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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Wednesday, May 18, 2011
Bag Lady - Erykah Badu
Erica Abi Wright (born February 26, 1971), better known by her stage name Erykah Badu (pronounced /ˈɛrɨkə bɑːˈduː/), is an American recording artist, record producer and actress. Her work includes elements from R&B, hip hop and jazz. She is best known for her role in the rise of the neo soul sub-genre, and for her eccentric, cerebral musical stylings and sense of fashion. She is known as the "First Lady of Neo-Soul" or the "Queen of Neo-Soul".
Early in her career, Badu was recognizable for wearing very large and colorful headwraps. For her musical sensibilities, she has often been compared to jazz great Billie Holiday. She was a core member of the Soulquarians, and is also an actress having appeared in a number of films playing a range of supporting roles in movies such as Blues Brothers 2000, The Cider House Rules, and House of D, she is also very prominent in the documentary film Before the Music Dies.
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Labels:
Erykah Badu,
is this blues,
Texas
Yank Rachell and Homesick James 5-28-93 Chicago Blues Fest
Born James Rachell, his career as a performer spanned nearly seventy years, and was often teamed with the guitarist and singer Sleepy John Estes. He grew up in Brownsville, Tennessee, but in 1958 moved north to Indianapolis during a revival in old blues music. He recorded for Delmark Records and Blue Goose Records. Though a capable guitarist and singer, he was better known as a master of the blues mandolin; he had bought his first mandolin at age 8, with a pig his family had given him to raise. "She Caught the Katy," which he wrote with Taj Mahal, is considered a blues standard
In his later years he appeared in filmmaker Terry Zwigoff's documentary about fellow musician Howard Armstrong, and was a featured performer with John Sebastian and the J-Band.
By the mid 1990s, Henry Townsend and his one-time collaborator Rachell were the only active blues artists whose performing lives stretched back to the 1920s. In later years he suffered from arthritis which shortened his playing sessions, though he still recorded an album just before his death, Too Hot For the Devil."
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Labels:
Homesick James Williamson,
Yank Rachell
Yank Rachell on the death of John Lee "Sonny Boy" Williamson 1914-1948
Sonny Boy Williamson (John Lee Curtis Williamson, March 30, 1914 — June 1, 1948) was an American blues harmonica player, and the first to use the name Sonny Boy Williamson.
This is Sonny Boy I as opposed to Alex Rice Miller known as Sonny Boy II.
I love these old interviews
Labels:
Sonny Boy Williamson I,
Yank Rachell
Candyman - Rev. Gary Davis
Reverend Gary Davis was a towering figure in at least two realms. As a finger-style guitarist he developed a complex yet swinging approach to picking that has influenced generations of players, including Jerry Garcia, Ry Cooder, Dave Van Ronk, Jorma Kaukonen and Stefan Grossman. And as a composer of religious and secular music he created a substantial body of work that has been recorded by, among others, Bob Dylan, Jackson Browne, Peter Paul & Mary and the Grateful Dead, not to mention Davis's own releases.
From the perspective of his one hundredth birthday (April 30, 1896 in Laurens, South Carolina -- he died on May 5, 1972 in Hammonton, New Jersey), the Davis legacy looms especially large. Early musical experiences at Center Raven Baptist Church in Gray Court, South Carolina, were at the core of strong religious
convictions that helped him cope with blindness, and in 1933 he was ordained as minister of the Free Baptist Connection Church in Washington, North Carolina. For years he toured as a singing gospel preacher and also sang on the streets, mostly in Durham. During this period he crossed paths and eventually recorded with Blind Boy Fuller and other "Piedmont style" musicians, including Brownie McGhee and Sonny Terry.By 1940 Reverend Davis had found his way to New York City, where he was ordained minister of Missionary Baptist Connection Church. Here his recording career began in earnest, first for Asch and Folkways Records (now available on Smithsonian/Folkways), and later for Prestige (now available on Fantasy).
Starting in the late 1950's, as folk music became popular on campuses and in coffee houses, Davis was "discovered" by a largely educated, middle-class audience that, at least at first, was more interested in his hot guitar licks and blues-holler style of singing than in his specific religious message. While the Reverend was not above responding to this more secular audience (for whom temporal songs like "Cocaine" and "Baby Let Me Follow You Down" were as exciting as gospel compositions like "Samson and Delilah" and "Death Don't Have No Mercy"), he always considered his work to be essentially religious in nature. When students like Dave Van Ronk journeyed uptown to learn the intricacies of "Soldiers Drill" (an instrumental reworking of a couple of Sousa marches, probably remembered from childhood), Reverend Davis would extend the lesson with preaching, food and companionship. In this way he became an important mentor to the folk music revival, and eventually performed at many festivals, including the Newport Folk Festival, the Philadelphia Folk Festival and others. Eventually he toured in Britain, as well, where critic Robert Tilling, writing in Jazz Journal, called him "One of the finest gospel, blues, ragtime guitarists and singers.
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Labels:
Rev. Gary Davis
Earl's Boogie
Earl Hooker (January 15, 1929 – April 21, 1970) was a Chicago blues guitarist. Hooker rarely sang and in a genre where the stars were vocalists or vocalists/instrumentalists, his commercial success was limited. However, he "was undeniably a virtuoso among guitar players" and has been acknowledged by many of his peers. As B.B. King commented: "to me he is the best of modern guitarists. Period. With the slide he was the best. It was nobody else like him, he was just one of a kind".
In case you're wondering...yeah...JL Hookers cousin.
Labels:
Earl Hooker,
Missippi
Tech Talk - Fender Vibroverb Reissue (1994)
Year:
1990-1995
Model:
`63 Reissue Vibroverb
Circuit:
6G16 (The actual circuit varies from the original)
Config:
Combo
Control Panel:
Brown forward facing w/ white screened labels, controls numbered 1-10
Front Conrol Layout:
Normal: In, In, Vol, Treb, Bass - Bright: In, In, Vol, Treb, Bass, Reverb - Speed, Intensity - Pilot Lamp
Rear Conrol Layout:
Fuse (3A), Ground Sw, Power Sw, Standby Sw, Speaker Jack, Ex. Speaker Jack, Footswitch Jack
Knobs:
Brown round
Cabinet:
19 3/8" x 25" x 8 5/8" (49.2 x 63.5 x 21.9 cm)
Cab Covering:
Brown Tolex
Cab Hardware:
Black strap handle, 4½" chassis straps, glides
Grille:
Wheat grille cloth
Logo:
Grille mounted, flat, chrome & black script "Fender" w/ tail
Weight:
46 lbs. (20.7 Kg)
Speakers/Load:
2 x 10"/4 ohms (8 ohms each in parallel)
Speaker Model:
Oxford 10K5
Effects:
Tremolo, Reverb
Output:
35 Watts
Preamp:
Normal: 7025
Bright: 7025
Power:
2 x 6L6GC
Bias:
Fixed Bias
Rectifier:
Solid State
Phase Inverter:
7025 (long tailed)
Other:
Reverb Driver: 12AX7
Reverb Recovery: 7025
Tremolo: 12AX7 (bias vary)
Comments:
The reissue differes in several ways from the original, most notably is the solid state rectifier, printed circuit board and hardwired reverb cables.
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Labels:
Fender Vibroverb Reissue (1994),
Gear
Mr Blues
Germany has the Blues!
Dieter Kropp plays at the moment with the award winning "Dieter Kropp & The Fabulous Barbecue Boys" Band.
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Labels:
Dieter Kropp,
Germany,
International
Raisin' Hell Review - Elvin Bishop
Now here's a cd that I have been waiting for for quite some time. Elvin Bishop has been one of my favorite performers for as long as I can remember. He's a stellar guitar player with huge chops! He's seen it all, He's done it all! This cd is his first live cd in a while and was recorded on last years Legendary Rhythm and Blues Cruise. If you haven't done this, it's a must for blues fans. The party never stops and that's why Elvin "Crabshaw" Bishop is perfect for this type of venue.
When I first heard Elvin he was playing with Paul Butterfield and I was blown away. Skinny tie and Black suit. Some quick research told the story of the white kid genius who left left Oklahoma to study physics at University of Chicago but really went there under the guise of being close to the heart of the blues he was hearing on his radio at home. He met Paul Butterfield and joined forces playing traditional blues music. If you haven't caught my earlier post of Bishop playing at the Fillmore stop now and go find it. He set the place on fire. This clip appears live in the movie 'Fillmore: The Last Days'. Just outrageous!
After his stint with Butterfield, Bishop put out a number of solo albums with a mix of blues, country and Bishop. Wild guitar and clever lyrics.
Oh yeah...you want to know about the new cd!!
13 tracks that include some new and some tried and true.
Opens with Callin' All Cows - Elvin is this song! Check out the slide work!!
Who Lotta Lovin" can't say enough.... great guitars and groove!
Fooled Around...if you from this planet you really know it... great soloing again!
What the Hell is Goin" On - Pure Elvin... how do you write that if Elvin is on it it's great!
Down in Virginia...good harmonica... great guitar work!
Rock My Soul... a little break from traditional sound with a picked up end...nice touch! Everyone gets a time to solo on this one!
Cryin' Fool... I know this is a collaboration but this is a perfect song for Elvin's voice...but he lets Red Dog do his barkin... cool sax work featured on this track.
River Invitation fits nicely into the album but is just a taste of what's to come...
Dyin' Flu Elvin talks the blues to us...and then kicks it into overdrive!!
Tore Up Over You features the band and is a good tune.
It Hurt's Me Too... Elvin plays the serious blues!
Bye Bye Baby ... get that last dose of Elvin...it's over. Time to play it again!
Let me just start off by saying just cause Bishop is telling jokes and making funny limericks, doesn't mean he ain't serious about what he's doing. What he's serious about doing is having a good time and making sure that everyone else does too. He features some great supporting players including John Nemeth on vocals and harmonica, Finis Tasby on vocals, Terry Hanck on sax and vocals, Kid Anderson on guitar, Ed Early on trombone, vocals and percussion, Steve Willis on piano, accordion and vocals, Bob Welsh on guitar, Bobby Cochran on drums and vocals, Ruth Davies on bass and Lisa Leu Andersen on vocals but lets cut the BS. We are listening to this cd to hear Bishop sing and grind away on his 345 and he does both!!
Bishop comes up with the best lyrics, gravel voice and fat woody guitar sounds known to man and this cd is no exception. Now I'm not a big pop music fan so Fooled Around and Fell in Love ain't my favorite... but hey...a man's gotta make a living and if you look at his then followup cd (Small Town Boy Makes Good) even he makes good light of it. (If you haven't caught his cd's with Little Smokey Smothers...gotta do that too!!)
Do you get the feeling yet that I love Elvin Bishop music. There is rarely a musician that I can honestly say is a pure joy to watch and listen to. Elvin Bishop is one in a million and I hope that he keeps crankin' for all of us!
Labels:
California,
Conqueroo,
Elvin Bishop,
Iowa,
Oklahoma
I Got Mine
The blues are alive...and well... Live at Abbey Road
The Black Keys are an American blues-rock music duo consisting of vocalist/guitarist Dan Auerbach and drummer/producer Patrick Carney. The band was formed in Akron, Ohio, in 2001. As of October 2010, the band has sold over 1.7 million records.
The Black Keys are from Akron, Ohio. The band's two members are Dan Auerbach (guitar and lead vocals) and Patrick Carney (drummer). According to an interview on NPR's Fresh Air the name came from a schizophrenic artist, Alfred McMoore, the pair knew who would leave incoherent messages on their answering machines referring to their fathers as "black keys" such as "D flat" when he was upset with them.
The band released their debut album, The Big Come Up, in early 2002. The album was very successful for a new independent rock band. Along with their second album, it was recorded entirely in drummer Patrick Carney's basement on an 8-track tape recorder from the early 1980s. The album spawned two singles released as an extended play, "Leavin' Trunk" and "She Said, She Said". Both are cover songs; "Leavin' Trunk" is a traditional blues standard and "She Said, She Said" is originally by The Beatles. "I'll Be Your Man" would later be used as the theme for the HBO series Hung. "Breaks" was featured in the 2008 film RocknRolla'
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Labels:
Black Keys,
Dan Auerbach,
Fat Possum Records,
Ohio
Sweet Dreams
Roy Buchanan (September 23, 1939 - August 14, 1988) was an American guitarist and blues musician. A pioneer of the Telecaster sound, Buchanan was a sideman and solo artist, with two gold albums early in his career, and two later solo albums charting on the Billboard chart. Despite never having achieved stardom, he is still considered a highly influential guitar player. Ranked #57 on the Rolling Stone list "100 Greatest Guitarists of all Time," Guitar Player praised him as having one of the "50 Greatest Tones of all Time."
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Labels:
Roy Buchanan
Foldin' Bed
Never saw the real authentic old time blues....here it is!
Like I said there is a broad range of music that is the blues!
Whistler & His Jug Band was a long-lasting and popular group that recorded for several labels from the mid-'20s through the early '30s, and influenced many of the jug bands that followed. The group was formed in 1915 in Louisville, KY by guitarist, vocalist and whistler Buford Threlkeld, and went through occasional lineup changes over the years, but fiddler Jess Ferguson and banjo player Willie Black were steady members of Whistler & His Jug Band for over a decade. The jazz-influenced jug band first entered the recording studios in September, 1924 when they traveled to Richmond, IN to cut several sides for the Gennett label. These included "Chicago Flip" "Jail House Blues" and "I'm a Jazz Baby," as well as songs that went unissued such as "The Vampire Woman." The second recording trip for Whistler & His Jug Band took them to St. Louis in April, 1927. On this trip, the jug band recorded 10 songs for Okeh, including "Low Down Blues," "The Vamps of 28" and "Pig Meat Blues." The jug player during this session was 13 year old Rudolph Thompson, who was still with the group by the time of their next recording session in June, 1931. This time, the band got to record in their hometown of Louisville. "Hold That Tiger" and "Foldin' Bed" are some of the songs that they recorded for Victor during this session.
Enjoy!
Labels:
Whistler His Jug Band
If You Remember - Big Joe Turner
Big Joe Turner (born Joseph Vernon Turner Jr., May 18, 1911 – November 24, 1985[1]) was an American blues shouter from Kansas City, Missouri. According to the songwriter Doc Pomus, "Rock and roll would have never happened without him." Although he came to his greatest fame in the 1950s with his pioneering rock and roll recordings, particularly "Shake, Rattle and Roll", Turner's career as a performer stretched from the 1920s into the 1980s.
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Labels:
Big Joe Turner,
Kansas City,
Missouri
Improvised Blues Guitar Solo
Viewer Jeremy Casey sent this cool video to help us pick up some chops.
Thanks
Thanks
Labels:
jody worrell
Tuesday, May 17, 2011
Key To the Highway - Tedeschi Trucks Band
I'm sure that everyone knows now that Derek and Susan got married a while back. It could turn into a decent thing for the music industry. I personally prefer Derek's work away from his personal band and particularly like his work with the Allmans as well as with Buddy Guy (with Tedeschi). Here's Derek's band with Susan sitting in.
"Key to the Highway" is usually credited to Charles "Chas" Segar and William "Big Bill" Broonzy. As Broonzy explains: "Some of the verses he [Charlie Segar] was singing it in the South the same time as I sung it in the South. And practically all of blues is just a little change from the way that they was sung when I was a kid ... You take one song and make fifty out of it ... just change it a little bit."
Charlie Segar's original "Key to the Highway" was done in the form of a mid-tempo twelve-bar blues. When Jazz Gillum recorded it later that year (featuring Big Bill Broonzy on guitar), he changed the melody and the arrangement to an eight-bar blues, as it is now usually known (May 9, 1940 Bluebird B 8529). A year later, Broonzy recorded "Key to the Highway" utilizing Gillum's arrangement and melody, creating the best known of the early versions of the song (May 2, 1941 OKeh 6242). In 2010, Broonzy's version of "Key to the Highway" was inducted into the Blues Hall of Fame "Classics of Blues Recordings" category.
My personal introduction was through Derek and the Dominos and I doubt anyone will ever top it with Duane on slide...but Derek is a fine fine player!
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Labels:
Derek Trucks,
Florida,
Susan Tedeschi
Stormy Monday - Albert King
A nice opportunity to see 3 giants on stage together and not just play over each other like a cluster bomb in the concert videos so common. John Mayall, Mick Taylor later of the Stones of course and actually with Albert playing his signature Flying V but not the Gibson but his custom made v made by Dan Erlewine...yeah the Stew Mac guy.
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Labels:
Albert King,
England,
John Mayall,
Mick Taylor,
Mississippi
Castin' My Spell On You - Talisman (Jimmy Page)
This is a recording of a very young Jimmy Page. The significance of this isn't just Jimmy Page but I love this song. I have mentioned in a number of my posts my love for the Savoy Brown band. This is a song that they did on the "Jack the Toad" album. It's a very quirky album and one of my favorites. If you find a copy cheap pick it up. It's a blast if you have an open mind!
Enjoy!
Labels:
Jimmy Page,
Savoy Brown
I Put A Spell On You - Creedence Clearwater Revival
Creedence??? A Blues Band...you betcha!! I always loved this version of Screamin Jay Hawkins tune. I think that they do a terrific job and I love the free form guitar work that was played not unlike work done by Big Brother and Buddy Guy.
Creedence Clearwater Revival (often abbreviated CCR) was an American rock band that gained popularity in the late 1960s and early 1970s with a number of successful singles drawn from various albums.
The group consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty, his brother and rhythm guitarist Tom Fogerty, bassist Stu Cook, and drummer Doug Clifford. Their musical style encompassed country rock and swamp rock genres. Despite their San Francisco Bay Area origins, they positioned themselves as Southern rock stylists, singing often about bayous, the Mississippi River, catfish, and other popular elements of Southern iconography.
John Cameron Fogerty (born May 28, 1945) is an American musician, songwriter, and guitarist, best known for his time with the swamp rock/roots rock band Creedence Clearwater Revival (CCR) and as a solo recording artist. Fogerty has a rare distinction of being named on Rolling Stone magazine's list of 100 Greatest Guitarists at #40 and the list of 100 Greatest Singers at #72. The songs "Proud Mary" and "Born on the Bayou" also rank amongst the Greatest Pop songs ("Proud Mary," #41) and Guitar songs ("Born on the Bayou," #53)
CCR's music is still a staple of American and worldwide radio airplay and often figures in various media. The band has sold 26 million albums in the United States alone. CCR was inducted into the Rock and Roll Hall of Fame in 1993.
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Tech Talk - Fender "Pro Junior" (1994)
Fender Pro Junior
Years of Production: 1993 - Present
Era:
Configuration: Combo
Controls: Chrome top facing w/ white screened labels, controls numbered 1-12
Knobs: Black Pointer
Faceplate
Front: Power Sw, Pilot Lamp, Tone, Vol, In
Rear:
Cabinet
Dimensions: 14½ x 15¼ x 8¾
Hardware:
Handle: Leather Handle
Feet: Glides
Corners:
Covering Material
Tolex/Tweed: Diagonal Tweed of Black Tolex
Grill Cloth: Brown or Silver Sparkle Grill Cloth
Logo: Cabinet mounted, Script
Weight: 20 lbs.
Speaker
Size: 1 x 10
Impedance: 8 ohms
Model: Eminence(For more info, check out the Jensen Replacement Speakers)
Effects:
~Watts: 15 watts
Tubes
Pre amp: 12AX7
Power: 2 x 6BQ5
Bias: Fixed, Nonadjustable
Rectifier: Solid State
Labels:
Fender,
Gear,
Pro Junior
Cotton Pickin' Blues - Lousiana Red
The current blues scene in the U.S. and Europe is characterized by a wide variety of styles and musicians. However, as the years go passing by there are fewer and fewer artists left that were active during the formative years of blues music, those who participated in the development of the music.
Thus, it is all the more important and cause for celebration that there are still artists such as Louisiana Red.
Louisiana Red has lived the Blues. And Louisiana Red not only plays the Blues, he lives it through his guitar and his singing. Strongly influenced by Muddy Waters, Lightnin‘ Hopkins and Arthur Crudup, he has long ago found his own voice, his own style, his own form of expression.
When Red performs, the songs are often only launching pad for expressing his immediate feelings in the almost lost tradition of spontaneous composition that goes back to the original Delta Blues artists an even further to the West-African griot bards.
In a career spanning over half a century, Louisiana Red has played with just about every major bluesman you can name, some of the most memorable encounters being his jams with B.B.King and Muddy Waters.
But it doesn’t matter who he plays with or where he appears - Louisiana Red brings the same intensitiy and enthusiasm to every stage he appears on, whether in front of 10,000 people at a festival or 100 people in an intimate club.
Louisiana Red’s albums have been called masterpieces by critics, and in 1983 he won a W.C. Handy Award as best traditional blues artist. After living in Germany for 20 years, he has made a several triumphant comeback tours in the United States.
But if you ask Red about it, he won’t tell you much about his success. He’ll much rather talk about his latest CD project, about a new song or a new guitar lick. Because Louisiana Red is constantly creating, always searching für another expression of his blues. For once, the hyperbole ist justified: Louisiana Red is the Blues.
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Labels:
Lazy Lester,
Louisiana Red,
Ruf Records
Hey - The Pixies
Labels:
Black Francis,
Boston,
Frank Black,
Massachusetts,
Pixies
Coffee Blues
It is very rare for a British comedian to be given a concert film all to themself but in 1989 Lenny Henry was given that honour. We start off with him been driven to the concert by Robbie Coltrane as the sort of taxi driver you don't want to get a lift from. Once inside he meets three of his comic heroes - Steve Martin, Richard Pryor and Eddie Murphy (all played by Lenny) and then it's on with the stage show. He mixes stand up with appearances from some of his best known characters and there are a few amusing songs along the way.
Labels:
England,
International,
Jeff Beck,
Lenny Henry
Shortfuse Blues - Dave Hole
Austrailia got the blues!!
Dave Hole (born David Robert Hole, 30 March 1948, Heswall, Cheshire, England) is an Australian slide guitarist known for his style of playing rock and roll and blues music.Hole was born in England, but his family moved to Perth, Western Australia when he was four years old. He became interested in blues music after hearing a school friend's Muddy Waters album when he was around six years of age. Receiving his first guitar at age twelve he started to teach himself due to lack of guitar teachers being available in Perth at the time, using the albums of Eric Clapton, Jimi Hendrix, Blind Willie Johnson, Skip James, Blind Lemon Jefferson. He later continued teaching himself with the albums of Robert Johnson, Elmore James, and Mississippi Fred McDowell.
Hole is left-handed and, after breaking a finger in a football accident, he played the guitar right-handed by putting the slide on his index finger and hanging his hand over the top of the guitar neck. After healing he had gotten so used to the 'wrong' way of playing that he never changed back. He became a professional in 1972 when working with a band in London and returned to Perth in 1974. He toured the Western Australian pub circuit for twenty years playing in Perth and remote towns. To keep his fans happy he released Short Fuse Blues a tape he financed, produced, and recorded with his band Short Fuse in three days in 1990, and which he sold during pub performances. On a whim he sent a copy to Guitar Player magazine in the U.S. Editor Jas Obrecht was so impressed with the tape he wrote an article hailing him as the newest guitar wizard and comparing him to such greats as Stevie Ray Vaughan and Albert King. Soon a copy was in the hands of Alligator Records president Bruce Iglauer who signed him up as the first non-U.S.-based artist of their 26-year history.
Critics praised him all over the U.S., and new fans were exposed to him through radio play on more than 1000 stations. Reviews appeared in Guitar World, Guitar for the Practicing Musician, Billboard, Audio, Spin, The Chicago Tribune, The Denver Post plus other major publications, including The Associated Press. Hole signed a deal for Europe with Provogue Records, with the albums and tours of the U.S. and Europe helping him to increase his popularity worldwide. Later tours of Europe have seen him headlining festival shows in Germany, Denmark, Holland, France and Switzerland with the Leverkusen Blues Festival in Germany televised nationally. He has also performed in Brazil, Sweden, Norway, Russia, Austria, Italy, Spain, Belgium and the UK.
Under the Spell won an ARIA Music Awards (Australian Recording Industry Association) in the Blues/Roots category in 1999. After releasing ten albums, he continues to tour worldwide, returning to his home in the Darling Scarp of Western Australia for the other six months of the year.
Labels:
Australia,
Dave Hole,
England,
International
Send me to the Electric Chair
David Bromberg (born September 19, 1945, Philadelphia, Pennsylvania) is an American multi-instrumentalist, singer, and songwriter. Bromberg has an eclectic style, playing bluegrass, blues, folk, jazz, country and western, and rock & roll equally well. He is known for his quirky, humorous lyrics, and the ability to play rhythm and lead guitar at the same time. In 2008, he was nominated for a Grammy Award.
Labels:
David Bromberg,
Pennsylvania
Rationality- Megan Heavlin Ochoa
Sensual and soulful, Megan Heavlin Ochoa is into passionate performances and sexy music. A mixture of Rock, Latin and the good 'ol Blues meld together to move your body and your soul.
MHO is in the process of reinvention. She has a flavor that everyone has a taste for. Her musical delivery is nothing short of mesmerizing and her songs will resonate through your own stories of love and lust.
After testing the waters of the Austin music scene MHO took a leap and headed out west. While there are vast quantities of music in Austin, Tx there is minimal music business to be done in that town. Once everyone finishes up after SXSW, Austin just goes back to being Austin, however lovely. Enter LA.
MHO is in the process of releasing her first EP, a collection of six songs that will introduce MHO to the masses.
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Labels:
Megan Heavlin Ochoa
Blues Jam - Cole Citenbaum
Another cool video submitted by a viewer. I am a 15 year old guitarist with diverse musical interests. Grounded in blues, my music is also influenced by rock, folk, classical, and metal. I started playing the guitar at the age of 8 inspired by my parents’ album collection. As the only musician in the family, my passion for music was self-fueled. I first played live at the age of 10 and I was featured on both Yahoo! and YouTube in 2006 for my “11 year old blues guitar jam.” In the Blues category on YouTube, this video is all-time most discussed, 4th all-time most watched and 4th all-time top-favorited.
Cartoon Network selected me as one of 6 winners for their talent search called "Props." The nationally televised show featured me playing with Jonny Lang live at The Fillmore in San Francisco on June 30, 2007.
I am currently developing vocal and songwriting skills to compliment my guitar playing. I also play keyboards, drums, and bass.
I've recently relocated to Ventura, CA and am actively seeking band and collaborative opportunities.
Labels:
California,
Cole Citenbaum
Bill Wyman's Blues Odyssey - Part II
If you haven't seen this documentary, it's well worth the time.
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Barron
Labels:
Bill Wyman's Blues Odyssey
Things About Coming My Way
Guy Davis (born May 12, 1952) is a blues guitarist and banjo player, actor, and musician. He is the son of actors Ruby Dee and the late Ossie Davis.
Davis says his blues music is inspired by the southern speech of his grandmother. Though raised in the New York City area, he grew up hearing accounts of life in the rural south from his parents and especially his grandparents, and they made their way into his own stories and songs. Davis taught himself the guitar (never having the patience to take formal lessons) and learned by listening to and watching other musicians. One night on a train from Boston to New York he picked up finger picking from a nine-fingered guitar player. His first exposure to the blues was at a summer camp in Vermont run by Pete Seeger's brother John Seeger, where he learned how to play the 5-string banjo.
Labels:
Guy Davis
Tech Talk - Fender "Princeton" 6G2-A (1962)
Our latest installment in small amplifiers.
Year:
1961-1963
Model:
Princeton
Model No:
6G2
Config:
Combo
Control Panel:
Brown forward facing w/ white screened labels, controls numbered 1-10
Front Conrol Layout:
In, In, Vol, Tone, Speed, Intensity - Pilot Lamp
Rear Conrol Layout:
Ground Sw, Fuse (2A), Power Sw, Speaker Jack, Ex. Speaker Jack, Tremolo Jack
Knobs:
Brown round
Cabinet:
16½" x 19" x 9" (41.9 x 48.3 x 22.9 cm)
Cab Covering:
Brown Tolex
Cab Hardware:
Leather handle, 4½" chassis straps, glides
Grille:
Wheat grille cloth
Logo:
None
Weight:
?
Speakers/Load:
1 x 10"/8 ohms
Speaker Model:
Jensen C10R or Oxford 10J4
Effects:
Tremolo
Output:
12 Watts
Preamp:
7025
Power:
2 x 6V6GT
Bias:
Fixed Bias, nonadjustable
Rectifier:
5Y3GT
Phase Inverter:
½ 12AX7 (split load)
Other:
Tremolo: ½ 12AX7 (bias vary)
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Labels:
Fender "Princeton" 6G2-A (1962),
Gear,
Tech Talk
Preachin' the blues - Ariberto Osio
Nice job By Ariberto Osio
I play my ringing National Triolian in standard tuning, key of C, with the help of my feet stomping a footdrum board crafted here in Italy by Herrmann Guitars
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Thanks
Enjoy
I play my ringing National Triolian in standard tuning, key of C, with the help of my feet stomping a footdrum board crafted here in Italy by Herrmann Guitars
Get Facebook support for your favorite band or venue - click Here
Thanks
Enjoy
Labels:
Ariberto Osio,
International,
Italy
My Time After Awhile
Don't know much about Tiny. Just a cool song and a great singer.
Labels:
Tiny Powell
SUMMERTIME
J. B. Hutto (April 26, 1926 – June 12, 1983) was an American blues musician, born Joseph Benjamin Hutto. Hutto was influenced by Elmore James, and became known for his slide guitar work and declamatory style of singing. He was inducted into the Blues Hall of Fame two years after his death.
Hutto was born in Blackville, South Carolina, the fifth of seven children. His family moved to Augusta, Georgia when Hutto was three years old. His father, Calvin, was a preacher and Hutto, along with his three brothers and three sisters, formed a gospel group called
The Golden Crowns, singing in local churches. Hutto's father died in 1949, and the family relocated to Chicago. Hutto served as a draftee in the Korean War in the early 1950s, driving trucks in combat zones.In Chicago, Hutto took up the drums and played with Johnny Ferguson and his Twisters. He also tried the piano before settling on the guitar and playing on the streets with percussionist Eddie 'Porkchop' Hines. After adding Joe Custom on second guitar they started playing club gigs, and harmonica player George Mayweather joined after sitting in with the band. Hutto named his band The Hawks, after the wind that blows in Chicago. A recording session in 1954 resulted in the release of two singles on the Chance label and a second session later the same year, with the band supplemented by pianist Johnny Jones, produced a third.
Later in the 1950s Hutto became disenchanted with music and gave it up to work as a janitor in a funeral home after a woman broke his guitar over her husband's head one night. He returned to the music industry in the mid 1960s with a new version of the Hawks featuring Herman Hassell on bass and Frank Kirkland on drums. His recording career resumed with, first, a session for Vanguard Records released on the compilation album Chicago/the Blues/Today! Vol. 1, and then albums for Testament and Delmark. The 1968 Delmark album Hawk Squat! Which features Sunnyland Slim on organ and piano, and Maurice McIntyre on tenor saxophone, is regarded as his best work on album up to this point.
After Hound Dog Taylor died in 1975, Hutto took over his band the Houserockers for a time, and in the late 1970s he moved to Boston and recruited a new band which he called the New Hawks, with whom he recorded further studio albums for the Varrick label. His 1983 Varrick album Slippin' & Slidin', the last of his career and later reissued on CD as Rock With Me Tonight, has been described as "near-perfect".
Labels:
JB Hutto,
South Carolina
Why You Want To Treat Me - Homesick James
Homesick James (d. December 13, 2006) was an American blues musician.He was born in Somerville, Tennessee, the son of Cordellia Henderson and Plez Williamson Rivers, who were both musicians. He developed a self-taught style of slide guitar through playing at local dances in his teens. Little is known about his early life. He claimed to have played with Yank Rachell, Sleepy John Estes, Blind Boy Fuller and Big Joe Williams, among others, and to have been acquainted with Robert Johnson. He also claimed to be the older cousin of Elmore James, to have bought James his first guitar, and to have taught him how to play slide. However, some of these claims are unconfirmed.
By the mid 1930s he was based in Chicago, and working with Horace Henderson's band at the Circle Inn, and with pianist Jimmy Walker at the Square Deal Club. He may have first recorded for RCA Victor in 1937, but this is also unconfirmed, and by 1938 may have begun playing electric guitar. His first known recordings were in 1952 for Chance Records, recording the tracks "Lonesome Ole Train" and "Homesick" which gave him his stage name. During the late 1940s and 1950s he worked with both Sonny Boy Williamson II (Rice Miller), and with Elmore James, and in the early 1950s he worked in bands including Baby Face Leroy Foster, Snooky Pryor, Floyd Jones, and Lazy Bill Lucas. He was a longtime member of James' band from 1955 to 1963, contributing to such tracks as "Dust My Broom," "The Sky Is Crying," and "Roll and Tumble." Elmore James is said to have died on Homesick's couch, while the latter frantically searched for the former's heart pills.
As a solo performer, he recorded for the Colt and USA labels in 1962, including a cover version of Robert Johnson's "Crossroads". Homesick James's slide guitar style, not as refined as Elmore James', traces back to Johnson's. He also recorded a 1964 album for Prestige Records, Blues On the South Side (Prestige OBCCD 529-2), including another of his best-known covers, "Stones In My Passway", and some tracks for Vanguard that are available on the compilation album Chicago: The Blues Today. One of his own songs, "Gotta Move" (also on Blues On the South Side) was covered (as "Got To Move") both by Elmore James and Fleetwood Mac.
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Labels:
Homesick James Williamson,
Snooky Pryor
When The Levee Breaks
Kansas Joe McCoy (May 11, 1905 – January 28, 1950) was an African American blues musician and songwriter.McCoy played music under a variety of stage names but is best known as "Kansas Joe McCoy". Born in Raymond, Mississippi, he was the older brother of the blues accompanist Papa Charlie McCoy. As a young man, McCoy was drawn to the music scene in Memphis, Tennessee where he played guitar and sang vocals during the 1920s. He teamed up with future wife Lizzie Douglas, a guitarist better known as Memphis Minnie, and their 1929 recording of the song "Bumble Bee" on the Columbia Records label was a hit. In 1930, the couple moved to Chicago where they were an important part of the burgeoning blues scene. Following their divorce, McCoy teamed up with his brother to form a band known as the Harlem Hamfats that performed and recorded during the second half of the 1930s.
In 1936, the Harlem Hamfats released a record with the song "The Weed Smoker's Dream" on it. McCoy later refined the tune, changed the lyrics and titled the new song "Why Don't You Do Right?" for Lil Green, who recorded it in 1941. It was covered a year later by both Benny Goodman and Peggy Lee, becoming Lee's first hit single. "Why Don't You Do Right?" remains a jazz standard and is McCoy's most enduring composition.
At the outbreak of World War II Charlie McCoy entered the military, but a heart condition kept Joe McCoy from service. Out on his own, he created a band known as 'Big Joe and his Rhythm' that performed together throughout most of the 1940s. The band again included his brother Charlie on mandolin and Robert Nighthawk on harmonica. In 1950, at the age of 44, McCoy died of heart disease in Chicago, only a few months before his brother Charlie. They are both buried in Restvale Cemetery in Alsip, Illinois.
Led Zeppelin vocalist Robert Plant took his and Memphis Minnie's recording of "When the Levee Breaks," which was in his personal collection, and presented it to guitarist Jimmy Page, who revamped it and slightly altered it lyrically, and help record it on Led Zeppelin's 1971 album, Led Zeppelin IV.
In addition to those mentioned earlier, McCoy's songs have also been covered by Bob Dylan, John Mellencamp, The Ink Spots, Ella Fitzgerald, Jo Ann Kelly, Cleo Laine and A Perfect Circle.
Labels:
Kansas Joe Mc Coy
Rationality
Sensual and soulful, Megan Heavlin Ochoa is into passionate performances and sexy music. A mixture of Rock, Latin and the good 'ol Blues meld together to move your body and your soul.
MHO is in the process of reinvention. She has a flavor that everyone has a taste for. Her musical delivery is nothing short of mesmerizing and her songs will resonate through your own stories of love and lust.
After testing the waters of the Austin music scene MHO took a leap and headed out west. While there are vast quantities of music in Austin, Tx there is minimal music business to be done in that town. Once everyone finishes up after SXSW, Austin just goes back to being Austin, however lovely. Enter LA.
MHO is in the process of releasing her first EP, a collection of six songs that will introduce MHO to the masses.
Labels:
Megan Heavlin Ochoa
Monday, May 16, 2011
Road blog: Brother Dege on tour - pt. 3
A WALK IN THE DARK
Lake Anna State Park, Virginia.
5.5.10
I’ve got a day off between NC and DC
So I’m doing some R&R.
Crashing at Lake Anna State Park in Virginia.
Place is empty, because it’s midweek.
But it’s beautiful.
Big lake. Lot trees and trails.
Only two other
campers in the camping lots.
Everyone keeps to themselves,
Which makes it extra quiet and isolated.
And kind of lonely.
But still pretty nice out here.
Night falls. I build a little fire.
It keeps me company
As the stars bloom and the
night sounds rev up
Like a high-whining nature engine.
I boil water over the fire and cook up some noodles.
Alone.
Looking around.
I question my decision to crash here.
It’s almost TOO quiet.
Like I said, it being midweek,
Everyone is working and the whole park
Is pretty empty.
Around midnight,
To combat the weirdness of being alone out here,
I grab the flashing light and go for a long walk
Down a trail in the woods.
It’s pretty rad.
When you turn the flashlight off,
You’re floating in a sea of darkness
With night critters and tree ghosts
Wandering about you.
It’s fun to try to walk in total darkness
Through the woods.
Strange.
The stars are bold and radiant,
Like a tarp thrown over with
Thousands of pinholes.
I return to the van.
Lay my head down.
Listening to the night sounds
Pressed up against the buzz of AM radio.
Darkness.
Sleep.
I wakehours later
When I hear a crazy noise
A bang of some sort.
Silence.
I realize it must’ve been noise from a dream.
VAN CHORES & PUNK ROCK YOGA
Every morning I wake and do my “van chores.”
Check the fluids on the van.
Change clothes.
Bag the dirty stuff.
Toss the trash.
Gobble some vitamins.
Charge the cell phone.
Eat a breakfast bar or some nuts.
Rearrange the back of van from Sleep Mode to Rolling Mode.
Drain water in the cooler.
Drop in a bag of ice.
Pensively smoke a cigarette and vibe my surroundings
While wondering what the day will bring.
I give thanks to God or the Higher Power Being of Unknownness
For the previous day and the coming day.
I try to tune my body to the natural order of the environment
And fit myself in there somewhere
In a harmonious way.
To where I don’t hurt anyone
And no one hurts me.
It doesn’t hurt to try.
Sometimes I even do some homemade windmill arm, yoga moves
That I made up.
I make sure no one is around while I’m doing them.
So people don’t think I’m crazy and call the cops.
It kind of looks like slow motion slam dancing.
But you’re just standing in place.
Punk rock yoga if you will.
PHILADELPHIA, PA
5.6.10
Philly’s nuts as far as civil engineering goes.
At least from what I can tell.
In order to get from Point A to B,
You’ve got to jump from one nutty highway
Or interstate to the next.
Nerve racking when you’re in a big ass van.
Strangely enough,
Not a lot of people were very gracious
In the Merge Dept.
You’d think if you’re driving a big ass van
With Black Bayou Ministries on the side,
People'd throw you a bone.
No, sorry.
They’re too wrapped up in the Rat Race Hustle
Of surviving.
It’s “me first, you later” mentality
That I really dislike.
It brings out the “manimal” in me,
And I get angry.
Why are people so petty?
What is about driving on a freeway
That brings out the petty stuff in human nature.
Because if you want to play hardball,
We can.
And I will.
And then you can call your lawyer.
Or go home and watch re-runs of Home Improvement
And eat a TV dinner.
Got to the club.
Cool folks.
Philly’s hip.
Four bands on bill.
Unfortunately, I get to play last,
Which means a late night.
Cool dude name Yuri Gohen on the bill.
Play’s rad kind of psychic time machine folk.
Good stuff.
http://www.myspace.com/yurigohen
Check him.
I bang it out.
Late night.
Too much beer.
The Greek owner, Billy, starts giving me
Free whiskey shots.
It gets sloppy from there.
I have to tell him to stop,
Because it could get weird.
I sit out in the back parking lot with the soundguy
After the show, talking 80s hardcore
Till 4 a.m...
Gang Green is playing the same club the night after me.
I park in an abandoned lot behind
A mom & pop corner grocery
And fall to sleep in the van.
9 a.m.
I wake it’s hot.
Step out.
Brush my teeth walking about the abandoned lot.
Old owner of grocery store, with a thick foreign accent, guy in his 70s
Comes out and tells me I have to move
Or leave
or whatever.
I love this side of America.
You can’t park here!
You scare me.
Where is the “This land is your land?”
Gone.
Now it’s “This land is my land and you scare me,
So leave or I will call the cops.”
At one time you could roam
And park and sleep almost anywhere.
Nowadays, you’ve got to creep around
Like a criminal just to find a secret place
To park and sleep.
They see a van and a guy sleeping in it
And they assume you’re Jed Clampett
From the Beverly Hillbillies
And you’ll be staying there a long time.
I tell the old man that I’m working,
I played a gig at the bar next door,
And will be leaving soon.
“Just so you stay on your side of lot,” he says.
“You worry about you and I’ll worry about me,” I tell him.
You gotta love it.
America.
It's not Love it or Leave it, anymore.
It's "Don't park here. Just LEAVE!"
HOW BIZARRE
I stopped at a Chilli’s
To use the bathroom really quickly
And get back on the road north.
As I was walking toward the bathroom,
I noticed the “How Bizarre” song by OMC
Was being piped in over the house stereo system.
OMG.
http://www.youtube.com/watch?v=TfJe8hQ8ha0
It was actually a hit sometime in the 90s.
Possibly the worst and most irritating song
Ever written.
Something about the freaking tune…
It’s so bad…
Whenever I hear it
It doesn’t leave my head for days.
It’s curse.
It’s so awful.
And yet something in my brain
Grabs onto it and won’t let go.
I almost cried when I heard it,
Because I know I’ll be cursed
With it looping in my head for the next couple days.
How did that song ever become a hit???
I urinate and leave,
Trying to shake the song from my head.
But it’s no use.
“How Bizarre…”
Roll the eyes.
Lake Anna State Park, Virginia.
5.5.10
I’ve got a day off between NC and DC
So I’m doing some R&R.
Crashing at Lake Anna State Park in Virginia.
Place is empty, because it’s midweek.
But it’s beautiful.
Big lake. Lot trees and trails.
Only two other
campers in the camping lots.
Everyone keeps to themselves,
Which makes it extra quiet and isolated.
And kind of lonely.
But still pretty nice out here.
Night falls. I build a little fire.
It keeps me company
As the stars bloom and the
night sounds rev up
Like a high-whining nature engine.
I boil water over the fire and cook up some noodles.
Alone.
Looking around.
I question my decision to crash here.
It’s almost TOO quiet.
Like I said, it being midweek,
Everyone is working and the whole park
Is pretty empty.
Around midnight,
To combat the weirdness of being alone out here,
I grab the flashing light and go for a long walk
Down a trail in the woods.
It’s pretty rad.
When you turn the flashlight off,
You’re floating in a sea of darkness
With night critters and tree ghosts
Wandering about you.
It’s fun to try to walk in total darkness
Through the woods.
Strange.
The stars are bold and radiant,
Like a tarp thrown over with
Thousands of pinholes.
I return to the van.
Lay my head down.
Listening to the night sounds
Pressed up against the buzz of AM radio.
Darkness.
Sleep.
I wakehours later
When I hear a crazy noise
A bang of some sort.
Silence.
I realize it must’ve been noise from a dream.
VAN CHORES & PUNK ROCK YOGA
Every morning I wake and do my “van chores.”
Check the fluids on the van.
Change clothes.
Bag the dirty stuff.
Toss the trash.
Gobble some vitamins.
Charge the cell phone.
Eat a breakfast bar or some nuts.
Rearrange the back of van from Sleep Mode to Rolling Mode.
Drain water in the cooler.
Drop in a bag of ice.
Pensively smoke a cigarette and vibe my surroundings
While wondering what the day will bring.
I give thanks to God or the Higher Power Being of Unknownness
For the previous day and the coming day.
I try to tune my body to the natural order of the environment
And fit myself in there somewhere
In a harmonious way.
To where I don’t hurt anyone
And no one hurts me.
It doesn’t hurt to try.
Sometimes I even do some homemade windmill arm, yoga moves
That I made up.
I make sure no one is around while I’m doing them.
So people don’t think I’m crazy and call the cops.
It kind of looks like slow motion slam dancing.
But you’re just standing in place.
Punk rock yoga if you will.
PHILADELPHIA, PA
5.6.10
Philly’s nuts as far as civil engineering goes.
At least from what I can tell.
In order to get from Point A to B,
You’ve got to jump from one nutty highway
Or interstate to the next.
Nerve racking when you’re in a big ass van.
Strangely enough,
Not a lot of people were very gracious
In the Merge Dept.
You’d think if you’re driving a big ass van
With Black Bayou Ministries on the side,
People'd throw you a bone.
No, sorry.
They’re too wrapped up in the Rat Race Hustle
Of surviving.
It’s “me first, you later” mentality
That I really dislike.
It brings out the “manimal” in me,
And I get angry.
Why are people so petty?
What is about driving on a freeway
That brings out the petty stuff in human nature.
Because if you want to play hardball,
We can.
And I will.
And then you can call your lawyer.
Or go home and watch re-runs of Home Improvement
And eat a TV dinner.
Got to the club.
Cool folks.
Philly’s hip.
Four bands on bill.
Unfortunately, I get to play last,
Which means a late night.
Cool dude name Yuri Gohen on the bill.
Play’s rad kind of psychic time machine folk.
Good stuff.
http://www.myspace.com/yurigohen
Check him.
I bang it out.
Late night.
Too much beer.
The Greek owner, Billy, starts giving me
Free whiskey shots.
It gets sloppy from there.
I have to tell him to stop,
Because it could get weird.
I sit out in the back parking lot with the soundguy
After the show, talking 80s hardcore
Till 4 a.m...
Gang Green is playing the same club the night after me.
I park in an abandoned lot behind
A mom & pop corner grocery
And fall to sleep in the van.
9 a.m.
I wake it’s hot.
Step out.
Brush my teeth walking about the abandoned lot.
Old owner of grocery store, with a thick foreign accent, guy in his 70s
Comes out and tells me I have to move
Or leave
or whatever.
I love this side of America.
You can’t park here!
You scare me.
Where is the “This land is your land?”
Gone.
Now it’s “This land is my land and you scare me,
So leave or I will call the cops.”
At one time you could roam
And park and sleep almost anywhere.
Nowadays, you’ve got to creep around
Like a criminal just to find a secret place
To park and sleep.
They see a van and a guy sleeping in it
And they assume you’re Jed Clampett
From the Beverly Hillbillies
And you’ll be staying there a long time.
I tell the old man that I’m working,
I played a gig at the bar next door,
And will be leaving soon.
“Just so you stay on your side of lot,” he says.
“You worry about you and I’ll worry about me,” I tell him.
You gotta love it.
America.
It's not Love it or Leave it, anymore.
It's "Don't park here. Just LEAVE!"
HOW BIZARRE
I stopped at a Chilli’s
To use the bathroom really quickly
And get back on the road north.
As I was walking toward the bathroom,
I noticed the “How Bizarre” song by OMC
Was being piped in over the house stereo system.
OMG.
http://www.youtube.com/watch?v=TfJe8hQ8ha0
It was actually a hit sometime in the 90s.
Possibly the worst and most irritating song
Ever written.
Something about the freaking tune…
It’s so bad…
Whenever I hear it
It doesn’t leave my head for days.
It’s curse.
It’s so awful.
And yet something in my brain
Grabs onto it and won’t let go.
I almost cried when I heard it,
Because I know I’ll be cursed
With it looping in my head for the next couple days.
How did that song ever become a hit???
I urinate and leave,
Trying to shake the song from my head.
But it’s no use.
“How Bizarre…”
Roll the eyes.
Get Facebook support for your favorite band or venue - click HERE
Labels:
Brother Dege,
Dege Legg,
Louisiana
Spike Driver Blues
John Smith Hurt, better known as Mississippi John Hurt (July 3, 1893 or March 8, 1892[3] — November 2, 1966) was an influential country blues singer and guitarist. Raised in the tiny Avalon, Mississippi, Hurt taught himself how to play the guitar around age nine. Singing in a loud whisper, to a melodious finger-picked accompaniment, he began to play local dances and parties while working as a sharecropper. He first recorded for Okeh Records in 1928, but these were commercial failures, and Hurt drifted out of the recording scene, where he continued his work as a farmer. After a man discovered a copy of one of his recordings, "Avalon Blues", which gave the location of his hometown, there became increased interest in his whereabouts. Tom Hoskins, a blues enthusiast, would be the first to locate Hurt in 1963. He convinced Hurt to relocate to Washington, D.C., where he was recorded by the Library of Congress in 1964. This rediscovery helped further the American folk music revival, which had led to the rediscovery of many other archaic bluesmen. Hurt entered the same university and coffeehouse concert circuit as his contemporaries, as well as other Delta blues musicians brought out of retirement. As well as playing concerts, he recorded several studio albums for Vanguard Records. He died in November of 1966 in Grenada, Mississippi. Material recorded by Hurt has been re-released by many record labels over the years (see discography); and his influence has extended over many generations of guitarists. Songs recorded by Hurt have been covered by Bob Dylan, Jerry Garcia, Beck, Doc Watson, John McCutcheon, Taj Mahal, and Bruce Cockburn.
Get Facebook support for your favorite band or venue - click HERE
Labels:
Mississippi John Hurt
Three o'clock Blues
Todd began playing on the New York scene back in 1979 with his band, Troy & the Tornados performing in rooms such as the Lone Star Cafe, The Ritz, My Father's Place, Lamour's, The Chance, Tramps, Rodeo Bar and probably any hole in the wall in the NYC area that would book the Tornados.
Todd or 'Troy' and company opened for a bevy of acts such as, Johnny Winter, Robin Trower, The Neville Bros., Son Seals, Dickey Betts, Omar & the Howlers, Gregg Allman, The Outlaws, Smithereens, Zebra, and his first opener back in 1980 , Albert Collins!
Todd decided to head west in 1990 to write and record a demo with a then unknown backup singer named Sheryl Crow. After having that demo passed on by some major labels and not generating much interest after
one show case performance, Todd decided to stay in Los Angeles to record and tour with former Textone, Carla Olson. Todd continued to record and perform with Carla and gig with his own blues trio and kept busy scoring soundtracks for the Playboy Channel. Sheryl in the meantime, had finished her first album, 'Tuesday Night Music Club' and needed a guitarist for her touring band which she put together in June of 1993 so, Todd came on board and remained until February of 1998.
In 1996, Todd relocated back to the NYC area and with Eric Massimino, Mike Lawrence and Crow band mate Scott Bryan founded A & M Record's MOJOSON, a modern blend of psychedelic Rock and Blues. Since the Universal takeover of the Polygram group left new A & M acts like Mojoson in limbo, Todd elected to leave the label and dissolve Mojoson, putting his energies into Wolfe, which was born during the downtime from Sheryl Crow tours. Todd and his band, plays aggressive and daring blues tinged jam-rock reminiscent of the bands of the sixties and seventies. Now, with his newest band Todd Wolfe picks up where he left off 10 years ago with his original Bluesadelic-jamming sounds! "Borrowed Time", Todd's fifth album just released by Blues Leaf Records in North America and soon to be released in Europe by Hypertension Music is mostly comprised of original songs including "California" a song that Todd wrote with Sheryl Crow. Also included on the upcoming release is "Baby I'm Down" a Felix Pappalardi song from the first Leslie West album "Mountain"�. Todd is joined by Leslie on guitar and vocals for the remaking of this song making it a new classic! Also joining Todd and the band on the new disc is Susan Cowsill and Mary Hawkins. Todd's songs have been covered by a diverse range of artist such as, Deborah Coleman, Larry McCray, Faith Hill & Stevie Nicks.
Labels:
Todd Wolfe Band
She Takes More Than She Gives - Walter Trout
Trout's career began on the Jersey coast scene of the late 1960s and early 1970s. He then decided to relocate to Los Angeles where he became a sideman for Percy Mayfield and Deacon Jones. He also worked in the bands of John Lee Hooker and Joe Tex.
In 1981 he became the guitarist for Canned Heat. This led to an invitation to play in John Mayall's Bluesbreakers where he shared the stage with fellow guitarist Coco Montoya. He left the Bluesbreakers in 1989 and formed the 'Walter Trout Band' which developed a successful following in Europe.
In 1994 the official Walter Trout Fan Club for the Netherlands and Belgium was founded, followed in 1996 by the official International Fan Club who has members in 14 countries in Europe, America, Asia and Australia. In 2006 the official International Fan club celebrated its tenth anniversary by giving fan club members an exclusive live CD recorded in Las Vegas, Nevada, which was the last performance of the late bassist, Jimmy Trapp, who died in 2005.
In 1998 Trout released his self-titled US debut album and renamed his band 'Walter Trout and the Free Radicals' (later renamed 'Walter Trout and the Radicals' and currently simply 'Walter Trout'). Since that time Trout has been recording and touring in North America, Europe and India.
In 2002, he was featured on the Bo Diddley tribute album, Hey Bo Diddley - A Tribute!, performing the song "Road Runner" and many more guest appearances on other recordings.
The 2006 release Full Circle, meant that Trout realized his dream of creating an album with some of his most admired musicians, including John Mayall, Coco Montoya, and Joe Bonamassa, among others.
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Labels:
Ruf Records,
Walter Trout
What Man ?? Oh That Man
Sunday Wilde’s newest CD is a soulful mix of tormented love, no good men and strong women that survive.
A heady concoction of new meets old, Wildes own unique voice mixes sweet innocence with a dusky raspy edge that conjures up images of early Ethel Waters and Sister Rosetta Tharpe.
The opening song “That man drives me mad” is a hard driving honkey tonk tune while Sundays Midnight Blues invokes the quintessential metaphor of the dank ,smoke filled bar, last call and a lone piano player while Sunday sings to a friendless room.
Time to say Goodbye rounds out this collection with a lilting expressive ballad complemented by David West’s classical guitar accompaniment and Ronnie Howard on Bass.
Labels:
Sunday Wilde
If You're A Viper - One Worth Watching
Here's something a little different... need a chuckle?
"If You're a Viper" (sometimes titled "If You'se a Viper") is a jazz song composed by Stuff Smith. It was first recorded by Smith and his Onyx Club Boys in 1936.
The song was a hit for Smith and is one of the most frequently covered songs about marijuana smoking in American popular music. In its early history the song was identified with Rosetta Howard's 1938 recording and sometimes still is.
Bob Howard made a remarkable number of recordings during 1935-38, enough to fill up five LPs. With the popularity of Fats Waller, Howard was signed by Decca as competition but he never came close despite the utilization of some notable sidemen. Howard moved to New York in 1926 and performed as a solo act. He was a fixture on 52nd Street in the 1930's, including at the Hickory House, Park Central Hotel and the Famous Door among others. Howard recorded five selections during 1931-32 for Columbia (three solo sides that included his vocals and two duets with trumpeter Manny Klein). A decent pianist, Howard stuck exclusively to goodtime vocals during his Decca period and among the other players on his records were Benny Carter (on trumpet and alto), trumpeters Bunny Berigan and Marty Marsala, clarinetists Buster Bailey, Barney Bigard, Cecil Scott and Artie Shaw, pianists Teddy Wilson, Frank Froeba, Zinky Cohn and Billy Kyle, guitarist Teddy Bunn, drummer Cozy Cole, tenorsaxophonist Ben Webster and cornetist Rex Stewart! However, after being dropped by Decca in 1938, Howard only recorded two further songs (a couple of obscurities for Atlantic in 1947). During the late 1930's he was at Mamie's Chicken Shack in New York accompanying singer Billy Daniels. Bob Howard remained active at least into the 1950's, having his own pioneering television show for a time on CBS but he is largely forgotten today. Fortunately all of his Decca recordings were reissued on five Lps by the European Rarities label in the 1970's. ~ Scott Yanow, Rovi
Labels:
Bob Howard
Tech Talk - Fender "Harvard" (1960)
Another great small Fender Amp.
Year:
1955-1962
Model:
Harvard
Model No:
5F10, 6G10
Config:
Combo
Control Panel:
Chrome top facing w/ white screened labels, controls numbered 1-12
Conrol Layout:
Fuse (¾A), Power Sw, Pilot Lamp, Tone, Vol, In, In, In
Knobs:
Black pointer
Cabinet:
Narrow panel, 16½" x 18" x 8¾" (41.9 x 45.7 x 22.2 cm)
Cab Covering:
Diagonal tweed
Cab Hardware:
Leather Handle, glides
Grille:
Brown grille cloth
Logo:
Cabinet mounted, Script "Fender Harvard" on rectangular tag
Weight:
?
Speakers/Load:
1 x 10"/? ohms or 1 x 8"/? ohms
Speaker Model:
Jensen P10R
Effects:
None
Output:
10 Watts
Preamp:
6AV6 or 6AT6 and ½ 12AX7
Power:
5F10: 2 x 6V6GT
6G10: 6V6
Bias:
5F10: Fixed bias, nonadjustable
6G10: Cathode bias
Rectifier:
5Y3GT
Phase Inverter:
5F10 only: ½ 12AX7 (split load)
Comments:
A selenium rectifier was used in the bias circuit of the 5F10.
The Harvard was discontinued in 1962.
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Labels:
Fender,
Fender Harvard,
Gear,
Tech Talk
I'm A Hog For You - Clifton Chenier
Clifton Chenier (June 25, 1925 - December 12, 1987), a Creole French-speaking native of Opelousas, Louisiana, was an eminent performer and recording artist of Zydeco, which arose from Cajun and Creole music, with R&B, jazz, and blues influences. He played the accordion and won a Grammy Award in 1983. He also was recognized with a National Heritage Fellowship, and in 1989 was inducted posthumously into the Blues Hall of Fame.
Labels:
Blues Hall of Fame,
Clifton Chenier,
Louisiana
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