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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Friday, January 18, 2013
Nora Jean Bruso
Thursday, December 27, 2012
Shoot My Baby - Tracy Nelson w/ Marcia Ball
Thursday, August 30, 2012
Henry Gray & Tail Dragger with Bob Corritore's Rhythm Room All-Stars
JAMES YANCY JONES, known as THE TAIL DRAGGER, is a long-time disciple of Howlin' Wolf; in fact, the Wolf gave James the moniker "Tail Dragger" emanating from one of the Wolf's now-classic songs. The Tail Dragger followed Wolf from club- to-club, watching and getting pointers from the larger-then-life Howlin' Wolf for more than 20 years. The Wolf allowed
"The Dragger" to perform his blues while Wolf took a break on weekend shows. Soon "The Dragger" was playing his own numerous club dates on the West and South Sides of Chicago.
TAIL DRAGGER is from Altheimer, Arkansas and during his formative years he saw Sonny Boy Williamson and Boyd Gilmore perform at house parties and country suppers. Dragger soon heard the records of Jimmy Reed, Muddy Waters and Elmore James and his musical tastes were set in stone.
Tail Dragger remains intensely loyal to his early influences. The Tail Dragger, by his own admission, sings only lowdown blues. "Lowdown blues is all I like...All I feel...and I sing what I feel," flatly states The Dragger. "Its's like I get into a trance when I sing the blues, I forget about everything else. Nothing else matters," concludes The Tail Dragger.
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Monday, August 8, 2016
Heralded Austin Musician Johnny Nicholas Brings a Breath of "Fresh Air" with New Blues/Roots CD Coming September 2
Saturday, June 30, 2012
Made Up Midnight - Jimmy Vaughan Lazy Lester John Nicholas
When it comes to Americana Roots Music and especially the Blues, the late great Stephen Bruton knew what he was talking about. Those who knew him knew that he always got to the point. His description of his long time friend and musical comrade in arms is succinct and quite a heady compliment, but then, Johnny Nicholas is an amazing talent.
For four decades Johnny’s consummate musicianship and vocal skills have graced live music scenes across the country and abroad. He has toured, performed and recorded with many true blues and Americana Roots Music legends including:
Mississippi Fred McDowell, Robert Lockwood Jr., Johnny Shines, Big Walter Horton, Roosevelt Sykes, Nathan Abshire, Robert Pete Williams, Eddie Taylor, Billy Boy Arnold, Hound Dog Taylor, Johnny Young, Houston Stackhouse, and Boogie Woogie Red.
He recorded and toured with Johnny Shines and Snooky Pryor, producing and playing guitar on their W.C. Handy Award-winning album Back to the Country. He was a lead vocalist and multi-instrumentalist with Asleep at the Wheel when they won their first of many Grammy Awards.
He gave Blues Guitar Icon Ronnie Earl his first gig in the now legendary band Guitar Johnny and the Rhythm Rockers.
He has also shared the stage and performed with the likes of Howlin Wolf, BB King, Muddy Waters, Bonnie Rait, Eric Clapton, Pops and Mavis Staples, Delbert McClinton, Willie Nelson, Merle Haggard,and Jimmie Vaughan among many others.
He can wow a festival crowd of thousands or a small room of devotees. There are mysteries within this history, but remember that true history is written in the uncharted depths of a passionate spirit striving to fathom the mysteries, the pain and the joy of life and love. Here’s what you need to know about Johnny Nicholas—the rest and the best is all in his music.
Johnny discovered the blues at an early age, grooving to the great R&B that was blasting from the airwaves in the late 50’s and early 60’s—Jimmy Reed, Lightnin Slim, Slim Harpo, Lloyd Price, Larry Williams, Little Walter, Ray Charles and The Howling Wolf were all Big Blips on this impressionable young man’s radar screen. Like fellow Greek-American Johnny Otis had a generation earlier, this Johnny easily made the leap into the soulful world of the Blues, a music very similar in feeling and expression to the Rembetika music he heard as a child in the Greek community.
In 1966, he hopped the train to New York City to see his idol the Wolf. He ended up hanging with Wolf’s band at the Albert Hotel by day (where Wolf’s band AND Muddy’s band and Otis Spann were all staying) and at Ungano’s nightclub by night where the Wolf was holding musical court while on a two week prowl of the Big Apple. This experience cemented his love of the blues while providing inspiration and a gateway to friendships and musical adventures that would help mold a successful career and still smolder in this talented and restless soul. The common thread between all these influences is that of a true storyteller and troubadour, a living connection to the roots of American music that started in the Mississippi Delta and continues to flow down the river of traditional and contemporary sounds that emanate from Johnny Nicholas.
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Monday, February 27, 2017
Blues Hall of Fame Inductees announced: Mavis Staples, Johnny Copeland, Henry Gray, Latimore and more
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Monday, July 2, 2012
Bright Lights, Big City - Milwaukee Slim
The HouseRockin’ Blues Revue is a Milwaukee-based Chicago style blues band...a six piece powerhouse that pays tribute to the blues masters of the 50’s and 60’s. With members who’ve played with the likes of B.B. King, The Legendary Blues Band, Percy Mayfield, Billy Flynn, Stokes, and Jim Liban to name just a few, this band will get ‘em movin’ and keeps ‘em groovin’. The HouseRockin’ Blues Revue dishes out the old school stylings and emotions of such legends as Muddy Waters, Jimmy Reed, Elmore James, Hound Dog Taylor, Jimmy Rogers, Howlin’Wolf, Big Walter, and Little Walter. PARTIAL SONG LIST Baby what you want me to do, Blow wind blow wind, Down home blues, Going to Chicago, Have a good time, Hog for you, Hoochie Coochie man, I got my mojo working, I’m ready, Long distance call, Mannish boy, Mellow down easy, My babe, My baby she left me, Pride & joy, Rock me baby, Sloppy drunk, Stormy Monday, Sweet home Chicago, Talk to me baby, Teeny weeny bit, That’s alright, The blues is alright, The sun is shinin’’, Tore down, Walkin’ through the park, Worried about you, Biographical Information of our members Milwaukee Slim - vocals, guitar Slim formerly played with Midwest Blues All Stars and played with both groups for a few years. Without a doubt, Milwaukee Slim is one of the best and most well known blues singers in Milwaukee. Born in Mississippi in 1940, Slim moved first to Memphis, then up to Chicago and in 1965, to Milwaukee. He has played and recorded with Billy Flynn, Piano Willie, Jim Liban, Barrelhouse Chuck, Calvin Jones, Smokey Smothers, Midwest Blues All-Stars, and the Milwaukee Slim Blues Band. He has also shared the stage with Stokes, Leroy Airmaster, Legendary Blues Band, Reverend Raven, Hubert Sumlin and Little Charlie & the Nightcats, to name just a few. Mary Davis - vocals, keyboard Originally from Memphis Tennessee, Mary has performed locally, nationally and internationally...from the “King Biscuit Festival” in Helena Arkansas, to the “Blues to Bop” festival in Lugano Switzerland. Her earliest and strongest influence was her brother, Ralph Davis. Her cousin is Koko Taylor. She also leads the Mary Davis Trio, and has graced the stages of Jimmy McCracklin, B.B. King, Percy Mayfield, Stokes, and many others, too many to mention here. Mary also plays the flute, saxophone, and guitar. Glen Goebel - harmonica, vocals Glen began playing harp in 1985, and was gigging by 1990. Mentored by Chris Beggan, Jim Liban and Steve Cohen, he soon developed his own style. Paying homage to the “old school” legends like Little Walter and Jimmy Reed, Glen has mastered his own brand of harmonica voodoo. A vocalist with the Gesu Choir, and an original member of Real Thing, he has played with Mrs. Smith & the White Boys, Casper, Nuclear Blues and the T. W. Blues Band...Glen has also been a guest performer for Taj Mahal, Stokes, Chris Beggan, Steve Cohen and the Milwaukee Slim Band. Kevin Cannon - bass, drop D guitar (in lieu of bass), and vocals. With a style influenced by Albert and B.B. King, Kevin holds down the bottom for the House Rockin’ Blues Revue. The host of the Saturday morning blues program on WMSE 91.7 FM since early 1980’s, Kevin played bass for Chris Beggan, a gig highlighted by being the opening act for Jimmy Rogers in 1991. He’s played with Real Thing, Bluezilla, and Downtown Loop. Dave Conley - guitar, slide guitar, bass, vocals . Dave started playing guitar in 1963. His early bands oriented toward the Rolling Stones and blues. A self taught slide player, he picked up open tunings and was influenced by the great Hound Dog Taylor. He played with various blues bands during the 80's and 90's including; Chris Beggan, Real Thing, Bluezilla, Big Johnson and Lee Gates. Dave hosted blues jams at Sande's National Pastime, along with playing the bass with Joe Balistreri, the Milwaukee Slim Blues Band, Tommy Blood, Jim Kay and Downtown Loop. James Davis- drums James’drumming experience is extensive and varied, including The Davis Family Band, And the Mary Davis Trio with Lem Banks
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Wednesday, July 7, 2021
Quarto Valley Records artist: Sean Chambers - That's What I'm Talkin About - New Release Review
I just had the opportunity to review the most recent release (July 9, 2021), That's What I'm Talkin About, from Sean Chambers and I really like it. Chambers put together this release as a tribute to Hubert Sumlin who he played with for over 4 years, in fact the title of the release is due to it being a phrase that Hubert used frequently. Opening with blues rocker, Hubert Sumlin's Chunky, a funky instrumental, features Chambers on lead guitr, Bruce Katz on B3, Andrei Koribanics on drums and Antar Goodwin on bass. With strong blues rock guitar lead and solid phrasing, this is a super instrumental opener. Howling Wolf's Rockin' Daddy gets a really hnice Wolf like vocal lead and Chambers' guitar lead is nothing short of electrifying. On St' Loius Jimmy Oden's Goin' Down Slow, Chambers works the space with excellent phrasing and his attack has fire that I've rarely heard from contemporary blues players except SRV. Excellent! On Willie Dixon's, Taildragger, Chambers digs deep on lead vocal with gritty vocals and really potent lead guitar that just oozes blues. Katz's contribution on B3 is particularly full on tis track giving Chambers a good paring to extend his soloing. Really nice. Mississippi Sheiks composition, Sittin On Top Of The World, made highly popular by the Cream, gets a healthy rework here with a less jazzy... more bluesy approach. Chambers, whos vocal has similar characteristics to Howlin Wolf defaults to another Wolf / Dixon composition in Howlin' For My Darling with the addition of John Ginty on B3 and wth a more rocking guitar attack. Very effective. Wrapping the release is Wolf's, Louise, with super pace. Chambers digs in on his vocal attack, playing his lead guitar response with excellent efficiency and sting. With cool piano work by John Ginty and emotional guitar lead, this is an excellent closer for a really strong release.
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Sunday, June 3, 2012
Tribute Little Walter - Jimmy Rogers
Jimmy Rogers (vocal & guitar), Louis Myers & Luther Tucker (guitar), Dave Myers (bass), Al Duncan (drums), Rod Piazza (harp) and Honey Piazza (piano)
Jimmy Rogers (June 3, 1924 – December 19, 1997) was an American Chicago blues singer, guitarist and harmonica player, best known for his work as a member of Muddy Waters' band of the 1950s.
Jimmy Rogers was born James A. Lane in Ruleville, Mississippi on June 3, 1924 and was raised in Atlanta and Memphis. He adapted the professional surname 'Rogers' from his stepfather's last name. Rogers learned the harmonica alongside his childhood friend Snooky Pryor, and as a teenager took up the guitar and played professionally in East St. Louis, Illinois, where he played with Robert Lockwood, Jr. among others, before moving to Chicago in the mid 1940s. By 1946 he had recorded as a harmonica player and singer for the Harlem record label run by J. Mayo Williams. Rogers' name did not appear on the record, which was mislabeled as the work of "Memphis Slim and his Houserockers."
In 1947, Rogers, Muddy Waters and Little Walter began playing together as Muddy Waters' first band in Chicago (sometimes referred to as "The Headcutters" or "The Headhunters" due to their practice of stealing jobs from other local bands), while the band members each recorded and released music credited to each of them as solo artists. The first Muddy Waters band defined the sound of the nascent "Chicago Blues" style (more specifically "South Side" Chicago Blues). Rogers made several more sides of his own with small labels in Chicago, but none were released at the time. He began to enjoy success as a solo artist with Chess Records in 1950, scoring a hit with "That's All Right", but he stayed with Muddy Waters until 1954. In the mid 1950s he had several successful releases on the Chess label, most featuring either Little Walter Jacobs or Big Walter Horton on harmonica, most notably "Walking By Myself", but as the 1950s drew to a close and interest in the blues waned, he gradually withdrew from the music industry.
In the early 1960s Rogers briefly worked as a member of Howling Wolf's band, before quitting the music business altogether for almost a decade. He worked as a taxicab driver and owned a clothing store that burned down in the Chicago riots that followed the assassination of Dr. Martin Luther King, Jr. in 1968. He gradually began performing in public again, and in 1971 when fashions made him a reasonable draw in Europe, Rogers began occasionally touring and recording, including a 1977 reunion session with his old bandleader Muddy Waters. By 1982, Rogers was again a full-time solo artist.
In 1995 Rogers was inducted into the Blues Hall of Fame.
He continued touring and recording albums until his death from colon cancer in Chicago in 1997. He was survived by his son, Jimmy D. Lane, who is also a guitarist and a record producer and recording engineer for Blue Heaven Studios and APO Records.
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”