I just received a copy of the newest release, I Got Blues For Ya, from Michael Falzarano and it's a riot. Opening with The Night King Curtis Died, a lumbering 12 bar number, features strong vocals, lead and rhythm guitar from Falzarano, bass by Chris Matheos on bass, Ray Grappone on drums and excellent slide work from Kane Daily who has a lot of the feel of slide master Rod Price. Title track, I Got Blues For Ya, is structured along the Bo Diddley beat with a swampy feel and guitar not unlike Peter Green. Klyph Black joins on bass and Christian Cassan joins on drums. Josh Colow takes the lead guitar on I Never Think About You, a bluesy ballad. Professor Louie adds a cool piano runs and Miss Marie gives the track a warm texture on backing vocals. Colow lays out a few really nice compact solos on this track and the Professor rides the B3 high. A hot riding boogie, Snake Box Boogie, has a super beat and Falzarano really grinds this one out with the Professor and Colow for one of my favorite tracks on the release. Big Fish is one of those great laid back tracks with the Elvin Bishop saunter. Vasser Clements' unmistakable sound on fiddle joined by Kerry Kearney on slide and super chops gives this track a real authentic country blues rock feel. Very cool. Shuffle track, We Got A Party Going On, has really hot rolling piano work by the Professor and cheering backing vocals. Colow lays in a pinched guitar solo backed nicely by Frank Campbell on bass and Gary Burke on drums. Good Good Lovin has a cocky beer chugging Lynyrd Skynyrd feel. Daily lays on a slick melodic "Lindley" style slide solo with Jon Marshall Smith on organ and Lisa Bouchelle on backing vocals. Very nice! One of my favorite blues vocalists, Alexis P. Suter joins Falzarano on vocals for a darker, Hooker style boogie, Crossroads Avenue. Jimmie Fleming on mandolin, Pete Sears on piano, Charlie Wolfe on harp, Frank Celenza on bass and Eileen Murphy provide instrumental texture behind this boogie jam track. Slick blues strut, The Devil's Gone Fishin', featuring Kerry Kearney on lead guitar and the Professor on Hammond and piano has a really nice groove. Kearney smokes the strings up pretty good on this one... enjoy! One of my favorite Rev. Gary tracks caught live, Death Don't Have No Mercy, has a life of it's own here with Falzarano on vocal and acoustic guitar, Mike Miz and Tom Circista on acoustic guitar, Freeman White on keys, Klyph Black on bass, Dave Diamond on drums and featuring Barry Mitterhoff and Jason Crosby with excellent mandolin and fiddle work, respectively. Upbeat shuffle, Trouble, is a cool blues number with rolling piano by the Professor, Farfisa organ by Harley Fine, and fine guitar and slide solos by Falzarano, Daily and Kearney. Wrapping the release is a rocking cover of Wilbert Harrison's Let's Work Together. A nicely blended cover featuring concluding solos by Daily and Falzarano and vocals by Falzarano and Miss Marie make this a super closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Tuesday, March 31, 2015
Monday, March 30, 2015
Walkright Records artist: John Earl Walker - Mustang Blues - New release Review
I just received the newest release, Mustang Blues, from John Earl Walker and it digs in deep. Opening with Hey Baby, a cool 12 bar jam with a Allstars flare. John Earl Walker has been playing his guitar for some time and he lays on it early showing he knows his way around. Joined by Peter Harris on bass, Frank Diorio on drums and Gene Cordew on keys, this track is a great opener! Solid down, The Devil Follows Me, sounds like it's straight from Chicago and Walker slings his guitar with comfort. His riffs roll off of his fingertips like water pushed along nicely by Cordew on piano. Title track, Mustang Blues, has a funky R&B feel along the lines of Mustang Sally or Poke Salad Annie. This is a cool track with Steve Ress adding some real nice slide guitar work on the mix. Funkify is a guitar led instrumental with a funky beat and extended guitar soloing. I'm Already Gone is a modern blues style take on a soul feel. It has the blues basis with strong bass by Harris and keys by Cordew with Savoy Brown like guitar and vocals giving it a very cool bluesy sound. One of my favorite track on the release. My Mama Told Me is a nicely paced shuffle track with stinging guitar riffs. Slower drag blues, Superstorm Sandy Blues plays into any blues guitar's hand with a great tempo and plenty of space to improvise. Walker really breaks loose on this track with some great trem bends. Excellent! Readjust falls more into a rock feel with R&B anchor. Tandem guitar leads and one flat out solo near the end of the track cap it off. Another nice shuffle track, One Plus One, finds Walker using some real nice double stop techniques on his solos giving them a grittier feel and George Thorogood like vocals makes this another top track. Wrapping the release is Even Up The Score, a driving shuffle backed track with Walker on vocal and lead guitar. A rowdy blues rocker, this is a fine track to close the set.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Friday, March 27, 2015
Up 2 Zero Entertainment artist: Anthony Gomes - Electric Field Holler - New Release review
I just received the newest release, Electric Field Holler, from Anthony Gomes and it's blistering! Opening with Turn It Up, Gomes sets high expectations with a solid cowbell which tells you right off where the track is going. Hot, stinging and rocking. A modern rocker with a blues root and clearly modern riffs permeate this track. Back Door Scratchin' sets down with a bit more southern rock feel and heavy kick drum bottom by Chad Cromwell. Theo Harden on bass and Cromwell set a heavy stage for Gomes who really throws up the pyrotechnics. Whiskey Train has a real cool swagger and I particularly like Gomes vocals on this track. Particularly bluesy guitar riffs make this one of my favorite tracks on the release. Blueschild is a lumbering heavy rocker with snappy blues guitar riffs. Nowhere Is Home has a simple rock rhythm and tight vocal harmonies with Vicki Hampton, Wendy Moten, Minnie Murphy and Kelly Wild. Cool keyboard effects add to the overall effectiveness of this track. A melodic ballad line on guitar makes this a real standout track. Losing Game is a straight up rocker with a solid bottom. Gomes explodes into the track with flame thrower heat from his guitar giving this track particular sting. The Blues Ain't the Blues No More has a primitive blues feel with acoustic resonator slide work and solo vocals with only minimal percussion. Very nice! Junk In The Trunk is another hard rocker with a straight up kick drum. Fans with a love of blues infused rockers will definitely like this one. Love Crazy has a definite pop feel with smooth vocal harmonies. I really like Cromwell's drum attack and Gomes' vocals on this track definitely radio bound with an interesting blend of key and guitar work. Red Handed Blues, a track with deliberate intention kicks down the doors and rumbles. Gomes has never been shy with his guitar and Red Handed is no exception. Wrapping the release is Listen To The Universe with a great groove. With it's guitar chant sounding heavy like Mountain and overlaid guitar riffs, this track hits home. Pulling out all of the stops Gomes lays down some of the hottest guitar riffs on the release making for a super finale.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Simi Valley Cajun & Blues Fest lineup announced: Candye Kane, Royal Southern Brotherhood, Leo "Bud" Welch, Dwayne Dopsie, more
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Thursday, March 26, 2015
John Renbourn has passed - Our thoughts are with his family
British
folk guitarist John Renbourn, a founding member of Pentangle whose solo
career stretched for more than 50 years, was found dead at his home in
Hawick, Scotland, on March 25. He was 70.
Renbourn’s body was discovered after he failed to show up for a concert at the Ferry in Glasgow on March 25. Renbourn’s agent Dave Smith confirmed the news, but no cause of his death was given.
One of the finest folk musicians of the 1960s and ‘70s, Renbourn was an active performer up until his death. He had already played nine shows this month in the U.K. with guitarist Wizz Jones and was set to return to Crete for a guitar workshop in May.
Renbourn, like many early British rock ‘n’ rollers and folk musicians, got his start playing skiffle before studying folk music and classical guitar. In London in 1964, he started performing in pubs in Soho, accompanying singer Dorris Henderson, with whom he would eventually record the albums There You Go and Watch the Stars.
During that time, Renbourn fell in with a folk crowd that included Bert Jansch, Davey Graham and Paul Simon. Jansch (who died in October 2011) and Renbourn started performing together and after both secured solo recording deals -- Renbourn was on Transatlantic == and teamed up as Bert & John.
His first full-length solo album, Sir John Alot of Merrie Englandes Musyk Thynge & Ye Grene Knyghte, was released in 1968, and soon thereafter he and Jansch formed Pentangle with Jacqui McShee, Terry Cox
and Danny Thompson. The band’s first tour of the U.S. included performances at the Newport Folk Festival and
Fillmore West with the Grateful Dead.
The group made five albums for Transatlantic, which Reprise released in the U.S., and signed Renbourn to the label as a solo artist as well. All five the band’s albums reached the lower rungs of the Billboard 200, 1971’s Reflection charting the highest at No. 183 in 1971.
Twice Grammy-nominated in the 1980s, Renbourn made solo albums throughout his tenure in Pentangle. Once the group disbanded, he worked solo, in group settings and in duets with guitarist Stefan Grossman
His book of compositions and tablature, starting with Guitar Pieces in 1972, were popular with budding guitarists interested in fingerpicking. In the 1980s, Renbourn studied composition at Dartington College and would later teach guitar at Dartington and at guitar seminars elsewhere. He also wrote columns for the magazines Frets and Guitar Player.
In 2007, Pentangle reunited to receive the BBC Folk Awards Lifetime Achievement honor. His final recording was Palermo Snow, released in 2011.
Renbourn’s body was discovered after he failed to show up for a concert at the Ferry in Glasgow on March 25. Renbourn’s agent Dave Smith confirmed the news, but no cause of his death was given.
One of the finest folk musicians of the 1960s and ‘70s, Renbourn was an active performer up until his death. He had already played nine shows this month in the U.K. with guitarist Wizz Jones and was set to return to Crete for a guitar workshop in May.
Renbourn, like many early British rock ‘n’ rollers and folk musicians, got his start playing skiffle before studying folk music and classical guitar. In London in 1964, he started performing in pubs in Soho, accompanying singer Dorris Henderson, with whom he would eventually record the albums There You Go and Watch the Stars.
During that time, Renbourn fell in with a folk crowd that included Bert Jansch, Davey Graham and Paul Simon. Jansch (who died in October 2011) and Renbourn started performing together and after both secured solo recording deals -- Renbourn was on Transatlantic == and teamed up as Bert & John.
His first full-length solo album, Sir John Alot of Merrie Englandes Musyk Thynge & Ye Grene Knyghte, was released in 1968, and soon thereafter he and Jansch formed Pentangle with Jacqui McShee, Terry Cox
and Danny Thompson. The band’s first tour of the U.S. included performances at the Newport Folk Festival and
Fillmore West with the Grateful Dead.
The group made five albums for Transatlantic, which Reprise released in the U.S., and signed Renbourn to the label as a solo artist as well. All five the band’s albums reached the lower rungs of the Billboard 200, 1971’s Reflection charting the highest at No. 183 in 1971.
Twice Grammy-nominated in the 1980s, Renbourn made solo albums throughout his tenure in Pentangle. Once the group disbanded, he worked solo, in group settings and in duets with guitarist Stefan Grossman
His book of compositions and tablature, starting with Guitar Pieces in 1972, were popular with budding guitarists interested in fingerpicking. In the 1980s, Renbourn studied composition at Dartington College and would later teach guitar at Dartington and at guitar seminars elsewhere. He also wrote columns for the magazines Frets and Guitar Player.
In 2007, Pentangle reunited to receive the BBC Folk Awards Lifetime Achievement honor. His final recording was Palermo Snow, released in 2011.
Labels:
John Renbourn,
passed,
Pentangle,
Scotland
VizzTone Label Group artist: Debbie Davies - Love Spin - New release review
I just received a copy of the newest release (4/21/15), Love Spin, from Debbie Davies and she rips as always! Opening with Life Of The Party, Davies has a little of the Albert King funky sting in her guitar with Paul Opalach on organ, Wilbo Wright on bass and Don Castagno on drums. Title track Love Spin, still holds a light funk but with a bit more country funk along the lines of Elvin Bishop. Opalach lays out a real nice lap steel solo and Davies hits right back with a fine articulate solo of her own. On ballad Let The Heartaches Begin, super sax man joins Davies on on lead vocal and throws out a healthy sax solo. Davies lays down one of the nicest guitar solos on the release... controlled but sweet. Don't Change It Up has a solid bottom by Scotty Spray on bass and is joined by Jay Stollman on vocals. Another number with a funky rhythm, this track has solid commercial potential. Davies plays some hot plucky lead on this number heating things up nicely. Shuffle track, It's All Blues has a nice easy sway and with Dana Robbins reinforcing the back with a nice sax line, Davies steps up with short crisp guitar riffs. Talk Real Slow has a cool groove with lightly inlayed lap steel effects. Davies gets some otherworldly sounds from her guitar on this track making it a definite standout. Boogie track, I'm Not Cheatin' Yet, features a really hot sax solo from Robbins and Dave Keyes on boogie piano. Vocal duet by Davies on this track coupled with the instrumental solo trading makes it my favorite on the release. Two Twenty-Five-Year-Olds has a country blues rhythm (T For Texas) and a stinging Texas style guitar solo. Davies continues to mature as a guitar player and her skills are ice pick sharp. Jazzy track, A Darker Side Of Me, is lightly accompanied by Castagno on brushes, with Davies playing a richer part of the fretboard venturing more into Duke or Earl territory. Very nice! With a blend of Willie Dixon and Freddie King, Davies brings out I Get The Blues So Easy, a guitar shuffle with Hanck blowing out his sax. Davies cuts loose with one of her hurricane solos on this track and coaxing Hanck into a shared spotlight. Excellent! Wrapping the release is Way Back Down, featuring Davies on slide guitar. With a Rollin and Tumblin basis and hot slide work you couldn't ask for a better closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Wednesday, March 25, 2015
Creative Records artists: The Grahams - Glory Bound/Rattle The Hocks - New release review
I just received the newest release, Glory Bound/Rattle The Hocks from The Grahams and it's lively. Opening the studio recordings with title track, Glory Bound, the Grahams are riding the rail in western style with a driving drum rhythm and flashy country guitar. Gambling Girl is a country style track with Alyssa Graham in the lead with hit radio vocals. Harp work over a punchy piano part makes for a cool track. Western style ballad Blow Wind Blow features a steady rhythm guitar part and nicely blended vocals. Lay Me Down has a spiritual quietness and sweet vocals by Alyssa. Other musicians on this set include Ryan Engleman, Gabe Pearson, John Fullbright, Byron Berline and Dan Walker. High energy bluegrass track Kansas City is spry with jig with fiddle, chicken picken electric guitar, and rail riding steel guitar chased by solid bass and driving snare. Very cool! Ballad, Mama, has a clear rural feel and spiritual overtones. Nicely blended vocals and tight instrumentals are featured. The Wild One is my favorite track on the studio release with a warm friendliness. Alyssa handles vocals nicely and the music craft on this track is particularly nice with a catchy melody. Griggstown is a clean, contemporary western style track. Alyssa' vocals are featured out front with Doug blending nicely. I really like the transparency of the guitar work on this track in particular. Biscuits is an easy paced country blues with light piano and acoustic guitar and featuring some of the nicest vocal on the studio track. Again a trick electric guitar riff with double stops puts a nice curly cue on the track. Borderland adds accordion giving it a more swampy feel. Sticking to a simple 2 step rhythm this track has a radio feel. The Spinner is a simple country style ballad with warm blending vocals and smart steel guitar accents. Wrapping disc one is bluegrass track Promised Land. A pure contemporary country western track with pure sweet vocal harmonies, this is a good conclusion for the first set.
The live recordings entitled Rattle The Hocks has a different lineup of musicians including Cody Dickinson, Luther Dickinson, Alvin YoungBlood Hart, John C. Stubblefield, Rick Steff, Duwayne Burnside, Sharde Thomas, Lester Snell, Sam Shoup and Stu Cole. With only three track changed, Tender Annabelle, City Of New Orleans with a cool banjo, tuba bass part and an excellent trombone solo and Big John which is performed a capella like blues in a field added, I find the live recordings a bit less controlled and much more enjoyable. With more rawness to the vocals and more grit to the instrumentals overall the live tracks are much more alive. I've always said there is something for everyone and each of these sides has it's own personality. My personality tends more to the freewheeling attack on disc two so make sure you check it out!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
The live recordings entitled Rattle The Hocks has a different lineup of musicians including Cody Dickinson, Luther Dickinson, Alvin YoungBlood Hart, John C. Stubblefield, Rick Steff, Duwayne Burnside, Sharde Thomas, Lester Snell, Sam Shoup and Stu Cole. With only three track changed, Tender Annabelle, City Of New Orleans with a cool banjo, tuba bass part and an excellent trombone solo and Big John which is performed a capella like blues in a field added, I find the live recordings a bit less controlled and much more enjoyable. With more rawness to the vocals and more grit to the instrumentals overall the live tracks are much more alive. I've always said there is something for everyone and each of these sides has it's own personality. My personality tends more to the freewheeling attack on disc two so make sure you check it out!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Tuesday, March 24, 2015
Lisa Biales Cover Girl Blues Blast Magazine
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American Showplace Music artist: Slam Allen - Feel These Blues - New release review
I just received the newest release, Feel These Blues, from Slam Allen and it's a hard driver. Opening with title track, Feel These Blues, Allen on guitar and lead guitar sets the pace. Joined by keyboard wiz John Ginty, Jeff Anderson on bass and Dan Fadel on drums, these guys show they mean business. Allen slashes with Albert King like bend phrasing and mean intent. Cool! All Because Of You has a really smart bluesy guitar intro sliding into a Otis Rush like tempo with cleverly styled guitar riffs. Ginty and Allen trade alternate drop in riffs as punctuation around Allen's lead vocals. Very nice! R&B styled, In September, lays easy ground work for a radio track with slick guitar work and also showcasing Allen's soulful vocals. The Blues Is Back showing definite influences of Mr BB King. Allen's vocal phrasing is spot on and his Albert King/ SRV guitar phrasing is hot! Baby Please Don't You Go is a boogie rock n roller. Flashing guitar chops over a Chuck Berry rhythm and Ginty's organ dynamics makes this a true rocker on the release. High stepper 35 Miles Outside Of Memphis is a real swamp rocker along the lines of Edwin Starr or CCR's Born On The Bayou. This is a great track with a rolling beat from Fadel, super key support from Ginty, heavy bass from Anderson and searing knife like guitar strikes from Allen. Super! My favorite track on the release, World Don't Stop Turning, has a bit of BB and a bit of SRV (Ain't Gonna Give Up On Love) blended into Allen's own chowder giving Allen a spectacular opportunity to show his stuff and he isn't bashful. Excellent! Another R&B flavored track, Can't Break Away From That Girl has a real nice feel. Allen has a real nice voice for this particular style and his guitar riffs are very complimentary as well. I don't now if you have noticed but sometimes a track just hits me. When it does, gotta say what it makes me think. When The Blues Comes Around is a funky blues track and Ginty on organ with the beat brings me to one of my all time favorite Blues Rock tracks, I'm A Roadrunner, from Humble Pie's Smokin' release. This track has a bit of the feel but instead of Steve Marriot's superb voice, you have Allen who really does have a great feel for this style. I particularly love his guitar work on this track with solid tone and sting. Strong blues track, You're Wrong, has a great vocals and stiff guitar call and response ad mostly demonstrated by BB King. With youthful exuberance, Allen not only pulls at the strings but he runs then raw. This is a really hot track that will stick you...watch out! The release is wrapped by a soulful cover of Prince's Purple Rain. Allen works the vocals over pretty good with a hard soulful eye. Ginty pours on the heat with his B3 and Allen comes back hard with a really cooking blues guitar solo wrapping a really strong release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Monday, March 23, 2015
Clarksdale, Mississippi's Juke Joint Festival is "half blues festival, half small-town fair, all about the Delta"
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Labels:
Clarksdale,
Juke Joint Festival
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