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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

Wednesday, February 1, 2017

Allman Brothers drummer ButchTrucks shot himself - My prayers are with his friends and family

WEST PALM BEACH, Fla. (AP) — Allman Brothers drummer Butch Trucks killed himself in front of his wife, police reports released Wednesday show.
The 69-year-old Trucks shot himself in the head Jan. 27 at his home, the West Palm Beach police reports show.

'My husband just shot himself! My husband just shot himself!,' the wife of Allman Brothers Band drummer Butch Trucks screams into the phone seconds after what sounds like a gunshot.
DailyMail.com has obtained from police the audio of the 911 call that Melinda Trucks, the legendary drummer's wife of more than 25 years, placed January. 24 when the rocker took his own life in his waterfront condo in West Palm Beach, Fla.
The heavily edited recording -- police stripped all identifying words from the original -- starts with a loud noise believed to be the moment Trucks pulled the trigger on the pistol he held to his head as Melinda lets out blood-curdling screams.
'Allo, allo, my husband just shot himself,' Melinda yells into the phone. 'My husband just shot himself.'
'What did he shoot himself with,' the 911 operator asks.
'A pistol,' Melinda replies as the voice of a man sounds off in the background. According to the original police report, Trucks' singer son Vaylor may have been at the scene.
'Is he breathing still, though,' the operator asks.
'No, no,' Melinda replies. 'He shot himself in the head.
'I can't look at him,' Melinda says. 'What do I do? Call the hospital? .... Oh, I can't touch him!'
'No ma'am, you don't have to call the hospital ... You don't have to touch him ... Paramedics and the police are on the way,' the operator responds. 'Just stay outside.'
The transcript of the frantic call made to West Palm Beach Police also provides the awful details of the drummer's death at home in the downtown waterfront Villa Del Lago complex.
A woman caller who is unidentified on the transcript but described as 'hysterical' dialed 911 at 6:02 p.m., the transcript shows. 


The transcript of the frantic call made to West Palm Beach Police about 6:00 p.m. also  provides the awful details of the drummer's death at home in the downtown waterfront Villa Del Lago complex.
A woman caller who is unidentified on the transcript but described as 'hysterical' dialed 911 at 6:02 p.m., the transcript shows. 
The police dispatcher reported the woman saying her 'husband just shot himself' with a pistol.
The caller used Trucks' real first name, Claude, when she identified the victim.
As several squad cars rolled toward the apartment building, the caller continued talking to the dispatcher although she was so distraught she couldn't speak in complete sentences.
Trucks suffered a gun shot wound to the head, the caller said. At that point, the caller wasn't sure Trucks was still breathing.
The dispatcher then radioed the officers that Trucks' wife, painter Melinda, and a son were waiting for police in the hallway outside the condo. Trucks had two adult children, a daughter and a son, Atlanta-based musician Vaylor Trucks.
The dispatcher noted Melinda witnessed Trucks pulling the trigger.
Although he was breathing when police arrived, the man considered by Rolling Stone magazine as one of the top 10 drummers in rock history expired seconds later as the dispatcher concluded the call by noting a 'Signal 7,' police code for a dead person.
Police refused to comment but put out a statement confirming that Trucks died in his condo, and investigators did not suspect foul play despite the fact the incident officially still is under investigation.


The Palm Beach County Medical Examiner's Office performed an autopsy Wednesday, but the results won't be known for weeks.
Kathleen Salata, a manager at Villa Del Lago, said Melinda was spotted by residents Wednesday but was 'completely distraught.'
Several residents walking their dogs said they had no clue that the shooting occurred in their building and didn't realize that a legendary rocker lived on the fifth floor.
Todd Brodginski, Trucks' publicist, didn't return repeated calls asking whether the musician appeared depressed as of late.
Palm Beach County court records, meanwhile, show Trucks appeared to be wrestling with financials problems as of late.
In 2011, Trucks had to sell his prized home in Palm Beach for $2 million when it was possibly worth twice as much to pay off a $800,000 mortgage that a bank was trying to foreclose on.
In 2014, Trucks and his wife spent $500,000 on the condo where he shot himself.
And he was hounded by the IRS, according to federal records.

A consummate Floridian, Trucks was born in the Jacksonville area and by age 8 played drums with local bands.
He was playing a gig in Daytona in the late 60s when he was approached by Gregg and Duane Allman. Together, they formed The Allman Brothers Band, which became one of the 70s most popular concert bands.
Trucks moved to the Palm Beach area in the early 1990s. He and Melinda had become stalwarts on the local charity circuit and often made appearances at high-profile dinners to benefit non-profit groups.
He was one of the Allman Brother's Bands two drummers. Through the years, the band broke up and reunited three times and Trucks was there for every reunion. 
During their most recent stretch, from 1999 to 2014, Trucks' own nephew Derek was brought into the band to play guitar.  
After the band's most recent break-up two years ago, Trucks started a new group called Butch Trucks and the Freight Train Band. Trucks played his last show on January 6, and the group was scheduled for more shows this spring.
Trucks had been very open about his demons, including the drug and alcohol problem he developed in his early years in the band. 
Trucks told the Palm Beach Post that by 1974, the first thing he did in the morning was drink a beer or wine. He got into cocaine as a way to prolong the night. 
When the band first broke up in 1974, he says he tried to quit both by moving his family to Tallahassee and going back to school to finish college.  
While he was able to kick hard alcohol and drugs, he kept drinking wine.
After his kids left the house, Trucks and his wife moved to Palm Beach where his alcohol demons came back to bite him. 


'I promised myself no more than three glasses and I couldn't do it. I just couldn't do it,' he said.  
In October 2001, he quit alcohol completely, without going to rehab of Alcoholics Anonymous. 
'You have to make the commitment deep down inside that this is enough. That you care more for the people around you than the booze. My message is 'life can get better,'' he said
Just this year, Rolling Stone named Trucks and bandmate Jai Johanny 'Jaimoe' Johanson among the 100 Greatest Drummers of All Time.   

Trucks was one of two original drummers, along with Jai Johanny "Jaimoe" Johanson, who helped formed the rhythms and the drive for The Allman Brothers. Formed in 1969 and led by Duane and Gregg Allman, the group helped define the Southern rock sound that incorporated blues, rock, country and jazz.
Originally from Jacksonville, Florida, Trucks joined with the Allman siblings to form the band, including guitarist Dickey Betts and bassist Berry Oakley. They moved to Macon, Georgia, to cut their first record with Capricorn Records.
The two drummers melded their individual styles, with Trucks considered to be the straightforward, driving train rhythm player, while Johanson added his R&B and jazz drumming influences.
The band's 1971 live album, "At Fillmore East," became their seminal breakthrough album, featuring a fusion of jazz, blues and rock. It featured songs like "You Don't Love Me" and a 22-minute version of "Whipping Post."
Trucks also helped encourage a family lineage of musicians. One nephew, Derek Trucks, is the frontman of the Tedeschi Trucks Band and also joined The Allman Brothers band in 1999 as a guitarist. Another nephew, Duane Trucks, is the drummer for Widespread Panic.
Trucks was most recently touring with his band, Butch Trucks and the Freight Train.

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Tuesday, January 31, 2017

Landon Spradlin - No More Blue Mondays - New Release Review

I just had the opportunity to review the most recent release, No More Blue Mondays, from Landon Spradlin and it's strong. Opening with Seminary, a cool R&B style track featuring Spradlin on lead vocal and guitar and backing by Henry Spinetti on drums, Dave Markee on bass, and Dan Cutrona on keys this is a solid opener. Title track, No More Blue Mondays, settles right down into the arms of Texas and a super deep blues number. With heavy spiritual overtones and super organ backing by Cutrona, Spradlin really sings the blues and his guitar work is gripping and intense. Excellent! R&B hit, Drift Away gets a solid cover with little changes in arrangement. With particularly solid bass work by Markee and nice backing vocals by Amoy Levy, Ciceal Levy and Owen Welch, this track is bound for solid airplay. With upbeat tempo and country style, I Got Jesus Name is a super lively track that will have your toe tapping. Snappy drum/bass rhythm and clever guitar riffs make this track work. He Is There is a somber ballad featuring Spradlin's soulful vocals and powerful lyrics, pushed hard by super backing vocals by Levy, Welch and Levy. One of my favorite tracks on the release, My Friend Jesus, has an easy, Waltz tempo (think the band or Leon Russell)and it is particularly powerful in delivery and execution. With lead bass work by Markee and key organ work by Cutrona, Spradlin's vocals soar. Very nice! Wrapping the release is revival/spiritual style My Help. Spradlin is riding high on a snappy drum beat, running bass lines and solid organ. With great backing vocals, this is an excellent closer for a powerful release.

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Monday, January 30, 2017

Canadian Songwriter Lee Palmer Releases Bridge February 24th


Canadian Songwriter Lee Palmer Releases Bridge



Palmer's fourth album in four years is out on February 24th










"The music of Lee Palmer is perhaps best described as a mix of blues, country, jazz, folk and Americana. But above all it is very good music, Lee Palmer played his songs with conviction. This is an interpreter we believe every word and every sentence.” – Rudolph's Music Reviews

Canadian guitarist and songwriter Lee Palmer’s fourth album in as many years is a mixture of Americana and blues featuring some of the best session players in Toronto, affectionately known as “The One Take Players” for Palmer’s recordings. 

Recorded at famed Metalworks studio and produced by Palmer and Elmer Ferrer, the album tracks were written and intended for release in 2016 but Palmer’s plans were sidelined by quadruple bypass surgery. Not one to slow down, Palmer quickly recuperated and headed straight into the studio to record the album. 

Lee Palmer’s previous releases received many positive reviews from critics around the world, landed in heavy rotation on satellite radio, including being one of the top 10 most played albums for 11 consecutive months, as well as campus and community radio and speciality radio shows. 

“This collection of songs pays tribute to ‘My Town’ and ‘My Old Man’. It also tips a hat to the late JJ Cale’s musical career with ‘Tulsa Sound’ and Glen Campbell’s fight with Alzheimer’s in ‘That’s No Way to Go’. This album forms the musical bridge that allows me to travel between the many genres that have influenced my writing”, says Palmer. 

With ten original tracks, Bridge is another unique recording from Lee Palmer.



BRIDGE TRACK LISTING

1. THAT’S NO WAY TO GO 3:09
2. TULSA SOUND 4:24
3. BACK TO LONELY 4:24
4. OUR LOVE BEARS REPEATING 3:44 
5. DID IT FEEL LIKE THIS 3:16
6. MY TOWN 4:03
7. MY OLD MAN 3:44
8. WELL, WELL, WELL, WELL 3:19
9. CHOCK FULL OF TROUBLE 4:31
10. SO LONG AS YOU’VE BEEN LOVED 3:14

Lee Palmer - vocals
Al Cross - drums
Alec Fraser - acoustic & electric bass
Mark Lalama – Hammond organ, piano & accordion
Kevin Breit – guitar, mandolin & dobro

Additional guest performers
Elmer Ferrer, Kiki Ferrer, Aaron Solomon, Turner King, Dave Dunlop, Mary McKay, Lori-An Smith & Patricia Shirley














Imelda May's "Life Love Flesh Blood" out April 7 on Verve, produced by T Bone Burnett, Single "Black Tears" premieres on Billboard


IMELDA MAY’S LIFE, LOVE, FLESH, BLOOD
OUT APRIL 7 VIA VERVE RECORDS

“BLACK TEARS” PREMIERES AT BILLBOARD

MAY’S FIRST NEW FULL-LENGTH ALBUM IN THREE YEARS
PRODUCED BY T BONE BURNETT


Artwork photo credit: Max Dodson

“I’ve never met anyone quite like Imelda May. She is full of life…
I [am] inspired by her honesty and her generosity, and I continue to
be intrigued.”—T Bone Burnett

“I love the girl she used to be but I think I love even more the woman
she’s become. Still mischievous and playful, still a siren, but there’s an ache
in her voice now that has me with a glass at my ear to the wall of her world
where trouble has entered the room. There’s an erotic power here that’s not
just feminine power. She makes truth telling an invitation to intimacy.”—Bono

Life, Love, Flesh, Blood, the fifth full-length record from critically acclaimed Irish singer Imelda May and her first new music in three years, is due April 7 via Verve Records. The record is receiving early rave reviews in the U.K., with the Evening Standard noting that May “has poured her heart and soul into her new album.” Billboard is premiering the track “Black Tears” in celebration of the forthcoming release; listen/share the track [HERE] and HERE.

Additionally, W Magazine recently premiered the video for the album’s first single, “Call Me,” hailing the track as a “sweet, spare lament,” while the Daily Mail called it “stylish and extremely moving.” Watch/share the video HERE. May also recently performed the album track “Black Tears” on “Jools Holland’s Annual Hootenanny” on New Year’s Eve, which can be viewed/shared HERE. May’s performance was the most-watched segment of the evening with 250,000 YouTube views to date, plus it is the second most viewed video on the BBC Music YouTube Channel since October.

Produced by the legendary T Bone Burnett, the album marks a new direction for May who, in the time since her 2014 release Tribal, ended her marriage of eighteen years. Life, Love, Flesh, Blood is May’s most autobiographical record to date; Burnett says of May, “When I first happened onto her music, she was a punky Irish Rockabilly singer with a great band. I was intrigued by her deep feeling for and understanding of that American art form, much of which, of course, had originated in Ireland. When I ran across her several years later, she had gone through a change of lives and was writing about it with a wild intensity and singing about it in the most open hearted way.” Adds May, “It’s therapy, like keeping a diary that a lot of people read. Some of my favorite songs don’t say much, but they reveal everything.”

May’s new musical direction accompanies an overarching stylistic change for the established singer. “I always loved the ’50s rockabilly style but there was a point where I felt I was almost dressing up as Imelda May,” she notes. “It was as if I was getting into character for a gig. And I didn’t want to do that anymore. This is me.”

Life, Love, Flesh, Blood features contributions from guitar hero Jeff Beck and piano maestro Jools Holland, as well as an accomplished group of backing musicians including the core trio of guitarist Marc Ribot (Tom Waits, Elvis Costello), drummer Jay Bellerose (Elton John & Leon Russell, Ray Lamontagne) and bassist Zach Dawes (The Last Shadow Puppets, Mini Mansions), the same band that recorded Robert Plant and Alison Krauss’ Raising Sand. Recorded over seven days in Los Angeles, the album was written over the course of May’s tumultuous past year and includes writing contributions from Angelo Petragalia (Kings of Leon) and Paul Moak (The Blind Boys of Alabama, Martha Wainwright). May states that she began writing songs for the album with “no preconceived notions of where it was going to go. My plan was to have no plan because it was freedom. It was liberating.”

May’s previous records have seen success both in the U.S. as well as in Europe. Tribal debuted at #1 in Ireland and #3 in the UK. The Guardian gave the album four stars, saying “This album is no time capsule; it’s fresh and embracing…” while The Times praised May’s “raw, impassioned vocals.” Her previous release, 2010’s Mayhem, also received critical acclaim with The Los Angeles Times commenting, “Ireland-born Imelda May’s career is fostered by paying homage to legends like Buddy Holly and Johnny Cash and, more importantly, furthering rockabilly’s cross-pollination into New Orleans jazz, delta blues and amp-splitting punk aggression.” Mayhem went Platinum in Ireland and Gold in the U.K., while May has seen performances on “Later…With Jools Holland,” “Conan,” “and an impressive four performances on “The Tonight Show with Jay Leno,” to name a few.

Sheriff & Outlaw Face Off in Wayne Hancock's New Music Video | Culture Collide Premiere


A sheriff and killer square off in the new music video from Texas honky tonk legend Wayne Hancock, and it's now playing via Culture Collide. The music video blends dark humor and tragedy, just like a classic country murder ballad should. This is Wayne Hancock's first music video in years, and it's following on the heels of Wayne Hancock's new album Slingin' Rhythm, available now. The video was directed by Chicago filmmaker Stanley Sievers (who is a performer at legendary Chicago comedy temple iO) and color graded by Mikey Pehanich at The Mill Chicago.

 

 

 

BE! Records and Bear Family present three deluxe box sets of regional Americana music, photos, and artist information


   






  

BE! Records, a German independent record label exclusively distributed
through Bear Family Records, presents...
The Texas Box, The Michigan Box, and The Florida Box
deluxe CD box sets coming February 10th

   

BE! Records, a German independent record label exclusively distributed through Bear Family Records, will release three regionally-focused Americana box sets on February 10th via MVD Entertainment Group: The Texas Box, The Michigan Box, and The Florida Box.


THE TEXAS BOX ($275) 330 tracks on 10 CDs, 1950s & early 60s Rockabilly / Garage Rock
The Texas Box is a fabulous collection of essential Texas singles - Rare Rockabilly, wild instrumentals and garage rockers, featuring hundreds of Texas acts from a well researched circle of local independent labels. The massive hardcover book presents the original 7" labels, rare pictures, informations about the artists, producers and record companies, and collector's guides for every song. The box includes ten CDs in jewel-cases, jam-packed with a mass of 330 tracks, remastered from the best available sources.
The Texas Box can be ordered at the MVD Shop or on Amazon.

Track listing, hi res cover art, and additional images, can be found HERE.



THE MICHIGAN BOX ($275) 10 CD 12'' x 12'' box set with 208-page hardcover book
Following The Texas Box is the The Michigan Box, another fabulous collection of rare rockabilly, wild instrumentals and rockers, featuring hundreds of Michigan acts from independent labels like FORTUNE, CLIX, BON MUSIQUE, STRATE-8, HI-Q, HAPPY HEARTS, D-TOWN and many more. The stunning hardcover book presents the original 7" labels, information about the artists, producers and record companies, and collector's guides for every song. Also included: essays on Michigan studios and famed legends like Joe Von Battle, Johnny Powers and Dr. Ross.

The Michigan Box can be ordered at the MVD Shop or on Amazon.

Track listing, hi res cover art, and additional images, can be found HERE.


THE FLORIDA BOX ($250) Greasy, primitive, stompin', rockin' goodies from the Sunshine State
Following The Texas Box and The Michigan Box comes The Florida Box, an amazing assemblage  of rare rockabilly, wild instrumentals and rockers, featuring hundreds of Sunshine State acts from independent labels like Blue Sky, Mida, Chart, Tridec, Gulfstream, Dade and many more. The stunning hardcover book presents the original 7'' labels, information about the artists, producers and record companies, and collector's guides for every song. If you're looking for prime greasy, primitive, stompin', rockin' goodies from the Sunshine State then you've got ten hours of the finest ahead of you! The box includes 8 CDs in jewel-cases, jam-packed with nearly 250 tracks, remastered from the best available sources.
The Florida Box can be ordered at the MVD Shop or on Amazon.


 

     

Sarah Shook & the Disarmers sign with Bloodshot Records + Sidelong out on 4/28



Sarah Shook & the Disarmers sign with Bloodshot Records + Sidelong to be released on 4/28


Chapel Hill, NC natives Sarah Shook & the Disarmers have signed with Bloodshot Records and will release their album Sidelong on April 28. The band is also working on a brand new album for release in 2018. Sarah Shook & the Disarmers have been heralded by No Depression, Alternate Root, and Rolling Stone Country, with the last saying, “Honest to a fault and as foul-mouthed as a drunken sailor, she's a nonconforming spitfire who's proud of not fitting in with mainstream country music.”

PRE-ORDER LINK: https://www.bloodshotrecords.com/album/sidelong

PopMatters announced the signing and release, saying, "Yeah, they’re a country band, but not of the sort currently dominating the mainstream Nashville country scene. Sarah Shook and the Disarmers are outsiders and proud of it."

SoundCloud link to “Keep the Home Fires Burnin’”: https://soundcloud.com/bshq/keep-the-home-fires-burnin-by-sarah-shook-the-disarmers-1/s-OSV6C

SS&tD will be touring in 2017, including their first trip down to SXSW, where they will perform at Bloodshot’s annual showcase and Yard Dog day party. All additional dates are included below or on SS&tD’s tour dates page.

2/24 Wake Forest, NC - Rockin the Forest
2/25 Raleigh, NC - Kings - WKNC benefit
5/19 Beaufort, NC - Beaufort Music Festival
5/20 Beaufort, NC - Beaufort Music Festival

Current dates: https://www.bloodshotrecords.com/tours-events/15493

       



Sidelong track listing:
Keep the Home Fires Burnin'
The Nail
Heal Me
Sidelong
No Name
Dwight Yoakam
Misery Without Company
Solitary Confinement
Nothin' Feels Right But Doin' Wrong
Fuck Up
Make It Up to Mama
Road That Leads to You

Alvon Johnson - The Blues Chose Me - New Release Review

I just had the opportunity to review the most recent release, The Blues Chose Me, from Alvon Johnson and I really like it! Opening with I Love The Blues, an easy laid Piedmont style blues, Alvon shows a voice so rich it calls comparison to Nat Cole. With Alvon on guitar and backed by Mike Rinta on trombone, Billy Moe and DMar on drums, Ron Perry on bass and Felton Pilate and Karen Richards on backing vocals it's a real nice opener. Title track, The Blues Chose Me, has a solid bass line with nicely phrased guitar riffs under satin smooth vocals with just the right amount of sting. Very nice. Heaven has a jazzier feel somewhat in the Walter Wolfman Washington style with backing keys by Felton C. Pilate II and James McKinney and nice bass groove by Perry. Alvon's guitar work is really excellent. Bluesy and articulate this track is very strong! Breakfast In Bed is the sure fire R&B style radio track. Think Marvin Gaye meets George Benson on style but with Alvon's rich vocals and trumpet backing by Tom Poole. Son House's Death Letter is redone with a more modern and smooth styling but maintaining a foot stomping rhythm and slide guitar. With only tambourine accompaniment, this track has a different life altogether due to Alvon's vocals, warm electric guitar chords and the addition of Adds Tolling's intense violin work under the track. Very nice. Frustrations is a cool modern blues rocker with a particularly nice melody. Heavy undertones on bass and guitar, give the track an almost Skillings/Vernon Reid metal - hip hop feel. Very cool work. Wrapping the release is Look At The World with it's funky bottom. Alvon's vocal blending with pilate and the ripping guitar work on this track make it an absolutely smoking closer. This is not a traditional blues release but it is really hot!

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Sunday, January 29, 2017

Hardcore Sex - You Greasy Devil - New Release Review

  1. I just had the opportunity to review the newest release, You Greasy Devil, by Hardcore Sex and it's raw and real and I like it. Opening with Clarksdale, a modern stripped down blues, Bear Ryan wails the lyrics and plays drums and Brian Johnson has super saturated and distorted guitar, not dissimilar but not the same as early The Black Keys with heavy blues and punk edge. This is great! Sister has a soulful vocal line by Ryan and Johnson's slide work is fatter than fat with a catchy guitar vamp and showing a band that is just loose enough to give it a rag tag feel but tight enough to keep you glued. Down My Throat takes raw to the next level with overt sexual lyrics that give the raw bluesy feel even more edge. This duo takes the blues as close to punk as I've heard it and has super aural presence. Great guitar tone man! Excellent! Wrapping the release is Tiger Meat ,a led footed blues rocker with a really wide girth and erotic lyrics. This band knows how to hold it down and hammer it home. Excellent debut! Check it out!!

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Saturday, January 28, 2017

VizzTone Records artist: Tim Gartland - If You Want A Good Woman - New Release review

I just had the opportunity to review the most recent release, If You Want A Good Woman, from Tim Gartland and it's quite good! Opening with shuffle track, What The Blues Look Like, Tim Gartland establishes a solid foundation as lead singer and harp man with strong slide work from Tom Brett and nice backing vocals by Wendy Moten. Kevin McKendree adds cool keys and Steve Mackey on bass and Lynn William on drums fill out the band. Latin salted R&B track, I Had It All, has a smooth feel and a nice showcase for Gartland on vocal and harp as well as Brett on slide. Bluesy ballad, I Come When You Call, has a real nice pace with nice solos by Tom West, McKendree, and Gartland on harp. I really like the shimmery guitar work of Brett on this track giving it an iridescence. Funky instrumental, Eight Ball, is a really cool jam with lead harp on the melody, nice bass work under the track and cool solo lines by West, Brett and McKendree. Another track with a funky rhythm, If That's What You Call Love, is one of my favorites with cool vocals by Gartland and Moten and super slide work by Brett over the keys of West and McKendree and tight harp work by Gartland. Very nice! Too Many Groceries is a bouncy little track with warm backing vocals by Molten and really tasty slide guitar work by Brett over a tight bass line by Mackey. With a Willie Dixon approach, Willie That's Who is a real cool track. Mackey sets the pace with a solid bass line and McKendree and West set down nice keys. William's drum work on this one is the coolest on the release and again I really like the slide work of Brett. Wrapping the release is Go West, a two step NO flavored track with lead harp and a rock guitar rhythm. Lighting up the slide again, Brett really hits it fueling a nice close by Gartland. Really nice closer for a really nice release.
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Thursday, January 26, 2017

Tom Letizia Records artist: Gaetano Letizia & The Underworld Blues Band - Ressurection - New Release Review

I just had the opportunity to review the most recent release, Resurrection, from Gaetano Letizia & The Underworld Blues Band and it's quite interesting. Opening with title track, Resurrection, Gaetano Letizia shows you right up front that you are in for something special. Gaetano, who plays guitar and sings, is joined by Larry Keller on bass, Steve Renko on drums, Bill Ransom on percussion, Bob Esterle on sax, Mike Fisher on trumpet, Tim Keehn on trombone and Robin Stratton on vocal. A dynamic guitar intro unfolds into a jazzy, laid back shuffle with Letizia twisting the blues on his guitar as only he can do. Very nice. Old Guitar Player has a really nice drum line compliments Renko and Keller's bass work sets the tempo. Letizia's vocals are straightforward and his guitar playing fleet and stylistic. Very nice! Latin infused, Hot and Cold Woman, really moves and with Mike Fisher popping up the top on trumpet. Letizia's vocals are crisp and his rhythm guitar tight. His soloing on this track is slick and meaty. Keller and Renko set a solid bottom on Standing By The Door and Letizia injects a jazzy funk. Sit back and watch the sparks fly as this guy runs his solo lines and breathe easy listening to how nicely paired Keller and Renko are as they get wound up. On Nothin To Me, has a smoky feel with a heavy bottom and cool riffs. Mr. Bad Luck is a hot slow blues number with really nice guitar runs and blues phrasing, backed by Esterle, Keehn and Fisher. Very nice! Another track with a dash of Latin, Sylvester Loved The Ladies, features Ransom and Keller under Letizia's vocals. Esterle and Fisher cruise along nicely adding nice warmth and Letizia's Spanish style guitar riffs are well articulated. Heaven Or Hell had a funky feel with nice lines from Keller and Letizia's lead vocals nicely backed by Stratton. His guitar work is quick and interesting. Wrapping the release is Ascension, a rockin shuffle with ripping guitar lead, broken by nice jazz chords. This release shows several diverse influences fused into one power packed release. Check it out. It's way cool.


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Wednesday, January 25, 2017

Jongleur artist: Jim Koeppel - RSVP To Paradise - New Release review

I just had the opportunity to review the most recent release, RSVP to Paradise by Jim Koeppel. Opening with Johnny's In The Dog House, an easy going shuffle track, Jim Koeppel leads on guitar and vocal. Backed by Tennyson Stephens on piano, Welton Gile on bass, James Gadson on drums, Ron Haynes on trumpet, Rajiv Halim on tenor sax, Norman Palus on trombone, and featuring some real nice harp by Billy Branch, this track is a cool opener. On easy blues number, Hurry Sundown, Koeppel lays down some of his best vocal and guitar riffs along with Stephens on piano over a nice horn set. On title track, RSVP To Paradise, Gile sets a nice table with a romping bass line. Koeppel gets aggressive on guitar with some stinging guitar riffs over Gile's solid bass line and Daddy G Bargetenn slips in a real nice sax solo of his own. Another easy shuffle track, Every Night Without Warning features a real nice piano solo by Stephens as well as some nice trumpet adds by Haynes. Wrapping the release is Let Me Tell You, a fast shuffle with a driving bass line by Gile. Light fingered guitar riffs by Koeppel, a nice harp solo by Branch and a solid blues bottom make this my favorite track on the release.


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Tuesday, January 24, 2017

QUEBEC BLUES ARTISTS SWEEP MAPLE BLUES AWARDS


 
QUEBEC BLUES ARTISTS SWEEP MAPLE BLUES AWARDS
The Paul DesLauriers Band and Angel Forrest win multiple awards
The fast-paced performance rich gala featured a moving memorial tribute to the late John Mays (Fathead), Brian Cober and past Blues With A Feeling Award Winner Bob Walsh
(January 23, 2017) Toronto, ON – Canadian blues artists from coast-to-coast were honoured by their peers at the 20th Annual Maple Blues Awards gala in Toronto last night as a crowd of blues lovers gathered to celebrate Canadian blues at Koerner Hall.
 
Quebec blues artists swept the awards with honours going to trio The Paul DesLauriers Band who won Entertainer of the Year, Electric Act of the Year, Drummer of the Year for Sam Harrisson, and Bassist of the Year for Greg Morency. Blues belter Angel Forrest took home three awards including Female Vocalist of the Year, Recording/Producer of the Year and Songwriter of the Year. The Blues With A Feeling Award for lifetime achievement was awarded to Stephen Barry, who has been a fixture on the Quebec blues scene for over 40 years. Montreal-based Frankie Thiffault of Ben Racine Band took home the hardware for Horn Player of the Year.
 
British Columbia blues artists were well recognized with awards going to David Gogo for Guitarist of the Year, Harpdog Brown for Harmonica Player of the Year and Kenny “Blues Boss” Wayne for Piano or Keyboard Player of the Year.
Other winners at the sold-out gala event were Manitoba’s Big Dave McLean for Acoustic Act of the Year, Ontario’s 17-year old newcomer Spencer MacKenzie for New Artist or Group of the Year, New Brunswick’s Matt Andersen for Male Vocalist of the Year, and Joe Bonamassa for International Artist of the Year.
Edmonton’s Cam Hayden, a long-time broadcaster on CKUA and co-founder of the Edmonton Blues Festival was presented with the Blues Booster of the Year award, a very special Maple Blues Award honouring outstanding contribution to the Canadian blues music industry.
 
In addition to the Maple Blues Awards, the third annual Cobalt Prize Contemporary Blues Composition Award was handed out last night to Ann Vriend for her song “All That I Can”, with runners up Michael Kaeshammer for his song “Sweet Grace" and The Harpoonist And The Axe Murderer for their song "Father's Son”. A cash prize of $1000 was presented to Vriend with second and third place winners each receiving $250, courtesy of the benefactor The Unicorn Project.
 
Hosted by Steve Marriner of MonkeyJunk, the 20th annual Maple Blues Awards included outstanding performances from nominees past and present, including Calgary’s Tim Williams, Toronto’s Sugar Brown and Shakura S’Aida, British Columbia’s Michael Kaeshammer and the evening’s big winners, The Paul DesLauriers Band along with the awards gala house band, The Maple Blues Band.
 
Winners of the 20th Annual Maple Blues Awards
 
 
ENTERTAINER OF THE YEAR
The Paul DesLauriers Band
 
ELECTRIC ACT OF THE YEAR
The Paul DesLauriers Band
 
ACOUSTIC ACT OF THE YEAR
Big Dave McLean
 
MALE VOCALIST OF THE YEAR
Matt Andersen

FEMALE VOCALIST OF THE YEAR
Angel Forrest
 
NEW ARTIST OR GROUP OF THE YEAR
Spencer MacKenzie

RECORDING/PRODUCER OF THE YEAR

Angel's 11 (Morningstar) Artist: Angel Forrest. Producers: Angel Forrest and Denis Coulombe

BLUES WITH A FEELING
(Lifetime Achievement)
Stephen Barry
 
B.B. KING INTERNATIONAL ARTIST OF THE YEAR
Joe Bonamassa
 
GUITARIST OF THE YEAR  
David Gogo
 
HARMONICA PLAYER OF THE YEAR
Harpdog Brown
 
PIANO/KEYBOARD PLAYER OF THE YEAR
Kenny "Blues Boss" Wayne
 
HORN PLAYER OF THE YEAR
Frankie Thiffault
 
DRUMMER OF THE YEAR
Sam Harrisson 
 
BASSIST OF THE YEARGreg Morency
 
SONGWRITER OF THE YEAR
Angel Forrest & Denis Coulombe
 
BLUES BOOSTER OF THE YEAR
Cam Hayden