Futurism Records artist: Grant Geissman - Blooz - New Release Review

  I just had the opportunity to review the most recent release, Blooz, from Grant Geissman and it a solid fusion of blues and jazz. Opening with Preach, with it's Latin spun gospel approach, Geissman on guitar plays fluid lead lines punctuated by Randy Brecker on trumpet and backed by Jim Cox on B3, Trey Henry on bass and Ray Brinker on drums. Brecker takes a nice long interlude, followed by Cox for a really nice opener. Santana influenced, Carlos En Siete has a great Latin beat and ceratinly has Santana's Mesa Boogie tone. With a lot more intricate percussive rhythm pattern and excellent phrasing, Geissman sets a high bar for this release. Strong piano work by David Garfield, complimented by Russell Ferrante on Rhodes, Trey Henry on bass, Tiki Pasillas on percussion and Ray Brinker on drums, this is a great number. Sax master Tom Scott is featured on Fat Back with Cox on Wurlitzer, Henry on bass and Brinker on drums. Rage Cage is a really nice uptempo romp with Geissman leading the way with excellent articulation. If you like that "Gatemouth" sound, you'll love this. Pairing Robben Ford with Geissman on Robben's Hood is a stroke of genius with trading guitar solos over a snappy funky beat by Brinker and Henry. One G and Two J's has a funky New Orleans sound with Bernie Dresel laying the groundwork on drums and Kevin Axt on bass. Geissman invites Josh Smith and Joe Bonamassa to jam with him over this hypnotic rhythm with their own unique styles resulting in a really cool take. Russell Ferrante shows excellent poise and chops on piano on Stranger Danger. This track is subtle and laid back but really nicely done. Wrapping the release is Sorry Not Sorry with Geissman opening with warm chords, with Henry adding a warm bottom, Brinker light on the drums and with nicely crafted Rhodes piano woven in. Very nice closer for an excellent release. 

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The Ron Kraemer Trio with the Nashville Cats - Saratoga Swing - New Release Review

 I just had the opportunity to review the most recent release, Sarasota Swing by The Ron Kraemer Trio and It's a solid batch of hot jazz and blues. Opening with Junior Steps, Reggie Murray on sax and B-3 has the lead on a swinging sound. Ron Kraemer breaks looks with terrific tone and fluid lines on guitar, backed by Gregg Germony on bass and Michael Finley on brushes. Strong opener. On The Craw, Kraemer is front and center on lead guitar with warm B3, bass and light brushes behind. A strong sax solo by Murray is the icing on the cake. Swinging, At The Blase' Cafe', is really a hot track with blazing lines by Kraemer and warm B3 work by Murray. Murray breaks loose with some real nice sax before turning the lead back to Kraemer. This is definitely one of my favorite tracks on the release. Another great swinger is Reggie No.2 with excellent lead lines by Kraemer over a light instrumental backing and then a pairing with Murray on sax and a fat B3 solo by Murray giving the track full spice. Very nice. Wrapping the release is terrific swinger, Who's Knocking, with Kraemer really stepping up with strong T Bone Walker style riffs. With Murray hot on his tail on B3 , Germony on bass and Finley on brushes, this is a terrific closer. 

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Jeff Berlin - Jacksongs - New Release Review

 I just had the opportunity to review the most recent release, Jacksongs, by Jeff Berlin and it's a really nice tribute to Jack Bruce's music. Opening with Creamed, Berlin on bass and keys is joined by Ron Hembly on lead vocal, John Cowan on vocal, Gabriela Sinagra on backing vocals, Bruce Guttridge on drums and John McCracken on guitars with Alex Lifeson on solo guitar. The track begins with Politician and flows through White Room and Tales of Brave Ulysses  among others with strong guitar work and of course prominent bass work. Very nice opener. One of my favorite Mountain tracks, and another Bruce penned track, Theme From and Imaginary Western is up next and features Hemby on lead vocal who really does a strong job of covering Bruce's beautiful vocal melody with Pat Coil on Hammond and Berlin on keys and bass (including a real nice solo) with guest Eric Johnson on guitar solo and Gregg Bissonette on drums. Excellent. Another of Bruce's beautiful melodies, One Without a Word, again showcases Hemby on lead vocal and with the illustrious Bill Frisell on guitar and with super finesse by Mariano Agustoni on piano and Coil again on Hammond with firm drum work by Bruce Guttridge. Smiles Story and Morning Grins is a cool, rhythmic track and provides a vehicle for a string of bass solos by a who's who of today's music scene including Berlin, Tony Levin (stick), Billy Sheehan, Michael League, Mark King, Ron Carter, Marcus Miller, Nathan East, and Geddy Lee. Traintime Train was written by Berlin and is a really nice addition with a great bass lines, outstanding guitar soloing by Johnny Hiland, strong harmonica by Pat Bergeson and with Gumbi Ortiz on lead vocal and percussion. This is a really nice release with a lot of heavy bass work as well as great featured artists. 

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Goldenlane Records artist: Ben E. King - Supernatural Soul - New Release Review

 I just had the opportunity to review the newest release, Supernatural Soul, by Ben E. King and it's solid. Opening with classic, Stand By Me, King on lead vocal is joined by Bette Smith on vocal and Ronnie Earl adding his clean virtuosity on guitar. Bassmaster, Bootsy Collins fires up a strong riff on Supernatural Thing, Part I under soulful vocals by King. Spanish guitar master, Rafael Riqueni joins King adding an authentic flavor to another classic hit. I really like King's cover of Ashford and Simpson's, I Had A Love. Kings vocals are full and soulful, floating on a bed of guitar, synthesizer and warm backing vocals. Very nice. Wrapping the release is Drifters Medley featuring This Magic Moment/Dance With Me//There Goes My Baby/Save The Last Dance For Me. Kings vocals are smooth and fresh with tight instrumental backing. Solid closer for a solid release. 

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Music Maker Foundation: Shelton Powe - Self Titled (Listener's Circle Volume 55) - New Release Review

 I just had the opportunity to review the most recent Self-titled release, Shelton Powe and it's quite good. Opening with Amtrak Train, Shelton Powe on acoustic guitar and vocal sets a very authentic feel. With his tight Piedmont picking pattern, this is a solid opener. On John Hurt's Since I Laid My Burden Down, Powe adds real richness with his vocals against the acoustic guitar chant. Bukka White's, Shake "Em On Down is one of my favorite tracks on the release with an cool, primitive blues riff on what sounds like a primitive guitar. Excellent! Papa Charlie Jackson's Take Me Back is another captivating number with melody on guitar teamed with vocal, very effectively. I really like the simplicity of this track...what I like about the blues as a whole. Wrapping the release is John Jackson's Railroad Bill, an excellent Piedmont blues with Powe driving the fretboard like a locomotive. This is a really nice traditional blues release. 

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True North Records artist: Crystal Shawanda - Midnight Blues - New Release Review

 I just had the opportunity to review the most recent release, Midnight Blues, from Crystal Shawanda, and it's a strong R&B flavored blues release. Opening with title track, Midnight Blues, Crystal Shawanda brings her soulful vocal style to a radio oriented track with a solid melody, with Dave Roe on bass, Dwayne Strobel on guitar, and Peter Keys and Jesse O'Brian on keys and Pete Abbot on drums. Rumpshaker is a soulful track with a strong bass line by Roe and nice harmonica contributions by Steve Marriner. Why Do I Love You is a really super ballad with strong vocal harmonies by Angela Hurt, Zhaawande Strobel Nd Dewayne Strobel. Hold Me has a R&B rhythm and really has a great groove. Shawanda's vocals are powerful and backing vocals are just right with strong piano and drum support by Keys and Becket. Very cool. Wrapping the release is Walk With The Moon, with a sweet melody and ballad formation. With glistening keyboard work, rich guitar chords and a melodic guitar solo, a solid closer. 

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Gypsy Soul Records artist:The Commoners - Find A Better Way - New Release Review

 I just had the opportunity to review the most recent release, Find A Better Way, from The Commoners and it has all of the swagger and sting you would want. Opening with title track, Find A Better Way, Chris Medhurst shows what a rock frontman is supposed to sound like. With a touch of Steve Marriott, and a powerful bottom, led by Adam Cannon on drums and Ben Spiller on bass as well as solid guitar riffs by Ross Haynes Citrullo gives this track real bite. More than Mistakes has a firm bottom and some real nice lead guitar by Citrullo, supported by Miles Evans-Branagh on keys and Medhurst on rhythm guitar. Solid radio track. Naturally, has a strong melody and rich backing vocals by Chantal Williams, Shezelle Weekes and Tash Lorayne, coupled with a strong sway making it another top radio candidate. I Won’t adds another dimension with just a touch of country blues, and the steel guitar finesse of Michael Ekhart and really nice vocal blending. Very nice. Wrapping the release is stripped down folk blues, Alive, featuring the lush vocals of Medhurst, with beautiful steel work by Ekhart. This is really a nice release with a lot of meat. 

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Cleopatra Records artists: The Rockats - Start Over Again - New Release Review

 I just had the opportunity to review the most recent release, Start Over Again, from The Rockats and it's a great rocker. Opening with Nervous Breakdown, it's hard not to sing along with it's classic rockabilly flavor and even some Johnny Cash like vocal. This is and excellent opener with Dibbs Preston on vocal, Danny B. Harvey on guitar, Barry Ryan on guitar, Clem Burke on drums and Smutty Smiff on bass. With it's surfy feel, Rock Baby Rock, will get you bobbin with Ryan taking the first solo and Harvey taking the second solo. Very cool. Low slung bluesy ballad, Start Over Again could get all the couples on the dance floor and a real nice guitar solo by Ryan gives the track a solid blues kick. One of my favorites on the release is swinging, Lucky Old Rockabilly has super guitar riffs by Harvey and Preston's vocals are always solid. Wrapping the release is Tanya Jean with Tim Scott on guitar with Ryan and Tommy Darnell on drums. This is a straight up rocker with some nice dual (harmonizing) guitar lead and a solid melody. This is a cool release with great spunk. 

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South Island Rhythm Kings - Still That Way Today - New Release Review

 

I just had the opportunity to review the most recent release, Still That Way Today, from South Island Rhythm Kings and it's a rolling blues party. Opening with title track, Still That Way Today, "Lazy" Mike Mallon on harmonica and lead vocal, heads this cool shuffle, with Carson Mallon on guitar, Dan Dube' on keys, Nick Dokter on drums, and Jack Lavin on bass. Solid opener. Cool vocal blending on Sonny and Brownie's Cornbread Peas Black Molasses gives this easy shuffle the wealth added to the genre by the originals with authenticity, and nice riffs by both Mallons. On Jimmy Raney's You Drink Too Much Booze, Dube' really adds nicely with tasty piano riffs under Mikes vocals. Very cool. Carson's vocal/guitar lead on Someday really hits the spot with a lot of punch. His riffs are tight and his vocals swing. Very nice. Carson and Mike both dig in deep on slow blues, I Live Out In The Country, with Muddy Waters style slide work by Carson and strong vocals/harmonica by Mike are nicely complimented by Dube'. Excellent. Wrapping the release is Tabby Thomas' Hoodoo Party with it's solid bottom by Lavin and Dokter. With Carson back on vocal, Mike gets a chance to blow it out and Dube' adds some excellent rolls on piano. This is a cool track and a solid closer for a solid release. 

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Lauren Anderson: Burn It Down - New Release Review

 I just had the opportunity to review the most recent release, Burn It Down, from Lauren Anderson and it's a smokin' blues rocker with a solid blend of bluesy ballads. Opening with title track, Burn It Down, Lauren Anderson on vocal leads the way with stinging guitar work by Dan Wecht, and with Hutch on bass, Johnathan Smith on keys, and Matt Doctor on drums. Slinky, Soul Is Mine is dominated by super tom tom feel by Doctor, Smith on organ and Wecht on slide guitar. Anderson really works her voice nicely against the soulful feel of the track making it one of my favorites on the release. Albert Castiglia makes a guest stop on Zombie Blues really getting the fretboard going on this high energy rocker. Soulful, I Know, shows a terrific combination of Anderson's vocal and songwriting skills creating, in my opinion, the top radio track on the release. Lumbering, Hit The Spot has a strong funk rocker with a strong melodic hook and super guitar lead by John Salaway. Another strong radio track is Fool with it's rhythmic feel, strong vocal melody and a nice guitar solo by Wecht. Wrapping the release Like A Woman, with it's heavy bottom, nice guitar punctuation by Wecht and another strong vocal effort by Anderson. This is a solid release with a cool blend of radio and rockers. 

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VizzTone Label Group artist: Too Slim & The Taildraggers - Brace Yourself (Live) - New Release Review

 I just had the opportunity to review the most recent release, Brace Yourself (Live), from Too Slim & The Taildraggers, and it's a concert full of butt kicking, country blues based rock. Opening with Mississippi Moon, Tim "Too Slim" Langford on guitar and vocal cranks this dude up with Zach Kasik on bass and vocal and Jeff "Shakey" Fowlkes on drums and vocals. Devil In A Doublewide has the straight up country rock feel that is prevalent in "country" music today. With a solid melody, cool vocal hook,  rock guitar riffs and a driving beat...can't miss. Bluesy, My Body, has a haunting undertone and working with the solitary guitar wail of Langford and the cool drum chant of Fowlkes  and the bass counter of Kasik is my favorite track on the release. Another track with a heavy blues rock feel is Blood Moon with it's heavy bottom, droning bass line and wailing guitar work. Landford really works this track with strong vocal and melodic lead guitar, supplemented by the sound that I would associate with Jimi or Trower. I really like this track and it's heavy rock approach. Excellent! Wrapping the release is Good Guys Win with it's hard driving beat and heavy guitar laden sound. There's only one way to close out a high energy release and Langford has that covered here. Solid closer. 

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VizzTone Label Group artist: Bob Corritore & Friends - You Shocked Me - New Release Review

 I just had the opportunity to review the most recent release, You Shocked Me, from Bob Corritore and Friends and it's chocked full of great Chicago based blues. Opening with Hiding Place, John Primer has the lead on vocal and guitar backed by Anthony Geraci on piano, Wes Starr on drums, Jimi Primetime Smith on guitar and Bob Stroger on bass. This is a terrific opener with high energy. Diunna Greenleaf is up front on vocal on title track, You Shocked Me with Bob Margolin on guitar, LA Jones on guitar, Ben Levin on piano, Starr on drums, Adrianna Marie on  bass and Corritore on harmonica. Super track. Alabama Mike has the mic on slow blues, Somebody Stole My Love From Me, a soul jammed track. With excellent harmonica lead by Corritore, Stroger on bass, Margolin on guitar, Fred Kaplan on piano, and Starr on drums, this is one of my favorites on the release. Love Francine Reed's vocals on Don't Need Your Permission, a swinging shuffle with Corritore really humming on harmonica. With Johnny Main on guitar, Bill Fahey on drums and Mike Hightower on bass, this is another great track. Diunna Greenleaf and Jimi Primetime Smith have the mic on Sunny Day Friends, a real nice shuffle with Johnny Rapp on steel, Kaplan on piano, Corritore on harmonica, Troy Sandow on bass and Andrew Gutterman on drums. Very nice.  Wrapping the release is Blues For Hippies featuring Alabama Mike on lead vocal, Stroger on bass, smith on guitar, Kaplan on piano and Fahey on drums. Corritore really winds the harmonica out on this track. This is a great closer for a really nice release. 

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Big Legal Mess artist: Herman Hitson - Let The Gods Sing - New Release Review

 I just had the opportunity to review the most recent release, Let The Gods Sing, from Herman Hitson, and I like it! Opening with title track, Let The Gods Sing, with it's rich, soulful, anthem like feel, Hitson really has a great start. With chant like vocals, eccentric rhythm guitar work (which I really like) by Hitson and Will Sexton on lead guitar, a firm bass line by Mark Edgar Stuart, Will McCarley on drums and full organ attack by Al Gamble, this is a terrific opening track. A cool change up is Ain't No Other Way with it's full "James Brown" on including horn pumping...great groove. A driving, somewhat psychedelic take on Willie Dixon's Backdoor Man is really cool with wowing vocals and backing organ. Wrapping the release is an upbeat funky track, Yampertown Funk with a cool bari/tenor sax horn mix and heavy organ work over a cool drum beat and guitar rhythm. This is a cool release and if you like your stuff funky, this could be your deal! 

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Maremil Music artist: Alex Lopez - Nasty Crime - New Release Review

 I just had the opportunity to review the most recent release, Nasty Crime, from Alex Lopez and it's a solid blues rocker. Opening with rocker, World on Fire, Kana Leimbach leads the way with a firm drum rhythm, joined by Kenny Hoye on keys. Lopez handles lead vocal and places a grinding guitar riff over the bass lines of Steve Roberts. Lopez's melodic lead and slide guitar give the track a full attack over the relentless attack by Leimbach. With a swing, Lopez delivers easy blues ballad, When The Sun Goes Down, with soulful vocals over a cool piano riff. A melodic guitar solo by Lopez and a memorable melody,  makes this track a solid radio contender. Title track, Nasty Crime, is a straight up rocker with a funky back beat. With jangly guitar work by Lopez and John Lord like organ work by Hove over a snappy beat, this is one of my favorite tracks on the release. Driving rocker, No Way, shows how tight the band can be. With a solid melody and strong vocal attack this is another solid radio entry. Wrapping the release is That's Alright with it's bluesy feel and nod to Billy Gibbons. Lopez lays out some real nice guitar work here with clean blues phrasing over rhythm guitar and organ baking this a solid closer.  

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Vintage LaNeil Records artist: Orphan Jon and the Abandoned - Over The Pain - New Release Review

 I just had the opportunity to review the most recent release, Over The Pain, from Orphan Jon and the Abandoned, and it's a cool blues rocker. Opening with a strong rocker, Tight Dress, ace guitarist Alastair Greene sets the pace with fleet fingered rock riffs, supported by Ray Sadolsky on bass, Jason Blakely on drums and featuring Jon English onlead vocal. This is a hot rocker that is sure to get your attention. Blues ballad, Over The Pain features Jon with Rebecca Aguilar on vocal with Mike Malone on piano, and some real tasty blues lead guitar by Greene. This track should have strong radio appeal with a solid melody and vocal lines. Swampy, Broken Angel, has a terrific rhythm line courtesy of  Blakely and overdriven tones on extra funky lead guitar by Greene add yet another dimension. Thick blues tone come from Greene's national guitar in pure old school style on the intro and then the track cuts loose. With a thumping bass line by Sadolsky and rowdy vocals by English it's Greene's relentless slide guitar that makes this one of my favorite tracks on the release. On Redheaded Woman Blues, English on vocal and Greene on national steel acoustic guitar set down an authentic style delta blues with minimal drum work. Very nice. Everyone Knows is a great blues rocker with authoritative tom tom work by Blakely and rich slide guitar work by Greene under the focused lead vocal of English. This is a really strong blues rocker in the vein of the origins of blues rock.  Wrapping the release is revival style track, There's No Need, with vocal exchanges between English and Aguilar and powerful organ work. This is a high energy closer for a really strong release.   

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Patty Tuite - Hard Case of the Blues - New Release Review

 I just had the opportunity to review the most recent release, Hard Case of the Blues by Patty Tuite and its a full hand of country, blues and rock tunes. Opening with Nothin' But Trouble, Patty Tuite is upfront on lead vocal and rhythm guitar, with real nice slide guitar by Paul Nelson, harmonica by Bobby Rush, and with Jeff Armstrong on drums and David Johnson on bass. Glad I'm Through With You has a vampy, New Orleans blues sound with Brooks Milgate on keys, Rico Amero on trumpet and Justin Blackburn on drums. My Silent Love is a real nice track with Tuite layering her own guitar playing over her own guitar playing. This track is very soothing and may be my favorite on the release. Jazzy shuffle, I Want A Lover, features Milgate on piano providing a solid lead line under Tuite's sultry vocals with Paul Loranger on bass and Blackburn on drums. Wrapping the release is title track, Hard Case of the Blues, a real nice ballad featuring some of Tuite's best vocals on the release and some real nice stylized guitar work by Nelson. This is a cool track to close a solid release. 

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Cleopatra Records artist: Linda Gail Lewis - Early Sides 1963-1973 - New Release Review

 I just had the opportunity to review the most recent release, Early Sides 1963-1973 from Linda Gail Lewis and is runs the gamut from early R&B to early rock, country and blues. Opening with CC Rider, Lewis on vocal really swings it. Joined by Scotty Moore on guitar and George Webb on bass, Morris Tarrant on drums, W R Fields on and with honking sax work by Luke Wright, this track really hums. With telling, string backing, country ballad, Small Red Diary is a solid showcase for Lewis' vocals with Jerry Reed on guitar, Harold Bradley on guitar, Bob Moore on bass and Buddy Harmon on drums. Blues rocker, Jim Dandy, has great energy with flashy guitar work by Mike Deasy and Ben Benay and Butch Parker on keys. Another solid country ballad, My Heart Was The Last One To Know. With Pig Robbins on piano, Kenneth Lovelace on fiddle and solid steel guitar work, this is a classic. Another great country entry is What Is Love with potent steel guitar work, Robbins on piano and Lovelace on fiddle under Lewis' stellar vocals. Wrapping the release is I Should Have Not Have Fallen In Love With You with it's country blues feel. With Lewis on lead vocal and piano, Leo Leblanc handles the steel work like a champ, joined by Tommy Cogwell on bass, Gene Chrisman on drums and Charlie Chalmers, Sandra Chalmers and Donna Rhodes on backing vocals, this is a solid closer for a real strong release. 

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