I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
I just had the opportunity to review the most recent release, Take It Off, from Kurt Crandall and it touches a lot of the broad spectrum called blues. Opening with revival like track, 8th Event, vocalist / harpist, Crandall leads the way with a deep silky voice supported by Karl Angerer on guitar, Billy Heid on keys, Aaron Binder on drums and Rusty Farmer. On Take It Off, Crandall shows his sense of humor discussing male pattern baldness with a New Orleans flair. Tight little drum riffs by Binder set the stage and Crandall's vocals and harp work are tight. On jump blues, Can't Dance, the band is really swinging. With cool harp tone and classic vocal style these guys sound like a modern day Louis Jordan. Cool backing vocals by Jaisson Taylor and Lester "Duck" Warner really soup up the track and sweet guitar riffs by Karl Angerer are super. A walking bass line by Binder and tasty organ work by Heid set the mood on Loser, a real nice jazzy blues. Both Heid and Angerer set some really nice solo's making this one of my favorite tracks on the release. Latin flavored instrumental, Taquito Under My Seat, blends really tidy percussion work by Binder with Crandall's well executed harp work. A cool and I mean cool piano solo by Heid and another excellent guitar solo gives this track real girth putting it atop the heap as another strong favorite. Walking boogie, Dirty Pete, has a really nice harp solo complimenting Crandall's super vocal leadership. Clever lyrics and well written and played instrumentation saturates this release. Another instrumental, Figgy Bag is a really hot blues number lead by Crandall on harp. This is a track that will likely appeal to all with a great driving bottom and smoldering harp. Wrapping the release is Bolivar Blues, a slick jazz oriented blues number with loose piano soloing and nice bass work by Farmer. Crandall shows his melodic mastery of the harp on a sleek harp solo and even Farmer gets his spot in the sun. Very nice closer.
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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