Delmark 60 Years of Blues - New release review

I just received a new release, Delmark 60 Years of Blues and it's terrific! Opening with Studebaker John's Maxwell Street Kings and When They Played The Real Blues. John on harp, guitar and vocals drives a hard Chicago line on this super track from Kingsville Jukin'. Really hot! Following this track is Junior Wells and Rock me Baby from the Southside Blues Jam sessions. With Otis Spann on piano, Louis Meyers on guitar, and Wells on vocal and harp, this is a band that is hard to beat. Wells is on top of his game and Spann is one of my all time favorite blues pianists so this track is primo! Lindsey Alexander plays Raffle Ticket with Mike Wheeler on guitar Roosevelt Purifoy laying down some excellent piano. Alexander leads a tight ship on this track released on Been There Done That. Magic Sam plays I Don't Want No Woman, from his Live At The Advant Garde. His guitar work is finely articulated and his vocals are inspired. This track is swinging! Quintus McCormick struts in with Fifty Fifty from Hey Jodie. This funky R&B/Albert King styled blues track gets your butt squirming in your seat. Little Walter is up next with Just Keep Lovin' Her, an alternate track to the one included on The Blues World Of Little Walter. This band includes Muddy Waters and Baby Face Leroy. Prime Little Walter. Giles Corey's Stoned Soul plays Oh Mademoiselle, a rockin blues track with a definite contemporary feel. Corey lays down a funky guitar rhythm along with Marty Sammon on clav, Joewaun Scott on bass, and Rick King on drums. This track will be released on much anticipated Giles Corey's Stoned Soul to be released in 2014. Eddie C. Campbell plays Big World, a jump track from his 2008 release Tear This World Up with full horn section. Campbell's slick guitar work with effects make this a standout track. Big Joe Williams brings 44 Blues, an unreleased tape from 1960. This is an excellent early tape with only Williams on 7 string guitar and vocal. Sharon Lewis & Texas Fire covers Blues Train from the Blues Train. This soul infused track is a real mover. Billy Branch steps up on this track with his distinctive harp sound. Delmark really should be commended for putting this release together in such a manner that it flows nicely from style to style ... cohesive yet diverse. Lurrie Bell plays She's A Good 'un from Blues In My Soul. Bell, a standout contemporary blues guitar player lays down some deep grooves on this well paced track also featuring Roosevelt Purifoy on piano. Playing just behind the beat gives this track a real grip! Mississippi Heat turns it up for Let's Live It Up, with Inetta Visor on vocal, the incredible Pierre Lacocque on harp and especially hot on this track are Giles Corey on guitar, Hambone Cameron on organ, Stephen Howard on bass and Blaze Thomas on drums from the releae Let's Live It Up. Again pacing the release, Detroit Jr. plays on of my favorites from the release, Key To The Highway, accompanying himself on piano from Blues On The Internet. Excellent!! Tail Dragger and an allstar band featuring Lurrie Bell and Kevin Shanahan on guitar, Billy Branch on harp extraordinaire, Bob Stroger on bass and Kenny Smith on drums set the Chicago groove with Tend To Your Business from My Head Is Bald, Live From Friendly's Lounge. Sleepy John Estes contributes Stop That Thing from Live In Japan. This track is yet to be release but will be in 2014. Featuring Estes on guitar and vocal and Hammie Nixon on harp this track is hot! Wrapping the release is Toronzo Cannon and John The Conquer Root from John The Conquer Root. This track successfully blends Jimi with contemporary blues for a truly smoking ending for a super release. Yeah, catch the guitar work on this deal! It's not often that I sing praises (ok, I don't sing much at all) of a compilation, but this is a really cool one! If you haven't got all of these releases already (excecpt the ones not yet released, this is a great sampler for what you have missed and if you do already have them, it's a great cd to put on and play if you want a mix of different great bands. No filler here!

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

Delmark Records artist: Lurrie Bell - Blues In My Soul - New Release Review

I just received a copy of the new release, Blues In My Soul, by Lurrie Bell and it certainly lives up to my high expectations. Bell is one of those guys that continuously puts out great music! Opening with T-Bone Walker's Hey Hey Baby, a really strutting blues track bringing to mind Albert Collins and Gatemouth Brown, Bell plays some sting riffs backed by Marques Carroll on trumpet, Chris Neal and Mark Hiebert on sax and strong key work from Roosevelt Purifoy. Blues In My Soul is a great slow blues track allowing Bell the opportunity to bare his soul, both vocally and on the fretboard.... excellent! On Bill Broonzy's I Feel So Good, Matt Skoller adds really cool harp riffs leading the way for Bell to swing. She's A Good "Un has a real smooth groove and Bells syncopation on his solo on this track is particularly effective. On 'Bout The Break Of Day, Bell really digs in on the intro making you sweat just listening. This is a great track featuring Bell but also with a lot of warth on the bottom from Purifoy. Melvin Smith on bass and Willie Hayes on drums keep the bottom effectively tight giving Bell all the room to bend well articulated solos. His vocals on this track are among the best on this release. Going Away Baby, along the lines of Rollin' and Tumblin' just smells like Chicago. Bell keeps it light on guitar and Skoller rides along nicely on harp. On 24 Hour Blues, a nice loping blues number Bell again has particularly strong vocals and his riffs are slick. Purifoy on piano adds brightness nicely complimenting the track. My Little Machine is a super tight slow blues track with crisp guitar riffs ... taste the heat! Big Walter's I Just Keep Loving Her is a jump blues giving Skoller and Bell each a chance to shine and they use the opportunity very nicely. Another T-Bone Walker track, T-Bone Blues Special starts with a really traditional Walker riff, then into a swing track with nice harp work from Skoller. Eddie Boyd's Just The Blues is a particularly strong cut, possibly my favorite track on the release with a nice balance between Bells vocals, Purifoy on piano and really soulful guitar work by Bell. Southside To Riverside turns up the funk a la Albert King and Bell riff off backed strongly by the horn section. Purifoy plays a cool organ solo on this track but it's really all about playing the funk against the blues ... nicely done. One of my all time favorites, Otis Spann's Blues Never Die is up last to wrap up the set. Skoller and Bell both hit super accents to Bells vocals delivering a very nice rendition of this smokin track. Both soloists do super jobs on this track making it a fitting completion to a very strong blues set.

 If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 

Five Long Years - Lurrie Bell

Lurrie Bell (born Lurrie C. Bell, December 13, 1958, Chicago, Illinois is an American blues guitarist and singer. His father was renowned blues harmonica player, Carey Bell. Bell started playing guitar at the age of six, and in his teens he polished his skills playing with the legends of Chicago blues scene including Eddy Clearwater, Big Walter Horton and Eddie Taylor. Bell in Paris, May, 30, 1980 In the mid 1970s, he went on to join Koko Taylor's Blues Machine and he toured with the band for four years. He made his recording debut in 1977 appearing on his father's album Heartaches and Pain and also on Eddie C. Campbell's King of the Jungle. It was around that time that he formed The Sons of Blues with musicians including Billy Branch on harmonica. Three tracks of the band's recordings were featured in the Alligator Records compilation Living Chicago Blues Vol. 3 released in 1978. In 1989 he released his first solo effort, Everybody Wants To Win, on JSP Records. Though Bell's career appeared to be headed in the right direction, drawing attention of the blues fans around the world as a young prodigy of the blues, he battled emotional problems and drug abuse for many years, which kept him away from performing on regular basis. He began a comeback in 1995 with the well-received album Mercurial Son, his first of several from the Delmark label. A series of albums followed thereafter, and he started to perform more frequently in the Chicago club and blues festival circuits. Bell is featured on Gettin' Up – Live at Buddy Guy's Legends, Rosa's and Lurrie's Home, a 2007 CD and DVD release from Delmark, where he plays with his father Carey. Soon after this release, Carey died and this became his last recorded effort If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

My Head Is Bald - Tail Dragger with Jimmy Dawkins and Lurrie Bell

James Yancy Jones, aka Tail Dragger, was born in Altheimer, AR, in 1940. He was brought up by his grandparents and was influenced as a child by the electric Chicago blues of Muddy Waters, Sonny Boy Williamson, and especially Chester Burnett, the Howlin' Wolf. Jones was a Howlin' Wolf devotee, right down to his deep, gruff voice. After moving to Chicago in the '60s, he began playing with blues legends on the West Side and South Side. It was Howlin' Wolf who gave Jones the title "Tail Dragger" because of his habit of showing up late to gigs. When Jones first appeared on the Chicago blues circuit he was known as Crawlin' James. A number of local West Side and South Side blues artists, including Hubert Sumlin, Carey Bell, Eddie Shaw, Mack Simmons, and Willie Kent, got their start playing in Tail Dragger's bands. American People The difficult lifestyle that contributes to many blues lyrics caught up with Tail Dragger in 1993 when he shot and killed fellow bluesman Boston Blackie, supposedly over profits owed from a show. Jones spent 17 months in an Illinois jail. Following years of playing juke joints and releasing a handful of singles, his first full-length disc, Crawlin' Kingsnake, was released in 1996. Three years later he returned with American People on the legendary Chicago blues and jazz label Delmark. My Head Is Bald: Live at Vern's Friendly Lounge followed in 2005 on Delmark, which also released a DVD of the show under the same title. If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”

33rd Blues Music Awards Presented By The Blues Foundation

The Nominees For Contemporary Blues Male Artist are:

Joe Louis Walker

 

Johnny Sansone

Chicage Blues: A Living History (The Revolution Continues) New Release Review

This is a very enjoyable double cd release of classic blues tunes played by the likes of Billy Boy Arnold, John Primer, Billy Branch, Carlos Johnson and Lurrie Bell with special guests Buddy Guy, James Cotton, Magic Slim and featuring Ronnie Baker Brooks, Zora Young and Mike Avery. They cover all of the bases from Chuck Berry to Lonnie Johnson. This is a cd that should be in everyones collection.
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Nick's Groove - Sons of Blues - Billy Branch - Lurrie Bell

Lurrie Bell (born Lurrie C. Bell, December 13, 1958, Chicago, Illinois, United States) is a blues guitarist and singer. His father was renowned blues harmonica player Carey Bell.

Bell started playing guitar at the age of six, and in his teens he polished his skills playing with the legends of Chicago blues scene including Eddy Clearwater, Big Walter Horton and Eddie Taylor.

In the mid 1970s, he went on to join Koko Taylor's Blues Machine and he toured with the band for four years. He made his recording debut in 1977 appearing on his father's album Heartaches and Pain and also on Eddie C. Campbell's King of the Jungle. It was around that time that he formed The Sons of Blues with musicians including Billy Branch on harmonica.[3] Three tracks of the band's recordings were featured in the Alligator Records compilation Living Chicago Blues Vol. 3 released in 1978. In 1989 he released his first solo effort, Everybody Wants To Win, on JSP Records.

Though Bell's career appeared to be headed in the right direction, drawing attention of the blues fans around the world as a young prodigy of the blues, he battled emotional problems and drug abuse for many years, which kept him away from performing on regular basis.

He began a comeback in 1995 with the well-received album Mercurial Son, his first of several from the Delmark label. A series of albums followed thereafter, and he started to perform more frequently in the Chicago club and blues festival circuits.

Bell is featured on Gettin' Up - Live at Buddy Guy's Legends, Rosa's and Lurrie's Home, a 2007 CD and DVD release from Delmark, where he plays with his father Carey. Soon after this release, Carey died and this became his last recorded effort.


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