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Overton Music artist: Russ Green - Stone Cold - New Release Review

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 I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Nola Blue Records artist: Maria Muldaur - One Hour Mama - New Release Review

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 I just had the opportunity to review the most recent release, One Hour Mama - The Blues Of Victoria Spivey - from Maria Muldaur and it's her best in years. Opening with My Handy Man , is easy going with Maria workin the vocals like it's her own. Backed by James Dapogny's Chicago Jazz Band (James Dapogny on piano, Kim Cusack on clarinet and alto sax, Russ Whitman on clarinet and tenor/baritone sax, Jon-Erik Kellso on trumpet, Chris Smith on trombone and tuba, Rod McDonald on guitar and banjo, Kurt Krahnke on bass annd Pete Siers on drums). Solid opener. What Makes You Act Like That features Muldaur in duet with Elvin Bishop and their vocal styles work really well together. Danny Caron on guitar lays in some real nice guitar soloing and Johnny Bones on sax, Steve Height on bass, Neil Fortano on piano, David Matthews on piano, Beaumont Beaullieu on drums really make this track. Organ Grinder Blues really has an authentic feel with Tuby Skinny backing (Craig Flory on cl...
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I Hear The Blues - Victoria Spivey

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Victoria Spivey (October 15, 1906 – October 3, 1976) was an American blues singer and songwriter. During a recording career that spanned forty years, from 1926 to the mid 1960s, she worked with Louis Armstrong, King Oliver, Clarence Williams, Luis Russell, Lonnie Johnson, and Bob Dylan. She also performed in vaudeville and clubs, sometimes with her sister, Addie "Sweet Pease" Spivey. Among her compositions are "Black Snake Blues", "Dope Head Blues" and "Organ Grinder Blues". In 1962 she initiated her own recording label, Spivey Records. She was born Victoria Regina Spivey in Houston, Texas, United States, the daughter of Grant and Addie (Smith) Spivey. Her father was a part-time musician and a flagman for the railroad; her mother was a nurse. Her sisters were Addie "Sweet Peas" Spivey (1910–1943), also a singer and musician, who recorded for several major record labels between 1929 and 1937; and Elton Island Spivey (1900–1971), who a...
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I Hear The Blues - Victoria Spivey

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Victoria Spivey (October 15, 1906 – October 3, 1976) was an American blues singer and songwriter. She was born Victoria Regina Spivey in Houston, Texas, United States, the daughter of Grant and Addie (Smith) Spivey. Her father was a part-time musician and a flagman for the railroad; her mother was a nurse. Her sisters were Addie "Sweet Peas" Spivey, also a singer and musician, who recorded for several major record labels between 1929 and 1937; and Elton Island Spivey, who also followed a professional singing career. Spivey's first professional experience was in a family string band led by her father in Houston. She also played on her own at local parties and, in 1918, was hired to accompany films at the Lincoln Theater in Dallas. As a teenager, she worked in local bars, nightclubs, and buffet flats, mostly alone, but occasionally with singer-guitarists such as Blind Lemon Jefferson. In 1926, she moved to St. Louis, Missouri, where she was signed by Okeh Records. Her first...
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