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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

Thursday, July 12, 2012

Robert Lowery


Robert Lowery (born April 8, 1931, Shula, Arkansas, United States) shown here with Virgil Thrasher (harp), and T-Bone Flippin (2nd harp) is an American blues singer, and guitarist.
As a teenager, he picked up blues tunes from records by Robert Johnson, Lightnin' Hopkins, Blind Boy Fuller, Arthur "Big Boy" Crudup, and others, eventually developing his own distinctive style. After moving to Santa Cruz, California in 1957, he backed up Big Mama Thornton.

Lowery made his first major concert appearance in 1974, at the San Francisco Blues Festival, and appeared there again in 1976 and 1984. Since then, he has traveled worldwide, and performed at many blues festivals and concerts, including a special appearance of fellow Arkansas native President Bill Clinton's 1993 inauguration. Lowery has released many recordings on diverse record labels, some of which are currently available.

More recently, Lowery's reputation as an authentic Delta blues musician has taken him far beyond California. He played the Monterey Jazz Festival in 2006, New Orleans Jazz and Heritage Festival in 2007, Philadelphia Blues Festival, Eureka Springs Festival in Arkansas, the San Remo Blues Festival in Italy and the North Sea Jazz Festival in the Netherlands. He recorded a television commercial for MCI Inc., singing about how his telephone bill was too high
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”

A 'Character' You Should Know: Randa Lee Hosts New Weekly Sunday Blues Jam


Are You A Character? Play The Blues? Then My Friends, This Jam's For You!
<<<<Each And Every Sunday From 3 pm to 8 p.m. >>>>

(Pomona, CA) - The Inland Empire Blues Scene is holding its own with some great new venues having recently opened (Marquee 15) and other rooms such as Happy's in Chino Hills and the Arcadia Blues Club presenting weekly Blues shows.

SoCal Blues fans can add Characters in Pomona to the aforementioned list, with the Mistress of the Blues, the irrepressible Randa Lee, now hosting a weekly Characters Sunday Blues Jam every Sunday from 3-8 p.m. Characters is located at 276 E. First St., Pomona. Info: (909) 622-9070 or www.characterspomona.com. This week, Lee - a singer/bassist in her own right - welcomes Featured Artist, Jeff Brent.

Randa Lee will also be performing at the first-ever Orange County Blues Society concert taking place Thursday, August 16 at The Muckenthaler Cultural Center in Fullerton.

Randa Lee - Brief Background


Randa Lee is a successful businessperson, onetime teacher, cancer survivor, and former front lady of "The Randa Lee Express," a traditional country/new country/country blues touring band based in the Inland Empire that enjoyed a nice career run and charted with their album, "Back Road To Texas." In the past Lee has toured Canada and Europe; as well as the Balkans as part of a USO/DOD tour, where she played for the United Nations Troops representing 51 countries.

Currently Lee and her husband, musician Jeff Brent, are mixing and mastering their upcoming album release of original Blues, tentatively titled, "Treat Me Nice."

http://www.randalee.com
https://www.facebook.com/pages/Randa-Lee-Mistress-of-the-Blues/116007821874810



If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”

Long Distance Call - Muddy Waters w/ Sam Lawhorn


Sammy David Lawhorn (July 12, 1935 – April 29, 1990) was an American Chicago blues guitarist.He is best known for his membership of Muddy Waters band, although his guitar work accompanied many other blues musicians including Otis Spann, Willie Cobbs, Eddie Boyd, Roy Brown, Big Mama Thornton, John Lee Hooker, James Cotton, and Junior Wells. He became the most frequently recorded blues sideman of his generation.
Lawhorn was born in Little Rock, Arkansas. His parents soon separated with his mother re-marrying, leaving the young Lawhorn cared for by his grandparents. Nailing some baling twine to the side of their home he made his own diddley bow. Frequently visiting his mother and stepfather in Chicago, they bought him a ukulele to play, followed in turn by an acoustic and finally electric guitar. By the age of fifteen, Lawhorn was proficient enough to accompany Driftin' Slim on stage, and with further guidance from Sonny Boy Williamson II, began playing with him on the King Biscuit Time radio program.

Lawhorn was conscripted in 1953 and served in the United States Navy where, on a tour of duty in Korea, he was injured by enemy fire during aerial reconnaissance. He continued in service and was discharged in 1958, when he moved to Memphis, Tennessee. There he undertook recording sessions with The "5" Royales, Eddie Boyd, Roy Brown and Willie Cobbs. An argument arose with the latter over the writing credits for the song "You Don't Love Me." Finding work on his own in Chicago in 1958, Lawhorn soon relocated, despite having a guitar stolen at one of his early club performances.

By the early 1960s, Lawhorn had found regular work as a club sideman to Junior Wells, Otis Rush and Elmore James, which led to him sitting in with Muddy Waters band on a couple of occasions. By October 1964, Lawhorn was invited to join Waters band on a full time basis. Over the next decade, he subsequently played on a number of Waters' albums including Live At Mister Kelly's, The London Muddy Waters Sessions, The Woodstock Album, and Folk Singer.

Lawhorn's guitar work also featured when Waters' band supplied backing to John Lee Hooker, Big Mama Thornton and Otis Spann. Lawhorn's use of the tremolo arm on his guitar, and his overall playing expertise, saw him later credited by Waters as the best guitarist he ever had in his band. However, Lawhorn's career started to be hampered by his drinking. Variously passing out on stage over his amplifier, off stage whilst sitting in clubs, or missing shows altogether, it saw Waters lose patience and fire Lawhorn in 1973. He was replaced by Bob Margolin.

Lawson simply returned to playing in Chicago clubs, and remained in the recording industry with appearances on Junior Wells' On Tap, plus James Cotton's Take Me Back (1987). He also supplied his guitar skills to recorded work by Koko Taylor, Jimmy Witherspoon, Little Mack Simmons, and L. C. Robinson. His work in several Chicago haunts saw him play alongside his childhood idols in T-Bone Walker and Lightnin' Hopkins. Assistance proffered by Lawhorn to up and coming musicians of the time, saw John Primer become a disciple.

A combination of alcoholism and arthritis started to cause Lawhorn's health to fail. The latter was contributed to when he was bizarrely thrown from a third floor window by a burglar, which resulted in Lawhorn breaking both his feet and ankles.

Lawhorn died in April 1990, at the age of 54, although his demise was described on his death certificate as by natural causes.
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

John Dee Holeman - best of the Triangle!

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John Dee Holeman caps off recent accomplishments with Best of the Triangle finalist

John Dee Holeman

When he wasn't out fishing, John Dee Holeman certainly has had a busy summer. In addition to being featured in an ad campaign for Martin Guitars, in May John Dee performed at the Apollo for The Jazz Foundation of America's annual "A Great Night in Harlem" gala concert to benefit the Jazz Musicians Emergency Fund. Now more recently he became a finalist for the Independent WeeklBest of Triangle 2012y's "Best of the Triangle 2012" in the best blues artist/band category. Amongst the finalists were: Chicken Fried Blues, Mel Melton & The Wicked Mojos, and the winner became Bullfrog Willard McGhee. Congrats John Dee!

Diggin': "Disco Twist"
Neal Pattman

It's always neat to be surprised by an instrument you thought you were familiar with. Now, I'm no harmonica player, but I did think I knew what it sounded like - reedy, often in the mid-range, with a bit of down and dirty distortion when the player is really cranking.

So when Neal Pattman's "Disco Twist" came on, for a few seconds I wasn't sure what instrument I was hearing. The first thing that struck me was how high-pitched it was. We're talking almost whistle-only-dogs-can-hear high. And clean, too. More of a legato solo line in the upper register, almost like a fiddle.

The tune itself is really catchy and bouncy, and kind of goofy in an endearing way. I can imagine it functioning as some instrumental intermission or background music to a clown routine at some pre-disco era carnival.

Give it a listen- it'll likely brighten your day.

-- Ben

Ben Davidson is a writer, editor, and fingerstyle guitarist from Durham, NC. He has been volunteering with Music Maker, lending his writing and editorial skills to our web content and newsletters.

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Boo Hanks & the Blues
Boo Hanks and Dom Flemons

Boo Hanks has been playing the blues for over sixty years, mostly in his home community on the North Carolina/Virginia line. But since joining Music Maker Boo has had a chance to play prestigious venues across the country. Now he's going out on tour with Dom Flemons of the Carolina Chocolate Drops to promote their collaborative album "Buffalo Junction." Boo and Dom formed a lasting friendship and partnership from the day they met at MMRF's offices, creating music that truly crosses generational lines.

Boo, a Piedmont-style guitar player, talked to our interns about what the Blues is this weekend. They asked, and he said "Hard times, disappointment, and mistreatment." When asked if he could elaborate he said, "No."

To hear more about Boo's Blues, we think it's best to listen to his music - it speaks for itself. You can check out Buffalo Junction here, and take a listen to a track from the album "Girls are Crazy About Me." To experience Boo & Dom's ground-breaking collaboration live, check them out on tour:

8/15 - World Café, Philadelphia

Time: Doors open 7:30pm, Show 9:30pm

Tickets: $12

www.worldcafelive.com

8/16 - Joe's Pub, NYC

Time: 7:30pm

Tickets: $12

www.joespub.com

8/18 - Blue Ridge Music Center, Galax, VA

Time: 7pm; pre-show talk in small theater

Tickets: $10 ($8 Students & Seniors)

www.blueridgemusiccenter.org

8/19 - The Hamilton, Washington, D.C.

Time: TBD

www.thehamiltonlive.com

Music Maker is hiring!

Music Maker is seeking to hire a talented individual for our Community Coordinator position! The Community Coordinator reports to the Managing Director and works independently and entrepreneurially to develop and lead a smart and successful social media strategy, while assisting Development staff with projects and day-to-day tasks. To find out more, visit the listing on our website here!

Listen:

Neal Pattman - Disco Twist

Captain Luke and Kim Cattrall
Captain Luke and Kim Cattrall
by Tim Duffy
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Upcoming Shows: Click here for more info on upcoming events
7/13 - Ironing Board Sam - The Depot, Hillsborough, NC, 8pm

7/14 - Pura Fé - Harrison Hot Springs Festival, Harrison Hot Springs, Canada, 3:40pm

7/14 - Ironing Board Sam - The Whiskey, Durham, NC, 9pm
7/15 - John Dee Holeman, Captain Luke, Big Ron, Ironing Board Sam - Jimmy Williams' "Music Maker" at Waverly Artist Group, Cary, NC, 5-8pm
7/20 - Pura Fé - Folk on the Rocks, Yellowknife, Canada
7/21 - Ironing Board Sam and Big Ron - Saxapahaw Farmer's Market Stage, Saxapahaw, NC, 6pm
7/27 - MM Blues Revue with Beverly Watkins, Albert White, Shelton Powe, Robert Lee Coleman, Nashid and Ardie - Haw River Ballroom, Saxapahaw, NC, 7pm (doors)

8/3 - John Dee Holeman - Best of Our State, The Washington Duke Inn, Durham, NC

8/4 - Boo Hanks and Red Rover - Saxapahaw Farmer's Market, Saxapahaw, NC

8/11-8/12 - Tulali - La Casita, Lincoln Center Out of Doors New York, NY

8/12 - Pura Fé Trio - Lincoln Center Out of Doors New York, NY

8/13 - Ironing Board Sam - The Depot, Hillsborough, NC

8/15 - Boo Hanks and Dom Flemons - World Cafe Live, Philadelphia, PA

8/16 - Boo Hanks and Dom Flemons - Joe's Pub, New York, NY

8/18 - Boo Hanks and Dom Flemons - Blue Ridge Music Center, Galax, VA

8/19 - Boo Hanks and Dom Flemons - The Hamilton, Washington, DC

8/25 - Ironing Board Sam - The Whiskey, Durham, NC

8/31 - 9/2 - Ironing Board Sam - Blues To Bop in Lugano, Switzerland

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Music Maker Relief Foundation, Inc. helps the true pioneers and forgotten heroes of Southern music gain

recognition and meet their day to day needs. We present these musical traditions to the world so American culture will flourish and be preserved for future generations.

Wednesday, July 11, 2012

Boston Blackie and Sunnyland Slim

Blackie Boston

Born: Nov. 6, 1943 Panola, AL

R&B Vocals, Guitar aka Bennie Joe Houston

Source: Alabama Music Hall of Fame

Boston Blackie (Bennie Joe Houston) (aka Dog Man) - Died 7-11-1993 in Chicago, IL, U.S. - Shot ( Blues ) Born 11-6-1943 in Panola, AL, U.S. - Singer and guitarist - Was a member of Sweetman And The Sugar Boys - Worked with Little Milton, Johnny B. Moore and Lee Shot Williams.
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”

Boom Boom - The Steepwater Band


The Steepwater Band’s latest studio release, “CLAVA”
(pronounced CLAY-va) finds the band hitting their most creative and focused point of their careers. The new album was recorded on the South Side of Chicago at the studio of the same name in Spring of 2011. CLAVA was produced and recorded by the trio of Bowers, Massey & Winters along with Colin Sipos, a young, up-and-coming producer/engineer who has worked with the critically acclaimed Iron & Wine and Califone. Sipos also recorded TSB's "The Stars Look Tonight/My Back Pocket (2010)" single and mixed "Live at the Double Door (2010)." The ten new songs feature some of their most blues-infused, heavy and psychedelic tunes to date. Each song takes you on a musical journey, steeped in tradition, while not being overly nostalgic. On “CLAVA” the band honors their heroes and pays them the highest compliment – continuing the Rock n’ Roll lineage while creating paths not yet explored.
Although The Steepwater Band got their start as devotees of delta blues, they have since been expanding on their influences taking on everything from psychedelia to Americana, and of course, rock and roll music. Formed in Chicago in 1998, the band’s signature sound is at once a nod to earlier rock n’ blues combined with a raw and gutsy musical approach. Founding band members Jeff Massey (vocals & guitar), Tod Bowers (bass) and Joe Winters (drums) have a synergy that comes from years of playing together. In early 2012 the long-time trio have been joined by Eric Saylors (guitar & bk vocal), from Indianapolis, IN. Mr. Saylors brings an added depth to the TSB LIVE sound, where the foundation laid by Bowers & Winters leaves the space for the guitars to soar and vocals to shine. Massey always performs with a passion that can belie his virtuosity, while being true to the song at hand.
The band’s infectious energy is equally evident in their live performances, as critics and fans hail their shows as forceful and intoxicating. It is their humble devotion to music, and a commitment to achieving their musical goals without compromising the integrity of their musical vision that make The Steepwater Band such a refreshing find. In 2010, the band released the highly lauded live record entitled “Live at the Double Door” which contained tracks from their previous two LPs, “Revelation Sunday (2006)” and “Grace and Melody (2008).”
The Steepwater Band has maintained a grueling schedule throughout the last 10 years, averaging about 125 shows per year. They have toured and shared the stage with acts such as Gov't Mule, Buddy Guy, Wilco, Taj Mahal, Marc Ford, ZZ Top, T-Model Ford, North Mississippi All Stars, Leon Russell, Drive-By Truckers, Robert Randolph & the Family Band, Cheap Trick, Bad Company and Heart. In 2005, the band made its European debut, performing at the Azkena Rock Festival in Vitoria-Gasteiz, Spain. In the following years, the band has returned to the United Kingdom and Europe for multiple club and festival tours, increasing their loyal overseas fan-base.
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”

The Moon Is Shinin - Alex Wilson


ALEX WILSON grew up in a family of talented musicians..... Alex's grandmother, Rosa Saviano was a renowned professional jazz singer in Chicago in the 1940's and 50's. Tom Wilson, Alex's father, is a multi-faceted musician who has had the distinct pleasure of accompanying nearly every blues performer to pass through the Milwaukee/Chicago music scene in the last thirty years. Marc Wilson, Alex's uncle AND drummer, is one of the most sought after drummers in the country. He's played with B.B.King, Big Walter Horton, Buddy Guy, Jimmy Rodgers, Stevie Ray Vaughn, Susan Tedeschi, Anson Funderburgh and Sam Meyers to name but a few..... Alex picked up the guitar at five years old and never put it down. Immersed in the Milwaukee blues scene, Alex was surrounded, and influenced by such local luminaries as Stokes, Lee Gates, Jim Liban and Milwaukee Slim..... Alex formed his own garage band at thirteen. By seventeen he began to dig deep into the blues, learning the songs and styles of masters such as Muddy Waters, Howlin' Wolf, Little Walter, Buddy Guy, Jimi Hendrix and Magic Sam..... At seventeen Alex began playing professionally and by twenty-one he had joined Milwaukee's Blue Rubies and was performing regionally while still playing part-time with his own band. Playing up to 25 gigs a month, Wilson honed and sharpened his skills as a singer/songwriter, guitar player and over all entertainer..... In '05 and '06 Alex began to focus solely on his own project, booking shows, finding his own sound and the right players from the mid-west music scene to take his show on the road. .... With Alex's uncle Marc Wilson on the drums, and Alex's brother Matthew singing harmonies and playing bass, Alex is running with one of the toughest bands on the scene today. It's no surprise that they won the 2007 WAMI (Wisconsin Area Music Industry) Award for blues group/artist of the year..... After playing a series of shows for the Chinese New Year in Beijing with Grammy nominated blues harmonica player Charlie Musselwhite, Alex returned to the states to find himself a triple nominee for the WAMI Awards in 2008!.... A versatile musician, Alex effortlessly switches between genres. He plays everything from sweet Beale Street blues to West coast swing. From hard Texas grinders to stone cold Chicago grooves with a feeling that's said to be timeless. Alex's style and tasty originals matched with his undeniable stage presence and unmistakable guitar style will drive you to the dance floor. His long-awaited and freshly nominated debut CD, Tell Me Why, has been released on "Rathskeller Records"..... To say that Alex Wilson is one to look out for down the road is an understatement. Taking the Midwest by storm, this young musician is a force to be reckoned with......... MARC WILSON, born in Chicago, raised in Milwaukee, picked up his first drum stick at age 12. With "Stone-Cohen Blues Band" his first band in high school to the "Alex Wilson Band" today, Marc has been in the blues business for 30 + years..... Marc got a solid foundation early on, traveling with an inner-city gospel group, playing churches through out the Chicago/Milwaukee area. Soon after this time, Marc joined the popular regional band "Brian Lee Band"..... In 1978 Marc moved to Lincoln, Nebraska and started playing with the "Heart Murmurs", the house band for the infamous "Zoo Bar". At the "Zoo Bar" Marc had the unique opportunity to play with all the great touring blues bands of our time. This is where he met Anson Funderburgh and Sam Meyers which led his path to Texas, where he toured extensively throughout the US and Europe with "Anson and the Rockets", winning 4 WC Handy awards in 1988. During this period Marc also recorded on Black Top records with many other blues artists..... In 1989 Marc hooked-up with another guitar slinging band, "Mike Morgan and the Crawl" which was also very successful in the US and overseas, and had their tunes recorded on some national TV shows. Marc also played with Marcia Ball while in Texas..... Coming full circle, Marc moved back to his roots in the Chicago/Milwaukee area to play with his old friend, harmonica great, Mathew Skoller and the "Mathew Skoller Band". With family in Milwaukee, Marc also found himself playing with his two nephews in the "Alex Wilson Band". This band is 100 percent Wilson, featuring Marc's two talented nephews Alex and Matthew Wilson, creating a very special family affair..... Marc has traveled to 4 continents and recorded tracks on over 50 CD's which include critically acclaimed records by Anson and the Rockets, Snooks Eaglin , Joe Guitar Hughes, Nappy Brown, Henry Qualls, and Robert Ealey to name a few. Marc also has recorded some tracks on a major motion picture "China Moon"..... Marc has had the privilege to play on stage with blues masters, contemporaries and rockers such as BB King, Buddy Guy, Big Walter Horton, Jimmy Rodgers, Stevie Ray Vaughn, Jimmy Vaughn, Susan Tedeschi, Boz Skaggs, Donovan, Charlie Musselwhite, and Johnny Johnson, and the beat goes on and on......... MATTHEW WILSON was born in to a world of music. Surrounded by roots music and musicians from the time he was in the cradle, Matthew has led a life of musical privilege. As a small child, he was in regular attendance of the performances of his father and uncle. By 5, Matthew was given drum sticks and had been taught basic rhythms and beats that would only continue to grow stronger with age. These experiences planted a seed that would eventually blossom into a talented, young musician..... With a foundation in the blues, Matthew developed a grade school love of the Beatles. This relationship was interrupted when a friend gave him Jimi Hendrix's "Are You Experienced". Within a year, Matthew formed his first band..... At the same time, Matthew began to frequent his father's open blues jam at Milwaukee's Up 'n' Under Pub, where he began regularly performing with his father Tom and brother Alex. By age 10, he was sitting in, playing guitar and bass and at 14, he became part of the house band, playing with such local luminaries as Stokes, Lee Gates, Milwaukee Slim, Jim Liban and blues legend Hubert Sumlin. These weekly jams are where Matthew first cut his teeth, playing guitar, bass and drums. .... In 2006, Matthew began singing and playing bass with his brother, Alex Wilson. Since then Matthew has been privileged to play with WAMI award-winning drummer Craig Panosh, funk drummer and pioneer Clyde Stubblefield, formerly with James Brown, two time W.C Handy award winning drummer AND uncle, Marc Wilson, and most recently with Grammy nominated blues legend, Charlie Musselwhite..... Things have been going very, VERY well for this bright, young musician and the future only looks brighter!.... .. ..
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”

Black Queen - BEIGE FISH


BEIGE FISH" is a new "BLUES'N'FOLK-ROCK" project - produced-directed and recorded by John H. Schiessler. -CD AVAILABLE- ON I-UNES-CD BABY -AMAZON AND ANOTHER 20 ONLINE STORES. Mastered at SKY STUDIO for SKY PRODUCTIONS by BOBBY ALTVATER. The musical range reaches from DELTA BLUES to ACOUSTIC FOLK- ROCK music. John worked with several bands (Callgirl-Cathouse-etc-) as lead singer- currently with THE SPOON AND MUNICH BELLE (MySpace).You can listen to his music on several German film scores ( "DER GROSSE BELLHEIM"- "ATOMDORF" - "GLUECKSRITTER" etc). He also worked as musical director for the dance theatre „LETTERS FROM TENTLAND" by Helena Waldman, which is still performing all over the world. John hit the Danish charts and peaked NO.1 - as „LAFAYETTE" with the single version of „THE GREATEST FIGARO" John's song "DOWNTOWN BOULEVARD", covered by "Wolfgang Petry" on his "Nie Genug" album, peaked NO.2 in the German charts. He also directed the ethno project „VANILLA MOON" (MYSPACE- CD-BABY-I-TUNES) where you can listen to a colorful sound-mix of african-indian and european songs, rythms and voices.
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”

2012 dates are set! July 27 & 28, 2012 - 15th annual Prairie Dog Blues Fest

Lodging:
If you're thinking about a motel, you need to book now and tell them that you are coming in for the blues fest, just in case we are blocking a room that they are not telling you about. You can even camp right at the fest grounds! Complete area lodging and camping information is available on our website. We hope to see you at the Fest!

Tickets:
You can order tickets online or over the phone toll-free at 1-888-567-1567 . The handling and processing cost is lower through our online shopping cart vs. by telephone. Tickets in advance are $25 for one day and $40 for both days. Advance pricing is good through July 14, 2012.
Venue and Directions:
The Festival is held on historic St. Feriole Island, right on the Mississippi River. Click here for detailed information on how to get to the Prairie Dog Blues Festival via automobile.
Information:
For additional information about accomodations or about the city of Prairie du Chien call 1-800-732-1673 or visit prairieduchien.org
Friday, July 27th, 2012
Gerome Durham & The All-Star Band
5:00pm
Gerome has paid his dues working Delta cotton, Carolina tobacco and factory work in Jackson and Milwaukee. In 1965, Gerome moved to Milwaukee. He later met Johnny Rawls who took him under his wing and launched his music career.
This ain’t no rock ‘n roll, blues-rock, or any such stuff. He’s all about “the blues”, the “whole blues” and nothin’ but “the blues”. If you like Delta-gone-north, urban-based, electric, soulful, charismatic vocal “real” blues, the you’re gonna love Gerome Durham.
Trampled Under Foot
7:00pm
Siblings Danielle, Kris and Nick Schnebelen grew up with the Blues. Their parents, Bob and Lisa, were active in the thriving Kansas City Blues scene, playing in local bands and competing in the Kansas City Blues Challenge. Bob and Lisa’s band didn’t make it to the International Blues Challenge in Memphis — but their kids did. When TUF arrived in Memphis for the 2008 IBC they were followed by huge, wildly enthusiastic throngs of hometown supporters, eager to cheer for their favorite musical family. And when TUF took First Place in the competition and Nick won the Albert King guitarist award, it was a sweet victory for the Schnebelen family and for Kansas City itself. TUF has been on a roll ever since, becoming one of the most sought after blues bands at clubs, festivals and cruises around the world. Trampled Under Foot’s brand new CD, Wrong Side of the Blues was produced by Tony Braunagel, and features guest appearances by Mike Finnigan and Kim Wilson.
Indigenous
9:00pm
Mato Naji, the guitarist, singer, and songwriter of Indigenous. formed the band with his two brothers and sister back in the late ‘90s. They released their much-talked about debut, Things We Do, in 1998. While the band’s growing electric blues was totally legit and truly exciting, the little family band from the Nakota Tribe of South Dakota never expected the incredible, widespread reception they got from the blues and rock communities. “It was really surprising,” says Mato, of the siblings’ success. “We never anticipated the band going national so soon.” But so it did, and over the course of five years, Indigenous rode a wave of promise and acceptance they never dreamed of.
Then, after two more studio albums and a live set, Indigenous unexpectedly broke up. Today, Mato, along with his brother Pte are forging a new path for Indigenous. The new Indigenous album, Chasing the Sun, finds Mato expressing himself as never before.
Although known for his fiery guitar play, Mato has spent the last few years focusing on his vocals which have elevated this album on all fronts. When not performing with Indigenous, Mato is out touring with the Jimmy Hendrix Experience.
Rick Estrin & The Nightcats
11:00pm
For more than 30 years and nine albums, Rick Estrin fronted the jumping, swinging Little Charlie & The Nightcats, featuring guitarist Little Charlie Baty. With Baty’s recent retirement from touring, Estrin – along with the Nightcats’ longtime rhythm section of J. Hansen and Lorenzo Farrell and a new member, fiery guitarist Kid Andersen – takes the lead on his own.
Rick Estrin ranks among the very best harp players, singers and songwriters in the blues world today. His work on the reeds is deep in the tradition of harmonica masters Sonny Boy Williamson II and Little Walter Jacobs, while at the same time pushing that tradition forward.
Estrin won the 1993 Blues Music Award for his composition “My Next Ex-Wife” and has written songs for a growing legion of famous fans. Three of his songs found their way onto Grammy-nominated albums.
Besides Estrin’s songwriting and musical skills, he is among the most entertaining and colorful showmen around. His quick wit and his signature look – coifed hair, pencil-thin mustache and sharp attire – add even more color to his performances. “People don’t go out to see people who look like themselves,” says Rick. “They want to see something special. I was schooled in this business to be a showman, and that’s what you get when you come to see me perform.”
Matthew Curry & The Fury
Under the Tent
Matthew Curry & The Fury deliver energized blues along with great show. Matthew, at 16 and already a veteran performer, is astonishing audiences with his lead guitar playing, original songs, and soulful voice. Matthew Curry is backed by The Fury, pro players including Greg Neville, (drums) and Jeff Paxton (bass). Horns and back-up singers add to their solid sound. Their debut CD, “If I Don’t Got You”, was released to rave reviews in October, 2011. Quickly receiving wide acclaim, Matthew Curry & The Fury were recently featured as an Emerging Artist on the House of Blues Radio Hour.
Saturday, July 28th, 2012
Alex Wilson Band
12:00pm
Alex picked up the guitar at five years old and never put it down and is running with one of the toughest bands on the scene today. A versatile musician, Alex effortlessly switches between genres. He plays everything from sweet Beale Street blues to West coast swing. From hard Texas grinders to stone cold Chicago grooves with a feeling that's said to be timeless. Alex's style and tasty originals matched with his undeniable stage presence and unmistakable guitar style will drive you to the dance floor. To say that Alex Wilson is one to look out for down the road is an understatement. Taking the Midwest by storm, this young musician is a force to be reckoned with.
Harper & Midwest Kind
2:00pm
English born, but raised in Perth, Australia, Harper is a fiery singer-songwriter who blurs the lines between blues, soul, rock and world music. By combining traditional and modern influences and borrowing from Western and Aboriginal music, Harper has created a highly original, take-on-the-roots genre which many have labeled “World Blues”. His innovative use of electronic enhancement and feedback, breaks the traditional boundaries of the harmonica, giving his music its distinctive harmonies and effects. The powerful guitar sounds and the unique drone of the didgeridoo create raw yet eerie sonic textures, somehow sounding primal and contemporary at the same time.
With a home at a U.S. label and a growing appreciation for his music from American audiences, Harper made the permanent move to the U.S. His animated shows have been well received at blues world music and jazz band festivals around the world. He has toured with Canned Heat, Steppenwolf, George Thorogood and has been invited several times on stage to play harmonica with Journey. Harpers’ latest release hit number 10 on the Billboard Charts and the U.S. Roots Music Charts. “Stand Together” also reached #2 on the XM/Sirius Bluesville Charts.
Tweed Funk
4:00pm
Formed in late 2010, Tweed Funk has quickly gained recognition nationally with the release of their debut CD, “Bringin’ It”, which spent 18 weeks on the RMR Blues Internet Charts. The band brings an edge to the music of their forefathers by wrapping together blues, funk, and soul in show-band style. The band also represented Wisconsin’s Grafton Blues Association in the 2012 International Blues Challenge.
Shemekia Copeland
6:00pm
At a young age, Shemekia Copeland is already a force to be reckoned with in the blues. Born in Harlem, New York in 1979 and still in her 20s, she's opened for the Rolling Stones, headlined at the Chicago Blues Festival and numerous festivals around the world, scored critics’ choice awards on both sides of the Atlantic (The New York Times and The Times of London) and shared the stage with such luminaries as Buddy Guy, B.B. King, Taj Mahal and John Mayer.
At only 19, Shemekia released her debut recording, Turn the Heat Up!, and the critics raved. A year later, she appeared in the Motion Picture Three To Tango, while her song "I Always Get My Man," was featured in the film Broken Hearts Club. Copeland went on the produce three more albums and the awards and accolades piled up (Song of the Year, Blues Album of the Year, Contemporary Female Artist of the Year) and a GRAMMY nomination.
“I’ve had success in my career, and I’m happy with that” she says. “But that doesn’t mean I don’t want to continue to grow. In order for an artist to grow – and for a genre to grow – you have to do new things. I want to be innovative with the blues.”
The Steepwater Band
8:00pm
Although The Steepwater Band got their start as devotees of delta blues, they have since been expanding on their influences taking on everything from psychedelia to Americana, and of course, rock and roll music. Formed in Chicago in 1998, the band’s signature sound is at once a nod to earlier rock n’ blues combined with a raw and gutsy musical approach. Band members Jeff Massey (vocals & guitar), Tod Bowers (bass) and Joe Winters (drums) have a synergy that comes from years of playing together.
The band’s infectious energy is equally evident in their live performances, as critics and fans hail their shows as forceful and intoxicating. It is their humble devotion to music, and a commitment to achieving their musical goals without compromising the integrity of their musical vision that make The Steepwater Band such a refreshing find.
TSB has maintained a grueling schedule throughout the last 10 years, averaging about 125 shows per year. They have toured and shared the stage with acts such as Gov't Mule, Buddy Guy, Wilco, Taj Mahal, Marc Ford, ZZ Top, T-Model Ford, North Mississippi All Stars, Leon Russell, Drive-By Truckers, Robert Randolph & the Family Band, Cheap Trick, Bad Company and Heart.
JJ Grey & Mofro
10:00pm
Growing up in the swamplands of northern Florida, down home roots, rock and soul artist JJ Grey became a realist early on. “You fall in love with a pig,” he says, “and then one day your granddad knocks it in the head and bleeds it for butchering. You tend to grow up with a certain amount of realism in your life.”
JJ Grey and his band Mofro exude rocking, funky, melodic, front porch realism in every song they play. Grey comes from a long tradition of Southern storytellers, and his songs oftentimes use the loss of his natural surroundings and the marginalization of the Southern culture he grew up in as a metaphor for universal truths. The band delivers his material with brilliant musicianship, resulting in music that is thought provoking rhythmically dynamic and mesmerizing.
Grey’s ear for detail inhabits his songs, whether it is a story passed down to him from his grandmother or the tribulations of a childhood friend. His voice delivers them with an unflinching strength that paints a vivid portrait of an exact time or place with words and music. Like his songs, his rich, soulful vocals are forceful and commanding, seemingly old beyond his years. And the music, from smoldering soul ballads to gospel-fried funk to straight ahead rock ‘n’ roll, brings it all home with danceable grooves and a melodic freshness that will stay with you long after their performance.
In 2001, a National Public Radio feature brought JJ’s music to more people than ever before. Doors at press, radio and venues opened across the country. JJ Grey & Mofro performed at Bonnaroo, opened for Widespread Panic, Ben Harper, Galactic, B.B. King and Jeff Beck. Word of their live show spread quickly, and bookings at festivals and concerts around the world increased, including jaw-dropping shows at The Austin City Limits Festival and The New Orleans Jazz & Heritage Festival.
Terry Quiett Band
Under the Tent
“…one of the hottest power-trio outfits on the scene today. They successfully mix the blues of the Delta with the psychedelia of the Sixties…”
From 6th Street to Austin to Beale Street in Memphis, they’ve mesmerized audiences with their original and contemporary blues-soaked sound. They’ve also paid their share of dues traveling the Rocky Mountains of Denver, the blue grass of Kentucky, and every state in between, winning fans and expanding their core grassroots audience with each performance. Along the way the Terry Quiett Band has shared the stage with international guitar legends including Jonny Lang, Robert Cray, 38 Special, the Doobie Brothers, Edgar Winter, Kenny Wayne Shephard, Walter Trout, Robin Trower, Tab Benoit, Robert Randolph and Devon Allman as well as numerous talented regional artists.

Live At Bluesville - Suzie Vinnick - New Release Review


I have been listening to Suzie Vinnick's new release, Live From Bluesville. Live From Bluesville is not a traditional blues recording but is quite enjoyable. Vinnick has a solid, interesting voice and accompanies herself on acoustic guitar on all tracks. Her repertoire on this recording includes an old blues track, You'll Be Mine (Willie Dixon)which is richly interpreted; three original tracks (Looking For A Kiss, Calling Out Your Name and How'd You Know I Missed You); two spiritual tracks All Night, All Day which has been done in a pretty straightforward fashion fashion and Shelter Me which is given a very contemporary sound and Steve Winwood's classic Can't Find My Way Home. This recording is light listening for blues lovers but in general is a very strong pop album with quality writing, vocals and instrumentation. The recording should see strong airplay interest with a lot of mainstream appeal.
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Catfood Records Artists Kay Kay Greenwade Passes After a Long Illness



CATFOOD RECORDS ARTIST KAY KAY GREENWADE PASSES IN ODESSA, TEXAS,

AFTER A LONG ILLNESS

ODESSA, TX – It is with great sadness that we announce the passing of blues singer Kay Kay Greenwade, who died on Monday, July 9, at age 56 in an Odessa, Texas, nursing home. She had endured several health issues after suffering a stroke in 2006, including diabetes and a brain tumor, and was unable to resume her career. Funeral services will be Saturday, July 14, 2012, at Rose of Sharon Baptist Church in Odessa. Several members of Kay Kay and the Rays, the band she fronted for many years, will be in attendance. (Attached is a color photo of Kay Kay Greenwade for your use.)

Linda "Kay Kay" Greenwade was a life-long resident of Odessa, Texas, who was born there on August 31, 1955. She is survived by two brothers, Ronald Greenwade and Gary Greenwade, and a granddaughter, N’Sha Lynn Price, all of Odessa.

“Kay Kay was an amazing talent and a good friend,” said Bob Trenchard, head of Catfood Records. “You had to hear and see her live to realize how powerful she was and the effect she could have on the crowd. I have talked to several former band members and all of us agree that while it is sad to think of what could have been had we been able to continue working together, we are glad to have had the opportunity to work with Kay Kay and know her.”

Kay Kay was a gospel singer who was a choir member and an in-demand soloist before she began performing secular music with Kay Kay and the Rays. Last November, Catfood Records released a 15-track compilation CD, The Best of Kay Kay and the Rays, to immense critical acclaim. The retrospective included tracks from all three of the band’s recorded catalogue: Kay and the Rays Featuring Abner Burnett (1999), Texas Justice (2001) and Big Bad Girl (2003).

“The song ‘Big Bad Girl’ says, ‘she was six feet one with three inch heels.’ That was Kay Kay, the big woman with the big voice who could bring the crowd to its feet cheering,” said the album’s liner notes. “The music of Kay Kay and the Rays was a fusion of soul, funk and blues. The lyrics were often social commentary.”

The band’s lyrics pulled no punches in jabbing at powerful corporations, politicians or superficiality. Songs such as “Junk Blues,” “Stop the Killing” and “Lord Save Me from L.A.” took dead aim at social and political injustices. And the tracks “Lone Star Justice,” “Enron Field” and “Texas Justice – Billy’s Story” all resonated with truths that often provoked outrage from certain people in power (even provoking feature stories on the controversy in both Houston and Corpus Christi newspapers) in the Lone Star State, while endearing them to the crowds of people who cheered their live shows and bought their albums.

Aside from their songs with powerful messages, Kay Kay and the Rays also exemplified the best of classic soul, blues, gospel and funk on such tracks as “No Mama’s Boys,” “Hey Big Boy,” “Don’t Have to Tell Me,” Hold On to What You Got” (featuring a killer duet with Kay Kay and Johnny Rawls trading verses and layering harmonies in the best tradition of Stax Records), “Love Me Baby” and the R&B chestnut, “They’ll Come a Time,” that closed the set. The Best of Kay Kay and the Rays showcased a band of immense grit, soul and musicality, with a dynamic rhythm section, funky guitar work and punchy horns, led by a singer who was one of the best of her generation. Throughout the album, Kay Kay was sexy, soulful, tender, sassy, playful and gutsy – often within the same song.

Kay Kay and the Rays were formed in 1997 by keyboardist Abner Burnett and bass player/songwriter Bob Trenchard in Odessa, Texas. Abner was told about a talented gospel singer he needed to hear by the owner of a club in town called Sam’s Blues and Barbeque. Kay Kay Greenwade auditioned and soon the name of the band was changed from The Abner Burnett Blues Band to Kay Kay and the Rays.

The group began playing clubs on weekends in West Texas and recorded their first album, Kay Kay and the Rays Featuring Abner Burnett (more or less a demo for clubs) in 1999. Not long after that, they were discovered by the great soul blues singer Johnny Rawls. When Burnett moved to Mexico in 2000, Bob Trenchard became the leader by default. Bob had opened a large Odessa nightclub and named it Kay Kay’s Blues Club earlier that year. The band drew capacity crowds when they played the club, with eight musicians on stage - including four horns - backing Kay Kay.

Johnny Rawls produced the band’s next album, Texas Justice, in 2001, which gained the group national attention. For the next three years the band toured regionally and nationally, gaining increased popularity. They played top venues like the House of Blues in Boston, Humphrey’s by the Bay in San Diego, Biscuits and Blues in San Francisco and Buddy Guy’s Legends in Chicago; and did four tours from Texas to Florida, traveling all the way down to Key West. The 2003 performance of the band at the WC Handy Festival was broadcast as an hour long program on PBS stations across the country.

Also in 2003, the band released its Big Bad Girl album, produced by multiple Grammy winner Jim Gaines, which received rave reviews, resulting in the Big Bad Girl CD hitting the top ten blues radio charts. During Easter weekend in 2004, Kay Kay and the Rays played at the five day, sold out East Coast Blues and Roots Festival in Australia as part of a tour there to rave reviews.

Family tragedies caused the band to break up a few months later after tours to Florida and California. The music on The Best of Kay Kay and the Rays is a wonderful reminder that Kay Kay and the Rays really were a “seamless blend of soul and funk” as they were described by Blues Revue and that Kay Kay Greenwade had “established herself as a leading light of contemporary blues” as noted by Living Blues.