I just had the opportunity to review the most recent release (July 16, 2021), Resurrection, from Mike Zito, and it's a cool blues rocker with a lot of snap. Opening with JJ Cale's, I'll Make Love To You, Zito works this blues rocker with real radio appeal. His slide work and vocals are solid, backed by Zach Zito on vocal and guitar, Matthew Johnson on drums, Doug Byrkit on bass, Lewis Stephens on keys, Eric Demmer on sax and Fernando Castillo on trumpet. Lain back, country flavored, In My Blood is a real nice track with sparkling guitar riffs and solid lead vocal, backed nicely by Lisa Leuschner Andersen. A rework of Clapton's Presence of the Lord works nicely with this set and Zito's vocals work nicely with his Clapton like guitar riffs, expanded to his own, more wide open jamming style giving the track more bite. Very nice. Blues ballad, Damned If I Do, has strong radio appeal with Zito showing both soulful vocals and nicely phrased guitr phrasing. Very nice. Running Man has a country two step feel but Zito steps up with some real nice guitar riffs giving this track a real kick. Another track with some solid guitar work is Willie Dixon's Evil, with an understated funky beat. Possibly my favorite track on the realease, shows creative interpretation with a super bass line and real zip on lead guitar. Wrapping the release is title track, Resurrection, with it's anthem like construction, R&B roots and Zito's lead vocal, nicely balanced with his melodic lead guitar soloing, this is a super closer.
I just had the opportunity t oreview the most recent release, Hope Dies Last, from Steve Marriner and it's a blues fuzed rocker. Opening with Take Me To The City, Daniel Neill sets a stiff snare beat, Joined by Jim Bowskill on lead guitar and Ian McKeown on bass and of course Marriner on lead vocal, guitar and harmonica. Strong opener. High energy rocker, How High is one of my favorites on the release with Glenn Milchem on the drum kit and Bowskill again on lead guitar. Marriner has a markledly more rocking sound and it's tight. Samantha Martin guests with Marriner on lead vocal on Enough with Jesse O'Brien on piano and B3, Darcy yates on bass, Boswkill on steel guitar and Milchen on drums. This is the definite radio track on the release with a solid melody and smooth presentation. Another really cool track is Uptown Lockdown with it's funky bottom courtesy Yates and Milchen and fat lead guitar work by Boswkill. Very cool. Petite Danse has a definite French/New Orleans flavor with great slide style added by Bowskill. Wrapping the release is acoustic ballad, Long Way Down, with Marriner on vocal, guitar, bass, and piano with Brittany Brooks, Roxanne Potvin, Bowskill and Moa Blucher on backing vocals. With a strong melody and solid vocals by Marriner, a very nice closer.
I just had the opportunity to review the most recent release, Stop, from Robert Billard, and it's a pop rocker wiith some edgy guitar. Opening with Road To NoWhere, Robert Billard shows his traditional ballad vocal style with side guitar vamps, and thumping kick drum. JW-Jones lays down some real nice melodic guitar lead on Waiting For The land To Dry, joined by A-Train Boynton on bass and Clayton Hill on drums. No Shape For Talking is a cool radio hit with aggressive rock guitar soloing by Wild T Springer and Murray Peter on keys. Groove is a modified boogie with a lot of that George T. vibe. With JW-Jones grinding the guitar lead, Tobin Frank on bass, Porter on keys and Hill on drums, a cool blues number. Nothing Can Stop Me Now is an upbeat jazzy number featuring Jones on guitar, Kenny Blues Boss Wayne on keys, A Train on bass and Hill on drums. With over 6 minutes, these guys get a chance to jam a bit with nice piano passages from Wayne. Wrapping the release is Home, featuring Tonye Aganaba on additional lead vocal, Porter on keys, Springer on lead guitar, Frank on bass and Hill on drums. This is a strong ballad and presented somewht like an anthem running over 9 minutes. A firm closer.
I just had the opportunity to review the most recent release, Blood On The Strings, by John D'Amato and it's a cool mix of blues and rock. Opening with slick rocker, Working Girl, John D'Amato really shows a good had on guitar and lead vocal, backed by Carl Brenner on drums, Hottube Willie Scruggs on bass,and Dan Nadassi on keys. Cool opener. Swinging shuffle, Break Your Heart features Lauren D'Amato on lead vocal, and a cool lead guitar demo by John. With John Green on bass and Brenner on drums, a cool track. Title track, Blood On The Strings is a driving boogie with a a solid bass line by Scruggs and John on lead vocal and guitar. Slow R&B style ballad , What Happened, features John and Lauren on lead vocal duet, balanced by John's stinging guitar riffs. Using a classic blues vamp and ripping blues riffs on Walk on Water, D'Amato on lead vocal and guitar sets up a real nice blues track with a strong rhythm guitar line and bottom. Very cool. Wrapping the release is driving rocker, Rollin with Brenner on drums and Geno Haffner on keys setting the pace. With dual guitar leads and John keeping it simple on vocal, this is a solid closer.
I just had the opportunity to review the most recent release, Sunny Soul, from Endrick & the Sandwiches and it's an interesting blend of folk, and pop/rock tunes with a number of twists and bends. Opening with Mambo Intro, Endrick Tremblay sets up dialog over what sounds like electronic durms... rolling into Cheeseburger Blues, a blues shaped pop tune featurning Endrick on vocal and guitar, Mandela Coupal Dalgleish on drums, Simon Ethier on bass and Anne Lauziere on backing vocals. Mama's Rollerblade is a cool pop rocker with a tight rock edge, along the lines of The Eagles of Death Metal. Another tight little rocker is My Money with a a cool guitar riff by Endrick and a solid bass line by Ethier. Possibly my favorite on the release. Soul based, You Don't Need A Crowd To Be A Star, is short but cool with nicely worked vocals. The Party has a blues rocky feel with minimal guitar lead and cool harmonica by Endrick and blended vocal backing. Crossing over into a funk, How Do I Know About SC? has a straight up drum beat and vocals that breaks into a Frank Zappa like turmoil before returning back to a light female lead rap. The closer on the release is Doing Well (Sunny Soul) is a cool funk rocker with lead vocal melody and guitar riffs over low key drums by Dalgleish and keyboard by Endrick.
I just had the opportunity to review the most recent release, The Montreux Years, from Etta James and it's dynamite. Opening with Breakin' Up Somebody's Home, Etta James hits like a truck on lead vocal, supported by Herman Roscoe Ernest III on drums, Ronnie Buttacavoli on trumpet, Bobby Murray on guitar, Josh Sklair on guitar, Bobby Vega on bass, Kraig Kilby on trombone, Richard Howell on sax, David Matthew on keyboards, Donto James on percussion and Claude Nobs on harmonica. Great opener. Emotionally charged, A Lover Is Forever, is a quiet contrast to the opener with James wooing the mic over the electro acoustic guitar work of Murray and Sklair. Very nice. Rockin, Tell Mama, has great drive, with hot vocal by James, backed by Klaus Doldinger on sax, Lew Soloff on trumpet, Rick Wakeman on keys, David Fathead Newman on sax, Brian Ray on guitar, Richard Tee on keys, Steve Ferrone on drums and David Lowrey on bass. R&B track, Something's Got A Hold On Me gets an uptempo, gospel like feel with backing by Ernst III, Buttacavoli, Murray. Jim Pugh on keys, Sklair on guitar, Vega on bass, Kirby on trombone, Donoto foster on percussion, Howell and Sametto Dennis on vocal. Excellent! Slinky, high stepper, Come To Mama is really great with a strong under pinning by Vega and Ernest III, a scorching guitar solo by Murray and great horn work by Buttacavoli, Kilby and Howell. A string of ballads including At Last, Trust In Me and Sunday Kind of Love is really nice, with james showcasing the jazz styling that made her famous. Very nice. Rolling the blues out big and strong, I Sing The Blues For You is wide open with a full jam by Murray, Sklair, Matthews and Richard Cousins and solid horn backing by Buttacavoli and Kilby. Closing the forst cd is Baby What You Want Me to Do with Brian Ray with a solid guitar solo , Cash McCall on guitar, Tony Cook on drums, Gene Dinwitty with a potent sax solo, fred Beckmeier on bass, Bobby Martin on keys, Keith Johnson on trumpet and Claude Nobs on harmonica.
Disc 2 is all recorded in July of '75. Opening with a funky, Respect Yourself, James' vocals are gritty and tight, backed by Brian Ray on guitar, Frank Able on keys, Poindexter on sax, Klaus Doldinger on tenor sax, Johnson on tuba and bass trombone and John Paul Jones on bass. Drown In My Own Tears is an excellent soul track in the lines of Aretha '69 or her work at Muscle Shoals. Excellent! An excellent remake of her original track, I'd Rather Go Blind, is included her and she really works hard on that 9+ minute presentation. Very nice. Slow blues, Baby What You Want Me To Do, gives james a great opportunity to stretch thsi famous blues track to new heights. With her powerful vocals and the guitar work of Ray shining, backed by Poindexter, Doldinger, and Johnson, this is really cool. Wrapping the set is TBone Walker's Stormy Mondy with excellent guitar work by Ray and Albe's delicate key strokes setting the pace. The warm sax work of Poindexter prepares the way and james holds nothing back with a stellar vocal performance that pushes the band even further. Excellent closer for an excellent pair of discs.
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