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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

Wednesday, February 15, 2012

Lindell, Neville and Holmstrom Hit The Road

Northport N.Y. - Eric Lindell begins his East Coast tour on Thursday with stops in SC, NC, MD, VA, NY and MA. The tour is already getting some love. Check out this preview of the Charleston SC show, http://www.charlestoncitypaper.com/charleston/eric-lindell-w-the-congress-the-hungry-monks/Event?oid=4016448

In other news Eric will be featured on this weekends' House of Blues Radio Hour,http://www.thebluesmobile.com/. We should have announcement of a major feature on Eric by an A3 station later this month.

Eric Lindell in Charleston February 16, The Pour House, Charleston SC
Eric Lindell in Charlotte February 17, Double Door Inn, Charlotte NC
Eric Lindell in Hot Springs February 18, Garth Newel Music Center, Hot Springs VA
Eric Lindell in Richmond February 19, Hippodrome Theater, Richmond VA
Eric Lindell in Vienna February 21, Jammin' Java, Vienna VA
Eric Lindell in Virginia Beach February 23, Jewish Mother, Virginia Beach VA
Eric Lindell in Edgewood February 24, Club 66, Edgewood MD
Eric Lindell in New York February 25, Hiro Ballroom At Maritime Hotel, New York
Eric Lindell in Hyannis February 26, Resort & Conference Center At Hyannis, Hyannis MA
Eric Lindell in Miami March 9, 2012 The Stage, Miami FL
Eric Lindell in Jupiter March 10, 2012 Guanabanas Restaurant, Jupiter FL
Eric Lindell in New Orleans March 17, 2012 Mid-City Lanes, New Orleans
LA

Relix said of West County Drifter, "Lindell’s throaty, soulful vocals and laid-back acoustic grooves recall the likes of G. Love & Special Sauce."

The is from the just released review from Blues Revue, "it is bluesy — as well as jazzy and soulful — and represents a fine debut for Eric Lindell on M.C. Records, a new record label for him."

You can check out music from the new double-disc and for our friends in radio you can download broadcast quality tracks right here,

http://airplaydirect.com/music/westcountydrifter/

The Uptown ruler, Cyril Neville will be playing dates with his own band Tribe 13 and The Royal Southern Brotherhood. Here's Cyril and his band performing "Brand New Blues" at Louisiana Music Factory:

http://www.youtube.com/watch?v=m1r-CGR_BAA


February
Fri. 17 - Big Easy - Buffalo, NY w/ Tab Beniot's Swampland Jam
Sat. 18 - Artigras - Tallahassee, FL w/ Tribe 13
Sun. 19 - 14th Annual MMB Concert - Ft. Lauderdale, FL w/ Tribe 13

Tue. 21 - Dunedin Mardi Gras - Dunedin, FL w/ Tribe 13

March
Wed 7 - The Katherine Hepburn PAC - Old Saybrook, CTw/ The Royal Southern Brotherhood

Thur 8 - Infinity Hall - Norfolk, CTw/ The Royal Southern Brotherhood
Fri 9 - BB Kings - New York, NYw/ The Royal Southern Brotherhood
Sat 10 - Club Helsinki - Hudson, NYw/ The Royal Southern Brotherhood
Sun 11 - The Bull Run - Shirley, MAw/ The Royal Southern Brotherhood
Sat 24 - Hogs for Cause - New Orleans, LA / w/ Voice of the Wetlands
Fri 30 - The Tbois Blues Festival - Larose, LA w/The Royal Southern
Sat 31 - Mid City Rock N Bowl Blue Star Show - New Orleans,
LA w/The Royal Southern Brotherhood

Rick Holmstrom, the guitarist's guitarist has a rare string of solo dates in the L.A. area through February 26. He's taking a short breather before heading back on the road with Mavis Staples.

2/17/2012 Hermosa Beach, CA Cafe Boogaloo (RHB)

2/19/2012 Los Angeles, CA Liquid Kitty (RHB)

2/24/2012 Sierra Madre, CA Cafe 322 (RHB)

2/26/2012 Los Angeles, CA The York (Gimme 5's)

2/29/2012 Downer's Grove, IL Tivoli Theater (Mavis)

3/10/2012 San Dimas, CA Chaparral (RHB)

3/30/2012 Charlotte, NC McGlohon Theater (Mavis)

3/31/2012 Asheville, NC UNC (Mavis)

4/8/2012 Los Angeles, CA Liquid Kitty (RHB)

4/28/2012 Oxford, MS Double Decker Festival (Mavis)

5/4/2012 New Orleans, LA Jazzfest (Mavis)

5/20/2012 Gulf Shores, AL Hangout Festival (Mavis)



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Beth Hart confirms "Isle of Wight" festival appearance


Live at London O2 Shepherd's Bush Empire
Saturday 25th February 2012
24 Hour Box Office: 0844 871 8819
www.alt-tickets.co.uk - www.gigantic.com
www.seetickets.com - www.ticketline.co.uk

Following the release of Beth Hart’s “Don’t Explain” collaboration album with Joe Bonamassa, and her recent sold out concert at London Dingwall’s, tickets have recently gone on sale for Beth’s first UK concert in 2012. She’ll headline the London O2 Shepherd’s Bush Empire on Saturday February 25th.

Tickets are now on sale from the Ticket Hotline: 0844 871 8819. Tickets can be booked online from: www.alt-tickets.co.uk, www.gigantic.com, www.seetickets.com or www.ticketline.co.uk.



David Sinclair’s 4-star rave review of Beth’s sold-out London Dingwall’s concert in The Times recently said, “Her new album ‘Don’t Explain’, a collection of old R&B favourites, recorded with the guitar hero Joe Bonamassa, has lifted her to a new level of rock’n’roll celebrity and she was here to make the most of it. This was certainly a gig to be savoured to the last drop.”

“Don’t Explain” debuted at #22 on the official UK album and met with rave reviews from Classic Rock and Mojo. The single “I’ll Take Care of You” was ‘Track of the Week’ on BBC Radio 2. The second single “Your Heart Is As Black As Night” is currently getting heavy rotation on BBC Radio 2.

click for hi res


Live at London O2 Shepherd's Bush Empire
24 Hour Box Office: 0844 871 8819
www.alt-tickets.co.uk - www.gigantic.com
www.seetickets.com - www.ticketline.co.uk

Saturday 25th February 2012
London, O2 Shepherd's Bush Empire

Tickets: £17.50 + £1.75 Booking Fee (£19.25) / Doors: 7:00pm / Starts: 8:00pm
24 Hour Box Office: 0845 413 4444
Venue Website:
www.o2shepherdsbushempire.co.uk
Venue address: Shepherd's Bush Empire, London, W12 8TT
Book Online from the following outlets:
www.alt-tickets.co.uk - www.gigantic.com - www.seetickets.com - www.ticketline.co.uk

click for hi res

BETH HART - OFFICIAL BIOGRAPHY

Beth Hart has always been like a shooting star…take a nano-second to blink, and it’s already moved on. But for that wonderful moment, you saw “fireworks” like you’ve never experienced before.

Anybody who’s ever seen Beth perform live or who’s ever cranked up one of her albums knows she’s for real. This woman sings from the depths of her soul, and her voice tells you stories and paints pictures that you just know have to be real…that come from real life and real experiences. And, yeah, while sometimes those experiences had her blazing across the sky, other times she just crashed and burned.

“At times, I’ve been really down in my life”, Beth admits. “But you know, once you deal with it and make sense out of it, it can give you tremendous power.”

Beth started her career as far down as it gets…performing in the streets of L.A., sitting cross-legged with an acoustic guitar and singing her heart out. And her first major gigs weren’t in some concert hall or in some studio…she did the Chitlin’ Circuit. And, let me tell you, you don’t blow people away in those venues if you can’t deliver. It’s in this world that Beth’s fuse got lit, and a few lucky people got to experience the heat.

Fortunately for Beth, one of those people was David Wolff, who was instrumental in breaking Cyndi Lauper into superstardom. He heard it, he felt it…and he got it.

Beth beams, “Wolff, Man…this dude has been way more than just a Manager to me for 18 years. He’s one of my best friends…he’s family.”

And from that moment on, Beth went into lightspeed…unafraid to stretch out musically and try new genres. The only problem is that the world has had trouble keeping up with her…they started really getting into it and when they blinked, she had already moved on.

But, again, fortunately for Beth, along the way, there were people who were instantly attracted to her sparks and who really understood great music.

She got signed to Atlantic Records, and three of music’s top Producers, David Foster (produced such artists as Whitney Houston, Maria Carey, Celine Dion, Tony Braxton, Madonna and Michael Jackson), Hugh Padgham (Paul McCartney, The Police, Genesis and Sting) and Mike Clink (Guns N’ Roses, Motley Crue and Jefferson Starship) were eager to work with her on first album, “Immortal.” This record sold very well in the Eastern U.S. and in faraway places like Africa, featuring the rockin’ title track and the incredible soul anthem, “Am I The One?” The world had been officially introduced to the raw power that is Beth Hart…but they blinked, and she had already moved on.

Her second album, “Screamin’ For My Supper”, a collaboration with her long-time bass player and ultimately, renowned producer, Tal Herzberg (R.I.P., dear Tal) included more pop influences and yielded her Top 5 Adult Contemporary Hit, “L.A. Song (Out Of This Town).” Now she was at the top of the charts both in the U.S. and overseas, and the world started to take notice…but they blinked, and she had already moved on.

And, like so many “comets’ before her, Beth was also starting to burn out. But, again, fortunately, people who loved her took notice. Her road manager (and eventually her husband), Scott Guetzkow, has always been right there for her. His strength helped lift her up and get her back on course.

“I am so lucky,” Beth admits, “that I have Scott in my life. He’s my rock and my reality check when things start getting out of hand.”

Now, Beth was once again looking to the future. In 2003, she released her life-affirming 3rd album, “Leave The Light On,” and the world felt the heat again. Billboard Magazine said, “One of the year’s most affecting albums. The stuff of icons.” But Beth still had places to go, so, when the world blinked, she had already moved on.

And by 2004, her skyrocket sent her overseas to Holland and Denmark. This was an experience like no other…because she had really redefined the incredible energy that’s Beth playing live. Her 2005 release, “Live at Paradiso” captured one of her most electrifying performances in history, before a sold-out crowd at this Amsterdam landmark venue. From that moment on, she performed to sold-out audiences at concerts, festivals and clubs.

It was then that something really remarkable happened…Beth Hart, the raw, soulful singer from the streets of L.A., suddenly started to reemerge. And Beth could feel it happening.

“I was starting to wonder if I still had what it took to go all the way. The Europeans, who have always really understood American-born music forms, were right there for me. They’ve given me so much support and so much confidence…I really, really love them.”

And Europe has rewarded her with hits for “L.A. Song (Out Of This Town),” “Leave The Light On,” “Good As It Gets,” “Take It Easy On Me,” “I’ll Take Care Of You,” (with Joe Bonamassa), “Your Heart Is As Black As Night,” (with Joe Bonamassa) and “Sister.”

And, from that moment on, a lot more really savvy musical geniuses have been drawn to the incredible fire that is Beth Hart.

Slash (former lead guitar of the rock superband, Guns N’ Roses) heard Beth and absolutely got it. She recorded a song with him called “Mother Maria” which is on the iTunes version of his solo album, “Slash.”

Beth recalls working with Slash. “He’s one of the mellowest musicians I’ve ever worked with…totally giving, a real team player.”

One of the greatest Rock/Blues/Fusion guitarists of all times, Jeff Beck, felt it right away and asked her to perform with him. She was the first lead singer to do a U.S. tour with Beck since Rod Stewart. Now, that’s saying something!

“Honest to God,” Beth says, “working with Jeff was like being with an enthusiastic and loving teenager. He gets totally inspired by other people’s talents, and we really fed off of each other’s energy!”

During this time (2007-2010), Beth released two more albums, “37 Days”, which produced the big hit in Europe, “As Good As It Gets” and her most personal work to date “My California”, which has spawned the single, “Sister”, now in heavy rotation on the U.K.’s BBC Radio.

And maybe her greatest collaboration has happened in the last year. She met Blues/Rock superstar guitarist, Joe Bonamassa, and they crafted a truly visionary album, “Don’t Explain,” produced by Kevin Shirley (producer for Led Zeppelin, Journey, Rush and Iron Maiden).

And Beth really appreciates that something special has happened to her. “When I started making this record with Joe, I got a feeling I haven’t had in a long time. For Joe, it’s all about the melody, and, as a singer, I feel so grateful to be working with someone who is so musically evolved. And Kevin Shirley is a genius. He gets you right to a place that makes you feel totally comfortable. He really knows how to work with artists.” Beth and Joe plan to do another album together in 2013.

Once again, thanks to “Don’t Explain” and live gigs with Joe, the world has stood up and taken notice of Beth Hart. It has been nominated at the 23rd Blues Music Awards for “Contemporary Blues Album Of The Year.” The Blues Rock Review has included the album in their “Top 20 Albums of 2011.” And maybe the London Times has said it best recently in their review of her concert at Dingwalls (and she is already sold out in Paris). “Don’t Explain has lifted her to a new level of rock n’ roll celebrity, and she was here to make the most of it.”

And now the best news of all is that Beth isn’t going away.

So what’s happened to Beth Hart…has she gone full circle, from the streets of L.A. to the Pop charts and now back her original raw soul? Maybe. Maybe her collaboration with Joe inspired her to reclaim her roots.

Has the world suddenly realized how amazing she is? When you look back at her career and all those who “got it from Day 1” (David Foster, Hugh Padgham, Mike Clink, Tal
Herzberg, Billboard Magazine, the European Charts, Slash, Jeff Beck, Joe Bonamassa, Kevin Shirley, the Blues Music Awards, the Blues Rock Review and now the London Times and sold-out shows in France), it seems like it was right there all along.

Or maybe it’s as simple as she and the world finally see each other eye-to-eye. At least that’s how Beth sees it.

“I’m so grateful, Man. I feel like I’ve arrived at a place where I’m really comfortable and ready to go all the way. I’m going to put my whole heart and soul into blowing European audiences away. And then I’d like to bring all that energy back to the U.S. and remind them where I came from.”

Doesn’t sound like the shooting star has slowed down at all, does it?


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Twine Time - Alvin Cash & The Crawlers


Alvin Cash (February 15, 1939 – November 21, 1999) was an American pop singer and actor.
Born Alvin Welch in St. Louis, Missouri, and a graduate of St. Louis's Sumner High School (also attended by Luther Ingram, Billy Davis, Jr., and Tina Turner), he and three brothers moved to Chicago, where they sang and danced while in search of a recording contract. Andre Williams saw them perform as The Crawlers and had them record a tune, "Twine Time", which was a rewrite of Williams' 1957 hit song, "Bacon Fat". The tune became a pop hit in 1965, and whereas 'The Crawlers' proper (Cash's brothers) did not play on the track, The Nightliters did contribute as the backing band. "Twine Time" became popular in the UK in the Northern soul scene in the 1970s.

Soon after the success of the single, The Nightliters changed their name to The Crawlers and began touring with Cash; they would later change their name again to The Registers.

Cash went solo after a few further singles, and recorded an album in tribute to Muhammad Ali; he also acted in several blaxploitation films, such as Petey Wheatstraw and Black Jack. He continued performing in the Chicago area into the 1990s, and died from ulcer complications in 1999.
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Sissy Man Blues - KOKOMO ARNOLD


Kokomo Arnold (February 15, 1901 – November 8, 1968) was an American blues musician.

Born as James Arnold in Lovejoy's Station, Georgia, he got his nickname in 1934 after releasing "Old Original Kokomo Blues" for the Decca label; it was a cover of the Scrapper Blackwell blues song about the city of Kokomo, Indiana. A left-handed slide guitarist, his intense slide style of playing and rapid-fire vocal style set him apart from his contemporaries.
Having learned the basics of the guitar from his cousin, John Wiggs, Arnold began playing in the early 1920s as a sideline while he worked as a farmhand in Buffalo, New York, and as a steelworker in Pittsburgh, Pennsylvania. In 1929 he moved to Chicago and set up a bootlegging business, an activity he continued throughout Prohibition. In 1930 Arnold moved south briefly, and made his first recordings, "Rainy Night Blues" and "Paddlin' Madeline Blues", under the name Gitfiddle Jim for the Victor label in Memphis. He soon moved back to Chicago, although he was forced to make a living as a musician after Prohibition ended in 1933. Kansas Joe McCoy heard him and introduced him to Mayo Williams who was producing records for Decca.

From his first recording for Decca on September 10, 1934, until his last on May 12, 1938, Arnold made 88 sides, seven of which remain lost. Arnold, Peetie Wheatstraw and Bumble Bee Slim were dominant figures in Chicago blues circles of that time. Peetie Wheatstraw & Arnold in particular were also major influences upon musical contemporary seminal delta blues artist Robert Johnson and thus modern music as a whole. Johnson turned "Old Original Kokomo Blues" into "Sweet Home Chicago", "Milk Cow Blues" into "Milkcow's Calf Blues", while another Arnold song, "Sagefield Woman Blues", introduced the terminology "dust my broom", which Johnson used as a song title himself.

Arnold's "Milk Cow Blues" was covered by Elvis Presley (as "Milk Cow Blues Boogie") at the Sun Studios produced by Sam Phillips and was issued as one of his early singles, it was later performed by Tyler Hilton who played Elvis in the 2005 film Walk the Line. Aerosmith covered "Milk Cow Blues" on their 1977 album Draw the Line, Dead Moon covered it on their 1990 album Defiance, George Strait on his 1991 album Chill of an Early Fall and Willie Nelson on the 2000 album Milk Cow Blues.

In 1938 Arnold left the music industry and began to work in a Chicago factory. Rediscovered by blues researchers in 1962, he showed no enthusiasm for returning to music to take advantage of the new explosion of interest in the blues among young white audiences.

He died of a heart attack in Chicago, aged 67, in 1968, and was buried in the Burr Oak Cemetery in Alsip, Illinois.
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Tuesday, February 14, 2012

Tell Mama - The Blue Rats


The Blue Rats are a Manila-based blues band that serves up a menu of straight-up electric blues, old-time R&B and blues-based music. Founded on the tradition of blues improvisation, the Rats mix up their sets, try not to play a song the same way twice and churn out unique versions of the songs they cover. The fact that some of the band's members rotate on any given night assures a fresh sound, provides a hint of danger and moves the musical goalposts up and down the field from one performance to another.

The Rats were founded by in mid-1995 by three friends -- Butch Roxas, a classical guitar professor at the UST Conservatory of Music, Apa Ongpin, a business executive, and Andy Locsin, an architectural design consultant. The current core lineup in rotation consists of Melinda Torre (also of Baihana, vocals), Joey Puyat (Mother Earth and Kiss the Bride, guitar), Kedy Sanchez (Working Stiffs, vocals and guitar), Johnny Besa (The Breed, bass guitar) Vic Borgaily (KO Jones, drums), Bennii Obana (Overdrive and Tempestuous Jones, drums), Roxy Modesto (Radioactive Sago Project, saxophone), Tom Epperson (harmonica) and Andy Locsin (guitar).

Over the years, many talented musicians have been regular members of the band -- something made possible because of the improvisational nature of the music. Even more remarkable is is the range of musicians that have jammed, performed onstage, or done time in the studio with the band -- a virtual who's who of Pinoy blues, rock and jazz: Mike Hanopol and Joey 'Pepe' Smith (Juan de la Cruz), Sampaguita, Jun Lopito (Cociojam, Bodhisattvas), Chikoy Pura and Nitoy Adriano (the Jerks), Dondi Ledesma (Wally Gonzales band), Miyakee de Castro (Sampaguita), Binky Lampano, Edwin Vergara, Tom Colvin, Edmund 'Bosyo' Fortuno, Norman Belardo (Advent Call) and many more.

Sixteen years later, an all time 170 song menu, and ever-evolving roster and an unwavering committment to fly the blues flag, the Rats continue to plug in at venues in and around Manila.
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Hooker - Snakecharmer


Filipino blues band Snakecharmer playing the first Blues festival at the Hobbit House in Manila. Sorry. Thats all I have for now!
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Since I Lost Your Love - Garrett "Big G" Jacobson


A dynamic and soulful guitarist and singer, Garrett “Big G” Jacobson is Oklahoma's favorite working blues artist. Rooted firmly in the blues, but heavily influenced by soul and jazz, Jacobson's unique sound is best described as soul-blues with a dose of funk. Originally a pianist, Garrett began playing guitar at age ten. At age twelve, his playing caught the attention of local blues legend and Oklahoma Jazz Hall of Fame inductee D.C. Minner, with whom Garrett played for the following three years. It was during his tenure with Minner that he became known as Big G. In 1998, Garrett released his first CD, Rhythm Attack, and began booking clubs, casinos and festivals throughout Oklahoma at age fifteen. To date, he has released a total of four CD's which have received critical praise in such publications as Living Blues, Blues Revue and Southwest Blues. His latest CD release, In Person (2011), captures the dynamics and energy of his live show. Garrett and his working band, consisting of a tight rhythm section and horns, serve up an offering of soul-blues with the raw energy and spontaneity that only a live recording can capture. Having performed extensively since '98, Garrett “Big G” Jacobson delivers a world-class show that is sure to please.
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Electric Chair Blues - Robert "Guitar" Welch


Robert Welch, called "Guitar" and "King of the Blues" by the other convicts was born in Memphis in 1896. He learned from the records of Lonnie Johnson and Blind Lemon Jefferson and played in bands starting in the late 30's .
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A Broken Word - Teague Stefan Band


As one of Central Florida’s hardest working musical acts, the three-piece Teague Stefan Band combine elements of blues, rock and funk to create a solid wall of electric guitar-driven sound that can be described as complex, aggressive and pounding: a full-bodied style that gives a subtle nod to power trios of the 70’s and artists from Hendrix to Stevie Wonder that remains refreshingly original and, above all, crowd pleasing.
The band’s repertoire includes their second full-length studio album Game Of Life, in which Teague Stefan, the songwriter, vocalist and guitarist for his eponymous three piece group, employs his talents in musicianship and composition. Stefan shows his range on the album, a textured, well-flowing arrangement of numbers such as the bluesy, soulful 'Power Of A Woman', the funky, heavy 'No Matter What' and the blistering 'One More Night'. There is no post-production trickery employed here; Stefan’s guitar is just as, if not more, intricately fiery during the band’s live shows as it sounds on the album.
Indeed, the Teague Stefan Band is at home on stage, delivering with each live performance. Supporting Stefan are bassist Todd Warsing and drummer Dave Marder, accomplished and professional musicians who provide the firm rhythmic foundation for Stefan’s blazing guitar. The members of the band are perfectly synchronized, effortlessly meshing thanks to numerous shows and countless hours of practice. The group has appeared at the Orange Blossom Blues Society show at Hard Rock Universal, twice at George’s Music Springing the Blues, the Lakeridge Winery Blues Festival and at the Orlando Magic Family Day at the Amway Arena. The band continues to perform frequently at various local clubs and bars in the Central Florida area.
Stefan, who has played guitar since the age of seventeen, lists his major influences as Jimi Hendrix, Freddie King, Albert Collins, Stevie Wonder and Steely Dan. He has created his own brand of music that cannot be confined to either blues or rock, as it contains aspects of both (along with funk).
But ultimately the Teague Stefan Band defies an accurate description; seeing the band perform live is perhaps the only way to truly experience their raw, untapped talent. Stefan, Marder and Warsing are entertaining to say the least, with vibrant stage presence that exudes energy and charisma, but these are serious musicians; frontman Stefan exhibits complete control over his guitar, handling even the fastest of songs with effortless precision, flooding the stage with his original, jaw-dropping sound that one must experience live to truly comprehend. Although it’s been said before, it’s true: this is a band you don’t want to miss.
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Sony Music in association with Capo Records and Legacy re-issue of Rory Gallagher- Deuce - Review


I have been listening to the newly re - issued and remastered recording of Rory Gallagher's Deuce.“Deuce” became Rory's third self-penned album in a row - having written all of Taste's second album “On The Boards” as well as the debut solo album “Rory Gallagher”. “Deuce” was recorded at Tangerine Studios in Dalston, East London, which had been built by the legendary British record producer Joe Meek.This is a 10 track recording that covers a lot of Rory's musical interests at the time. The opening track, I'm Not Yet Awake, has a bit of a folk style to it and is followed up by Used To Be which is an early example of Blues rock at it's best. Don't Know Where I'm Going has a strong country Piedmont style to it and Maybe I Will comes back out swinging in Rory's UK rockin' style. Whole Lot Of People sends Rory finger picking on his strat and pushing the blues rock style that he is to develop. It also has a great little slide solo that is sure to please anyone who loves Rory's style. In Your Town brings on a full tilt boogie like a modern John Lee Hooker and Before G Thorogood caught the groove. Should've Learn't My Lesson is a down and dirty blues in the path of Otis Rush and is killer. There's a Light again visits Rory's beginnings in the experimental blues/rock/jazz genre that was starting to meld all musics together and demonstrating Rory's intricate playing style and versatility. Out Of My Mind is a bit of a folk blues in the style of Doc Watson showing Rory's acuity at finger picking. Crest Of A Wave wraps up release number two with Rory's blues rock style and his flaming slide work.

It's great to hear this timeless music again and freshly remastered.
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Savoy Brown at Mauch Chunk Opera House

Savoy Brown at the Mauch Chunk Opera House


ORDER ONLINE 24/7

VISIT OR CALL
23 Broadway in JT
BOX OFFICE: 570-325-0249

JUST BOOKED!
Saturday, April 21
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Jim Thorpe Moya

Broadway Grill Jim Thorpe


Inn at Jim Thorpe


Saturday, February 18th
with Craig Thatcher

Four decades after its debut album, Savoy Brown is still flying the banner of British blues rock, recording and drawing enthusiastic crowds. Among the best-loved, most- respected and longest-running of its genre, they own one of the magical names in blues-rock.

Kim Simmonds with Savoy Brown
Kim Simmonds

Of all the great British blues guitarists who started out around the same time, Savoy Brown's Kim Simmonds has quietly remained the most faithful to an authentic blues sound.

While featuring many different lineups around Simmonds over the years, Savoy Brown has always remained consistently top-shelf. Musicians like Lonesome Dave, Chris Youlden, Roger Earl, Tone Stephens, Dave Walker, Paul Raymond, Bob Hall and Miller Anderson are some of the many talented players that made it happen for SB album after album, concert after concert.

The great local bluesman Craig Thatcher opens on solo acoustic guitar. Featuring a long and distinguished career, Thatcher's musical history is compelling in its own right.

Sponsored by Out on a Limb Tree Service, LLC.

Listen here. Pick up tickets here.

Tickets $25 Doors 7PM Show 8PM



Sunday, February 19

The Allentown Band is arguably the finest community band in America, with roots dating as far back as 1828, and then later, when John Philips Sousa himself recruited from the band because of the renowned excellence it still boasts today.

Allentown Band
Allentown Band in Chicago
They will feature 35 pieces in this special performance which will include a selection from The Molly Maguires, as well as from Gershwin, Mozart and then of course,the band's famous marches.

John Philip Sousa's influence on the band and its distinguished history is profound. More than twenty local musicians were recruited to perform with Sousa, and then returned to the Allentown Band, sharing stylistic traits unique to the famous Sousa band.

Program is here. Pick up tickets here.

Tickets $12-adults, $7-seniors and students, $5-kids 12 and under Doors 4 PM Show 5 PM



Saturday, February 25

Formed in 1992, Splintered Sunlight has been captivating audiences with their authentic tribute to The Grateful Dead for over fifteen years. The band has built a faithful following by respecting the Dead's improvisational traditions, while exploring what can happen when individual band members bring unique influences and interpretations into the mix.
Splintered Sunlight at the Mauch Chunk Opera House
Guitarist Butchy Sochorow

From their base in Philadelphia, PA, the band has become a permanent fixture on the Mid-Atlantic region's live music scene. Splintered Sunlight shows feature unique setlists as the band strives to create a special musical experience for the audience every time they take the stage.

Jim Thorpe favorites Free Range Folk open the festivities!

Listen here. Pick up tickets here.

Tickets $17 Doors 7PM Show 8PM


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Paris Blues - Merl Saunders and Deep Banana Blackout


Merl Saunders, (February 14, 1934 – October 24, 2008) was an American multi-genre musician who played piano and keyboards, favoring the Hammond B-3 console organ.
Born in San Mateo, California, Saunders attended Polytechnic High School with singer Johnny Mathis. He served in the Army from 1953 to 1957. He worked as musical director of the Billy Williams Revue and served in a similar capacity in Oscar Brown Jr.'s off-Broadway show, Big Time Buck White.

He gained notice in the 1970s when he began collaborating with Jerry Garcia, with whom he had begun playing in 1971 at a small Fillmore Street nightclub called the Matrix.
He sat in with the Grateful Dead, and co-founded the Saunders/Garcia Band which produced three albums, and which became The Legion of Mary with the addition of Martin Fierro (sax) in 1974. It disbanded the following year, but he and Garcia continued to collaborate in the band Reconstruction during 1979, collaborating with Ed Neumeister (Trombone), Gaylord Birch (drums) and John Khan (Bass).

He led his own band as Merl Saunders and Friends, playing live dates with Garcia, as well as Mike Bloomfield, David Grisman, Michael Hinton, Tom Fogerty, Vassar Clements, Kenneth Nash, John Kahn and Sheila E.. He also collaborated with Grateful Dead percussionist Mickey Hart in the band High Noon.

Merl Saunders took the lead in reintroducing Jerry Garcia to his guitar after Jerry suffered a diabetic coma in the summer of 1986.

In 1990 he released the world music and New Age classic album Blues From the Rainforest, a collaboration with Jerry Garcia and Muruga Booker. This led to the release of a video which chronicled Saunders' journey to the Amazon, and the subsequent albums Fiesta Amazonica, It's in the Air, and Save the Planet so We'll Have Someplace to Boogie. One of the songs from Blues From the Rainforest was used as part of the soundtrack for the TV series Baywatch. Saunders continued to perform with the Rainforest Band for the next ten years.

He has worked with musicians Paul Pena, Bonnie Raitt, Phish, Widespread Panic, Miles Davis, and B. B. King. Merl also recorded with The Dinosaurs, a "supergroup" of first-generation Bay Area rock musicians.

He had his own record label, Summertone Records, and had also recorded on Fantasy Records, Galaxy Records and Relix Records as well as the Grateful Dead and Jerry Garcia labels. He worked with the Grateful Dead on the theme music for the 1985 TV show The New Twilight Zone, and as musical director he worked with Mickey Hart on the score for the show. He also worked on the TV series Nash Bridges, and worked on several soundtracks for movies, including Fritz the Cat and Steelyard Blues. He was production co-ordinator for the Grammy Awards for two years, and for the Grammy's Greatest Moments TV special. He also supplied the music for the computer animation video Headcandy: Sidney's Psychedelic Adventure.

He worked with several charitable organizations such as the Seva Foundation, the Rex Foundation, the Rainforest Action Network, and the Haight-Ashbury Free Clinic, and headlined the Haight Street Music Fair for 24 consecutive years. He has been granted a Doctorate of Music by Unity College, in Unity, Maine.

In 2002, Merl suffered from a stroke that paralyzed one side of his body and curtailed his musical career. Merl Saunders died in San Francisco, California on the morning of October 24, 2008, after fighting infections as a result of complications related to the stroke which he suffered in 2002.
He is survived by his two sons, Tony Saunders (bassist) and Merl Saunders Jr. (a senior executive director of National Academy of Recording Arts and Sciences), and his daughter Susan Mora.
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Cold Sweat - Maceo Parker


Maceo Parker: his name is synonymous with Funky Music, his pedigree impeccable; his band: the tightest little funk orchestra on earth.

Everyone knows by now that he's played with each and every leader of funk, his start with James Brown, which Maceo describes as " like being at University "; jumping aboard the Mothership with George Clinton; stretching out with Bootsy's Rubber Band. He’s the living, breathing pulse which connects the history of Funk in one golden thread. The cipher which unravels dance music down to its core.

"Everything's coming up Maceo," concluded DownBeat Magazine in a 1991 article at the beginning of Maceo Parker's solo career. At the time Maceo was a remembered by aficionados of funk music as sideman; appreciated mainly by those in the know. More than a decade and a half later Maceo Parker has been enjoying a blistering solo career. For the past sixteen years Maceo has been building a new funk empire, fresh and stylistically diverse. He navigates deftly between James Brown's 1960's soul and George Clinton's 1970's freaky funk while exploring mellower jazz and the grooves of hip-hop.

His collaborations over the years performing or recording or both have included Ray Charles, Ani Difranco, James Taylor, De La Soul, Dave Matthews Band and the Red Hot Chilli Peppers. His timeless sound has garnered him a fresh young fan base.

It is almost impossible to separate which came first, Maceo or the funk. The amazing P-funk Parker has been at it with his legendary alto horn for some time dating back to the 1960’s. That’s when Maceo and his drummer brother Melvin climbed on board the James Brown funky soul funk train. It wasn’t long before James coined the solo summoning signature, “ Maceo, I want you to Blow!” . To most musicologists it’s the muscially fertile group of men from this period of James Brown's band who are recognized as the early pioneers of the modern funk and hip-hop we still jump to today.

In 1964, Maceo and his brother Melvin were in college in North Carolina studying music when a life-changing event took place. James Brown, the famous God Father of Soul happened on to an after hours club in which Melvin was drumming a gig. Mr Brown was in search of some late night food when he was knocked out by Melvin Parker’s bombastic beats. Brown offered the drumming Parker a future gig, telling him all he had to do was refresh the soul man’s memory and a job would be his. Cut to a year later when James Brown’s band was touring again in the North Carolina area. The Parker brothers looked to take JB up on his verbal job posting and cased the venue in search of James Brown’s limo. After a while they spotted the vehicle and waited for brother James to step out. Walking right up to the already legend of soul, Melvin works Mr. Brown’s memory to the year before. Soon, JB’s eyes light up and he resubmits the job to the drumming Parker, while Maceo stands by waiting his shot. Then Melvin blurts, “Oh, by the way Mr. Brown this is my brother Maceo, he plays saxophone, and he needs a job too.” James, asks Maceo if he owned the big horn. Maceo, spouts a big fib responding “Ahhhhh, yes Mr. Brown,” knowing full well he would have to go out and find the big brass Bari sax if he wanted to join his brother on the road. Maceo found a Baritone sax and recollects that he and his brother thought they’d play with JB for about six months and then head back to school. Maceo laughs, “ We stayed a lot longer than that.”

Maceo grew to become the lynch-pin of the James Brown enclave for the best part of two decades. - his signature style helped define James' brand of funk, and the phrase: "Maceo, I want you to Blow!" passed into the language. He’s still the most sampled musician around simply because of the unique quality of his sound.

There would be other projects and short hiatuses during his on-off time with The Godfather, including a brief spell overseas when he was drafted, and in 1970 when he left to form Maceo and All the Kings Men with some fellow James Brown band members (the two albums from this period are on a constant reissue cycle even some thirty years later.)

It was Maceo's uncle front man for local band the Blue Notes, who was Maceo’s first musical mentor. The three Parker brothers (Maceo, Melvin and trombonist Kellis- later to become Professor of Entertainment law at Columbia University) who formed the “Junior Blue Notes. " . When Maceo reached the sixth grade, their uncle let the Junior Blue Notes perform in between sets at his nightclub engagements. It was Maceo's first experience of the stage that started his love affair with performing that has increased rather than diminished with time.

Maceo grew up admiring saxophonists such as David "Fathead" Newman, Hank Crawford, Cannonball Adderley and King Curtis. "I was crazy about Ray Charles and all his band, and of course particularly the horn players" . By the age of 15, Maceo had forged his own style on the tenor sax. "I thought about ‘Maceo Parker plays Charlie Parker’, and then I thought how about ‘Maceo Parker plays Maceo Parker’, what would it be like to have young sax players listening to me and emulating my style of playing”. Thus the “Maceo sound” we know so well was born.
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Stop! You're Hurting Me - Magic Sam


Samuel "Magic Sam" Gene Maghett (February 14, 1937 – December 1, 1969) was an American Chicago blues musician. Maghett was born in Grenada, Mississippi, United States, and learned to play the blues from listening to records by Muddy Waters and Little Walter. After moving to Chicago at the age of nineteen, he was signed by Cobra Records and became well known as a blues man after his first record, "All Your Love" in 1957. He was known for his distinctive tremolo-guitar playing
After moving to Chicago in 1950, his guitar playing earned bookings at blues clubs in Chicago's West Side. Sam recorded for Cobra Records from 1957 to 1959, recording singles, including "All Your Love" and "Easy Baby". They did not appear on the record charts, yet they had a profound influence, far beyond Chicago's guitarists and singers. Together with recordings by Otis Rush and Buddy Guy (also Cobra artists), they made a manifesto for a new kind of blues. Around this time Sam also worked briefly with Homesick James Williamson. Sam gained a following before being drafted into the Army. Not a natural soldier, Sam deserted after a couple of weeks' service and was subsequently caught and sentenced to six months imprisonment. He was given a dishonorable discharge on release, but the experience had undermined his confidence and immediate recordings for Mel London's Chief Records lacked the purpose of their predecessors.

In 1963, he gained national attention for his single "Feelin' Good (We're Gonna Boogie)". After successful touring of the US, UK, and Germany, he was signed to Delmark Records in 1967, where he recorded West Side Soul and Black Magic. He also continued performing live and toured with blues harp player Charlie Musselwhite and Sam Lay.

Sam's breakthrough performance was at the Ann Arbor Blues Festival in 1969, which won him many bookings in the U.S. and Europe. His life and career was cut short when he suddenly died of a heart attack in December 1969. He was 32 years old. He was buried in the Restvale Cemetery in Alsip, Illinois. In February 1970, the Butterfield Blues Band played at a benefit concert for Magic Sam, at Fillmore West in San Francisco. Also on the bill were Mike Bloomfield, Elvin Bishop, Charlie Musselwhite, and Nick Gravenites.

His guitar style, vocals, and songwriting ability have inspired and influenced many blues musicians ever since. In The Blues Brothers, Jake Blues dedicates the band's performance of "Sweet Home Chicago" to the "late, great Magic Sam".

The stage name, Magic Sam, was devised by Sam's bass player and childhood friend Mack Thompson, at Sam's first recording session for Cobra, from an approximation of "Maghett Sam". The name Sam was using at the time, Good Rocking Sam, was already being used by another artist
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Guitar Boogie - Otis Grand


OTIS GRAND, the Gentle Giant of the Blues, has absorbed a wide spectrum of Blues styles in the past four decades and now leads the hottest TRUE Blues and R & B band around today. More importantly, he not only carries the real blues TORCH for the heros of yesterday, his superb blues guitar technique and playing and originality and a tight band that rocks mean, Otis Grand also sets the standards for many others to follow which ensure that he is at the top of the Blues scene for many years to come.

Otis Grand has pioneered the big band blues sound over the last few years, starting with a West Coast R&B band and now moving into his present guitar led Big City style Blues. For the past ten years Otis has recieved a number of Awards including UK BLUES GUITARIST OF THE YEAR ( 1990- 96), Best Blues Albums, Best Band, and nominations to the prestigious W.C. HANDY BLUES Awards in Memphis, Tenn.Surely testimony enough of the man's ability and dedication to the Blues.

Anyone who has experienced the Gentle Giant of the Blues in action can bear witness to the devastating effect he and his band can have on the audience. His gigs are now legendry, drawing acclaim from purists and from those who come looking for a good night out.Otis has toured consantly turning in consistently great performances, building a big following and confirming his "numero uno" status in Europe.
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