reached the lower rungs of the Billboard 200, 1971’s Reflection charting the highest at No. 183 in 1971.
Twice Grammy-nominated in the 1980s, Renbourn made solo albums throughout his tenure in Pentangle. Once the group disbanded, he worked solo, in group settings and in duets with guitarist Stefan Grossman
His book of compositions and tablature, starting with Guitar Pieces in 1972, were popular with budding guitarists interested in fingerpicking.  In the 1980s, Renbourn studied composition at Dartington College and would later teach guitar at Dartington and at guitar seminars elsewhere. He also wrote columns for the magazines Frets and Guitar Player.
In 2007, Pentangle reunited to receive the BBC Folk Awards Lifetime Achievement honor. His final recording was Palermo Snow, released in 2011.
By Phil Gallo

VizzTone Label Group artist: Debbie Davies - Love Spin - New release review

I just received a copy of the newest release (4/21/15), Love Spin, from Debbie Davies and she rips as always! Opening with Life Of The Party, Davies has a little of the Albert King funky sting in her guitar with Paul Opalach on organ, Wilbo Wright on bass and Don Castagno on drums. Title track Love Spin, still holds a light funk but with a bit more country funk along the lines of Elvin Bishop. Opalach lays out a real nice lap steel solo and Davies hits right back with a fine articulate solo of her own. On ballad Let The Heartaches Begin, super sax man joins Davies on on lead vocal and throws out a healthy sax solo. Davies lays down one of the nicest guitar solos on the release... controlled but sweet. Don't Change It Up has a solid bottom by Scotty Spray on bass and is joined by Jay Stollman on vocals. Another number with a funky rhythm, this track has solid commercial potential. Davies plays some hot plucky lead on this number heating things up nicely. Shuffle track, It's All Blues has a nice easy sway and with Dana Robbins reinforcing the back with a nice sax line, Davies steps up with short crisp guitar riffs. Talk Real Slow has a cool groove with lightly inlayed lap steel effects. Davies gets some otherworldly sounds from her guitar on this track making it a definite standout. Boogie track, I'm Not Cheatin' Yet, features a really hot sax solo from Robbins and Dave Keyes on boogie piano. Vocal duet by Davies on this track coupled with the instrumental solo trading makes it my favorite on the release. Two Twenty-Five-Year-Olds has a country blues rhythm (T For Texas) and a stinging Texas style guitar solo. Davies continues to mature as a guitar player and her skills are ice pick sharp. Jazzy track, A Darker Side Of Me, is lightly accompanied by Castagno on brushes, with Davies playing a richer part of the fretboard venturing more into Duke or Earl territory. Very nice! With a blend of Willie Dixon and Freddie King, Davies brings out I Get The Blues So Easy, a guitar shuffle with Hanck blowing out his sax. Davies cuts loose with one of her hurricane solos on this track and coaxing Hanck into a shared spotlight. Excellent! Wrapping the release is Way Back Down, featuring Davies on slide guitar. With a Rollin and Tumblin basis and hot slide work you couldn't ask for a better closer.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 

Wednesday, March 25, 2015

Creative Records artists: The Grahams - Glory Bound/Rattle The Hocks - New release review

I just received the newest release, Glory Bound/Rattle The Hocks from The Grahams and it's lively. Opening the studio recordings with title track, Glory Bound, the Grahams are riding the rail in western style with a driving drum rhythm and flashy country guitar. Gambling Girl is a country style track with Alyssa Graham in the lead with hit radio vocals. Harp work over a punchy piano part makes for a cool track. Western style ballad Blow Wind Blow features a steady rhythm guitar part and nicely blended vocals. Lay Me Down has a spiritual quietness and sweet vocals by Alyssa. Other musicians on this set include Ryan Engleman, Gabe Pearson, John Fullbright, Byron Berline and Dan Walker. High energy bluegrass track Kansas City is spry with jig with fiddle, chicken picken electric guitar, and rail riding steel guitar chased by solid bass and driving snare. Very cool! Ballad, Mama, has a clear rural feel and spiritual overtones. Nicely blended vocals and tight instrumentals are featured. The Wild One is my favorite track on the studio release with a warm friendliness. Alyssa handles vocals nicely and the music craft on this track is particularly nice with a catchy melody. Griggstown is a clean, contemporary western style track. Alyssa' vocals are featured out front with Doug blending nicely. I really like the transparency of the guitar work on this track in particular. Biscuits is an easy paced country blues with light piano and acoustic guitar and featuring some of the nicest vocal on the studio track. Again a trick electric guitar riff with double stops puts a nice curly cue on the track. Borderland adds accordion giving it a more swampy feel. Sticking to a simple 2 step rhythm this track has a radio feel. The Spinner is a simple country style ballad with warm blending vocals and smart steel guitar accents. Wrapping disc one is bluegrass track Promised Land. A pure contemporary country western track with pure sweet vocal harmonies, this is a good conclusion for the first set.

 The live recordings entitled Rattle The Hocks has a different lineup of musicians including Cody Dickinson, Luther Dickinson, Alvin YoungBlood Hart, John C. Stubblefield, Rick Steff, Duwayne Burnside, Sharde Thomas, Lester Snell, Sam Shoup and Stu Cole. With only three track changed, Tender Annabelle, City Of New Orleans with a cool banjo, tuba bass part and an excellent trombone solo and Big John which is performed a capella like blues in a field added, I find the live recordings a bit less controlled and much more enjoyable. With more rawness to the vocals and more grit to the instrumentals overall the live tracks are much more alive. I've always said there is something for everyone and each of these sides has it's own personality. My personality tends more to the freewheeling attack on disc two so make sure you check it out!

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

Tuesday, March 24, 2015

Lisa Biales Cover Girl Blues Blast Magazine


The March issue of 
Blues Blast Magazine features
Lisa Biales

Read all about it: HERE


Blues Blast Music Award Nominee Lisa Biales performs at the Music Awards show.

Watch HERE


Lisa Biales and Doug Hamilton

Thursday, March 26 
8-10pm


O'Pub
10. W Park Place, 
Oxford, Oh

It's Spring Break ;-)









Springtime @ The Big Song Music House!



 
Guitar Virtuoso

 
Saturday
March 28th at 8pm

 

 
While Beppe lives in his native GenovaItaly, he travels to North America at least four times a year to play music. We are excited to have Beppe in Ohio for this once in a lifetime up-close-and-personal Big Song Music House experience. Read all about Beppe on: Wikipedia
Watch Beppe Gambetta play Dixie Breakdown: HERE
But more importantly, come to a show!

 
With special guests 
Michael McGannon and Lisa Biales

Doors open at 7pm for potluck and mingling. 
A $20 donation at the door is suggested.

 
Only a few seats left. 
Please let us know you are coming so we can save you a seat.

 




Lisa Biales and Bill Littleford

Leo CoffeeHouse
Sunday, March 29 from 8:15-9pm

Mt. Healthy United Methodist Church
7612 Perry Street, Mt. Healthy, Mt. Healthy Ohio
Price: Donations at the Door

The Queen City Balladeers Presents their beloved Leo Coffee House each year from September - May. Come see a show!





APRIL @ The Big Song Music House!



 

 
FRIDAY, April 10th at 8pm

Stephanie Bettman is at the least a triple threat. An accomplished writer, singer, and fiddler: her lyrics are infused with wit and wisdom, poetry and insight. Vocally she draws comparison to the soaring soprano of Joan Baez and the plaintive emotion of Emmylou Harris. Meanwhile, her fiddling, which combines elements of bluegrass and jazz, is inspired by such masters as Stephane Grappelli, Byron Berline and Johnny Gimble. 

 
Luke Halpin is a renowned multi-instrumentalist. A master of the guitar and the mandolin, impressive on fiddle, banjo, and adept at nearly anything he picks up. Halpin draws inspiration from the likes of Sam Bush, Mark O'Connor and Tony Rice and holds his own in comparison. A dynamic and sensitive vocalist himself, the harmony blend he and Ms Bettman achieve is chilling and at times simply transcendent.  His quirky sense of humor is a perfect foil to Stephanie's dry witty presence.

 Check out Bettman & Halpin on Youtube:

 
Doors open at 7pm for potluck and mingling. 
A $20 donation at the door is suggested.


 







Find Lisa on the web at www.LisaBiales.com

Download all of Lisa's music at: CD Baby

American Showplace Music artist: Slam Allen - Feel These Blues - New release review

I just received the newest release, Feel These Blues, from Slam Allen and it's a hard driver. Opening with title track, Feel These Blues, Allen on guitar and lead guitar sets the pace. Joined by keyboard wiz John Ginty, Jeff Anderson on bass and Dan Fadel on drums, these guys show they mean business. Allen slashes with Albert King like bend phrasing and mean intent. Cool! All Because Of You has a really smart bluesy guitar intro sliding into a Otis Rush like tempo with cleverly styled guitar riffs. Ginty and Allen trade alternate drop in riffs as punctuation around Allen's lead vocals. Very nice! R&B styled, In September, lays easy ground work for a radio track with slick guitar work and also showcasing Allen's soulful vocals. The Blues Is Back showing definite influences of Mr BB King. Allen's vocal phrasing is spot on and his Albert King/ SRV guitar phrasing is hot! Baby Please Don't You Go is a boogie rock n roller. Flashing guitar chops over a Chuck Berry rhythm and Ginty's organ dynamics makes this a true rocker on the release. High stepper 35 Miles Outside Of Memphis is a real swamp rocker along the lines of Edwin Starr or CCR's Born On The Bayou. This is a great track with a rolling beat from Fadel, super key support from Ginty, heavy bass from Anderson and searing knife like guitar strikes from Allen. Super! My favorite track on the release, World Don't Stop Turning, has a bit of BB and a bit of SRV (Ain't Gonna Give Up On Love) blended into Allen's own chowder giving Allen a spectacular opportunity to show his stuff and he isn't bashful. Excellent! Another R&B flavored track, Can't Break Away From That Girl has a real nice feel. Allen has a real nice voice for this particular style and his guitar riffs are very complimentary as well. I don't now if you have noticed but sometimes a track just hits me. When it does, gotta say what it makes me think. When The Blues Comes Around is a funky blues track and Ginty on organ with the beat brings me to one of my all time favorite Blues Rock tracks, I'm A Roadrunner, from Humble Pie's Smokin' release. This track has a bit of the feel but instead of Steve Marriot's superb voice, you have Allen who really does have a great feel for this style. I particularly love his guitar work on this track with solid tone and sting. Strong blues track, You're Wrong, has a great vocals and stiff guitar call and response ad mostly demonstrated by BB King. With youthful exuberance, Allen not only pulls at the strings but he runs then raw. This is a really hot track that will stick you...watch out! The release is wrapped by a soulful cover of Prince's Purple Rain. Allen works the vocals over pretty good with a hard soulful eye. Ginty pours on the heat with his B3 and Allen comes back hard with a really cooking blues guitar solo wrapping a really strong release.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 

Monday, March 23, 2015

Clarksdale, Mississippi's Juke Joint Festival is "half blues festival, half small-town fair, all about the Delta"

Clarksdale, Mississippi's 12th annual Juke Joint Festival unites crazy old bluesmen and leaky juke joints with paddling pig races and greasy soul food!

 
2015 LINEUP ANNOUNCED FOR CLARKSDALE, MISSISSIPPI'S WORLD-FAMOUS JUKE JOINT FESTIVAL
 
Clarksdale, Mississippi – Clarksdale, Mississippi’s Juke Joint Festival may only be celebrating its 12th edition, but it is already the stuff of blues legend.
 
“2014 was the biggest Juke Joint Festival yet, and so far, 2015 looks to top it,” according to festival co-organizer Roger Stolle. “Our annual festival now attracts attendees from almost 30 foreign countries, almost 50 states and over 50 Mississippi counties. Still, the most important number here is the number of bluesmen in their 70s, 80s and even 90s who play our fest."
 
JUKE JOINT FESTIVAL LINEUP: www.jukejointfestival.com
 
This year's from-the-old-school lineup includes blues legends like Cedell Davis, Big George Brock, Leo "Bud" Welch, Elmo Williams, Hezekiah Early, LC Ulmer, Cadillac John Nolden, Eddie Cusic, YZ Ealey, Robert "Bilbo" Walker and others. The festival doesn't ignore the upcoming young guns of the blues, of course — players like Clarksdale's 20-something Omar Gordon, 30-something Anthony "Big A" Sherrod and 16-year-old internet phenom Christone "Kingfish" Ingram.
 
"The first acts we book are our region's older, culturally-connected blues performers," explained Stolle. "Then, we spread out from there. There is an insane number of blues musicians in town during Juke Fest week! It's like no other event in the world."
 
This year's main event is Saturday, April 11th – all day and late into the night – with related events kicking off Thursday and continuing through Sunday night. The official line-up of events can be found on-line at www.jukejointfestival.com. Saturday's Juke Joint Festival itself features 100+ blues acts, 12+ daytime stages, 20+ nighttime venue stages, racing pigs, a 5K/8K run, multiple children's activities, history bus tours, arts & crafts vendors, Southern food offerings, a student art/writing contest and much more.
 
Daytime activities are free thanks in large part to major sponsors like C Spire (official technology partner), Isle of Capri (rooms still available), Clarksdale/Coahoma County Tourism Commission and Miss Del's General Store, among others.
 
PRE-SALE WRISTBANDS NOW ON SALE: www.jukejointfestival.com
 
Saturday's nighttime music requires a wristband. Pre-sale wristbands for the festival's 20+ Saturday-night "juke joint" venue stages are available at www.jukejointfestival.com — $15 pre-sale. (Wristbands go up to $20 on the day/night of festival — Sat., April 11th. Details on web site.).
 
“Juke Joint Festival is half blues festival, half small-town fair and all about the Delta,” said to co-organizer Nan Hughes. “There will be tons of official and related events all weekend long for both families and music fans. You literally cannot do, see and hear everything. It's completely overwhelming – in a good way.”
 
"MS HILL COUNTRY BLUES" THURSDAY KICK-OFF
 
The festival weekend starts early with Thursday, April 9th's free Juke Joint Festival Kick-off at 5pm featuring a festival poster signing by artist Cristen Barnard and live lobby blues by Preston Rumbaugh, followed by the annual Miss Sarah Awards.
 
Then, at 6:30pm, the free Kick-off moves onto the Delta Cinema Stage for a special Mississippi Hill Country Blues Tribute to fallen heroes Robert "Wolfman" Belfour and Martin "Big Boy" Grant — featuring Sean "Bad" Apple, Robert Kimbrough Sr., Andre Otha Turner, RL Boyce, Little Joe Ayers, Stud and more. This is followed by a performance featuring Clarksdale's own Dancing Divas of the Delta with music by bluesman character Watermelon Slim.
 
Wristbands and merchandise will also be available at the Kick-off event.
 
Then, on Friday, April 10th, Clarksdale's related events include educational activities at the Delta Blues Museum and book signings, live blues and more at other downtown businesses and entities, including the Cat Head Delta Blues & Folk Art and the Rock & Blues Museum. At night, Clarksdale's blues clubs and jukes will run till the wee hours.
 
After Saturday’s epic day/night Juke Joint Festival, itself, a Sunday of additional related downtown events will cap off the weekend – including the annual free Cat Head Mini Blues Fest and the Second Street Blues Party. The Rock & Blues Museum and Delta Blues Museum will be open as well as several downtown restaurants and businesses. The weekend wraps up with live blues at Red's Lounge and other venues that night.
 
HOTEL ROOMS STILL AVAILABLE AT ISLE OF CAPRI
 
According to tourism sources, all of the local hotel rooms have been booked up for months. Fortunately, official festival sponsor Isle of Capri in nearby Lula, Mississippi, still has hotel rooms available and will run a bus shuttle to/from festival on Friday and Saturday, 4pm-midnight. Special room rates are available by using the savings code "JUKE 15". Book special room rate at 662-363-4600. Info on hotel at http://lula.isleofcapricasinos.com
  
Full music line-up, event schedule, pre-sale wristbands, parking info, sponsor list and much more available on-line at www.jukejointfestival.com. Festival hotline (Mon.-Sat., 11am-4pm), 662-624-5992.
 
NOTE: The “Juke Joint Festival” name and logo are registered trademarks and cannot be used by outside parties without the express written consent of the Clarksdale Downtown Development Association/Juke Joint Festival. Third parties may not create unauthorized “Juke Joint Festival” products (e.g. T-shirts and apparel) or advertising (e.g. event banners and print ads).
 
#jukejointfestival #clarksdalemississippi #mississippiblues
 
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ARTWORK BY CRISTEN BARNARD (email roger@cathead.biz for jpg):