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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Thursday, March 10, 2016

Simi Valley Cajun & Blues Fest 2016 announces talent lineup










LEON RUSSELL, BOOKER T, ERIC BURDON, REBIRTH BRASS BAND,
DOUG KERSHAW WITH STEVE RILEY, DWAYNE DOPSIE,
JO-EL SONNIER, CHUBBY CARRIER
HEADLINE 25th ANNUAL
SIMI VALLEY CAJUN & BLUES MUSIC FESTIVAL
SATURDAY-SUNDAY, MAY 28-29
Los Angeles area’s largest Cajun, Zydeco, Blues and Roots music festival, held over Memorial Day weekend, features two stages, a Mardi Gras parade, crafts and dozens of food booths




Above: Blues stage headliners Leon Russell, Booker T., Eric Burdon
SIMI VALLEY, Calif. — The 27th annual Simi Valley Cajun & Blues Music Festival will rock once again at Memorial Day weekend, Saturday and Sunday, May 28 and 29, at Rancho Santa Susanna Community Park, 5005 Los Angeles Ave., in Simi Valley. The event features two full stages (and two dance floors) for each of its musical genres. Music will proceed non-stop each day from 12 noon until 7:30 p.m. Tickets are $25 for adults (13 and over) and children 12 and younger are free. Discount single day tickets of $20 and two-day passes for $35, are available only online at <http://www.simicajun.org>. Parking is ample and free. Fast-moving California Hwy. 118 (Ronald Reagan Freeway) can be taken to the Stearns Street exit; the festival is four blocks south.
This year, the blues stage features headliners Booker T, legendary keyboardist for Stax hitmakers Booker T & the MGs; Eric Burdon & the Animals; Leon Russell; and the Rebirth Brass Band;as well as L.A. blueswoman Barbara Morrison; Alvon Johnson; Guy Martin; Kelly’s Lot and returning from last year by popular demand, Reverend Tall Tree. Once again Dwayne Dopsie performs at both the blues stage and the Cajun and Zydeco stage, “King of Cajun” Jo-El Sonnier brings his Acadian spirit to Simi. 
On the Cajun and Zydeco stage, Cajun hitmaker Doug Kershaw joins forces with Steve Riley, and Dwayne Dopsie & the Zydeco Hellraisers once again perform at both the Cajun/Zydeco and blues stages. Grammy Award winners Chubby Carrier & the Bayou Swamp Band bring genuine Louisiana-styled Zydeco.Also appearing are Mark St. Mary, Bonne Musique Zydeco and the Bayou Brothers.
The annual Mardi Gras Parade will take place both days at 4 p.m.
About the headliners:
Booker T.: Booker is a Rock ‘n Roll Hall of Fame inductee, Musicians Hall of Fame inductee, Grammy Lifetime Achievement Award recipient and arguably the most famous Hammond B3 player in history. As lead of the legendary Booker T and the MG’s, this pillar of soul music collaborated with Otis Redding, Albert King, Eddie Floyd and Sam and Dave during his tenure at the renowned Stax Records Label. His 2009 solo release on Anti Records, “Potato Hole” won a Grammy for Best Pop Instrumental Album in 2010. Booker followed with “The Road From Memphis”, a soulful return to the classic Memphis sound recorded with The Roots and released in 2011 with Anti- Records.
Eric Burdon & the Animals: Eric Burdon has one of the most powerful and distinctive voices in rock and roll. Hailed by Rolling Stone as one of the 100 Greatest Voices of All Time, Burdon has released nearly 50 records in those 50 years, as front man of The Animals and WAR and simply as Eric Burdon. Through the changing sounds and genres, what remains constant is his courage as an artist to explore new sounds, diving into new territory with his unrivaled and unique voice. Eric Burdon has shared the stage with legends such as Chuck Berry, Jimi Hendrix, Jimmy Witherspoon, Otis Redding and Bruce Springsteen, and has recently been cited by cutting edge musicians like Patti Smith and Iggy Pop as one of their personal top ten musicians.
Leon Russell:  In his distinguished and unique 50-year career, Leon Russell has played on, arranged, written and/or produced some of the best records in popular music.  As a session musician, arranger, producer, singer, songwriter, pianist, guitarist, record company owner, bandleader, and touring musician, he has collaborated with hundreds of artists, but is best known for his own hits, including “Tight Rope,” “Song For You,” “Delta Lady,” “Lady Blue,” “Roller Derby” and his cover of Bob Dylan’s “A Hard Rain’s a-Gonna Fall.”
Barbara Morrison: Over the years, Detroit-born L.A. blues legend Barbara Morrison has performed with a virtual who's who of the jazz and blues worlds: Gerald Wilson, Dizzy Gillespie, Ray Charles, James Moody, Ron Carter, Etta James, Esther Phillips, David T. Walker, Jimmy Smith, Johnny Otis, Dr. John, Kenny Burrell, Terence Blanchard, Joe Sample, Cedar Walton,Nancy Wilson, Joe Williams, Tony Bennett, and Keb' Mo. Morrison has also guest-starred with the Count Basie Orchestra, the Clayton-Hamilton Orchestra and Doc Severinsen's Big Band. "I Wanna Be Loved" written by Barbara Morrison and Michael Cormier is a musical theatre production about the life and times of Dinah Washington, Queen of the Blues.
Rebirth Brass Band: Whether seen on HBO’s TremĂ© or at their legendary Tuesday night gig at The Maple Leaf, Grammy-winning Rebirth Brass Band is a true New Orleans institution. Formed in 1983 by the Frazier brothers, the band has evolved from playing the streets of the French Quarter to playing festivals and stages all over the world.  
Doug Kershaw with Steve Riley: Take one monumental figure from the history of Cajun music. Combine in equal portions with the reigning master of contemporary Cajun music. Blend in a couple of 90-year-old accordions and a couple of 250-year-old fiddles. Let sit in an elaborate shack out on the Cajun prairie for five days. Flavor with four original tunes, eight traditional tunes, apportioning roughly an equal number of vocals for each musician. Title the collaboration album, simply, Doug Kershaw and Steve Riley Face to Face. Sit back and prepare to be transported.
Dwayne Dopsie: America’s Hottest Accordion winner Dwayne (Dopsie) Rubin, plays a unique, high energy style of zydeco. Dwayne hails from one of the most influential Zydeco families in the world. While inspired by tradition, he has developed his own high-energy style that defies existing stereotypes and blazes a refreshingly distinct path for 21st century Zydeco music. This singer/songwriter and accordionist has performed all over the world since debuting his band, Dwayne Dopsie and the Zydeco Hellraisers, at age 19.
Jo-El Sonnier: His music steeped in passion and relentless dedication, Sonnier has been the undisputed King of Cajun for the past 25 years and occupies a significant place in the rich artistic landscape of this country. Born in Louisiana to poor, French speaking sharecroppers. He began to play the accordion at three years of age. By the middle ‘80s, Jo-El had a Grammy nominated recording to his credit with Cajun Life.  In 2015 he was awarded the Grammy for The Healing Song which he wrote with his Nashville friends Billy Henderson and AJ Masters and recorded with a veritable who’s who of Cajun and Zydeco music.

Chubby Carrier & the Bayou Swamp Band
: often referred to as The World’s Premier Zydeco Showman, Chubby Carrier was born in Churchpoint, Louisiana and is the third generation of zydeco artists so it was only natural that he began his musical career at the age of 12 by playing drums with his father’s band. At 15 he took up the accordion and by age 17 he was playing with Terrance Siemien with whom he toured the world for 2 1/2 years. In 1989 he formed his own band. And in 2011 the band won the Grammy Award for the Best Zydeco or Cajun Album. Carrier and band have recorded ten CDs over the past 22 years while also touring the world.
Once again the blues stage is booked by Martin Fleischmann and his company, Rum & Humble. For more than 20 years Rum & Humble has played a key role in presenting some of the world’s most celebrated musical talent (Radiohead, Manu Chao, and the Rolling Stones, to name a few) to Los Angeles audiences, in venues ranging from the Echoplex to the Orpheum Theatre to the Hollywood Bowl. The company has co-produced the Santa Monica Pier’s Twilight Concert Series since 2011. In addition, Rum & Humble has collaborated closely and creatively with artists such as Jackson Browne and Paul Oakenfold as well as with a varied roster of corporate and non-profit clients ranging from KJAZZ Radio to the Conga Room nightclub to the National Geographic Society.
The festival has received national press accolades: “Everywhere you turned, there was something exciting happening. Put this on your 2013 festival calendar,” wrote Blue Revue editor Art Tipaldi, who made the trek from New England. The Blues Blast writer enthused, “I attend many venues and festivals throughout the year but the ones that seem to impress me the most are the ones that serve the community in some way. I highly recommend you put this on your calendar for next Memorial Day weekend.” And the music industry trade journal Hits added, “As the last strains of [Candye] Kane’s set rang in our ears, we left the grounds fully sated by music, food, drink and, as the saying goes, bon temps.”
The festival boasts dozens of food booths featuring a variety of fare: authentic Cajun creations and Southern BBQ as well as multi-cultural cuisine. More than 100 craft booths and retailers will be scattered throughout the festival grounds.
Tickets may be obtained online at
http://www.simicajun.org/tickets/
Support of the not-for-profit Simi Valley Cajun & Blues Music Festival has benefited dozens of local community, national and international organizations, a list of which may be found at < http://www.simicajun.org/who-benefits/>.
The Simi Valley Cajun & Blues Music Festival is a presentation of the Rotary Club of Simi Sunrise.
Simi Valley Cajun & Blues Festival web site: http://www.simicajun.org  
SATURDAY MAY 28th
(Schedule subject to change)
BLUES STAGE
12:15 p.m. Guy Martin
1:35 p.m. Barbara Morrison
3:00 p.m. Rebirth Brass Band
4:45 pm. Eric Burdon & The Animals
6:20 p.m. Dwayne Dopsie  
CAJUN/ZYDECO STAGE
12:25 p.m. Bayou Brothers
1:55 p.m. Dwayne Dopsie
3:25 p.m. Doug Kershaw with Steve Riley
4:35 p.m. Mardi Gras Parade
4:55 p.m. Chubby Carrier
6:25 p.m. Mark St. Mary
 
SUNDAY MAY 29th
BLUES STAGE
12:15 p.m. Kelly’s Lot
1:35 p.m. Alvon Johnson
3:00 p.m. Booker T
4:45 p.m. Leon Russell
6:20 p.m. Reverend Tall Tree  
CAUN/ZYDECO STAGE
12:25 p.m. Bonne Musique Zydeco
1:50 p.m. Jo-El Sonnier
3:15 p.m. Chubby Carrier
4:20 p.m. Mardi Gras Parade
4:40 p.m. Doug Kershaw with Steve Riley
6:05 p.m. Dwayne Dopsie


Below: Cajun/Zydeco headliners Jo-El Sonnier, Doug Kershaw & Steve Riley, Dwayne Dopsie





Catfood Records artist: Johnny Rawls - Tiger In A Cage - New release review

I just received the newest release, Tiger In A Cage, from Johnny Rawls and I really like it. Opening with title track, Tiger In A Cage which has a lot of the characteristics of Curtis Mayfield, smooth with a super groove via Bob Trenchard on bass and an added treat, Mike Middleton playing a loose jazzy trumpet lead. Excellent! Born To The Blues has a more bluesy rolling sound courtesy of the Rays featuring Andy Roman on sax, Middleton on trumpet, Robert Claiborne on trombone and Nick Flood on bari sax. A nice bass groove by Trenchard, slick guitar riffs by Johnny McGhee and tight drums from Richy Puga give this track strong radio appeal. Rawls' vocals throughout this release are very solid and Red Cadillac is no exception. With a cool R&B feel, and Trenchard driving the train, this track is just flat out cool! Every Woman Needs A Working Man has a chugging train feel and McGhee's guitar riffs punctuate the phrasing nicely. Reckless Heart is an easy soul ballad and really nicely features the warmth of Rawls' vocal strength. On Keep It Loose, Rawls cranks the Rays with a cool R&B track. Backing vocals by Arlen, Jessica and Jillian Ivey as wekk as the punchy sound of the Rays horn section charges this track and a tight solo by McGhee ices the cake. Sam Cooke's, Having a Party, has a real nice swing and Rawls sets a super groove. His natural feel, dressed by Ferguson on piano and with warm backing by the Iveys leave a great opportunity for a sweet bone solo by Claiborne. Excellent! Classic soul track, Your Love Is Lifting Me, is high energy and punchy horn work and a nice bass line really set it off. Very nice! Southern Honey finds Eden Brent sharing the lead spot with Rawls and addition of accordion by Ferguson, violin by Tommy Sheen, cello by Norma Martinez and street style percussion by Jon Olazabal gives this track a cajun feel. Lucy has a trademark R&B radio sound with Rawls out front, horns behind and a funky beat. Next up is Mick and Keith's Beast of Burdon. With only the smallest of changes to the arrangement but with a punched up horn backing, this track has a cool feel. Wrapping the release is another Mayfield like track, I Would Be Nothing. One of my favorite tracks on the release, Rawls is smooth as silk with warm backing by the Iveys and keys from Ferguson. Excellent conclusion to a strong soulful release.

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Wednesday, March 9, 2016

Blue Elan Records artist: Janiva Magness - Love Wins Again - New Release Review

I just received the newest release, Love Wins Again, from Janiva Magness and it has a strong soulful base. Her first release on Blue Elan Records opens with title track, Love Wins Again, a uptempo R&B style track showcasing the tight phrasing of Magness with nicely blended backing vocals and a radio hook. Real Slow has an infectious funky groove with slick guitar riffs and a solid bottom. Ballad, When You Hold Me has the pure sound of 60's R&B with nicely blended vocals. I really like the feel of this track and Magness parlays her soulful vocals into a super radio track with warm key backing by Arlan Schierbaum and stinging guitar riffs by Garret Deloian, Zach Zunis and Dave Darling. Say You Will is a prime radio track with an easy beat and a solid melody. Backing vocals by Brie Darling, Bernie Barlow, Gary Pinto and TJ Norton add considerable warmth and Phil Parlipiano on piano balances the solid bass lines of Gary Davenport and tight drum work of Matt Laug. Doorway is an mature ballad with all of the spotlight on Magness. Nicely tunes backing vocals and light guitar accompaniment rounds out this track. Moth To A Flame has a cool jazzy saunter with rich lower vocals under the lead and with Schierbaum on organ, a cool bass line by Davenport and slick guitar riffs, this is one of my favorite tracks on the release. Your House Is Burnin, is a high energy track with an almost James Brown structure but with a rock footprint. A stinging guitar riff on this track really fans the flames making this one a cooker. Just Another Lesson is a folk style ballad accompanied by acoustic. Nicely written and performed, very cool! Rain Down has strong potential for adult radio with it's somber attack and posture. Nicely presented with smooth instrumental articulation. John Fogherty's Long As I Can See The Light is my favorite track on the release and I believe the best showcase of Magness' vocal range. With a light country funk, similar to CCR's delivery, this track just hits it! Wrapping the release is Who Will Come For Me, a powerful ballad with shimmery guitar work and full coral style backing vocals. With warm sax work from Alfredo Ballesteros, this is a nice conclusion to a solid 1st release on Magness' new label.


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Tuesday, March 8, 2016

Steve Gilbert - Hempstead Highway - New Release review

I just received the newest release, Hempstead Highway, from Steve Gilbert and it's a gritty rockin' blues release. Opening with title track, Hempstead Highway, Steve Gilbert shows his rock n roll roots with basic rockabilly style guitar riffs, joined by Jeffrey Hamby on bass and Carl Owens on drums. I Ain't Gonna Do It is a cool boogie track with a solid bass line from Hamby and vibrato rhythm from Gilbert. Slick guitar riffs and a driving blues rhythm are the keys to Overnight Bag. Mr. Guitar Hughes gets down in the blues with solid Hammond work from William Hollis. I particularly like Gilbert's guitar work on this track with pace and style. Paul Butterfield's Lovin' Cup is one of my favorite tracks on the release with solid vocals and nice riffs from Gilbert, slashing cymbals from Owens and a driving beat from Hamby. Albert Collins', If Trouble Was Money, is always a great track with arpegiated lead lines and soulful vocals. This track has nice tension and cool chords. Excellent! Instrumental, Shake That Thang has a cool Booker T feel with Hollis jamming out on organ and slick guitar soloing over the basic rhythm. Very cool! Straight To Hell has a rocking country feel and some strong lyrics. With rowdy guitar riffs and tight rhythm, this is one of my favorite original tracks on the release. Muddy Water's, Streamline Woman, has some really nice blues guitar riffs to open the track and maintains a solid blues feel throughout. Gilbert shows a real nice hand for the blue guitar with his smokey phrasing on this track. Very nice! Built on a standard 12 bar bottom, Sonny Boy Williamson's, Early In The Morning, gets a cool groove, stripped down, with condensed guitar riffs just hitting the spot. Willie Dixon's Bring It On Home, rides on a drone bass note giving it a mix between the Dixon version and the Led Zep version. Ultimately a cool track. Dirty Leg Woman Blues has a cool blues gait and smooth guitar lead with shared vocals between Gilbert and Eugene "Sparetime" Murray. Wrapping the release is See You On The Other Side, a smooth blues number with Gilbert featured on slide guitar. A cool...off into the sunset closer for a subdued but cool release.

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Monday, March 7, 2016

EllerSoul Records - New Release: Blues for Big Walter





website
EllerSoul Records - New Release:
Blues for Big Walter

This is a record that I’ve wanted to make for some time now. Big Walter Horton has been a major influence on all of the great blues harmonica players of my generation and beyond. We wanted to do our part in spreading the blues genius of Big Walter Horton.

This is a non-profit project with proceeds going to the Blues Foundation and HART Fund. We know they will put the money to excellent use. Artists involved donated music for the cause. We’re very excited about the record and are so grateful for the stellar lineup. We'd also like to thank all the musicians, labels, studio's and promoters involved.
 
- Ronnie




The Bo-Keys from Memphis announce 'Heartaches by the Number' on Omnivore Recordings, April 29











THE BO-KEYS ANNOUNCE HEARTACHES BY THE NUMBER
Country meets soul on this inspired collection of jukebox singles featuring Stax and Hi Records originators, producer Scott Bomar, roots guitarist John Paul Keith, and Al Gamble of St. Paul & the Broken Bones
street date set for April 29. 


MEMPHIS, Tenn. — The Bo-Keys, a contemporary soul music group that signifies both tradition and innovation, celebrates the release of a third studio album, Heartaches by the Number, on Electraphonic Records via Omnivore Recordings on April 29, 2016. Heartaches by the Number is an exploration of the intersection of country, folk and soul, combining stunning originals with inspired interpretations of jukebox classics from Hank Williams, Merle Haggard, Bob Dylan, Swamp Dogg, Charlie Rich, and Ray Price
Recorded entirely on analog tape at Electraphonic Recording in Memphis, the set perfectly captures the classic country-meets-soul feeling birthed within the musical triangle of Memphis/Nashville/Muscle Shoals. The core group comprises legendary Al Green drummer Howard Grimes, keyboardist Archie “Hubbie” Turner, horn players Marc Franklin and Art Edmaiston of the Gregg Allman Band, bassist/producer Scott Bomar, saxophonist Kirk Smothers, organist Al Gamble, and guitarist Joe Restivo. On this country-soul journey, special guests including celebrated Hi Records artist Don Bryant, Hi Records and American Studios vocal group the Masqueraders, and roots singer-songwriter and guitarist John Paul Keith join the Bo-Keys in the studio. Front-and-center is Bo-Keys lead vocalist Percy Wiggins, who comes by the groove honestly — in the 1960s, he cut sides for RCA and ATCO alongside future Band of Gypsies musicians Billy Cox and Larry Lee at Bradley’s Barn, Nashville’s eminent recording studio. 
Heartaches by the Number is a genre-bending release that sounds like the jukebox roster at a honky-tonk bar or Mississippi juke joint. Merle Haggard’s “The Longer You Wait” is reinterpreted with propulsive horns and a searing organ riff, while the band inserts grit and funk into their interpretation of the Swamp Dogg-penned “Don’t Take Her (She’s All I Got),” first cut as a soul single by Freddie North before country hit-makers such as Johnny Paycheck, George Strait, and George Jones added twang and swagger to the iconic dive-bar lament.
Heartaches by the Number builds on the Bo-Keys’ past catalog and adds a new dimension to the group’s potential by metaphorically traveling beyond the Memphis city limits to explore an often-overlooked subgenre of music popularized by Arthur Alexander, Swamp Dogg, Solomon Burke, and Bettye LaVette. The release will also bring new audiences to the Bo-Keys — fans of Adele, St. Paul & the Broken Bones, and the Alabama Shakes will find music that speaks to them on this album.
Whether or not you recognize the name, you’ve seen or heard the Bo-Keys: That’s the Bo-Keys setting the mood in TV episodes of Scandal and Scorpion; on the big screen playing the original score for the Oscar-winning film Hustle & Flow and backing Samuel L. Jackson and Bernie Mac in Soul Men; and performing on Cyndi Lauper’s Grammy-nominated Memphis Blues album. Since 1998, the Bo-Keys have kept the spirit of classic Memphis music alive while simultaneously penning a vital new chapter for the sound and style that are etched into the very fiber of American consciousness.
“Where many revivalists pale compared to the originals, the Bo-Keys would have fit right in next to legendary Memphis musical crews the Bar-Kays and Booker T. & the M.G.s,” raves the Associated Press, while The New Yorker notes that a recent Manhattan appearance was “one of last year’s tightest, funkiest, happiest shows.” Although the band hasn’t released a studio album since 2011’s Got to Get Back!, the Bo-Keys have stayed busy, performing on John NĂ©meth’s Blues Music Award-winning Memphis Grease album (for Best Soul Blues), and placing music in the film Grudge Match and on TV.
Heartaches by the Number was produced by Emmy-winning and Grammy-nominated Scott Bomar, the Bo-Keys’ bassist (who also produced Memphis Grease). His other career highlights include working as assistant engineer on Al Green’s 2003 Grammy-nominated comeback I Can’t Stop and its follow-up, Everything’s OK; producing the Grammy-nominated Anthony Hamilton track “Soul Music”; and producing and engineering Lauper’s Memphis Blues, which topped the Billboard blues chart for 13 weeks. In 2005, Bomar composed the score for Hustle & Flow, followed by serving as executive music producer and composer on Black Snake Moan. He won an Emmy for Best Original Music for the documentary I Am a Man: From Memphis, A Lesson in Life and most recently scored the film Mississippi Grind, which features Ryan Reynolds and debuted at the 2015 Sundance Film Festival.
Look for tour dates and more info on Heartaches by the Number at http://www.thebokeys.com
 Track List:
1.Heartaches By The Number Feat. Don Bryant
2.Set Me Free
3.I’m So Lonesome I Could Cry
4.The Longer You Wait
5.I Threw It All Away
6.Learned My Lesson In Love
7.Don’t Take Her (She’s All I Got) Feat. The Masqueraders
8.I Hope You Find What You’re Looking For
9.Wasted Days And Wasted Nights
10. Last Date