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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Showing posts sorted by relevance for query jimmy wolf. Sort by date Show all posts
Showing posts sorted by relevance for query jimmy wolf. Sort by date Show all posts
Friday, July 29, 2011
Tribute to Elmore - Sunnyland Slim & Eddie Taylor
Eddie Taylor (January 29, 1923 – December 25, 1985) was an American blues guitarist and singer.
Born Edward Taylor in Benoit, Mississippi, as a boy Taylor taught himself to play the guitar. He spent his early years playing at venues around Leland, Mississippi, where he taught his friend Jimmy Reed to play guitar. With a guitar style deeply rooted in the Mississippi Delta tradition, in 1949 Taylor moved to Chicago.
While Taylor never achieved the stardom of some of his compatriots in the Chicago Blues scene, he nevertheless was an integral part of that era and is especially noted as a main accompanist for Jimmy Reed as well as working with John Lee Hooker, Big Walter Horton and others. Taylor's own records "Big Town Playboy" and "Bad Boy" on Vee Jay Records became local hits in the 1950s.
Taylor's son Eddie Taylor Jr. is a blues guitarist in Chicago, his stepson Larry Taylor is a blues drummer and vocalist, and his daughter Demetria is a blues vocalist in Chicago. . Taylor's wife Vera was the niece of bluesmen Eddie "Guitar" Burns and Jimmy Burns.
Taylor died on Christmas Day in 1985 in Chicago, at age 62, and was interred in an unmarked grave in the Restvale Cemetery in Alsip, Illinois. He was posthumously inducted into the Blues Hall of Fame in 1987.
Albert "Sunnyland Slim" Luandrew (September 5, 1907 – March 17, 1995) was an American blues pianist, who was born in the Mississippi Delta and later moved to Chicago, to contribute to that city's post-war scene as a center for blues music.[2] Chicago's broadcaster and writer, Studs Terkel, said Sunnyland Slim was "a living piece of our folk history, gallantly and eloquently carrying on in the old tradition."
Sunnyland Slim was born in 1906 on a farm in Quitman County, near Vance, Mississippi (some sources erroneously give this date as 1907). He moved to Memphis, Tennessee in 1925, where he performed with many of the popular blues musicians of the day. His stage name came from a song he composed about the Sunnyland train that ran between Memphis and St. Louis, Missouri. In 1942 he followed the great migration of southern workers to the industrial north in Chicago.
At that time the electric blues was taking shape there, and through the years Sunnyland Slim played with such musicians as Muddy Waters, Howlin' Wolf, Robert Lockwood, Jr., and Little Walter. His piano style is characterised by heavy basses or vamping chords in the left hand and tremolos with his right. His voice was loud and he sang in a declamatory style.
Sunnyland Slim's first recording was as a singer with Jump Jackson's band on the Specialty label in September 1946. His first recordings as a leader were on the Hy-Tone and Aristocrat labels in late 1947. Slim continued performing until his death in 1995.
He had released one record on RCA Victor using the moniker 'Dr. Clayton's Buddy': "Illinois Central" b/w "Sweet Lucy Blues" (Victor 20-2733).
In 1988 he was awarded a National Heritage Fellowship.
Sunnyland Slim died in March 1995 in Chicago, after complications from renal failure, at the age of 88.
Labels:
Eddie Taylor,
Sunnyland Slim
Wednesday, July 11, 2012
The Moon Is Shinin - Alex Wilson
ALEX WILSON grew up in a family of talented musicians..... Alex's grandmother, Rosa Saviano was a renowned professional jazz singer in Chicago in the 1940's and 50's. Tom Wilson, Alex's father, is a multi-faceted musician who has had the distinct pleasure of accompanying nearly every blues performer to pass through the Milwaukee/Chicago music scene in the last thirty years. Marc Wilson, Alex's uncle AND drummer, is one of the most sought after drummers in the country. He's played with B.B.King, Big Walter Horton, Buddy Guy, Jimmy Rodgers, Stevie Ray Vaughn, Susan Tedeschi, Anson Funderburgh and Sam Meyers to name but a few..... Alex picked up the guitar at five years old and never put it down. Immersed in the Milwaukee blues scene, Alex was surrounded, and influenced by such local luminaries as Stokes, Lee Gates, Jim Liban and Milwaukee Slim..... Alex formed his own garage band at thirteen. By seventeen he began to dig deep into the blues, learning the songs and styles of masters such as Muddy Waters, Howlin' Wolf, Little Walter, Buddy Guy, Jimi Hendrix and Magic Sam..... At seventeen Alex began playing professionally and by twenty-one he had joined Milwaukee's Blue Rubies and was performing regionally while still playing part-time with his own band. Playing up to 25 gigs a month, Wilson honed and sharpened his skills as a singer/songwriter, guitar player and over all entertainer..... In '05 and '06 Alex began to focus solely on his own project, booking shows, finding his own sound and the right players from the mid-west music scene to take his show on the road. .... With Alex's uncle Marc Wilson on the drums, and Alex's brother Matthew singing harmonies and playing bass, Alex is running with one of the toughest bands on the scene today. It's no surprise that they won the 2007 WAMI (Wisconsin Area Music Industry) Award for blues group/artist of the year..... After playing a series of shows for the Chinese New Year in Beijing with Grammy nominated blues harmonica player Charlie Musselwhite, Alex returned to the states to find himself a triple nominee for the WAMI Awards in 2008!.... A versatile musician, Alex effortlessly switches between genres. He plays everything from sweet Beale Street blues to West coast swing. From hard Texas grinders to stone cold Chicago grooves with a feeling that's said to be timeless. Alex's style and tasty originals matched with his undeniable stage presence and unmistakable guitar style will drive you to the dance floor. His long-awaited and freshly nominated debut CD, Tell Me Why, has been released on "Rathskeller Records"..... To say that Alex Wilson is one to look out for down the road is an understatement. Taking the Midwest by storm, this young musician is a force to be reckoned with......... MARC WILSON, born in Chicago, raised in Milwaukee, picked up his first drum stick at age 12. With "Stone-Cohen Blues Band" his first band in high school to the "Alex Wilson Band" today, Marc has been in the blues business for 30 + years..... Marc got a solid foundation early on, traveling with an inner-city gospel group, playing churches through out the Chicago/Milwaukee area. Soon after this time, Marc joined the popular regional band "Brian Lee Band"..... In 1978 Marc moved to Lincoln, Nebraska and started playing with the "Heart Murmurs", the house band for the infamous "Zoo Bar". At the "Zoo Bar" Marc had the unique opportunity to play with all the great touring blues bands of our time. This is where he met Anson Funderburgh and Sam Meyers which led his path to Texas, where he toured extensively throughout the US and Europe with "Anson and the Rockets", winning 4 WC Handy awards in 1988. During this period Marc also recorded on Black Top records with many other blues artists..... In 1989 Marc hooked-up with another guitar slinging band, "Mike Morgan and the Crawl" which was also very successful in the US and overseas, and had their tunes recorded on some national TV shows. Marc also played with Marcia Ball while in Texas..... Coming full circle, Marc moved back to his roots in the Chicago/Milwaukee area to play with his old friend, harmonica great, Mathew Skoller and the "Mathew Skoller Band". With family in Milwaukee, Marc also found himself playing with his two nephews in the "Alex Wilson Band". This band is 100 percent Wilson, featuring Marc's two talented nephews Alex and Matthew Wilson, creating a very special family affair..... Marc has traveled to 4 continents and recorded tracks on over 50 CD's which include critically acclaimed records by Anson and the Rockets, Snooks Eaglin , Joe Guitar Hughes, Nappy Brown, Henry Qualls, and Robert Ealey to name a few. Marc also has recorded some tracks on a major motion picture "China Moon"..... Marc has had the privilege to play on stage with blues masters, contemporaries and rockers such as BB King, Buddy Guy, Big Walter Horton, Jimmy Rodgers, Stevie Ray Vaughn, Jimmy Vaughn, Susan Tedeschi, Boz Skaggs, Donovan, Charlie Musselwhite, and Johnny Johnson, and the beat goes on and on......... MATTHEW WILSON was born in to a world of music. Surrounded by roots music and musicians from the time he was in the cradle, Matthew has led a life of musical privilege. As a small child, he was in regular attendance of the performances of his father and uncle. By 5, Matthew was given drum sticks and had been taught basic rhythms and beats that would only continue to grow stronger with age. These experiences planted a seed that would eventually blossom into a talented, young musician..... With a foundation in the blues, Matthew developed a grade school love of the Beatles. This relationship was interrupted when a friend gave him Jimi Hendrix's "Are You Experienced". Within a year, Matthew formed his first band..... At the same time, Matthew began to frequent his father's open blues jam at Milwaukee's Up 'n' Under Pub, where he began regularly performing with his father Tom and brother Alex. By age 10, he was sitting in, playing guitar and bass and at 14, he became part of the house band, playing with such local luminaries as Stokes, Lee Gates, Milwaukee Slim, Jim Liban and blues legend Hubert Sumlin. These weekly jams are where Matthew first cut his teeth, playing guitar, bass and drums. .... In 2006, Matthew began singing and playing bass with his brother, Alex Wilson. Since then Matthew has been privileged to play with WAMI award-winning drummer Craig Panosh, funk drummer and pioneer Clyde Stubblefield, formerly with James Brown, two time W.C Handy award winning drummer AND uncle, Marc Wilson, and most recently with Grammy nominated blues legend, Charlie Musselwhite..... Things have been going very, VERY well for this bright, young musician and the future only looks brighter!.... .. ..
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Labels:
Alex Wilson,
Wisconsin
Wednesday, January 31, 2018
"They Call Me Mud" CD Coming from Mud Morganfield on March 9 via Severn Records
They Call Me
Mud CD Coming from Mud Morganfield on March 9 via Severn Records
Blues Singer
and Son of Legendary Muddy Waters Steps Out on New Album Recorded in Chicago
with All-Star Cast
ANNAPOLIS, MD – Severn Records announces a March 9 release
date for They Call Me Mud, the new CD from singer Mud
Morganfield, son of the legendary blues icon, Muddy Waters. Produced
by Mud Morganfield and Rick Kreher (who also plays guitar on the CD), They
Call Me Mud was recorded at Joyride Studios in in Mud’s Chicago
hometown. Mud penned 10 of the album’s 12 songs, with two others coming from
his illustrious father’s catalog, “Howling Wolf” and “Can’t Get No Grinding.”
A stellar cast of Chicago area musicians adds some authentic,
downhome blues touches to the recording, including Billy Flynn on guitar,
Studebaker John on harmonica and backing vocals, Sumito Ariyo Ariyoshi on
piano, E.G. McDaniel on bass and Melvin “Pookie Stix” Carlisle on drums.
Special guests include Billy Branch on harmonica, Mike Wheeler on guitar and
Mud’s daughter Lashunda Williams, who joins her dad on a loving duet, ‘Who
Loves You,’ where Mud gets to stretch out on some of his R&B grooves.
There’s also a horn section featured on several tunes, and Mud, himself, plays
bass on three tracks.
“I think it’s the some of the best work I’ve ever done yet,”
Mud Morganfield proclaims about the new disc. “I feel that with the variety of
material I have on here, people will get a chance to hear the other sides of my
music: everything from soul and R&B to jazz and, of course, blues. I got to
play bass on three songs, too, and I’m so proud to a have my youngest daughter,
Lashunda, sing with me on this album. She’s a natural, too, and regularly sings
gospel at home.”
In the album’s liner notes, co-producer Rick Kreher recalls
how he found out about Mud and finally got a chance to meet and become friends
with the big man. “About a dozen years ago or so, I heard that a son of Muddy
Waters was popping up at clubs on the Westside of Chicago and sitting in for a
couple of tunes. A few weeks later, a Chicago blues club was having their
annual musicians Christmas luncheon and there was this guy who certainly looked
like Muddy. As soon as I introduced myself and he began to talk, I knew without
a doubt that this was Muddy’s son. No one could have that deep baritone voice
and as soon as he gave that little ‘chuckle’ that Muddy always did, I was
convinced. Since that first meeting, we have become great friends and have
worked together on many musical endeavors. Mud Morganfield has grown into a
superstar on the blues circuit. Certainly, there will be comparisons to his
dad, but that can be expected and rightly so. Mud comes as close to the Muddy
experience as one can get. He will always pay tribute to his dad with the
Chicago blues ensemble sound that Muddy created. But, Mud was also brought up
musically in the ‘70s and ‘80s when soul, Motown and R&B ruled the world.
Mud played bass and performed with bands playing the hits of that era. This,
along with his blues pedigree, has influenced Mud’s own songwriting skills,
which are constantly evolving.”
They Call Me Mud is Morganfield’s third album
for Severn Records. Son of the Seventh Son (2012) was the first
recording that brought Mud into the blues limelight. Mud wrote most of the
songs on that album, which was nominated for numerous blues awards and received
rave reviews around the world. His last album, For Pops (2014), a
tribute to his dad that featured harmonica great Kim Wilson, was showcased on
National Public Radio and garnered a Blues Music Award nomination for
Traditional Album of the Year.
Rick Kreher describes the music on the new disc as “a blues
buffet, with something for everyone. We have a new signature song, ‘They Call
Me Mud,’ a hard hitting funky blues with Mud growling it on home. Some rockin’
blues with Studebaker John on harp and Mike Wheeler on guitar going toe-to-toe
on ‘“Who’s Fooling Who?’ We have a couple of Chicago blues stompers, ‘Walkin’
Cane’ and ‘Rough Around the Edge;’ a great minor blues, ‘48 Days,’ with Billy
Flynn channeling the great Jimmy Johnson on guitar; a Stax groove on ‘Oh Yeah;’
and Mike Wheeler again getting funky on ‘24 Hours.’
“Then, to honor his dad once again we have Muddy’s slide
guitar blues, ‘Howlin’ Wolf,’ and the roaring shuffle, ‘Can’t Get No Grindin’,’
where everyone takes a solo turn. And finally, a jazzy instrumental, ‘Mud’s
Groove,’ featuring the great Billy Branch on harp. This was the kind of song
that blues bands would play before the star of the show would appear to get
them into the groove. This song is a perfect finale to a CD that showcases
Mud’s take on the blues.”
They Call Me
Mud – Track Listing
1) They Call Me Mud
2) 48 Days
3) Cheatin’ is Cheatin’
4) Who’s Fooling Who?
5) Howling Wolf
6) 24 Hours
7) Who Loves You
8) Oh Yeah
9) Can’t Get No Grindin’
10) Rough Around the Edge
11) Walkin’ Cane
12) Mud’s Groove
Wednesday, May 4, 2016
14th Annual Blues From The Top Festival: Trampled Under Foot Reunion, Much More!
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Saturday, April 14, 2012
The Wolf Pack - Kid Thomas
Kid Thomas wasn't just a Little Richard-clone, though his wild singing style and specially his incredible hairdo made him look like one. Actually he was a real blues man, a harmonica player, who named Little Walter (Jacobs) for his biggest influence and a teacher. Think 'bout that, unbelievers!
.. Kid Thomas was born Louis Thomas Watts on June 20, 1934, in Sturgis, Mississippi (I guess it may be necessary to mention, that this Kid Thomas is NOT the same person as Kid Thomas Valentine, famous jazz musician from New Orleans). Louis, alongside his parents V.T. and Virgie moved to Chicago in 1941. There he learnt to play the harmonica from a guy called Little Walter Smith, while he - in exchange - teached him to play the drums (Thomas' original instrument)! At that time he also got his nickname ('cause of his young age and tendency to a vicious lifestyle...).
..At some point Kid founded an own group and they managed to get a recording session for King-Federal (which actually was just a demo session). In Cincinnati, April 18, 1957 they recorded eight tracks, and two of them ended up to be Kid Thomas' first single release: "Wolf Pack" (a.k.a. "Wolf Call") and its flip-side, Screamin' Jay Hawkins-soundalike "The Spell". Those two and the six unreleased songs ("Jivin' Mess", "Come Here Woman", "She's Fine", "Here's My Story", "Ride On, Ride On" and "Beulah Come Back" a.k.a. "Beulah Lee") were so tough harmonica rhythm'n'blues, that Kid made his way straight to the heavyweight. And even harder stuff was to come later!
..In 1957 Kid Thomas heard 'bout Little Richard and changed his performance and outlook more into rock'n'roll. These two wild rockin' screwballs even met each other in 1957, and - the story tells that they really got along...
..One day, two hitch-hikers from Kansas came to Chicago and saw Kid and the group doin' a rehearsal at the Cadillac Baby's, which was their regular stage club. A little bit later Kid received a letter from these same guys and they wanted to book him to play in Wichita, Kansas! So - Kid and his boys stole (!) a car and drove there, playin' couple of months regularly at the Sportsman's Lounge (working also with Hound Dog Taylor, whom he had previously known in Chicago) - until the band (and the car) broke up and Kid had to return to windy city (Kid had some shorter club-vacancys in Wichita also after that).
..The future didn't look very rosy for Kid and he spent several years doin' minor part-time jobs and some occasional club gigs. At that time he worked for instance with Magic Sam and Otis Rush. Thomas got back to Wichita in 1958 and then to Denver, Colorado. Not until he settled in Los Angeles, California, in the late 1958 or early 1959, he could finally continue his musical bizness seriously. That moment really came true in 1960, when music-backgrounder and the Modern Records' A&R man George Mottola produced his single on Brad Atwood's TRC-Transcontinental label (Mottola made a hit "Goodnight My Love" for Jesse Belvin in 1956 and co-wrote the Eddie Cochran/Jimmy Madden-song "Jeanie Jeanie Jeanie" with Rickie Page. He also worked with Lee Hazelwood makin' "Lou Be Doo" for Sanford Clark). "Rockin' This Joint Tonite" backed with "You Are An Angel" was an A-class rock'n'roll-single, real wild and furious stuff. Kid plays his harmonica like a saxophone and howls like a madman! The record itself was even a tiny success in Chicago, although the TRC Records folded right after its release. Anway, it gave Kid enough courage to set up a new gig group. The Rhythm Rockers toured around all through the first part of 1960's, doin' club gigs, playin' mostly twist and other hip-music.
..In the mid 60's Thomas contracted with L.A.-based Muriel Records, that waxed two his singles under pseudonym Tommy Louis (and the Rhythm Rockers). The first release included "The Hurt Is On" and "I Love You So", which were basic blues ballads with funky incluences and sharp Buddy Guy/B.B. King-styled guitar solos (by Kid's regular guitarist Marshall Hooks). On the contrary, the second Muriel-release was like a flashback from Kid's rock'n'roll past: a truly blast-off full of speed, anger and lunacy! To make a long story short, "Wail Baby Wail" backed with "Lookie There" were simply the best kind of rockin' r'n'b that anyone made anywhere in 1965!
..Sadly none of Muriel singles succeeded and the next years Thomas had to make his living by singin' in private parties and lousy beer joints, like Cozy Lounge in South East Los Angeles. In the late 60's he made a single for Cenco-label. In this last studio session Kid recorded instrumental songs called "Cozy Lounge Blues" and "Willow-brook", and a new version of "You Are An Angel" (the last two were the single-songs). Still in the same year a blues researcher Daryl Stolper made him an interview, that was originally published on Blues Unlimited no. 72 in May of 1970 - just a month later Thomas' tragic death.
..Thomas, who lived then in Beverly Hills, worked as a lawn mowin' man. He owned a pick-up, that he used in his work. On September 3, 1969, a 10-year old boy was ridin' his bicycle, when he was struck by a van driven by Thomas, and died. Thomas got arrested and charged of manslaughter and drivin' with a revoked license. Finally the homicide case was dismissed because of insufficient evidence, but he was due back in court on the latter charge. Outside the courthouse waited the dead boy's father, who pulled out a gun and shot him down. Kid Thomas, 36, died almost immediately at 9:20 a:m at UCLA Medical Center, Beverly Hills on April 5, 1970.
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
Labels:
Kid Thomas,
Mississippi
Wednesday, September 30, 2015
Bobby Rush 4-CD box set 'Chicken Heads' collects 50 years and 20+ labels
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