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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Thursday, January 19, 2017

FEB. 24 rel-JOSH HYDE (w/Sonny Landreth) "The Call of the Night"


"A gifted native son, Josh Hyde is one of my favorite artists from Louisiana. Funky, atmospheric and soulful, his new album, "The Call of the Night", was a pleasure to work on."  (Sonny Landreth)




https://soundcloud.com/user-45065947/sets/josh-hyde-the-call-of-the/s-CTNFD


Recorded at the iconic Dockside Studio in Maurice, LA, on the banks of the Vermillion Bayou in the heart of Cajun Country, "The Call of the Night" was produced by Joe V. McMahan (who has helmed projects by Webb Wilder, Mike Farris, Kevin Gordon and Sarah Potenza, among many others). Hyde (guitars & vocals) was joined in the studio by Joe V. McMahan (guitar), Ron Eoff (bass), Jamey Bell (drums), Bryan Owings (percussion) and John Gros (keyboards). Special guests on "The Call of the Night" include Sonny Landreth, Buddy Flett, Tony Daigle, James Westfall and Laura Mayo.

From the slippery title track with its indelible image of "a slow heart attack, your smile shining thru me," and the pleading "It's Not Too Late," to the French Quarter funk of "Need a Little More" or the enigmatic tale of infidelity, "Offshore," each of the nine original tracks peels back another layer of the singer-songwriter's lyrical depth, while at the same time providing a showcase for his engrossing vocals and skillful playing. The finely etched songs throughout the album resonate with depth and darkness (his mother's death, a 2014 divorce), yet they remain melodic, celebratory and accessible.

Hyde's childhood was spent mainly in – yet not limited to – Louisiana's two biggest cities. Born in Baton Rouge, he was barely seven years old when his family moved to New Orleans for a time. "I only lived there for three or four years but even though I was that young, it left an imprint on me," he acknowledges. By that time, he had also already written his first song. In the late '70s, Hyde penned "Mississippi Bridge," which is included on the album. The musings of a child of divorce, from the wide-eyed perspective of a youngster who traveled unaccompanied on a Greyhound bus from Alexandria, where he was living with his mother, to Baton Rouge every other weekend, where he would visit his father. The tune is at once simple and poignant but also astonishingly honest and devastatingly mature. He was 11 years old when he wrote it.  "It's just a picture of the world inside that bus," he explains. "People don't ride buses anymore, so it's kind of like a throwback piece now. For a 10- or 11-year-old it was a little bit scary but it was also an adventure. I got to know the bus driver, he was a nice guy. We would stop at every little town between Alexandria and Baton Rouge.

Hyde's precocious nature at around that same age extended to live performance as well. During a family trip to Mexico, he witnessed a band playing and approached the drummer, asking him if he could get up and perform with them. He had started playing guitar at just 10 years old and began writing songs not long after, immersing himself in the blues at one of Baton Rouge's most renowned nightspots. "They had a place called Tabby's Blues Box, where a lot of real-deal blues guys played. Tabby Thomas owned the place. As soon as I could drive, when I turned 15, I would head down to Tabby's Blues Box. I started to play there on jam night."

In his early 20s, Hyde quickly became a popular fixture on the festival circuit throughout Louisiana, while at the same time began honing his songwriting, developing the distinctive New Orleans influence he retains to this day. In his late 20s, he fell in love with slide guitar after hearing Sonny Landreth, the supremely skilled guitarist who lifts the deliciously enigmatic "Offshore" to chill-inducing levels with his unmistakable playing.

"I met him at a few different shows and we got to know each other," Hyde says. "Offshore," which is kind of a song about 'high infidelity,' was the perfect South Louisiana song for Sonny to play on. He has a very unique style to his slide guitar. It's an open tuning and he has a very violin-like way of playing. I had been talking to him about this song for a long time."

The song's reference to the mysterious, mythical figure of "Jody" may be lost on some, but men who work the offshore oil rigs off the Louisiana coast may find it eerily familiar. "In Louisiana, a great deal of the men work offshore, working 14 days on 14 days off," Hyde notes. "There's kind of a mythological character in the offshore world and his name is Jody. Jody is the guy that's having an affair with your girlfriend or your wife while you're out on the oil rig. 'Jody is creeping around your house.' When I play that song live, especially if there's somebody in the audience that works offshore, they always come and talk to me about it."

Josh Hyde works on stage and in the studio the way another gifted native son of Louisiana, Chef Paul Prudhomme, worked in the kitchen. His recipe for musical success found in seasoning gorgeously seductive tunes with a flavorful blend of American roots, blues and soul. Hyde's slinky, sensual tunes can bubble over with the exuberance of a New Orleans street parade, or stew in a hypnotic, laid-back vibe. Yet, while the framework of "The Call of the Night" is quintessential Louisiana, Hyde's distinctive approach to songwriting, performing and recording propels it beyond its deep Southern origins and into the wider realm of Americana.

In the same way its varied, distinctive cuisine has defined and enriched its people, music remains one of the Bayou State's most important natural resources. "Music is just everywhere in Louisiana. It's part of our culture, from the crawfish festivals to the funky clubs to the jazz trios. There is a raw energy to it. It's just the air you breathe," Hyde says.

If music is the food of love, heartbreak, celebration and redemption, Josh Hyde's "The Call of the Night" is one of the most flavorful recipes Louisiana has ever produced.

www.joshhyde.com

Ruf Records artist: Mike Zito - Make Blues Not War - New Release Review

I just had the opportunity to review the most recent release, Make Blues Not War, from Mike Zito and it's crazy good! Opening with blues rocker, Highway Mama, this track gives you that take no prisoners attitude with a driving beat courtesy of Tom Hambridge who absolutely blows it up on drums and Tommy MacDonald on bass, Mike Zito on lead vocal and guitar, Rob McNelley on guitar and Water Trout on guitar. Trout plays some really hot riffs and Zito absolutely scorches the strings. Excellent opener. Wasted Time is up next with a great lumbering Texas lope, Zito lays down stuff that would make SRV proud, with intensity and feel. Very nice! Redbird is a heavy footed, rocker with strong vocals. Solid bass lines from MacDonald positively drive this bus and it's rolling hard. Talk about intensity, Crazy Legs has it x 10. This track is on fire and running hard with excellent drum work by Hambridge and super guitar tone. Zito really turns on the heat on this one literally setting the thing on fire. Wow! Slowing it way down, title track, Make Blues Not War has the characteristics of delta blues and early electric Muddy Waters. Jason Ricci is down on this track and he and Zito really dig in on this one with harp and slide fanning the flames. Very nice. On The Road has some funk with really sweet organ work from Kevin McKendree and stirring some of the funkiest guitar riffs that I've heard since David Spinozza hit "Right Place Wrong Time". Sure to be an instant favorite on the release is Bad News Is Coming, a slow, low down blues with excellent guitar phrasing and hard luck soulful vocals. Excellent!! Detroit style rocker, One More Train, has a really nice feel with excellent vocals, super slide work from Ricci and great piano work from McKendree making it my pick for radio track that should hit hard. Girl Back Home is a quiet ballad with rich slide work making it a standout on feel alone. Chip Off The Old Block features Mike's son, Zach on guitar over a basic 12 bar setup. Zach shows his stuff which is quite cool and with McKendree on piano and Mike on vocal and guitar, a real solid track. Ballad, Road Dog is another sure radio track with a super melody and strong construction. McKendree's organ, Hambridge's tight drum work and Zito's vocals and somber guitar work, ala BB King give this track excellent grip. Love it! Wrapping the release is Route 90, a Chuck Berry style track featuring an excellent piano solo by McKendree over a great bass line by MacDonald. Zito digs in at the bottom of the fretboard and with his own super vocals and southern style make this track a great closer. I don't think I'm going out on a limb very far saying that this will be one of the top 10 releases I'll hear this year and moving Zito to the top of the list of bands I hope to see this year. Excellent!!


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Wednesday, January 18, 2017

Reaction Records artist: Randy McAllister - Fistful of Gumption - New Release Review

I just had the opportunity to review the most recent release, Fistful of Gumption, from Randy McAllister and the Scrappiest Band in the Motherland and it's flavorful. Opening with C'Mon Brothers and Sisters, a southern flavored soul track with a cool rock edge, features McAllister on vocal and drums backed by Rob Dewan on guitar, Maya Van Nuys on fiddle, Matt Higgins on bass and Andrea Wallace on backing vocals. Cool opener. On Time For The Sun To Rise, McAllister's vocals are warm and Dewan's guitar riffs have a magical Mali like sound. A nice violin solo by Van Nuys is really nice and Dewan's guitar soloing is fluid and inviting. Ride To Get Right has a real Cajun flavor with Van Nuys and McAllister (on drums) really putting on the steam. Roll With The Flow has a real nice revival like sound with warm backing vocals by Benita Arterberry-Burns and nice piano work by Carson Wagner. Aggressive rocker, My Stride showcases some real nice Rory Gallagher like slide work by Dewan and a tight melody making it one of my favorites on the release. Soulful, The Oppressor, it a really strong showcase for McAllister's vocals with breaks from traditional soul formatting to almost classical styling. Dewan really grips it on this one with intensity and Van Nuys' violin work is very nice. Masterful. Leave A few Wrong Notes has a great gospel rock feel bringing me back to early Leon Russell. This track just has great rhythm with solid vocals and standout piano work by Wagner and a great bottom by McAllister. On shuffle track, Band With The Beautiful Bus, McAllister and Wallace blend vocals particularly nicely and Dewan's country influenced riffs make this track another of my release favorites. Wrapping the release is blues rocker, East Texas Scrapper, with a lot of swagger, grinding guitar riffs light, flowing fiddle lines and flavorful harp work by McAllister. This is a really cool closer to a nicely constructed set.


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