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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Albert Castiglia. Show all posts
Showing posts with label Albert Castiglia. Show all posts

Monday, November 25, 2013

Legendary Rhythm & Blues Cruise #21 October 2013 - Stilladog - Guest Contributer


Welcome aboard to the world’s biggest 7 day blues party!  Yes friends, 7 days where you can’t tell the blues artists from the fans. Although everybody’s experience is different –and a blues cruise vacation is exactly what you make it– a good time is had by all… day after day!

So I’m going to tell you about my experience on my 4th LRBC a few weeks ago.   I try to get on board pretty early so I can learn the layout of the ship and how to get from concert venue to concert venue in the most efficient manner.  And by doing so you get to see and talk to some of the artists before any action really starts.  Right off the bat I ran into Cyril Neville who was as lost as my wife and I.  Later I saw Lucky Peterson on a lounge chair outside his stateroom while walking the Promenade Deck. 

The first night they always have a BBQ on the pool deck at departure. This time it was Rick Estrin and the Nightcats hosting the BBQ. The best part being when Kid Anderson went into a guitar solo playing slide with a cell phone. Next came the Virgin and Returnee Parties.  The artists for these are never announced. As a returnee I went for my free champagne at the Showroom at Sea.  And to kick it all off was Los Lobos with Lee Oskar on harp. Talk about setting the bar high.  These guys were fantastic!  I had seen Lee Oskar a few years ago with the Low Rider Band (the band formerly known as WAR but due to legal limitations cannot bill themselves as WAR any more). But I swear Lee was better with Los Lobos who were great in their own right.  The consensus opinion was that this was the best Returnee Party in history.
Lee Oskar jams with Los Lobos at the Returnee Party

After that we stayed at the Showroom to check out Walter “Wolfman” Washington.
  He was one of the artists I specifically wanted to see on this cruise.  Bman had turned me on to Walter back in about 1991 and I’d never gotten a chance to see him live.  I was not disappointed. Wolfman Washington with his jazz-infused, New Orleans funk style blues was great.  Sadly not too many people attended this show. I imagine on account of going to see Ruthie Foster instead. When Ruthie’s set ended the crowd packed into Walter’s gig for the last half hour.

As for me, when Walter’s set ended I went out to the Pool Deck to hear Royal Southern Brotherhood.  But I only heard a few tunes featuring mostly Mike Zito because I had to head back to the Showroom for Irma Thomas.  That’s the dilemma about the Blues Cruise. There’s so many good people to see and you just can’t possibly be in two places at once.  Well, Irma Thomas was great.  She did not work from a set list. She just said “This is not your regular kind of show. I’m gonna call the tunes unless there’s something special you want to hear. Let me know what it is and we’ll do it.”  Irma would not be the only artist to take that approach.

Day two was in Key West, FL.  Supposedly for Fantasy Fest which started the night before.  But by pulling into port at 8:30am all the naked spray painted Fantasy Fest breasts, and other body parts, were all in bed sleeping from the previous evening.  So we had our own Second Line parade up Duval Street led by keyboardist, Mitch Woods, dressed as Liberace and the Wild Magnolias (Big Chief Monk Boudreaux and Big Chief Bo Dollis Jr.).  It terminated at Sloppy Joes Bar where Mitch led a jam that lasted from 10:00am until 3:00pm.
Big Chief Bo Dollis Jr. and Big Chief Monk Boudreaux lead the parade to Sloppy Joe’s

Toward the end of the jam, Walter “Wolfman” Washington joined Mitch and the band for a couple numbers. When he came down off the stage I got to talk to Walter and joke around with him. What a great guy! You may not know this, but Walter was one of the first “name” artists who started to play New Orleans after Hurricane Katrina.  There are many who say he saved music in New Orleans after the hurricane because so many musicians had fled to Houston, Dallas, San Francisco and all points in between to make a living since most clubs in New Orleans had shut down. But not Walter. He immediately began playing his regular gigs most notably at the Maple Leaf Bar –where he still has a weekly gig. When people saw Walter back, they came back too!

Stilladog and Walter “Wolfman” Washington sharing a joke outside Sloppy Joe’s in Key West 
 So at 5:30 the ship had to leave Mallory Square in Key West cause if any of you have ever been there for the Sunset Party (Circus) which happens every night… well you just can’t have a huge freakin’ cruise ship obstructing your view.  But that’s OK with us ‘cause Our Ship Kicks Ass and we gonna have a good time anyway.

And sure enough we did. Reason why? Dwayne Dopsie and the Zydeco Hellraisers!  Over the course of the cruise I saw these guys play 3 gigs and they were absolute Zydeco Dynamite on every one!!  Led by accordionist Dwayne Dopsie, and fueled by saxophonist Reginald Smith and washboard man, Paul LeFleur (The Marlboro Man) they rocked the ship.  What a passionate performance! I can personally attest to the fact that the man was soaked from head to toe at the end of every set.  Even the dude’s jeans were completely soaked!
Pool Deck zydeco duel between Dwayne Dopsie & Paul LeFleur


A day at sea is always filled with great blues and it took us a day and something to get from Key West to New Orleans. It was a Sunday and we got the day started with a Gospel Brunch with Ruthie Foster which was fantastic! 

The rest of day three was highlighted by more of Dwayne Dopsie and the Zydeco Hellraisers, the hardest working band on the ship! A set by Popa Chubby on the Pool Deck was particularly good. Man he really ripped the place up. I was extremely impressed with Popa Chubby.   I knew he was good, but not that good!  Reminded me of Leslie West.  In fact, better than Leslie West even. And that’s saying something.  

Popa Chubby rocks the Pool Deck

Coming up the Mississippi into New Orleans I had the pleasure of enjoying the ride with Dion Pierre – bass man for the Zydeco Hellraisers and Kevin Minor –drummer for the Zydeco Hellraisers (and alumni of Hopewell High School in Aliquippa, PA) both of whom call New Orleans home.  We passed the bayous and levees.  Up past the New Orleans Battleground where Andrew Jackson and the pirate, Jean LaFitte, defeated the British in 1814.  To the canal in the 9th ward where Minor pointed out to me “That’s the canal that flooded and fucked up all this area over here.” Very few people approach the city from this direction and it was clearly impressive even to the folks who live there.

The city was impressive too. My wife and I walked about 8.5 miles that day. Started out for an Oyster Po’ Boy at Mother’s on Poydras.  Then down past the House of Blues on Decatur into the French Quarter.  Up to Preservation Hall. Past the Old Absinthe House. Over to the St. Charles Trolley and a trip out past the Garden District to the famous Maple Leaf Bar home of New Orleans blues, jazz, zydeco, and everything in between for as long as anyone can remember. A few beers and some serious music discussion with Regan the bartender and then a trolley trip back into town. Arriving just in time for a bus ride out to the Mid-City Lanes Rock N Bowl where we heard the wonderful guitarist June Yamagishi (who you can see in the HBO series Treme’).

June Yamagishi at Mid-City Lanes Rock N Bowl


Another day at sea followed featuring Ft. Lauderdale guitarist, Albert Castilia, whose set was accompanied by guests, Samantha Fish and Mike Zito.  It is about at this point in the trip that musicians who jam together until 4:00am every night on the pool deck begin to crash each other’s scheduled sets and you never know who you might see or where.  Johnny Winter? Kim Wilson? Rev. Billy C. Wirtz?  Andy Forrest? Dave Keyes? Jimmy Carpenter? They were all there and would just show up. It was great!!  Lucky Peterson was also a high point of the sets I saw on our way to Progreso, MX.

In Mexico, I guess the people who took the tour of the Mayan ruins enjoyed Mexico but I opted to stay on the ship and drink poolside all afternoon.  It was a good choice. It was a day of relaxation for the musicians. And they were hanging poolside too. I never intruded on their personal time but it was very cool to observe, for instance, a conversation between Kim Wilson, Rick Estrin, and Lee Oskar.  Now that’s some harp royalty right there!  Ruthie Foster and her band just kicking back with some fans. We caught a bit of Anson Funderburgh and Eric Lindell’s set early that evening too.

At 6:30 the next morning I headed back to the pool for the Sunrise Party except there was no sun.  It was cloudy and we had some pretty damn rough seas. So rough the pool water was completely splashing out 7 feet high!! Somebody smuggled in some tequila and vodka and I mixed my own Bloody Mary and hung out with my fellow cruisers for a jello shooter to celebrate our last day in Blues Heaven on water.  Had a hell of a time keeping my balance but I was better off than those who get seasick.

The feature of the last day was the Lucky Peterson Jam on the pool deck which was going great until Lucky decided to play some disco music and everybody kinda just walked away.  Right up until that it was smokin’.  But artists need to understand it’s the blues people come to hear and even though I agree with the Etta James claim that “It’s all blues, baby” other’s don’t. 

The last set I saw was Marcia Ball who also just said, “Call the tune and I’ll play it.” I had not seen Marcia since 1999 at the Superdome in New Orleans and not much has changed except we’re both older and grayer.  She still rocks on that electric piano and swings her long crossed leg the whole time.
Marcia Ball


Back in Florida I found myself waiting for my family to pick us up at the port alongside Popa Chubby. We all just turn into one big blues family on the Legendary Rhythm & Blues Cruise.  It is an experience I highly recommend not only because the music is fantastic but it’s a very relaxing vacation.  I’ll be on the next one in January too, hope to see you on board. I’ll be hanging in the Crow’s Nest.  Just say, “Whatcha drinking, Stilladog?” And I’ll know you are a Bman’s Blues Report fan.       

Thursday, August 8, 2013

American Showplace artist: John Ginty - Bad News Travels - New Release Review

I just received the new release, Bad News Travels, from John Ginty and it's really quite good. It's unusual that I find a release that is actually built around an organ player (James Brown and Lucky Peterson) but here's one. Opening with The Quirk, Ginty starts this instrumental track with a B3 vamp and slowly piece by piece the band joins in. Dan Fadel on drums, Paul Kuzik on bass and then out pops an outrageous guitar player.... Albert Castiglia. Playing a blues rock fusion, this track rips! (Listen to those drums!) On Black Cat, Ginty slows everything down and Castiglia takes the mic for some really nice vocals. Ginty plays really soulful B3 keys against really tasty blues riffs by Castiglia. Peanut Butter, another instrumental, has a great hook driven by Ginty on keys and Todd Wolfe steps in playing great response to Ginty's call on guitar. This is some really intense guitar work and I credit Ginty not only for assembling this great crew of musicians and building the tracks, but also for bringing out the best in all of these musicians. On a more pop oriented track, Seven & The Spirit, Alecia Chakour takes the lead on vocals and Neal Casal sits in on guitar. This is definitely the airplay track of the release and it should do quite well. Chakour has a great voice for this style track and Casal plays a super melodic, well articulated guitar solo to top off the track. Next Up is Mirrors, a high steppin instrumental featuring Warren Haynes on guitar with a solid overdriven guitar tone with an attack more like Santana than I have heard from him. The track takes a bit of a Latin turn as Ginty solos on B3 and Fadel and Kuzik absolutely jam. Really nice. Switch really features Ginty on keys more than any other track and it's a driver. With tom tom work pushing the bottom, Ginty really gets the most out of his 3 piece band on this cool jazz instrumental. On Damage Control, Ginty gets a bit more of the New Orleans beat going and Castiglia is back on vocal and guitar. A hot country blues like guitar solo erupts and Cris Jacobs joins on acoustic guitar and backing vocals. Rock Ridge features Martie Maguire on fiddle starting with a bit of a folk/mountain sound but then breaking into a full blown jazz rock track, not unlike early Dregs stuff. This is a really cool track showing yet more versatility from Ginty and crew. Castiglia joins again for the funky Elvis Presley. With clever lyrics and and great vocals, Castiglia leads the way on this track, laying down a really sweet solo with a lot of feel. Ginty unloads some heavy sounds on this track and the bottom is solid and consistent. This is a cool track and should meet a totally different audience than the standard radio play group... this could be the big one! Just the right amount of hook and heft. Trinity is a full blown foot stomper featuring Cris Jacobs on guitar. Breaking midwave it takes on a gospel like swing and is a super closer. This is a really super release and one that could appeal to a very wide audience with loads of guitar, great writing great beats and of course cool keys.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

This track is not from the release but does show the texture of Ginty's music.


Thursday, June 27, 2013

Mark Pucci Media Congratulates All Our Artists Receiving Nominations for the 2013 Blues Blast Music Awards









MARK PUCCI MEDIA CONGRATULATES ALL OUR ARTISTS RECEIVING NOMINATIONS FOR THE 2013 BLUES BLAST MUSIC AWARDS!
Traditional Blues Album
•  Doug MacLeod - There's A Time
Blues Rock Album
•  Albert Castiglia - Living The Dream
 Royal Southern Brotherhood - Royal Southern Brotherhood
Soul Blues Album
•  Barbara Carr - Keep The Fire Burning
 Johnny Rawls - Soul Survivor
•  Mighty Sam McClain - Too Much Jesus (Not Enough Whiskey)
Song Of The Year
•  “Black Nights” written by Doug MacLeod – There's A Time (Doug MacLeod)
•  “Too Much Jesus (Not Enough Whiskey” written by Sam McClain & Pat Herlehy - Too Much Jesus (Not Enough Whiskey) (Mighty Sam McClain)
Male Blues Artist
Voting Is Open To The Public 
Voting to determine the winners begins July 15, 2013 and continues until August 31st, 2012 at http://www.TheBluesBlast.com. Voting is free and open to anyone who is a Blues Blast Magazine subscriber. You do not have to be a current subscriber to vote! You are automatically signed up as part of the voting process on our website if you are not currently a subscriber. Blues Blast Magazine subscriptions are FREE! The 2013 Blues Blast Music Awards ceremonies will be held at Buddy Guys’ Legends in Chicago on October 31st, 2013. The awards ceremony will feature music by the artists nominated. Tickets for the event will go on sale in mid-August at  http://www.TheBluesBlast.com

Thursday, May 31, 2012

Blues Leaf Records artist:Albert Castiglia - Living The Dream - New Release Review


Got a copy of Living The Dream, the new release from Albert Castiglia and it appears that come Jume 12th, Albert may be! His new CD is really strong. It opens with the title track, Living The Dream, which is a funky blues track geared toward airplay but with plenty of hot guitar riffs. The Man, is a cool Latin Rhythm blues track which of course sets up nicely for Castiglia to demonstrate his guitar prowess. Freddie King's Freddie's Boogie is just a flat out guitar boogie in the likes of that little old band from Texas ...what's not to like. Public Enemy #9 is a blues rocker with some incredibly hot slide work... I mean hot! Paul Butterfield's Loving Cup gets a update treatment with Sandy Mack blowing harp and Castiglia runs some hot licks throughout the track. Did I mention he can sing. Oh Yeah. Castiglia has a really strong voice. Fat Cat is a really hot instrumental in the jump blues style and one of my favorite tracks on the release. Everyone in the band gets a whack at showing their chops. The band includes Bob Amsel on drums, A.J. Kelly on bass and features special guests John Ginty on keys, Mack on harp Juke Joint Johnny Rizzo on acoustic slide and Emedin Rivera on percussion. Walk The Backstreets is a slow contemporary blues track and sets Castiglia on a large romp of the fretboard. This is a track that is sure to please most any blues or guitar enthusiast that listens to it. This band is tight and the flames are flying. Very rippin! The release is concluded with Mose Allisons Parchment Farm. My first couple of times through the CD this track didn't strike me but I have listened to it more I have found it more and more attractive. It has always been a strong track but Castiglia really gives it a pretty good workout and it's a hot track. I think I can easily say that this is a really strong CD and that it will be very well received.
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”

Friday, May 4, 2012

Blues Guitarist/Singer Albert Castiglia Is "Living the Dream" on New CD Coming June 12




BLUES GUITARIST/SINGER ALBERT CASTIGLIA IS LIVING THE DREAM ON NEW CD COMING JUNE 12 FROM BLUES LEAF RECORDS

MIAMI, FL – From the intro electric guitar riffs that kick off the opening track of his new CD, Living the Dream, which is due out June 12 on Blues Leaf Records, blues guitarist/singer Albert Castiglia announces that this release is something special. And throughout the rest of this impressive new album from the guitar master and former band leader for the legendary Junior Wells, Albert Castiglia delivers big time on the promising steps he’s taken on his previous CDs.

Living the Dream sports an even-dozen tracks dripping with soulful, searing blues, the product of his energetic guitar work - alternatively pensive and reflective, then filled with sparks and fire – melding with a vocal style that pays tribute to the masters, but clearly stamped with Castiglia’s own, inimitable sound. Included are five Albert Castiglia originals, plus a song from long-time cohort Graham Wood Drout (Iko-Iko), along with distinctive covers of tunes from artists such as Freddie King (“Freddie’s Boogie”), Little Richard (“Directly from My Heart to You”), Paul Butterfield (“Lovin Cup”) and Mose Allison (“Parchman Farm”).

Living the Dream was produced by Ben Elliott, recorded at Showplace Studios in Dover, New Jersey, and features backing by Albert’s regular band of Bob Amsel on drums and A.J. Kelly on bass. Special guests include John Ginty on keyboards, Sandy Mack on harmonica (who also played on Albert’s last CD), Juke Joint Johnny Rizzo on acoustic slide guitar, with Emedin Rivera once again adding his special Mojo on percussion.

“I'm extremely proud of the work the band and I did on Living the Dream, “says Albert Castiglia. “I was able to churn out some quality original material and the band’s performance on the project was powerful. I'm ready for this CD to hit the shelves and the airwaves so that folks can determine if I’m full of crap or not.”

Castiglia’s last CD, Keepin On, was released in 2010 and garnered extensive critical acclaim and radio airplay. “He’s up there as one of the finest blues vocalists today,” said Blues Revue. “If you’re looking for a fresh, up and coming guitar hero, get into Albert Castiglia,” Elmore magazine wrote in its review. New Times – Miami called his music “Gritty and irascible -- with authority and authenticity -- he purveys a no-holds barred delivery that melds his throaty vocals with a dazzling display of instrumental virtuosity… this is a seamless set, one that ought to elevate Castiglia to a more prominent position of influence and authority.” And Blues in Britain summed up its glowing review by stating, “Junior Wells would be proud – enough said!”

Born in New York and raised in Miami, Albert Castiglia (pronounced “ka-STEEL-ya”), began playing guitar at 12. In 1990, he became a member of The Miami Blues Authority and was later voted “Best Blues Guitarist” by New Times magazine in 1997. Shortly thereafter, he was spotted by legendary blues singer/harmonica player Junior Wells, who asked Castiglia to join his band as a guitarist and singer. With Wells as his mentor, Albert performed at clubs and festivals across America, as well as in Canada and Europe. During that time, he also got the opportunity to play and jam with many other blues stars, including Pinetop Perkins, Ronnie Earl, Billy Boy Arnold, Lurrie Bell, Jerry Portnoy, Eddy Clearwater and Otis Clay. After Junior Wells passed away,

Castiglia toured with Atlanta blues singer Sandra Hall.

In 2002, Albert launched his solo career with the debut CD, Burn, collaborating with his longtime friend, Graham Wood Drout of south Florida band Iko-Iko. Drout’s visceral, yet literary songs became the perfect vehicle for Castiglia’s soulful vocals, which recall Van Morrison, and stinging guitar playing. In 2006, he released his second album (and first for Blues Leaf Records), A Stone’s Throw, which included two more Drout compositions, “Big Toe,” and the amazing “Ghosts of Mississippi,” which has all the earmarks of becoming a blues classic. Castiglia and Drout also released a live CD together, titled The Bittersweet Sessions, in 2005.

His 2008 CD, These are the Days, contained five original Albert Castiglia songs, including the opening track, “Bad Year Blues,” which was nominated for song of the year at the Blues Music Awards, and “Godfather of the Blues,” his tribute to Junior Wells. Once again, Graham Wood Drout contributed another song for Albert, “Celebration.” The cover songs on These are the Days saluted a wide range of styles and artists ranging from Bob Dylan (“Catfish”) and Nappy Brown (“Night Time is the Right Time”), to Fenton Robinson (“Somebody Loan me a Dime”) and Little Willie John (“Need Your Love So Bad”).

Albert Castiglia is supporting the release of Living the Dream with extensive touring both in his home state of Florida and throughout the rest of the country. For more information, visit www.albertcastiglia.com and www.bluesleaf.com.

UPCOMING ALBERT CASTIGLIA TOUR DATES

5/9 Humphrey’s Bar & Grill Huntsville, AL

5/10 Slippery Noodle Inn Indianapolis, IN

5/11 Court Street Grill Pomeroy, OH

5/12 Canal House Tuscarawas, OH

5/15 Triad Theater New York, NY

5/18 The Twisted Tail Philadelphia, PA

5/19 Cady’s Tavern Chepachet, RI

5/21 Time Out Pub Rockland, ME

5/24 The Hungry Tiger Manchester, CT

5/26 Jonathan’s Landing Magnolia, DE

5/31 Big Easy Bar & Grill (duo w/Graham Drout) Hollywood, FL

6/1-6/3 Green Parrot (CD Release Party!) Key West, FL

6/8 Bamboo Room (CD Release Party!) Lake Worth, FL

6/16 Bradfordville Blues Club (CD Release Party!) Tallahassee, FL

6/17 Earl’s Hideaway (CD Release Party!) Sebastian, FL

6/23 Downtowner Saloon (CD Release Party!) Ft. Lauderdale, FL

Additional dates forthcoming….


If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”

Saturday, August 6, 2011

Sitting On Top Of The World - Albert Castiglia


Albert Castiglia (pronounced “ka-STEEL-ya”) is Keepin On – and much more. With the release of Castiglia’s 5th CD Keepin On, August 2010 on Blues Leaf Records (his third CD on this label), Albert is doing exactly what the title of the CD suggests. Having opened for ZZ Top, Elvin Bishop, and The Radiators, he’s quickly becoming a favorite high energy performer at festivals across the country.

Thursday, July 7, 2011

Loan Me A Dime - The Albert Castiglia Band


Albert Castiglia (pronounced “ka-STEEL-ya”) is Keepin On – and much more. With the release of Castiglia’s 5th CD Keepin On, August 2010 on Blues Leaf Records (his third CD on this label), Albert is doing exactly what the title of the CD suggests. Having opened for ZZ Top, Elvin Bishop, and The Radiators, he’s quickly becoming a favorite high energy performer at festivals across the country.

Castiglia’s history is as colorful as his home town of Miami, Florida, going back to 1990 when he played in a local Miami Band, The Miami Blues Authority, and won awards locally for “Best Blues Guitarist.” He got a big break after meeting the legendary Junior Wells in 1996, and soon became Junior’s lead guitar player before Wells died in 1998. Albert toured the U.S. and Europe with Junior and then found himself in Chicago when Junior passed.
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