|
Exclusive Blues Interviews, Blues Reviews, Blues Videos, Top Blues Artists, New Blues Artists.
Pages
CLICK ON TITLE BELOW TO GO TO PURCHASE!!!!
CD submissions accepted! Guest writers always welcome!!
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Wednesday, March 18, 2015
Dale Watson joins ABC's Jimmy Kimmel Live tonight at SXSW; announces new album
Labels:
Call Me Insane,
Dale Watson,
Jimmy Kimmel Live,
SXSW
The Nighthawks Invite You to a "Back Porch Party" with Their New CD Release, Coming April 21 on EllerSoul Records
The Nighthawks
Invite You to a Back Porch Party with Their New CD Release, Coming April
21 on EllerSoul Records
America’s
Seminal Roots Music Band Continues to Deliver the Goods
WASHINGTON, DC – The Nighthawks, America’s seminal roots
music band, are throwing a Back Porch Party on their new EllerSoul
Records CD, coming April 21, and everyone’s invited. Following up the critical
success of their 2014 label debut CD, 444, the Washington,
DC-based quartet of Mark Wenner (harmonica/vocals), Paul Bell (guitar/vocals),
Johnny Castle (bass/vocals) and Mark Stutso (drums/vocals) once again show that
they can deliver the goods on a disc that’s destined to become a perennial
favorite all around the world.
Recorded “Live and Acoustic” at Montrose Studio in Richmond,
Virginia, the Blues Music Award-winning Nighthawks showcase an even-dozen set
list of songs that run the gamut of roots music, touching all bases with
excursions into blues, soul, rock ‘n’ roll, roadhouse country and rhythm and
blues, all the while demonstrating that you don’t have to plug in to get
electrified!
Along with five original songs from the band’s members,
Back Porch Party includes scintillating covers of compositions by
Muddy Waters (a band tradition), Lightnin’ Slim, Willie Dixon, Ike Turner and
Jimmy Rogers, among others. Bandstand favorite “Down in the Hole” (the theme
from the acclaimed TV series, “The Wire”) and “Walkin’ after Midnight,” a song
immortalized by country great Patsy Cline, are just two tracks that demonstrate
the breadth of The Nighthawks college of American musical knowledge, both live
and in the studio.
“It started with a memorial service,” recalls founding member
Mark Wenner about the genesis of the band doing acoustic recordings. “Thirty
years after the robbery/murder of Daniel ‘Duke’ Hope, an old friend of the early
band, the victim's mother asked the boys to play graveside. At first, it
appeared to be a complicated situation: How to get electricity to the site.
However, since the participants were few in number, it was decided to play with
a single snare drum, an upright bass, an acoustic guitar and harmonica, and the
vocals would be straight into the air. It worked. After watching a video of the
service, the band decided to try this format in smaller venues with tiny stages
with minimal amplification. It worked. People even danced.”
Wenner goes on to explain how that unplugged path would lead
The Nighthawks to some glorious results. “When Bill Wax, then head honcho at
Sirius/XM's Bluesville Channel, heard about the occasional acoustic Nighthawks,
he invited the band into their D.C. studios to record a couple of tunes for
their homemade blues jam segments. With very sympathetic engineering, The
Nighthawks knocked out an album's worth of mostly traditional blues in a couple
of hours. A week later, Bill presented the band with a wonderfully mixed digital
master with permission to use. Last Train to Bluesville was born.
It went on to garner a surprising amount of national airplay and win the band's
first Blues Music Award in Memphis in May 2011. It also helped put the band back
into the national spotlight, and they followed with their first Legendary Rhythm
& Blues Cruise performances and two successful subsequent releases,
Damn Good Time and 444.”
After two solid, critically acclaimed electric recordings,
The Nighthawks decided to go back to the unplugged route on their new CD.
“Although the band mostly continues its amplified style, they are quick to take
advantage of situations that warrant the acoustic format,” says Wenner. “Having
enjoyed both the sound and father/son team of engineers in Montrose Studio in
Richmond, Virginia, and mixing some acoustic numbers into the material on our
444 album, it seemed like the perfect place for another unplugged
recording. The band and EllerSoul execs also invited a small group of
sympathetic listeners in for the recording session. The resulting totally live
performance was captured by Bruce and Adrian Olsen and quickly mixed into this
presentation of a truly fun event, a BACK PORCH PARTY.”
True “road warriors,” The Nighthawks are booked by Blue
Mountain Artists (www.bmatours.com). The band plans to continue
their endless touring throughout the spring, summer, fall and winter in support
of Back Porch Party. To download a hi-res color photo of
The Nighthawks, click on this link: http://www.markpuccimedia.com-Nighthawks-PR-Photo.jpg
The Nighthawks, click on this link: http://www.markpuccimedia.com-Nighthawks-PR-Photo.jpg
For more information on the band, visit www.thenighthawks.com.
THE NIGHTHAWKS TOUR ITINERARY
3/20 Benji’s
Bluesdongle
New Smyrna, FL
3/21 Buckingham Blues Bar
Ft. Myers,
FL
3/22 Funky
Biscuit
Boca Raton, FL
3/26 Bradfordville Blues
Club Tallahassee,
FL
3/27 Blind
Willie’s
Atlanta, GA
3/28 Double Door
Inn
Charlotte, NC
4/4 The
Hamilton
Washington, DC
4/10 Garfield Center for the Arts @
Prince Theatre Chestertown, MD
4/11&4/12 Ramshead on
Stage
Annapolis, MD
4/17 Harvester Performance
Center Rocky Mount,
VA
4/24 Godfrey
Daniels
Bethlehem, PA
4/25 World Café Live @ the
Queen Wilmington,
DE
5/1 The Tin
Angel
Philadelphia, PA
Additional dates forthcoming ….
Bob Lanza, Steve Krase Team at Blues Bash
| ||||||||||
| ||||||||||
| ||||||||||
| ||||||||||
|
Blowin' Smoke's Big 20th Birthday Bash Blowout at the Beach - You're Invited!
Announcing Blowin' Smoke's Big 20th Birthday Bash
Blowout
At Harvelle's...And You're
Invited!
Saturday,
March 28, 2015 from 9:30 p.m.-1:30 a.m.
Blowin' Smoke
Rhythm & Blues Revue Band Leader Larry "Fuzzy" Knight Proudly Fronts The
Same 11-Piece Ensemble He First Started In 1995
(Santa Monica, CA) - On Saturday,
March 28, from 9:30 p.m.-1:30 a.m., there's going to be a huge 20th Birthday
Bash Blowout presented by, and featuring, Larry "Fuzzy" Knight's Blowin' Smoke Rhythm & Blues Revue featuring The Fabulous
Smokettes, at that Bastion of Blues by the beach, Harvelle's, located at 1432 4th St., in Santa Monica.
Admission is $10. Info: (310)
395-1676 or http://santamonica.harvelles.com
.
Do You
Remember Where You Were & What You Were Doing In 1995, The Year Blowin'
Smoke First Formed & Started Playing Live in
SoCal?
Two decades ago - 1995, to be exact - a gallon of
gasoline was $1.09, a dozen eggs were 87 cents, postage stamps were 32 cents
each, and the average cost of a new car was $15,500.00. Also that year, longtime
Southern California musician Larry "Fuzzy" Knight formed the Blowin' Smoke Rhythm & Blues Revue, a unique,
multi-instrumental band with a big lineup and an even larger sound, augmented by
three superb female vocalists collectively known as The Smokettes.
Their debut
album "Beyond The Blues Horizon" was hailed by the L.A. Times, L.A.
Weekly, Music Connection and more for it's smart blend of blues, R&B, and
soul, utilization of a rich-sounding horn ensemble and of course, those
ever-present Smokettes on vocals.
Two decades
later, much has changed (especially those aforementioned prices!). but one thing
has remained constant - Knight and Blowin' Smoke are still going strong,
entertaining audiences at festivals and better nightclubs throughout the
Southland, often accompanied onstage by renowned guest musicians. "Blowin' Smoke
conveys a welcome reminder to all people with a beating heart that putting a
full horn section in front of a smoking rhythm section, then layering three
charismatic and powerful vocalists on top of that - all live and at the same
time - is music at its most enriching," writes MUSIC CONNECTION. "Bandleader
Larry "Fuzzy" Knight reminds all of us in the modern technological era that real
people with real instruments and real personalities are playing music that hits
the gut and forces the knees to bend."
Knight
- whose
impressive musical resume' includes a decade-plus stint as bassist for one of
the great SoCal bands to emerge from the psychedelic era of the Sixties, Spirit
- recently
announced the addition
of a new member to the Blowin’ Smoke lineup, Don Preston.
Preston is a former original member of Frank Zappa’s Mothers of Invention and
co-founder of the “GrandMothers”, of which he
recorded a total of thirty-plus albums.
Shaun Murphy - Loretta - New Release Review
I just received the newest release, Loretta, from Shaun Murphy and it's real romper. Opening with Don't Lie to Me, Murphy kicks out the stops with a high strung two stepper. Her vocals are solid and tight. Jack Pearson really winds the slide guitar up on this track with a country blues flavor. With a little funk in the mix, I Pity The Fool comes high stepping in. Rob McNelley throws down some hot lead guitar riffs and Murphy is on top of her game vocally backed by Mark T Jordan on keys Randy Coleman on bass and George Lilly on drums. Sultry, Kiss Me Like Whiskey, is a sweet track to show off Murphy's vocal style. Echoed by Pearson on lead guitar this track should have a lot of radio appeal. Title track, Loretta, has a rolling train country like feel with Pearson reinforcing train whistle sound effects on his slide. Very cool! Slow ballad, Strange Life, is well constructed and performed. Jimi Fiano screams out a real hot guitar solo on this track setting the tension. Hard Working Man is a hard driving track with a high tension solo by McNelley. This is one of my favorite tracks on the release with Murphy driving the train at high speed. Big Train Stops At Memphis opens with a flame thrower of a guitar opener from Fiano. A country two stepper, Murphy has a great feel in this groove (think Tulsa Time). Should Be Hard To Love You is a rockin boogie with Murphy playing lead vocals against Pearson's stinging guitar lead. Careful They Say shows a particularly warm vocal blenind between Murphy, Randy Coleman and Matt Workman. Larry Van Loon adds strong keyboard riffs to the track and Fiano knows just how to punch up the track on guitar. Very crisp. Go Away, another boogie track sets a nice bar lead by Coleman on bass and Pearson stabs a hot poker in just where it's needed. Murphy is always on top but gives the instrumentalists space for the music to breathe. Nice! The slinky, 24 Hours From Memphis, has a strong melody and could easily be a radio hit with a strong Robert Cray R&B blues style. Possibly the strongest effort by Murphy, this track is tight! Wrapping the release is Bettye Crutcher's How Strong Is A Woman, a straight up R&B rocker. With a Memphis strut, this track is an excellent closer for the release with a feel good groove.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Labels:
Loretta,
Review,
Shaun Murphy
Tuesday, March 17, 2015
Ghost Town Blues Band - Hard Road To Hoe - New Release review
I just received the newest release, Hard Road To Hoe from Ghost Town Blues Band and I really like it. Opening with title track, Hard Road To Hoe, lead singer and guitar player sets up the track. With a loose slide vamp on cigar box he is backed by Preston Ewing on drums, Jeremy Powell on piano and Alex Piazza. Unexpected texture added by Suavo Jones on trombone and Richie Hale on tenor sax tips a great opener. Up next is boogie track Big Shirley with all of the fire of Jerry Lee Lewis from Powell on piano. A real rowdy rocker, this track cooks with a nice flash of electric guitar from Isbell to boot! Tip Of My Hat has a Rumba rhythm with Isbell, McEwen and Vicki Loveland on vocal. Super showman Brandon Santini steps up his crankin harp adding a nice bite to this track. Very cool! Santini takes the one leads on vocal on My Doggy, an easy walker with a clever story. Marry Dog Isbell adds an authentic howl to the track and Santini is also in on harp but the horns on this track shine instrumentally. On old time rag track, My Handy Man, the horns get together for a really hot Dixieland blowout. One of my favorite intro's on the release. Hate To See Her Go is a cool R&B/blues track with that clever play on words "I hate to see her go, but I love to see (watch) her walk away". Jones, Hale and Isbell each take hot solo's on this track making it one of my favorites on the release. Tied My Worries To A Stone has a cocky strut and Isbell's vocal/guitar interface is terrific on this track tightly reinforced by McEwen. Dead Sea is a gritty ballad with just a touch of country. Although easy on the slide work, this track puts me in minde of one of my old favorites, The Ballad of Curtis Lowe. Very nice! Nothing But Time travels into Gary Moore or Bonamassa territory with a slow screaming blues track. This has got to be the crowd favorite with a classic blues buildup and screaming guitar retort to a gritty but solid vocal melody. Powell on B3 adds a real nice tension to the track as well. Driving blues rocker, Dime In The Well, has vocal and guitar paired in a hard drive with MeEwen and Piazza chasing. Solid! Seventeen is totally different from the balance of the release but I really like it. Sounding like it was written to be a hit but with enough instrumental sophistication and guitar riffs that it attracts my attention with it's overall musical power and sting. Excellent! Road Still Drives The Same has an easy, JJ Cale like approach but with slick clean slide guitar work by Isbell and B3 by Powell. A well written and performed release that is quite interesting to listen to. Check it out!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Monday, March 16, 2015
Blues Condition - Moon Over Main Street - New Release review
I just received the newest release, Moon Over Main Street, from Blues Condition and they have put together quite an enjoyable release. Opening with Done Somebody Wrong, an old Elmore James track made popular by the Allmans but with more of an early british sound, this track sounds fresh. One of my favorite tracks on the release, Don't She Look Good, is a old NRBQ track and has that great snappy rock feel. Excellent! Tampa Red track, It Hurts Me Too, gets a bit of a R&B blues flavor and I think that it really takes on a new feel. Most every serious blues band has covered this track but I think that this particular arrangement is just different. Lucky Star, written by Larry Benade, lead singer and guitar player, backed by Bruce Thomas on vocal and bass and Kenny Gott on drums has a rockin' country feel. Robert Johnson's If I Had Posession Over Judgement Day gets a Muddy Waters, Rollin' and Tumblin' feel and Benade rides the slide nicely. Willie Dixon track, Howlin' For My Baby gets a cool rockin' twist with a simple guitar riff. Very Cool! John Lee Hooker's Dimples gets a bit more sophistication than originally by Hooker with chorded rhythm lines. I like this take on the track giving it a real guitar workout. Stepping into a jazz type mode without playing out the full chords gives it a nice touch. Chuck Berry's Oh What A Thrill seems a natural for this band with it's simple 3 piece attack and raw feel. The guitar soloing has a more controlled Keith style than all out Chuck flair. Another cool track. Eddie Boyd's Five Long Years takes BC into it's first slower blues venture on this release and they make good use of the time. Benade has a voice that is well suited for a track like this and he shows his blues chops without getting out too far. Nice job. Fairport Convention's One More Chance gets a redo that has the flavor of SRV or Chris Duarte. I like their spunk laying this track out flat. Nice! Brian Adler's Any Ordinary Man maintains a stable rock beat for a simple radio style track. Made Up My Mind, a track by one of my favorite old British blues bands, Savoy Brown, gets a great cover with a solid rhythm section and traditional guitar riffs. Ballad, How Do I Know, has a nice bluesy feel and solid guitar work. Nothing flashy but very solid. Older R&B track made popular by the Stones, Harlem Shuffle doesn't venture far from the path cut by Keith and Mick but it is very professionally done and enjoyable. The release is wrapped by a rockin' version of Jeannie & Jimmy Cheatham's Meet Me With Your Black Drawers On. A slice between Chuck Berry and ZZ Top, this is a great finisher.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Labels:
Blues Condition,
Moon Over Main Street,
Review,
Virginia
Friday, March 13, 2015
Stevie J - Blues Fundraiser & Listening Party at Underground 119
"BACK TO THE
BLUES" FUNDRAISER AND LISTENING PARTY FOR
STEVIE J, MISSISSIPPI'S BEST-KEPT SECRET@UNDERGROUND
119 THURSDAY, APRIL
2
(JACKSON, MS)
- Stevie J, "Mississippi's Best-Kept Secret",
holds a Fundraiser and Listening Party for his upcoming album "Back To The
Blues" at Underground 119, 119 S. President St., Jackson, Thursday,
April 2. Showtime: 7 p.m. Info: (601) 352-2322 or http://www.underground119.com/.
A Platinum
Rewards package (sponsorship of $1,000 or more) receive Executive Producer
credits on the album; personalized EP plaque; Stevie J Blues custom varsity
jacket; special thank- you on the album's inner jacket sleeve; and four (4) VIP
tickets to the Album Release Party. Sponsorships of $500. receive a personalized
EP plaque; two (2) VIP tickets to the Album Release Party; and two (2) Stevie J
Blues t-shirts. Sponsorships
of $250. receive four (4) Stevie J Blues t-shirts and two (2) VIP Tickets to the
Album Release Party. $100. Sponsorship = two t-shirts and four CD Release Party
tickets. $50. Sponsorship = 1 t-shirt and two CD Release Party tickets. View the
link here: https://www.fundme.com/en/projects/16145-help-us-keep-the-blues-alive.
"We
are compiling a crossover album with radio format-friendly music capable
of breaking boundaries of airplay for the blues," explains Stevie J. "Back To
The Blues" is a celebration of music to expose the blues in every musical
genre we touch. Face it - you can't play any modern music without playing the
Blues. We as blues lovers, especially those who are in the industry, must try to
do a better job of properly exposing this music to the masses," he
concludes.
The goal of
the fundraiser is $2,000.00 to fund the recording of Back To The Blues,
which will consist of four new songs and two tracks from Stevie J's
Unstoppable LP. "This money will guarantee the album's awareness through
allowing us to hire both a radio (and) public relations team," he says.
The tracks on
Back to The Blues (with Stevie J comments on each one): Come See Me
("swamp-stomp blues with a pop beat"); Another Jody Song ("urban blues that
speaks of the old familiar character made famous by the late blues-man Johnnie
Taylor, with an R&B feel and soulful Albert King-style guitar"); Son Of A
Saintified Preacher ("story of a conversation I had with my father. Cross of ZZ
Top's 'La Grange' and John Lee Hooker's 'Boom Boom'"). Miss Apple Cheeks
("authentic New Orleans Second Line that captures the essence of that era); Down
Hom People ("Soul, gospel, and blues at it's best. A song about Southern
culture...from fish frys to backyard barbecues, horse rides to hog
maul").
STEVIE J BLUES - SOME BACKGROUND
Already
hailed as the new face of the Delta Blues, Stevie J is well on his way to
capturing the crown of Southern Soul as well. He is a supremely confident
vocalist and skilled guitarist capable of wringing every nuance from any lyric
in any genre. Yet Stevie J remains humble and true to his first love: The
Blues. The son of
pastor and native of Jackson, MS, Stevie J started his career in the gospel
field playing for artists such as the Williams Brothers, The Five Blind Boys of
Alabama, The Mighty Clouds of Joy, The Jackson Southernaires and the great
Shirley Caesar, among others. Stevie J
found his true calling when he teamed up with legends such as Bobby Rush, Pat
Brown, Denise LaSalle and Shirley Brown. He recorded with Bobby Rush on the
Folk Funk album and is also featured in the Martin Scorsese blues
series, Live at Ground Zero. Stevie J has toured throughout Switzerland
and France, performing at the Cognac Blues Festival. His talents have also taken
him to Spain, Italy, Norway and Belgium. His album 2
Sides OF a Man featured the single “Because Of Me”, which reached #1 on the
Southern Soul chart. Stevie J is also a yearly participant on the popular BB
King All-Star Cruises, where he is the band's guitarist.
Labels:
Stevie J Blues
Subscribe to:
Posts (Atom)