Bman's Blues Report

Wesley Junebug Jefferson (1944-2009) Bassist, vocalist, and bandleader Wesley Jefferson has been a stalwart of the Clarksdale blues scene since the mid-1960s. He was born in Roundaway in Coahoma County on March 23, 1944, the oldest boy of thirteen children. As a youth he picked and chopped cotton, plowed with mules and later with a tractor, and lived in extreme poverty. He recalls being influenced by his grandfather, Claude Jefferson, who played guitar at his home in Clarksdale. He also furtively listened to records by “deep blues” artists at a juke joint run by his mother “way out in the field,” where they sold catfish and moonshine made by his stepfather. Local musicians who he saw playing at small venues in the country included the one-man-band “Popeye,” guitarist Ernest Roy—“the best guitarist I ever seen,” and the band led by Tutwiler’s Lee Kizart, who hauled his piano from gig to gig. What happens when you mix 3 completely different people into a blues band? You get Mississi...

Bassist, vocalist, and bandleader Wesley Jefferson has been a stalwart of the Clarksdale blues scene since the mid-1960s. He was born in Roundaway in Coahoma County on March 23, 1944, the oldest boy of thirteen children. As a youth he picked and chopped cotton, plowed with mules and later with a tractor, and lived in extreme poverty. He recalls being influenced by his grandfather, Claude Jefferson, who played guitar at his home in Clarksdale. He also furtively listened to records by “deep blues” artists at a juke joint run by his mother “way out in the field,” where they sold catfish and moonshine made by his stepfather. Local musicians who he saw playing at small venues in the country included the one-man-band “Popeye,” guitarist Ernest Roy—“the best guitarist I ever seen,” and the band led by Tutwiler’s Lee Kizart, who hauled his piano from gig to gig. Jefferson first played blues on a diddley bow on the wall of his house, and was first able to buy a guitar after he moved to Memphis ...

This timely road movie will explore the thriving underbelly of a dying American art form in the land where it began – Mississippi. Planned as a weeklong journey through the birthplace of the blues, M for Mississippi seeks to capture the proverbial “real deal” in its home where it is most comfortable and authentic – the jukes, the front yards, the cotton fields. More than just a collection of concert performances, the film will collect the sounds, the images and the feel of both the performers and their native landscape – an environment essential to their livelihoods and inseparable from their art. Cultivating the fertile ground between such landmark theatrical travelogues as Buena Vista Social Club and Deep Blues, M for Mississippi aims to appeal to more than just the average blues fan. By showcasing such a fascinating foreign land so close to home, the filmmakers hope to inspire countless others to make their own road trips down Mississippi’s blue highways. Get Facebook support ...