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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label International. Show all posts
Showing posts with label International. Show all posts

Tuesday, January 23, 2018

VizzTone Label Group artist: Little G Weevil - Something Poppin' - New Release Review

I just had the opportunity to review the most recent release, Something Poppin', from Little G Weevil and it's really different. Opening with high energy rocker, Here I Come Knocking, Little G leads the way on vocal and guitar, joined by Daniel Harper on drums, Marton Pfeff on bass, Laci Borsodi on rhythm guitar, Matyas Premecz on keys, and Danny Del Toro on harp. Very cool. With a distinctive R&B feel, title track, Something Poppin' shows a slinky side with thick vocals by Little G and cool backing vocals by Rebeka Easley Ellis and Sharika Allen Brown on backing vocals. With cool guitar riffs and a solid bass line, this is a cool track. Really cool R&B track, When You Want Me To Deal With This, is one of my favorites on the release featuring super vocals by Little G and a strong bass line by Pfeff. Premecz's key work sparkles and Little G lays in some real nice guitar riffs. You Can't Say Nothing has a real nice instrumental interlude featuring a cool exchange between Little G on guitar and Premecz on keys. Curtis Mayfield's Pusherman gets a nice redo with some trademark riffs and even wah wah. Little G's voice is quite different from Mayfield's so this track has a different feel. Crawling is another pseudo rocker with a heavy dose of R&B drawing thoughts of The Ides of March.  Wrapping the release is raw rocker, Top Model with a simple driven beat and garage style guitar riffs.   Little G lays out his best guitar riffs on this one for a dynamic closer. 

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Wednesday, January 10, 2018

Ilya Portnov - Strong Brew - New release review

I just had the opportunity to review the most recent release, Strong Brew, from Ilya Portnov and it's quite good. Opening with shuffle track, Sunny Afternoon Blues, Ilya Portnov leads on melody on harmonica, joined by Kid Anderson on bass, Chris Burns on keys, Ben Andrews on violin and June Core on drums. Cool key work and sinuous violin work give this track an earthy feel. Surfin' the Baltic Sea is a real cool surf track with a definite twist. Dynamic harp work and a great melody, spanked along by snappy drums and a smoky organ solo and a super guitar add by Andersen makes this a real killer. Dance of a Lonely Doll is a particularly cool track featuring Portnov on chromatic harp and it's old world charm makes it one of my favorites on the release. Andersen's bass work and classic handling of piano riffs really emphasize the beauty of the track. Very nice. Rev. Gary Davis' Cincinnati Flow Rag is a cool and loosely flowing acoustic track with slappy drum work giving it real charm. Bouncy harp work by Portnov works really nicely with the rhythm and Rob Vye adds nice guitar work. Another really strong track, In A Town Garden, transports you to eastern Europe and a quieter time. Portnov masterfully plays his harp and Core's drums work is excellent. Burns works in a really nice organ solo and Andersen really captures the spirit on a nicely stylistic solo of his own. Terrific. Chicago style blues, Behind The Wall really gets a groove going with Robby Yamilov on bass, and Portnov really digs in showing a solid feel for the blues. Very nice. Title track, Strong Brew, has blues roots but with a Euro/jazz undertone. Harmony by Portnov is complex and expressive, giving way to the round tones of Burns on organ and the fluid jazz runs of Kid Andersen. Excellent! 1928 has a definitive tango style rhythm and with it's rich melody and Portnov's beautiful harmonica work, complimented by Andrews' violin styling makes for another solid entry. Wrapping the release with a Bo Diddley beat on Till The Early Morning, Portnov creates a cool, train like tone and Andersen's shimmery guitar work, and bouncy piano contributions by Burns and drumming by  Core and percussion my Vye make this a solid closer. I really like this release, not only for it's musicianship and execution but for it's unique melodic beauty. Very nice job. 

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Monday, January 8, 2018

Paul Winn Band - Live At Lazybones - New Release Review - CD/DVD

I just had the opportunity to review the most recent release, Live At Lazybones, from Paul Winn Band and it shows his diversity in music. Opening with blues rocker, Down So Long, Winn on guitar and vocal winds the place up nicely with Rick Wilson on harp, backed by Emile Nelson on bass and Dom Robinson on drums. Cool opener. Adding a little rhythm to the blues, Take The Long Way Home has a pop like feel with a definite funky bottom. Look Around moves into a more jazz arena with smooth vocals and tight harp riffs. A hot sax solo by Gary Honor really punches this track up giving it a edgy character. Very cool. Shuffle track, I Like A Drink, is another super showcase for Wilson's harp work and the overall tight feel of the band. Wrapping the release is Taylor, a solid ballad showing strong songwriting and Winn's strong vocals and fluid, articulate guitar lead, backed by Johann Willenberg on keys. This is a cool release with a little adventure.



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Thursday, December 21, 2017

Dirk Digglers Blues Review - Cuba Neils - New Release Review

I just had the opportunity to review the most recent release, Cuba Neils, from Dirk Digglers Blues Review and it's a real kicker. Opening with Nuthin' Too Untoward, a super rocker with attitude, Darroll Wheatley has the lead on vocal and bass, backed by Mark Sweetmore on guitar, Paul Reece on keys and Aaron Gent on drums. Stinging rock riffs, usually associated with the southeastern US really give this track a hot edge. Keep Yo' Momma Down the Line has a nasty blues feel with a raw punky edge and slide guitar. I like it! Shuffle track, If You Don't Wanna Dance, maintains that edge with sounds not unlike Carl Perkins ...wound tight. Black Cat Blues settles down into a pure blues slot with Sweetmore's slide following Wheatley's vocal lead. Breaking down with a bit of funk (and some funky sax by Chris Dyer) It Ain't Fair has a real nice groove. Think "Use Me" with attitude. Very cool.  With a smokey, jazzy atmosphere, Steamroller Blues mixes blues, boogie and jazz into a laid back track with a laid back feel. Ain't No Woman follows traditional blues lines with a Latin feel and breaking into a full out shuffle but with a nice rock twist. Sweetmore, Wheatley and Reece balance nicely on Gent's rhythm and Dyers sax accents. Very cool. Wrapping the release is Go Tell Johanna, a fully blown ballad with solid vocals and melodic guitar lead. A real nice conclusion to a solid release. This may be a sleeper that you need to check out.



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Monday, December 18, 2017

Andrea Marr - Natural - New Release Review

I just had the opportunity to review the most recent release, Natural, from Andrea Marr and it conjures up images of old time soul and R&B. Opening with driving number, Force Of Nature one can't help thinking of Otis Redding and his aggressive vocal styling. backed by Dave Reynolds on guitar, Rob Little on bass, Roby Corelli on drums, Cameron Fallaw on keys, and with powerful horn work of Sean Rankin on trumpet, Jeff Mead and Stuart Byrne on tenor sax, and Byrne on bari sax, this track is moving. Aretha Franklin's Rock Steady has great movement with a heavy bass line by Little and punchy horn lines. Blues ballad, That's Where Love Ends, is a super showcase for Marr's vocal lead as well as a nice sax solo by Andy O'Connell. Let's Take It To The Bedroom is a rumbling blues number and features a nice guitar solo by Reynolds. What Do I Have To Do had a super James Brown strut with cool bass work by Little and tight drums work by Corelli and trumpet by Rankin. Closing the release is Sticks and Stones, a dark jazzy ballad with a deep bass line by Steve Temple and a slick guitar solo by Reynolds. 

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Monday, December 11, 2017

Andre' Bisson - Break - New Release Review

I just had the opportunity to review the most recent release, Break, from Andre' Bisson and it's a solid set of bluesy tracks. Opening with title track, Break, lead guitarist and vocalist, Andre' Bisson belts out a cool R&B melody, backed by Gordon Aeichele on alto and tenor sax, Bil Holinaty on bari and tenor sax, Loretta Hale on trumpet, Mike Rowell on bass, Sean Bruce Parker on drums and Jesse O'Brien on piano, B3 and Wurlitzer. With a lot of that early 70's style, Bisson throws his riffs out like a true pro. Funky, I Got The Right, has a great horn backing and especially nice bari sax leading into a fluid guitar solo by Bisson. I also really like O'Brien's piano work giving the track real sparkle. Ballad, The Reason Why, is particularity strong with and solid melody, warm vocals and nice backing horn work. Hi Stepping, Next In Line is power packed with some of the best vocals on the release, backed up with punchy horns and rocking guitar riffs. Latin flavored, Your Attention (I Don't Need) has a really nice feel with snappy rim shots, wurlizter piano soloing and powerful vocals. Slower blues number, Reflections, has a really nice feel and opens nicely for Bisson to solo on guitar, Backing keys by O'Brien add nice tension and horn work adds dynamics. Very nice. Another funky number, The Last Sandwich in Hungry Town, has a cool bass groove, courtesy of Rowell, with O'Brien, Aeichele, Holinaty and Hale setting up for Bisson's light, jazzy solo. Eleanor Rigby has a clever light jazz approach with a real nice trombone solo by Rob Sommerville. Wrapping the release is simple, rural flavored ballad, Nothing At All (Live) with very nice harmonized vocals, and cello by Hale. A nice closer for a cool release.



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Tuesday, December 5, 2017

Big Wing Records artist: Kings & Associates - Tales of a Rich Girl - New Release Review

I just had the opportunity to review the most recent release, Tales of a Rich Girl, by Kings & Associates and it's quite good. Opening with slinky blues number, Truth Be Told, Benjamin Cunningham leads the way with slashing lead guitar and lead vocal in duet with Angela Portolesi, backed by Stephen Portolesi on bass, Matt Williams on guitar, Kelvin Sugars on drums and Louie Higuera on Hammond and piano. Very nice. Deadwood is a driving blues rocker with a great bass line and stinging guitar lead. Soul tune, Nitty Gritty, is really well constructed with a great duet with Portolesi and Cunningham and impressive instrumental dynamics. Peace x Peace is a super, gospel based track beautifully featuring Portolesi's vocals. I particularly like the organ and piano work by Higuera adding super tension and the backing vocals on this track are over the top. Excellent! Another real mover is All That's Good has a great bass line and Higuera's Hammond work is tops. Charlie B is a smoking James Brown style R&B track with tight drumming by Sugars. Hot! Live and acoustic, Tales of a Rich Man, features Cunningham on lead vocals along the lines of Delaney and Bonnie. Nicely blended vocals on a laid back blues base. Wrapping the release is 1000 Ways, a strong ballad featuring Portolesia and Cunningham sharing lead. Cunningham's melodic guitar soloing, paired with nice vocal blending and dynamic drumming by Sugars make this an excellent closer for a strong release.



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Thursday, November 30, 2017

Stony Plain Records Signs Acclaimed Canadian Roots Guitarist/Singer Sue Foley and Will Release Her Label Debut CD, "The Ice Queen," March 2, 2018







Stony Plain Records Signs Acclaimed Canadian Roots Guitarist/Singer Sue Foley and Will Release Her Label Debut CD, The Ice Queen, March 2, 2018



Special Guests on New Disc Include Jimmie Vaughan, Z.Z. Top’s Billy F Gibbons and

Charlie Sexton



EDMONTON, AB – Stony Plain Records announces the signing of acclaimed Canadian roots guitarist/singer Sue Foley, and will release her label debut CD, The Ice Queen, on March 2, 2018.



Produced by Mike Flanigin, who also plays organ on the new disc, The Ice Queen was recorded at Firestation Studios in San Marcos, Texas. Joining Sue Foley as special guests is a trio of legendary Texas guitarslingers – Jimmie Vaughan, Z.Z.Top’s Billy F Gibbons and Charlie Sexton - as well as a host of other Lone Star State all-stars, including Chris “Whipper” Layton (formerly of Stevie Ray Vaughan and Double Trouble) and George Rains (drums), Derek O’Brien (guitar), Chris Maresh and Billy Horton (bass) and The Texas Horns: John Mills, Al Gomez, Jimmy Shortell, Randy Zimmerman and Mark “Kaz” Kazanoff.



I’m extremely excited to be working with Holger Petersen and Stony Plain Records,” Sue Foley says about the new CD. “Holger is one of the most knowledgeable ‘real music’ people in the business. Stony Plain is known to put out great music and I know The Ice Queen has found her home.”



Sue Foley is the only female member of the famed “Jungle Show,” featuring Billy Gibbons, Jimmie Vaughan, Mike Flanigin and Chris Layton, which became one of the hottest tickets in Austin in 2016. Soon after playing two sold out shows at Austin City Limits Live 3TEN Club in December, Foley entered the studio with her Texan pals and began laying down tracks for the new album. She will return to Austin for more of “The Jungle Shows” on December 26 and 27 at Antone's.



Recorded throughout 2017, The Ice Queen represents Foley’s full circle journey – her return to the roots of her career in Austin with producer Mike Flanigin. The album was recorded with her long-time friends and collaborators Vaughan, Gibbons, Layton, Sexton and others, as well as members of the Tedeschi Trucks and Gary Clark Jr. bands.



“When I was a teenager I idolized Jimmie Vaughan and Billy F Gibbons,” Foley says. “They're both legends now so this feels like an historical event (at least it does for me). And I grew up sitting at the feet of players like George ‘Big Beat’ Rains, Derek O'Brien and The Texas Horns. I spent many nights watching Charlie Sexton and the Arc Angels with Chris Layton. I learned and grew more musically in my years in Austin than at any point in my life. The fact that all these mega talented musicians have graced my album is beyond anything I hoped for. I am still pinching myself.”

                                                                                                                                    

A flood of inspiration and themes can be found on each of the tracks – ranging from lost love, anguish, and struggle to release, forgiveness and rebirth.  Mostly recorded live in the studio, Foley’s emotional vocal delivery, conviction, accessible yet inspired lyrics and intrepid guitar playing are all laid out, bare and raw for the songs to reveal.



Opening with the radio friendly, funky, swamp-meets Bo Diddley beat of “Come to Me,” The Ice Queen also features the upbeat and rollicking tracks “Run,” “The Lucky Ones” (a duet with Jimmie Vaughan) and “Gaslight.” There are several bluesy and soulful tracks, including “81,” “The Ice Queen,” (with its menacing John Lee Hooker vibe in tone and substance), “Fool's Gold” (featuring Billy F Gibbons on vocals and harmonica), “If I Have Forsaken You” (with the horns sounding echoes of the great Bobby “Blue” Bland), and a cheeky, guitar-heavy cover of Bessie Smith’s “Send Me To The ‘Lectric Chair.” Foley also provides some more mellow and unexpected songs on The Ice Queen with the jazzy “Death of a Dream,” the flamenco-blues hybrid “The Dance” (which showcases her acoustic guitar work) and a beautiful cover of the Carter Family’s “Cannonball Blues.”



Sue Foley is a multi-award-winning musician and one of the finest blues and roots artists working today. She is a veritable triple-threat of musical talent as a guitarist, songwriter and vocalist. As with many blues women of the past, Foley has a long history of defying convention, and being a positive role model for aspiring, young female musicians.



She has been working professionally since the age of 16, and by the age of 21, Foley had relocated to Austin, Texas, and began recording for Antone’s, the esteemed blues label and historic nightclub that helped launch the career of Stevie Ray Vaughan and many others. In the two decades that have followed, Sue Foley has been busy touring and recording steadily, all while toting her signature pink paisley Fender Telecaster. In 2001, she won the prestigious Juno Award (Canadian equivalent of the Grammy) and also holds the record for the most Maple Blues Awards in Canada and has earned three Trophees de Blues de France. She has also garnered several nominations at the Blues Music Awards from The Blues Foundation.



The Ice Queen represents Sue Foley’s indefatigable commitment to her craft, and her transparency with the journey that birthed her, further proving that you can’t keep a good blueswoman down, particularly when she is The Ice Queen.


Monday, November 20, 2017

Tom Savage - Everything Intertwined - New Release Review

I just had the opportunity to review the most recent release, Everything Intertwined, from Tom Savage and it's a solid rock release. Opening with Forever, a rocking ballad, Savage on vocal and guitar, shows influences of Bruce Springsteen and Neil Diamond, joined by Tony Silvestri on keys, Seamus Cowan on bass and backing vocals and Bonz Bowering on drums. Title track, Everything Intertwined, is a quiet ballad with a solid melody and acoustic backing. Very nice. One of my favorite tracks on the release is Sad When You're Not With Me with a catchy melody and warm keys and strong but understated guitar. With more of a humble country rock feel, like the Band, another strong entry is Come Home with Savage's best vocals on the release. Pushing further into the rock arena, 17 Years has a rock solid bottom, twangy guitar riffs and a rocking beat. Very cool. Wrapping the release is Cold But Free, a strong ballad with a good melody and simple but effective instrumentation. This is a real nice closer for a cool release. 

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Tuesday, October 31, 2017

Bad Luck Woman & Her Misfortunes - Cursed - New release review

I just had the opportunity to review the debut release, Cursed, from Bad Luck Woman & Her Misfortunes. Opening with Snatch & Grab It, Raha Javanfar, lead vocalist and bassist for Toronto based swing band is kicking it. A walking bass line with Andrew Moljgum on sax, Galen Pelley on drums, Tom Moffett on trumpet and Adam Beer Colacino on guitar makes for a great opener.  With it's Latin influence, I Don't Know About You, is a super track showing Javanfar's vocals, and Tom Moffett on trumpet and Moligun on bari really set this track off. Very nice. Memphis Minnie's bluesy, Bad Luck Woman has a cool feel fired by Jay Swinnerton's piano work and stylistic guitar work by Fraser Melvin. One of my favorites is Spinach Song with it's rag feel. Javanfar's vocals are perfect and with strong bass, cool rhythm guitar and kazoo...perfect. Boogie track, Went Down, has a real nice feel with a great bass line, strong trumpet soloing by Moffett. Very cool. Wrapping the release is Ay La Bah, a blues rocker with punchy horns and cool vocals. Moffett sets down a real nice trumpet solo and Melvin's guitar work is smart. Super closer for a cool release.



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Monday, October 16, 2017

The Blues Overdrive - Overdrive Live! - New Release Review

I just had the opportunity to review the most recent release, Overdrive Live! from The Blues Overdrive and it's really solid. Recorded at one of Denmark's biggest and most prestigious festivals, Smukfest, TBD opens with Death On The Highway with it's laid back JJ Cale or Eric Clapton style country blues rocker feel. Martin Olsen fronts the band on lead vocal and guitar with Brother Birck on bass, Louisian Boltner on drums and Andreas Andersen on lead guitar. On shuffle track, Three Time Lover, the band gets a cool groove going with extended soloing by Andersen. One of my favorite tracks on the release is Ball & Chain (not Big Mama's) but with a strong San Francisco sound, lush ringing chords and interesting guitar work by Andersen under Olsen's vocals. Very nice. With a touch of hill country sound and a heavy bass rhythm, Bob Dylan's High Water (For Charley Patton) is a really strong track that really draws me in. Excellent! With a straight up rhythm, Everybody Was Rocking has the spirit of early rock and roll well endowed with slick rock n roll guitar riffs. With a Latin flavor, Cherry, the band starts out quiet with vocal, bass, easy guitar riffs, cymbal and tom tom but builds steam winding the guitar out as it goes developing a real nice tension. Wrapping the release is smoking boogie, I Was Wrong, with a cool walking bass line, a super guitar jam and some of the best vocals on the release. This is a really nice closer and one that leaves you wanting more.


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Wednesday, September 6, 2017

Jason Buie - Driftin' Heart - New Release review

I just had the opportunity to review the most recent release, Driftin' Heart, from Jason Buie, and I really like it. Opening with loping blues driver, Fool From The Very Start, Buie shows great feel and tone, backed by John Hunter on drums, George Fenn on bass and Dave Webb on keys. Excellent! On House Party, a cool boogie with a walking bass line, Buie definitely hits a nice groove. His guitar soloing is slick, complimented nicely by a cool piano solo by Webb. Jump track, Westcoast Daddy, is fluid and rocking! R&B track has a fat thumb of New Orleans giving Buie a great opportunity to show his vocal prowess and stinging blues riffs. Very nice. another R&B flavored blues track, Suits Me To A Tee, has a great bottom and clean, articulate guitar runs. Albert King's guitar is channeled big time on 12 O'Clock Check Out. Heavy bends and beautiful phrasing makes this one of my favorites on the release. Wrapping the release is Jesse Mae Robinson's Cold, Cold Feeling. Buie really lays it open on this one with blistering riffs floating in a lush sea of B3 by Webb. Excellent closer for a really strong release.


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Monday, July 31, 2017

Martin Goyette - Big Beets - New Release Review

I just had the opportunity to review the most recent release, Big Beets, from Martin Goyette, and it's got pure soulful style. Opening with a cool guitar intro courtesy of Jim Bland,  singer, songwriter and harp player, Martin Goyette,  pounces on St. John Morning Blues, like my assistant on a muffin. With an interesting New Orleans style, driven by Jarrod Atkins on bass and really spiced up by the stumble drumming of Louis-Etienne Drouin this is a way nice opener. Night Out flashes a R&B style and Goyette's vocals are nicely suited. Stylistic guitar playing by Bland gives the track balance. Very cool. I really like the undertone of Rolling with it's ominous bass line and punctual key work by Chris Trauchner. I've only heard on guy who successfully pulls off vocals like this and it's Joe Cocker. Very nice. Fusion track, As Long As We're In Town, has a great bass line, accented by Trauchner on keys and tight drum work of Drouin. MaryPier Guilbeault and Goyette blend vocals nicely making this one of my favorites on the release. Goyette shows off his harp skills nicely over a great walking bass line on That's The Way She Does It and Trauchner's piano work is tops. I like the laid back guitar approach on No More Room and Goyette's powerful growl pitted with the angelic backing vocals of Guilbeault are terrific. Wrapping the release is Unwind, a really hot with smoky lead vocals and rich backing vocals. The ever present bass line of Atkinson, total melody, soulful guitar playing by Bland and cool harp work by Goyette makes this a great closer for a quietly excellent release. 

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Wednesday, July 5, 2017

Artist Spotlight: Vancouver's The Mojo Stars




Formed almost ten years ago, Vancouver’s The Mojo Stars wasted no time establishing themselves as a force to be reckoned with in the local blues scene. With deep roots in blues and soul, combined with a rock driven edge, this multi-talented band has been collecting a large following starting from their debut performance at Vancouver International Jazz Festival to their upcoming tour of 2017.

Comprised of front man Randy Clarke, guitarist Mark Rankin, and later including local heavyweights, drummer Loren Etkin (Long John Baldry) and bassist Lee Oliphant, the band’s first year saw them playing at local clubs, pubs, casinos and private events. In 2009, they recorded their first CD, Devil’s Advocate, a collection of ten original songs penned by Clarke and Rankin. The album received extensive airplay and was featured on blues radio programs in Canada, the US and Europe.

The end of 2010 saw the group on hiatus, but two years later they returned reinvigorated, adding new members, B3 player Kenny Boychuck (long time Jerry Doucette collaborator) and sax man Tom Gould to the lineup. Playing their return gig at the newly- opened Columbia in New Westminster, The Mojo Stars sold out the 500-seat-room and treated both old and new fans to the freshly written material.

Now, The Mojo Stars have released their new album Under The Influence (February 17, 2017). The 11-track recording features six live cuts and is laden with catchy, heavy riffs, Stax-like grooves and soulful vocals. The Mojo Stars will be performing locally to celebrate the release and heading out on tour later in 2017. 


“Under The Influence is feel good blues, a lively mixture of 5 studio and 6 live cuts, and the energy of the performances is infectious… The band is tight, the performances are solid and occasionally inspirational.  Under The Influence is capable of heavy lifting if you’re feeling down and your soul needs a boost… what could be better than that?” – Gonzo Online/The Rock Doctor

“Their music is adorned with a powerful and effective combination of  dynamic rock, funk, soul and blues, and such fusion guarantees above all a great and inspired musical story.” – Blues Corner / Soundguardian



Learn more: 










Thursday, June 29, 2017

Guy Belanger - Traces & Scars - New Release Review

I just had the opportunity to review the most recent release, Traces & Scars, from Guy Belanger, showcasing his talents as a composer, band leader and harmonica player. Opening with My Dearest Friend, a crisp instrumental, Belanger shows why he is so highly regarded as a serious harmonica player, joined by Rob McDonald on guitar. Picking up the pace on Better Days and with a bluesier sound, Belanger maintains tight technique over nice guitar and lap steel work by Andre Lachance by  and percussion by Michel Roy. Little Heart is a real nice ballad featuring particularly sensitive vocal and harmonica by Belanger making it my radio pick for the release. Rocker, See The Light,  featured some really tasty electric guitar soloing by Kaven Girouard with bass by Marc-Andre Drouin and drums by Michel Roy. Funky jazz tune, Common Ground, showcases Rob McDonald on guitar with Lachance and Belanger giving it a real springy feel. Luce Dufault takes the mic for solid ballad, Who's Left Standing, with smooth lap steel playing by Lachance and harmonica voicing by Belanger. With a western flavor, Nitassinan features nice interplay between Lachance on acoustic guitar, Belanger on harmonica and Paul Picard on percussion. Wrapping the release is Hot Time, a reggae form rhythmed track with snappy percussion and interesting guitar work by Lachance supporting the lead harmonica of Belanger. Very nice. 

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Monday, June 12, 2017

Gary Cain Band - Twangadelic Bluesophunk - New Release Review

I just had the opportunity to review the most recent release, Twangadelic Bluesophunk from Gary Cain Band and it's a cool mix or country finger pickin', blues and rock. Opening with Live Wire, Tom Nagy on bass really drives this track with his tight bass riffs and Donnie McDougall hangs tight on drums and Gary Cain mixes finger picking and speed metal riffs for a cool sound. On heavy bottomed, Pipes and Spoons, Cain moves more into a dark blues' sound with a crunchy guitar sound and the swagger of ZZ Top. Very cool. With it's unusual guitar riff and it's solid rhythm, No Foolin' is one of the coolest tracks on the release. Funky, Write You A Letter is a solid rocker with traces of Led Zep. Twang Strut is a real nice instrumental showcase for Cain's finger picking' work. Another ZZ Top oriented track, Got Me Where You Want Me has a stripped down feel with a hard driving beat and crunchy guitar riffs. Girl's Too Rich is a bit jazzier with a Light Latin touch and a guitar style that has come to be associated with SRV. Very cool. Wrapping the release is instrumental, Faith Healer with really nice lead melody played on guitar. Cain pulls emotional riff after riff from his guitar creating a Gary Moore like soaring dynamic. Excellent closer for a real cool release.



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  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

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Monday, June 5, 2017

Bahool Records artist: John McNamara - Rollin' With It - New Release Review

I just had the opportunity to review the most recent release, Rollin' With It, from John McNamara and it's smooth. Opening with R&B flavored One, Two of a Kind, John McNamara on lead vocal and guitar sets a terrific stage. Backed by Steve Potts on drums, Michael Toles on guitar, James "Jimi" Kinard on bass, Lester Snell on keys, Marc Franklin on trumpet, Lannie McMillan on tenor sax and Jim Spake on bari sax, these guy have a great mix of rock and blues. With a feel of Little Willie John Bad Reputation swings. Franklin really adds a nice punch and McMillan and Spake bottom. Steve Cropper like guitar riffs adds that gritty feel that makes the track great. Soul track, Ask Me Nothing (But about the Blues) really showcases McNamara's voice nicely and the sax work of Spake adds a nice heft. I really like the guitar work of McNamara on this track in particular making it one of my favorites on the release. Slinky, Under The Weight Of The Moon, weaves nicely with rich horn work blending R&B with stinging guitar riffs reminiscent of Texas style blues. Very nice. With horns blazing, Security really takes a turn more in the direction of Wilson Pickett. This release is really hot and McNamara has great feel. With a full horn section call and responding with guitar, this track has it all. Another of my favorite tracks on the release is Blind Man. I really like McNamara's vocals in balance with the horns and the soulful rhythm is spot on, not to mention McNamara's guitar punctuation... think Muscle Shoals sessions. You Wouldn't Wanna Know is a powerful track with a driving beat, bluesy guitar riffs and tight vocals. Wrapping the release is the beautiful, Suffering with the Blues. With rich orchestration and McNamara way out front, this track is an excellent closer for a superior release.

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Thursday, June 1, 2017

Ivor S.K. - Montserrat - New Release Review

I just had the opportunity to review the most recent release, Montserrat, from Ivor S.K. and it's quite enjoyable. Opening with title track, Montserrat, Ivor picks up where he left off on EP Delta Pines. A cool boogie, features Ivor backing his own vocals on guitar, bass and drums. Showing a tight sense of rhythm and stylistic guitar chops this is a very nice opener. Ain't No Cross is a contemporary ballad with a strong root in the blues. Ivor's vocals are solid and his melodic style is super. I Been Had is a cool island rhythm track which a solid guitar refrain. Snappy percussion and haunting guitar soloing makes this a really cool track. It's raining is a super sultry ballad with an intoxicating melody and nicely appointed guitar work. With a funky rhythm contrasted against minimal instrumentation, Take Me Back To New Orleans has a great feel. Indianola is a cool, modern, acoustic instrumental blues showing precision execution on guitar. Very nice. Wrapping the release is shuffle track, Good Mawnin' Judge. Ivor's voice is different but very likable and his ability to tell a story while dazzling you with his solid guitar work sets a high bar in contemporary blues interpretation.

  

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