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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Ruf Records. Show all posts
Showing posts with label Ruf Records. Show all posts

Thursday, January 25, 2018

Ruf Records artist: Jane Lee Hooker - Spiritus - New Release Review

I just had the opportunity to review the most recent release, Spiritus, from Jane Lee Hooker and it's smoking! Opening with How Ya Doin?, Hooker opens up where they left off on their hot release, No B! back in 2016. Dana "Danger" Athens is upfront with a powerful voice and Tracy "Hightop" Almazan and Tina "T-Bone" Gorin create a sense of Thin Lizzy while Melissa "Cool Whip" Houston on drums and "Hail Mary" Zadroga on bass give you flashbacks to Van Halen. Powerful is the word. With the poise of Free, Gimme That is a solid blues rocker... oh yeah...with cow bell! Blues ballad, Later On shows a more subtle side of Athens' vocals and Almazan and Gorin's guitar tones are round and mellow. Blending Hound Dog Taylor with a modern garage rock feel gives you a hot rocking version of Lightning Hopkins' Black Rat. Excellent! Clean blues ballad, How Bright the Moon is a real spin featuring Athens on piano and total blues sincerity for one of the best tracks on the release. It doesn't have the frenzy of most (and I like frenzy) and it doesn't have the rawness of many (and I like rawness) but it is a really nice track showing what this band can do in the pure blues ballad arena. Very cool. Bobby Blues Bland's Turn On Your Love Light is a fusion of tandem (Allman like) guitar leads, Greatful Dead like jamming and of course Bland's own energy, spun into a modern blues rocker. Very cool. Wrapping the release is The Breeze, a smooth, blues (mostly) instrumental giving the gang a good chance to stretch instrumentally. Athen's lays down some of her most emotional vocals on the release here making it a perfect conclusion to another strong release by the band.


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Monday, January 22, 2018

Ruf Records artist: Ghalia & Mama's Boys - Let The Demons Out - New Release Review

I just had the opportunity to review the most recent release, Let The Demons Out, from Ghalia & Mama's Boys. Yes, this is Johnny Mastro's Mama's Boys. Opening with  4AM Fried Chicken, a driving rock n roller, Ghalia Vauthier has that natural rockin vocal style and Mastro really rides tight on harp with Smokehouse Brown on guitar, Dean Zucchero on bass and Rob Lee on drums and percussion. Super opener. Press That Trigger is a cool track with traces of SB Williamson and Alvin Lee with a pinch of the Pretenders. Mastro's harp shows solid tone and Smokehouse's guitar riffs are sparse but cool. Blending a little contemporary styling into delta style blues, Addicition is a cool, mostly primitive blues track with Ghalia on vocal and slide guitar with only the basics of percussion by Lee and Mastro's harp filling the air. Very spatial. A great rocking boogie, All The Good Things is really infectious (like a boogie should be). Vauthier really winds it up vocally and Zucchero bass line sets up perfectly for Brown's British blues style guitar attack. Excellent. Vauthier really works, Little Willie John's I'm Shaking putting in a lot of emotion and Brown's guitar riffs are perfect. Shuffle track, Waiting has traditional Chicago blues bones with a nice solo by Mastro and shared vocal lead between Vauthier and Mastro. The killer on this track is Brown's smoking slide work. Stand back! See That Man Alone is a real nice blues based rocker with a heavy bottom. Very nice. Wrapping the release is Hiccup Boogie, a real John Lee Hooker style boogie with super pace. Vauthier sets the line vocally but it's Zucchero, Brown and Lee who deliver the goods on this cooker with maestro fanning the flames on harp. Super closer.



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Tuesday, November 7, 2017

Ruf Records artist: Albert Castiglia - Up All Night - New release review

I just had the opportunity to review the most recent release, Up All Night, from Albert Castiglia and it's smokin! Up to his 7th release now and still getting better, Castiglia opens with Mike Zito's Hoodoo On Me blistering his way on guitar and leading on vocal. Joined by Jimmy Pritchard on bass and Brian Menendez on drums, this is a great opener. With a heavy footed rock beat, I Been Up All Night is a classic funk rocker. Castiglia has great presence with fluid blues riffs and raspy vocals over the big bass lines of Pritchard and tight drumming of Menendez. Excellent! Driving rock n roller, 95 South is a super track highlighted by real nice slide work by Sonny Landreth. Another Mike Zito track, Quit Your Bitching has beautiful slow blues phrasing and may be my favorite track on the release. Smooth vocals, inspired guitar soloing lead the way. Cyril Neville's Unhappy House Of Blues has a solid blues bass with a great harp topping by Johnny Sansone. Another rocker, Chase Her Around The House, has a great boogie base line giving Castiglia a super opportunity to fly on the fretboard. Excellent! Wrapping the release is lumbering blues, You Got Me To That Place, featuring Zito and Castiglia on acoustic guitar and vocal. This is a solid closer for an exceptional release! 

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Friday, October 20, 2017

Ruf Records artist: Savoy Brown - Witchy Feelin' - New Release Review

I just had the opportunity to review the most recent release, Witchy Feelin', from Savoy Brown and it's quite good. Opening with Why Did You Hoodoo Me, Kim Simmonds is back, better than ever with Pat Desalvo on bass and Garnet Grimm on drums. With a pounding bass rhythm and some of the most scorching riffs to come off of Simmonds guitar on record in a long time, this track rocks! There's something about a Gibson humbucker and a Marshall amp that just has that tone and Simmonds has it. Title track, Witchy Feelin', is a somber, dark blues number with light backing highlighting Simmonds vocals and exceptional soloing. Very nice. Gun Slinger kicks it into gear with modern boogie style. With a droning bass line and raw, saturated guitar tone Simmonds uses this basis to deliver one of the best rockers of modern Savoy Brown's history. Standing In A Doorway is a solid, old school blues style number with sweet slide work with tone not unlike Ron Wood on the Stones Love In Vain. This may be my favorite Savoy Brown track in many years.  Excellent! Memphis Blues is a blues rocker with a solid bottom. With Simmonds' signature rock slide sound and some of the best vocals on the release, you can hear a clear tie to his records of the 70's. Very nice. Another of my favorite tracks on the release is Thunder, Lightning & Rain with it's droning boogie bass line and extended guitar soloing. Brilliant! Wrapping the release is Close To Midnight, an enticing instrumental with a smooth, mellow melody and clean guitar riffs. This is the strongest Savoy Brown offering in a number of years. I am excited to hear Kim sound so inspired.





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Thursday, July 13, 2017

new studio album coming from seminal British blues band SAVOY BROWN




Being released August 25, 2017 on Ruf Records, veteran British Blues band Savoy Brown's Witchy Feelin' proves the Devil still has all the best tunes. From the thrillingly brittle guitar riff that opens Why Did You Hoodoo Me, we are in the hands of a master, with founding member Kim Simmonds reigniting the seismic vocals and searing fretwork that established Savoy Brown as linchpins of the '60s British blues boom. "On this album, I tried my best to get my voice in its power zone," he explains. "I'm a baritone singer. I like listening to singers I can relate to, such as J.J. Cale, Mark Knopfler, Tony Joe White and Tom Rush. For my guitar playing, I still get inspiration from Otis Rush, Buddy Guy and all the Chicago players I grew up listening to back in '63... but I always listen to new music too."

Recording alongside Pat Desalvo (bass), Garnet Grimm (drums) and engineer Ben Elliott, Simmonds leads us into a world of dark nights, wild weather, women and whiskey: all perennial themes given a modern twist by this ageless bluesman. "The songs on this album have been two years in the making," he reflects. "I tried to write songs that had a personal point of view yet can be relatable to everyone. On Vintage Man, I wrote about being the type of guy who doesn't change as he gets older. I wrote about the power of love on Why Did You Hoodoo Me. And with Guitar Slinger, I wrote a song about seeing a great guitar player in an old country bar - as I did when I first saw Roy Buchanan in '69."

Blues is not for the faint-hearted. Since the genre first drew breath, its greatest practitioners have embraced the darkness, spinning tales of hardship and death, hellhounds and devilry. If the sleeve of Witchy Feelin' suggests that Kim Simmonds, too, has a tendency towards the macabre, then Savoy Brown's iconic leader is happy to confirm it. "Blues has always dealt with themes of the Devil, witchcraft and so forth, and I've always written along those lines. At least three of the songs on Witchy Feelin' have that hoodoo vibe..."

Anyone who witnessed Savoy Brown leave the blocks in 1965 would speak of a similar epiphany. Back then, the band were the spark that ignited the blues-boom, signing to Decca, opening for Cream's first London show and boasting a lead guitarist who was being namedropped in the same reverential breath as peers like Clapton and Hendrix (with whom Simmonds jammed). Already, the guitarist was emerging as the band's driving force. "I had a vision," he reflects. "When I started the band back in 1965, the concept was to be a British version of a Chicago blues band. And the exciting thing now is, that vision is still alive." 

Soon, Savoy Brown had achieved what most British bands never did - success in America - and became a major US draw thanks to their high-energy material and tireless work ethic. "There's far too much said about sex, drugs and rock 'n' roll," Simmonds told Classic Rock. "It's a cliché. We were all extremely hard-working guys. When we came over to America, we were like a little army. I look at that time as being filled with incredible talent."

Times changed, of course, and by 1979, Simmonds had moved from a London he no longer recognised - "The punks were everywhere!" - to settle permanently in New York. The Savoy Brown bandmembers came and went, and the music scene shifted around him, but the guitarist stuck thrillingly to his guns and reaped the rewards, performing in iconic venues like Carnegie Hall and the Fillmore East and West, releasing thirty-odd albums, and later enjoying a well-deserved induction into Hollywood's Rock Walk Of Fame.

Even in the post-millennium, while his peers grow soft and drift into semi-retirement, Simmonds retains a vision and an edge, spitting out acclaimed albums that include 2011's Voodoo Moon, 2014's Goin' To The Delta, 2015's The Devil To Pay - and the emphatic new addition to Savoy Brown's catalogue, Witchy Feelin'. "I'm amazed that I still have the energy inside me to play guitar, create music and write songs," he considers. "I've been blessed in my life and I thank God for that. I've never been a believer in holding on to the past - I don't look over my shoulder and congratulate myself. I always want to climb the next mountain - and I'm very pleased with this new album..."

Thursday, March 23, 2017

Ruf Records artist: Thorbjorn Risager & The Black Tornado - Change My Game - New Release Review

I just had the opportunity to review the most recent release, Change My Game, from Thorbjorn Risager & the Black Tornado and it's very interesting. Opening with I Used To Love You, Risager sets a new stage with a calm, poised melody and rich vocals backed by Peter Skjerning on guitar, Emil Balsgaard on keys, Soren Bojgaard on bass, Martin Seidelin on drums, Hans Nybo on tenor sax, Kasper Wagner on sax and Peter Kehl on trumpet. On Funky rocker, Dreamland, the band really hits the groove and the horn section pumping up the work of Bojgaard, Seidelin and Balsgaard I really like this track. Title track, Change My Game has a solid radio format with a spunky beat, clever guitar riffs, a cool funky rhythm and cool horn punctuation. With a blues vamp platform, Risager rides high in a cool, polished blues hollar. Hold My Lover Tight is a solid rocker with a driving beat, super vocals and punchy horns. Another of my favorites. Maybe It's Alright has a universal appeal with a memorable melody, arena beat, cool guitar tones and always strong vocals. Train is a real nice modern blues rocker. With nicely paced vocals, hand claps, rhythmic guitars, tambourine and cool piano, this track is strong. Another track that I really like is ballad, Lay My Burden Down. Risager's rich vocals are really spot lighted here with this beautiful melody over mostly a orchestral accompaniment. Very nice. Wrapping the release is blues rocker, City of Love with saturated guitar, funky horns and nicely arranged vocals. Stiff footed drum work by Seidelin and grinding organ work by Balsgaard really give this track texture for soaring guitar soloing making this track a super closer.



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Tuesday, March 21, 2017

Ruf Records artist: Vanessa Collier - Meeting My Shadow - New Release Review

I just had the opportunity to review the most recent release, Meeting My Shadow by Vanessa Collier and it's quite good! Opening with dark, slinky, Poisoned The Well, Vanessa Collier has a great sound as a lead vocalist and her clavinet work on this track and especially her haunting flute work on track one is intoxicating. I really like the bass line by Lenny Bradford and Nicholas Stevens' drum work. Excellent opener. On R&B track, Dig A Little Deeper, Laura Chavez created a cool traditional guitar rhythm and Collier adds her solo sax work to the horn work of Marc Franklin on trumpet giving the track a bit more punch. When It Don't Come Easy has a smooth southern blues rock featuring Chavez on electric guitar and resonator guitar and getting some of the best vocal warmth from Collier. Rock n roller, Two Parts Sugar, One Part Lime features a bit more of Collier's solo sax work with her vocals and some nice piano work by Charles Hodges.  Soul track, You're Gonna Make Me Cry has some particularly expressive vocals by Collier and a bluesy guitar solo by Chavez making it one of my favorites on the release. With just a dash of New Orleans, Meet Me Where I'm At, has a cool funky feel, nicely blended vocals and super sax and trumpet work pined against a snappy percussion/ piano bottom. Very cool. With it's Tower of Power like roots, Cry Out has a great feel with Franklin and Collier funking it up over nice Chavez's guitar rhythm and super vocals. Very nice. Revival/gospel styling on Up Above My Head I Hear Music In The Air is a real rebel rouser with great keys, a slick, Boots Randolph sax vibe and a swinging soul conclusion. Wrapping the release is a really nice ballad, Devil's On The Downslide, again reinforcing the strength of Collier as a straight up vocalist. With perfect organ work by Hodges, cleanly detailed guitar work by Chavez and Daniel McKee  on bass this track is a perfect closer for a really nice release.



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Thursday, January 19, 2017

Ruf Records artist: Mike Zito - Make Blues Not War - New Release Review

I just had the opportunity to review the most recent release, Make Blues Not War, from Mike Zito and it's crazy good! Opening with blues rocker, Highway Mama, this track gives you that take no prisoners attitude with a driving beat courtesy of Tom Hambridge who absolutely blows it up on drums and Tommy MacDonald on bass, Mike Zito on lead vocal and guitar, Rob McNelley on guitar and Water Trout on guitar. Trout plays some really hot riffs and Zito absolutely scorches the strings. Excellent opener. Wasted Time is up next with a great lumbering Texas lope, Zito lays down stuff that would make SRV proud, with intensity and feel. Very nice! Redbird is a heavy footed, rocker with strong vocals. Solid bass lines from MacDonald positively drive this bus and it's rolling hard. Talk about intensity, Crazy Legs has it x 10. This track is on fire and running hard with excellent drum work by Hambridge and super guitar tone. Zito really turns on the heat on this one literally setting the thing on fire. Wow! Slowing it way down, title track, Make Blues Not War has the characteristics of delta blues and early electric Muddy Waters. Jason Ricci is down on this track and he and Zito really dig in on this one with harp and slide fanning the flames. Very nice. On The Road has some funk with really sweet organ work from Kevin McKendree and stirring some of the funkiest guitar riffs that I've heard since David Spinozza hit "Right Place Wrong Time". Sure to be an instant favorite on the release is Bad News Is Coming, a slow, low down blues with excellent guitar phrasing and hard luck soulful vocals. Excellent!! Detroit style rocker, One More Train, has a really nice feel with excellent vocals, super slide work from Ricci and great piano work from McKendree making it my pick for radio track that should hit hard. Girl Back Home is a quiet ballad with rich slide work making it a standout on feel alone. Chip Off The Old Block features Mike's son, Zach on guitar over a basic 12 bar setup. Zach shows his stuff which is quite cool and with McKendree on piano and Mike on vocal and guitar, a real solid track. Ballad, Road Dog is another sure radio track with a super melody and strong construction. McKendree's organ, Hambridge's tight drum work and Zito's vocals and somber guitar work, ala BB King give this track excellent grip. Love it! Wrapping the release is Route 90, a Chuck Berry style track featuring an excellent piano solo by McKendree over a great bass line by MacDonald. Zito digs in at the bottom of the fretboard and with his own super vocals and southern style make this track a great closer. I don't think I'm going out on a limb very far saying that this will be one of the top 10 releases I'll hear this year and moving Zito to the top of the list of bands I hope to see this year. Excellent!!


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Wednesday, January 4, 2017

STILL more media praise for bluesman Mike Zito's new album




Released on Ruf Records distributed by the In Tune Music Group this passed November, Make Blues Not War, is currently #1 on the Roots Music Report's Blues chart, #7 on XM Sirius' Rack of Blues 5 weeks in. The album's nabbed a nomination for "Best Blues Album" by New Orleans' Offbeat Magazine.

This is blues guitar gunslinger Mike Zito's second release since leaving the mighty Royal Southern Brotherhood (Cyril Neville, Devon Allman, Yonrico Scott, Charlie Wooton). It has been getting great press coverage and I'm including a small sampling below. It's his 13th album overall and perhaps the most energetic of the bunch. 
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Guitarist, singer and songwriter Mike Zito is one of the big names of the blues, a former member of The Royal Southern Brotherhood, and this is his own 13th album overall. It's not quite a back-to-basics set, but not far off - he has the support of a trio including producer Tom Hambridge on drums; Mike himself says that the intention was to make "a kick ass blues-rock album", and he's succeeded. Mind you, he does play mostly 12 bar numbers here, and although some are loud (try the opener, 'Highway Mama'), overall this reminded me of Alligator's "high-energy" sound of the 80s - particularly Johnny Winter - brought up to date. Mike really does rock the blues here - lend an ear to 'Chip off The Block, with his son Zach on guitar, and that's not nepotism, he can play. Then again, other guests include Walter Trout and harmonica ace Jason Ricci, and the two borrowed tunes are instructive - a full-on six and a half minutes long impassioned version of the great Luther Allison's slow West side Chicago blues 'Bad News Is Coming' and the closing track, Clarence Garlow's 'Route 90', a rocking zydeco influenced blues taken straight (and wild!), with Kevin McKendree supplying some fantastic boogying piano work. You might guess I enjoyed this set - a lot! 
Norman Darwen/Blues In The South January

Mike Zito has been on our radar for several years now, with his own solo career as well as a productive stint with the Royal Southern Brotherhood.  He'd always wanted to make a fun, guitar-centric blues-rock album, and what better place to do it than right here in Nashville with drummer, composer, and producer extraordinaire Tom Hambridge at the helm.  The result is the blistering twelve cuts that remind us to "Make Blues Not War," on the Ruf label.
Let's get right to the music.  Leading off is the tale of that "Highway Mama" who'll  "make your motor run wild!" Zito's all over the guitar here, as is special guest Walter Trout on additional guitar.  The biographical story of Mike's son, Zach, is the theme of "Chip Off The Old Block," who was "bangin' on my guitar before he could walk!"  Zach's come full-circle, too, as he's the featured guitarist on this one.
"Road Dog" is perhaps the set's most poignant cut.  It details the loneliness of life on the road thru Mike's eyes, where "all I ever do is leave."  "Redbird" is full of Hendrixian psychedelia (and is perhaps Mike's answer to "Little Wing"), and "Crazy Legs" choogles along at a breakneck pace and deals with those "tight red skirts" and other things you"ll see at your neighborhood bar!
We had two favorites, too.  The title cit is a good ole slide-guitar fest with down-home harp from guest Jason Ricci as Mike prefers to "pass around the peace pipe"  instead of fighting!  And, the set closes with an absolute rockin' road trip along "Route 0," name-checking everywhere from San Antone to Katy to Beaumont on the way down to the Land Of Dreams!  Kevin McKendree's piano wraps a big ole bow on the whole thing!
With "Make Blues Not War" Mike Zito has hit on an album that is pure fun, and serves as his reminder to himself and us fans why he enjoys playing guitar!  Peace out, Mike!  Sheryl and Don Crow, the Nashville Blues Society.
Sheryl and Don Crow/donandsherylsbluesblog.wordpress.com/ 12/30

Mike Zito - Make Blues Not War (Ruf Records). The co-founder of the excellent Royal Southern Brotherhood is now firmly established as a top notch solo performer, and Zito's new Ruf CD soared into the higher reaches of the Billboard Blues Chart on the day of its release. The Missouri-born singer and guitarist's sterling efforts are aided and abetted here by fellow bluesmen Walter Trout and Jason Ricci as he unveils what is arguably his finest offering to date, blessed with muscular gems such as Highway Mama and the harmonica-led Chicago blues of the robust title track.
 Kevin Bryan/worksopguardian.co.uk 1/2

Zito proves that the blues are still a vibrant and exciting musical genre. There is a tendency for blues music to sound very similar and hard to distinguish individual songs. Zito completely tears that myth down on Make Blues Not War by showing his versatility. Not only is Zito a world class guitar player, he is a great singer. This album mixes blues with rock and roll, southern rock and swamp rock to create an album that is infectious and each song is distinct. Zito can sing his tail off, but every song comes back to the guitar and his playing is smokin'.
Mike Zito is no stranger to the music business. This is the Saint Louis native's ninth solo album. Not only has Zito had a very prolific and successful solo career, he was a founding member of the Royal Southern Brotherhood (2010-2014) which included the likes of Cyril Neville, Devon Allman, Charlie Wooton, and Yonrico Scott. When he is not playing, he is also a sought after producer.
The title track, Make Blues Not War (Track5), is a traditional blues number that Zito takes to the third power with blazing guitar solos and harmonica that raises the roof on this number. He pays homage to blues legends on this song, including Robert Johnson, Muddy Waters, and BB King. The song is about peace through music. Being able to tear down barriers with the power of song. It is a good sentiment and should be employed more often, for sure.
Bad News Is Coming (Track 7) is a slower tempo blues number that clocks in at six and a half minutes. It is a relatively long song but plays like a three minute song because of Zito's outstanding guitar playing. This song is exciting and the solos contain a lot of twists and turns to make this song extremely interesting and one that you will want to hear over and over. 
Wasted Time (Track 3) is great number similar in style to the legendary Stevie Ray Vaughan. Zito's guitar is pretty darn good on this tune. Although this song and the others may be about topics that are normally sad or "blue", Zito has the ability to make these numbers uplifting and not feel depressing or blue at all. That is a rare talent, indeed, and you should give Make Blues Not War a serious listen.
Harry Kaplan/Twangrila.com 1/1

Singer, guitarist, and songwriter Mike Zito sure ain't kidding when it comes to making the blues. Zito's impassioned vocals and blistering guitar playing are red hot scorching to the point were your stereo speakers might just be reduced to smoking embers. The stomping beats and steady tempos slither along with breathtaking forward-ho precision. The protracted jams not only draw out every last ounce of pure angst, but also tear into the tasty fat pulsating grooves in an admirably savage and relentless manner. A fantastic album. 
Joe Wawrzyniak, JerseyBeat.com

An old pal of Elmore, Mike Zito, chats with senior writer, Jim Hynes, about his new album, Make Blues Not War, and provides a bit of career perspective as well, reflecting on his time with Royal Southern Brotherhood, his choice to leave behind the Wheel, the vibrant Houston music scene and, most important of all, recruiting a key new member for his touring act.
Elmore Magazine: How does it feel to have the album out that you've long wanted to make and see it rise immediately to #1 on the blues Billboard chart?
Mike Zito:  You know, in the roots and blues world, this is as good as it gets. I try to put more stock into going out to play, but in order to do it; you need to keep making records. It feels especially good for this record, because we are not breaking any new ground. We're just cutting loose and having fun. So, to see it be successful is like a bonus.
EM: I really liked what you were doing with the Wheel, and the band seemed especially tight live. Why go in a different direction?
MZ: The Wheel is a great band. I'd been doing it a while, from 2012 through 2015. I enjoy being in a band, I love writing songs, playing blues, blues-rock and playing guitar and jamming. The jamming part is not easy to do in a band, and the Wheel didn't really like it. It got to a point where I felt like I was fighting for space in my own project. When you've been doing the same thing, things start to get stale at a certain level. I could sense that, and it just seemed like it was time to take a break. Going out and just playing guitar like I'm doing now... heck, I haven't done something like this since the '90s.
EM: I'm curious, because your former bandmate in RSB, Devon Allman, (and we grieve with him in the loss of his mom) also sought out Tom Hambridge for his Ragged and Dirty album, with some inspiration from Luther Allison. You took a similar path. Is it coincidental, or did you and Devon talk about it?
MZ:  I introduced Devon to Tom Hambridge. Tom and I have been talking about doing this record of mine for eight years. Devon wanted to go more in the direction of blues, but really didn't have a lot of background and needed someone to help him. Luther Allison is my favorite artist. I was a big fan of Ruf Records and Luther in the '90s. I have all of his records. In fact, I always wanted to be on Ruf Records, and when I got the chance, I encouraged my manager, Reuben Williams, to get on the label. Cyrille recorded Luther's "You Can Run But You Can't Hide," Devon did "Ragged and Dirty" and I just produced Big Dog for Albert Castiglia, and he did "Drowning at the Bottom." I learned that Ruf had two of Luther's guitars in storage in New York and one of them was a Flying V Gibson that had been in storage for fifteen years that still had Luther's original strings on there. That's the guitar I played on "Bad News Coming," and also the guitar Albert used on his Luther song. Wow!  What a feeling to be playing his guitar while honoring his song.
[read the rest of the interview here: 
 Jim Hynes/ElmoreMagazine.com 12/15

It's not limited to drinking and losing and living life the wrong way. Blues music can encompass any number of themes, and Mike Zito has found an audience for his songs about sobriety and recovery.
The Texas-based blues guitarist makes a living on the road playing blues clubs and blues festivals. But those aren't Zito's only gigs. Because of the lack of an established blues club in several cities, today's blues circuit might include a show at a nontraditional venue like a VFW Hall, a golf course or a motorcycle club - anywhere a promoter can find a room. His local show falls into the latter scenario, and it's a good match for artist and audience. 
Cincinnati.com 12/14
 -----------------------------
That atmosphere of positivity began at the album sessions, as Mike tracked alongside Grammy Award-winning producer (and co-writer) Tom Hambridge at the Sound Stage Studios in Nashville, Tennessee. "It was so much fun," Zito remembers. "It's a completely live album, where the musicians all set up and we just hit record and went for it. The energy was awesome and sometimes we'd just be laughing so hard because it was all so intense and exciting."

 As the momentum gathered, the songs coalesced with an awesome flow, Mike painting in every shade of blue, from the frantic six-string showboating of "Crazy Legs" to the growling slow-burn of "Red Bird" and the smoky slide work on "Girl Back Home." "It was time," he says, "to get back to the blues and playing my guitar. Tom and I had spoken about making a kick ass blues-rock album for years. I like having fun and cutting loose - that's what this album is all about. "Chip Off The Block" was written for my oldest son, Zach Zito, who is the featured guitarist on this track. It's his first introduction into the music world and he did a great job. I couldn't be more proud of him. He graduates college next spring and joins me on tour in summer - I can't wait."

Meanwhile in his lyrics Mike searches for the silver linings in a troubled world. "I love writing songs and sharing deep feelings," he says. Zito describes "Road Dog," the album's wistful slow-blues travelogue as, "the most serious tune on the album. It's about the drama of life on the road. I know it can seem clichéd sometimes, but it's the life I lead. I miss my family, miss my wife, but this is what I do. I always leave."

Mike has spent over two decades on the run. He grew up in a hard-scrabble, blue-collar home in St. Louis, but after an early job at a downtown guitar shop exposed him to heavyweights like B.B. King, the Allmans and Eric Clapton (then the music of Joe Pass, Robert Johnson and Blind Willie Johnson), he set out to establish himself as a working musician. By 1997, Mike had released debut album Blue Room, and seemed to be going places. "The first time you hear yourself," he recalls, "you think, 'Wow, that almost sounds like music!'"

Then came the bumps in the road. By the early 2000's, alcoholism and drug abuse were threatening to rob Zito of his livelihood and talent, a period starkly addressed on the title track from 2011's acclaimed Greyhound album. "I just couldn't stop," he admits. "And a lot of the opportunities that I had back then - they kinda went away."

Thankfully, the epiphany of meeting the woman who would become his beloved wife put Mike back on the right path. In 2012, he found fresh inspiration as a member of  the A-list lineup of Royal Southern Brotherhood, then struck out with acclaimed solo albums Gone To Texas (2013) and Keep Coming Back (2015).
"I have many more hurdles to jump and more goals to strive for," he says, "but I'm very pleased and thankful with how I'm developing as an artist." This is powerfully demonstrated on Make Blues Not War, another step forward for this long-suffering disciple of the Blues. "I'm so proud of this new album," says Mike. "It's about the enjoyment I get when I listen to Johnny Winter and Muddy Waters, Stevie Ray Vaughan and Luther Allison. Their music makes me happy and reminds why I wanted to play guitar and play the blues. To be free and honest, loud and proud. I hope everyone enjoys listening to this album as much as I enjoyed making it..."
 Modern life moves fast. Rolling news. Rapid-fire tweets. A relentless barrage of (mis)information. Make Blues Not War is an album that demands you sign out, log off and turn yourself over instead to the old-fashioned pleasures of great music. "We hear about everything 24/7 now," says Mike Zito. "The news never stops and it's all become propaganda. But when you turn off the news and turn on some blues, the world is a beautiful place. I think music is the cure for all ailments. Always has been. Always will be."


Wednesday, December 14, 2016

more media praise forbluesman Mike Zito's new album

 Howlin' Wuelf Media






Released on Ruf Records distributed by the In Tune Music Group last month, Make Blues Not War, gets knocked out of the #1 slot on XM Sirius' Rack of Blues by... The Rolling Stones (well, hell!) and but UP to #2 on UK's Roots Music Report. The album hangs on in the Top 10 of Billboard's Blues sales chart trailing The Rolling Stones, Eric Clapton, Bonnie Raitt and the like (not bad company to keep!)

This is blues guitar gunslinger Mike Zito's second release since leaving the mighty Royal Southern Brotherhood (Cyril Neville, Devon Allman, Yonrico Scott, Charlie Wooton). It has been getting great press coverage and I'm including a small sampling below. It's his 13th album overall and perhaps the most energetic of the bunch. I'm hoping you'll consider covering via feature or album review. Please let me know if you need a DL, CD or stream. 
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Produced by Tom Hambridge, Make Blues Not War showcases Mike Zito at his most passionate. It's a string of loose, in-the-moment, energetic performances of some of the most pleasurable blues you've heard in a long time.
Pay special attention to the title track. It begins with a brooding, pouting stance, then develops into a smolder and by the end it has become a vocal fire. On the rest of the album, Zito comes across like a guy who just got the keys to a new car called music; he tests and pushes it to the limit and has a blast. You will too.
Greg Victor/ParkBench.live 11/28

Mike Zito worked ten years at a downtown St. Louis guitar shop where an older employee taught him an appreciation for The Allman Brothers, Eric Clapton and B.B. King. He released "Blue Room" his first independently produced album in 1997. Follow up albums included 1999's "America's Most Wanted"; 2004's "Slow It Down"; and 2006's "Superman".
Zito acknowledges that there were "bumps in the road"; that he previously had bouts with alcoholism. Many of his songs are about redemption and Zito credits much of his recovery to meeting his wife.
Zito came to the attention of Delta Groove's Randy Chortkoff who was just starting the Eclecto Groove label. Zito's first internationally distributed album "Today", co-produced by David Z. and Tony Braunagel, was released in 2008. The follow-up recording "Pearl River" included the title track co-written with Cyril Neville. That song won "Song of The Year" at the 2010 Blues Music Awards. Zito's 2011 "Greyhound" also received a BMA nomination.
Zito, Neville, and Devon Allman co-founded "The Royal Southern Brotherhood" in 2012; and together they released two studio albums and one live recording resulting in another Blues Music Award. In 2013 Zito formed a new band "The Wheel" and released "Gone to Texas" on the Ruf Records imprint. By 2014 Zito announced he was leaving RSB in order to tour with his own band.
This is Zito's thirteenth album overall and second studio recording since leaving RSB. His last album was 2015's "Keep Coming Back". The band on this new recording includes Zito, guitar and vocals; producer Tom Hambridge, drums; Tommy MacDonald, bass; and Rob McNelley whose credits include both Delbert McClinton and Bob Seger, guitar.
The opening track "Highway Mama" features the screeching guitars of Zito; McNelley and special guest Walter Trout. Zito's vocal is equally commanding. Keyboardist Kevin McKendree is featured on both piano and B-3. It is the first of five songs written by producer Hambridge and his regular writing partner Richard Fleming. Other songs written by them include "Redbird" with some fantastic drumming from Hambridge; "On The Road"; "Girl Back Home" with great guitar from Zito; and "Chip Off The Block" featuring Zito's son Zach on guitar "the apple don't fall far from the tree".
Zito has written the delta styled title track "Make Blues Not War" with Hambridge. It features Jason Ricci, winner of the 2010 BMA for "Best Instrumentalist - Harmonica". Ricci appears again on the Rolling Stones sounding "One More Train" co-written by Zito with both Hambridge and Fleming. The trio has also written "Wasted Time"; the humorous "Crazy Legs" and the autobiographical "Road Dog".
There are also two great covers. "Bad News is Coming" was written and recorded by Luther Allison and is the title track off of Allison's 1973 Motown Records album.
"Route 90" was written by Clarence J. Garlow, a.k.a. "Bon Ton" Garlow whom also authored the classic "Bon Ton Roulet". "Route 90" was previously recorded by both Johnny Winter on his 1985 "Serious Business" recording and by Gary Primich on his 1995 album "Mr. Freeze".
Zito's guitar work is always great and his vocals are the best they've been. Zito states "when you turn off the news and turn on the blues the world is a beautiful place". This fine blues rock album is sure to win Zito some additional accolades.
Richard Ludmerer/MakingAScene.org 12/13

Royal Southern Brotherhood alumnus Mike Zito has a new record called Make Blues Not War. Despite that cutesy political title, Make Blues Not War is far from some kind of serious political statement.  Audiences can rest easy that this is the fun southern tinged blues rock that they have come to expect from Mr. Zito.
This latest set from Zito  produced by Tom Hambridge (Buddy Guy, Joe Louis Walker, George Thorogood etc...) kicks off with the rocking "Highway Mama" and also features blues legend Walter Trout on guitar keeping pace with Zito's screaming vocals. The next couple of tracks keep the rocking blues thumping in much the same vein. The title track is a more traditional blues with Mike on slide guitar. The slow blues "Bad News is Coming" features organ and piano, and "One More Train" has some interesting boogie piano work. "Chip Off the Old Block" tells the story of  Mike's son who grew up listening to the blues and features him playing guitar with his father. The album closes with boogie piano infused "Route 90," with Zito riffing away like a modern day Chuck Berry.
Make Blues Not War seems like a natural progress from Zito's work with the Royal Southern Brotherhood as well as his other solo material. If you are a Mike Zito fan then this is definitely a record that you will want in your collection.
Lou Lombardi/BlueRockReview.com 12/8

In some ways, Mike Zito's show next week at The Rude Dog Pub will be a homecoming. Although Zito grew up around St. Louis, he used to be a Cape Girardean himself.
But that was a long time ago -- more than a decade -- and the chart-topping bluesman said he was a different person then.
"I was a really bad drug addict," he said. "I mean, it was really bad; I was kind of wreaking havoc."
He left Cape Girardeau in the early 2000s, only to find himself, as they say, at rock bottom.
He described that period of his life on his blog, Bluesman in Recovery.
"Ten years ago, I did not own a guitar. I had pawned them all for drug money," he wrote in 2013. "I did not have a home, could not see my kids ... I was hopeless."
Getting clean, he figured, would mean more than giving up using. It would mean giving up music, too.
"I was so bad off, I thought, 'Well, that's fine. I need to save my life,'" he said.
Somewhere, he said, when he fell for the blues, he also bought into a dangerously misguided mythos -- that for a person to really play the blues, he had to feel the blues. And to really feel the blues, he had to be miserable, using, destitute or all three.
"You know, Stevie Ray Vaughan said the same thing ... but it's so ridiculous. That's such a crazy notion," he said. "But I was 20 years old, and all my heroes died of overdoses."
But that's not the way it works, he found.
"I learned if you're spiritually fit, you can go anywhere," he said. Now, instead of temptation, he said, rocking a bar show helps him stay sober.
"God is good, and life is weird," he blogged.
And if he's returning to Cape Girardeau with a better grasp on life, his accomplishments career-wise have been equally profound.
In November, his newest album, "Make Blues Not War," took the top slot of the Billboard blues chart over records by Joe Bonamassa, Melissa Etheridge and Eric Clapton himself.
"Today, as corny as it sounds, with the new album I'm celebrating," he said. "Now is just the right time. I'm back on my own with a blues album out, so when I saw we were going to be going through the Midwest, I said, 'I gotta go back to Cape and play.'"
Especially, he said, at The Rude Dog Pub.
"I've played at The Rude Dog so many times," he said. "It's such a great, fun bar. We've been all over, and there's not a lot of times we get to set up on the floor right by the door like that."
And while he has fans around the country, Zito said Cape Girardeau stands out.
"Everyone's so awesome to me there," he said. "It's really fun to come back and see everybody."
He said the show isn't about taking yourself too seriously.
"Sometimes music doesn't have to be so serious," he said. "Some of the greatest music we listen to is just fun."
The show will start at 8 p.m. Thursday.
"Robert Johnson. Muddy waters said it, too. B.B. King showed the world that blues is good for you," Zito sings on the title track from the new album.
And if anyone should know the positive, transformative power of the blues, it's Zito.
Tyler Graef/Southeast Missourian 12/9

-------------------
That atmosphere of positivity began at the album sessions, as Mike tracked alongside Grammy Award-winning producer (and co-writer) Tom Hambridge at the Sound Stage Studios in Nashville, Tennessee. "It was so much fun," Zito remembers. "It's a completely live album, where the musicians all set up and we just hit record and went for it. The energy was awesome and sometimes we'd just be laughing so hard because it was all so intense and exciting."

As the momentum gathered, the songs coalesced with an awesome flow, Mike painting in every shade of blue, from the frantic six-string showboating of "Crazy Legs" to the growling slow-burn of "Red Bird" and the smoky slide work on "Girl Back Home." "It was time," he says, "to get back to the blues and playing my guitar. Tom and I had spoken about making a kick ass blues-rock album for years. I like having fun and cutting loose - that's what this album is all about. "Chip Off The Block" was written for my oldest son, Zach Zito, who is the featured guitarist on this track. It's his first introduction into the music world and he did a great job. I couldn't be more proud of him. He graduates college next spring and joins me on tour in summer - I can't wait."

Meanwhile in his lyrics Mike searches for the silver linings in a troubled world. "I love writing songs and sharing deep feelings," he says. Zito describes "Road Dog," the album's wistful slow-blues travelogue as, "the most serious tune on the album. It's about the drama of life on the road. I know it can seem clichéd sometimes, but it's the life I lead. I miss my family, miss my wife, but this is what I do. I always leave."

Mike has spent over two decades on the run. He grew up in a hard-scrabble, blue-collar home in St. Louis, but after an early job at a downtown guitar shop exposed him to heavyweights like B.B. King, the Allmans and Eric Clapton (then the music of Joe Pass, Robert Johnson and Blind Willie Johnson), he set out to establish himself as a working musician. By 1997, Mike had released debut album Blue Room, and seemed to be going places. "The first time you hear yourself," he recalls, "you think, 'Wow, that almost sounds like music!'"

Then came the bumps in the road. By the early 2000's, alcoholism and drug abuse were threatening to rob Zito of his livelihood and talent, a period starkly addressed on the title track from 2011's acclaimed Greyhound album. "I just couldn't stop," he admits. "And a lot of the opportunities that I had back then - they kinda went away."

Thankfully, the epiphany of meeting the woman who would become his beloved wife put Mike back on the right path. In 2012, he found fresh inspiration as a member of  the A-list lineup of Royal Southern Brotherhood, then struck out with acclaimed solo albums Gone To Texas (2013) and Keep Coming Back (2015).
"I have many more hurdles to jump and more goals to strive for," he says, "but I'm very pleased and thankful with how I'm developing as an artist." This is powerfully demonstrated on Make Blues Not War, another step forward for this long-suffering disciple of the Blues. "I'm so proud of this new album," says Mike. "It's about the enjoyment I get when I listen to Johnny Winter and Muddy Waters, Stevie Ray Vaughan and Luther Allison. Their music makes me happy and reminds why I wanted to play guitar and play the blues. To be free and honest, loud and proud. I hope everyone enjoys listening to this album as much as I enjoyed making it..."

Modern life moves fast. Rolling news. Rapid-fire tweets. A relentless barrage of (mis)information. Make Blues Not War is an album that demands you sign out, log off and turn yourself over instead to the old-fashioned pleasures of great music. "We hear about everything 24/7 now," says Mike Zito. "The news never stops and it's all become propaganda. But when you turn off the news and turn on some blues, the world is a beautiful place. I think music is the cure for all ailments. Always has been. Always will be."


Friday, September 16, 2016

Ruf Records artist: Laurence Jones - Take Me High - New Release Review

I just had the opportunity to review the newest release, Take Me High, from Laurence Jones and it's really hot! Opening with funky rocker, Got No Place To Go, Laurence Jones handles lead vocal and guitar nicely. With fluid guitar riffs and a super bass line by Roger Inniss this track really moves. Bob Fridzema plays a pretty handy keyboard and Phil Wilson's drum riffs are tight and demanding. Excellent! On Something's Changed, Jones blends a funky beat with a Reggae line coming up with a really terrific rocker. His guitar riffs are melodic and really nicely phrased. This is some hot shit! With a big bat swinging like a pendulum, Jones and Wilson set a basic pattern with really hot bass lines under the top by Inniss. With radio styling, this track has it's share of blues fueled guitar soloing but with modern, rock styling and snappy drum riffs. Over a basic Hendrix (All Along The Watchtower) theme, I Will is s solid ballad punched up by the Hammond work of Fridzema and smooth backing vocals by Reuben Richards. Thinking About Tomorrow has a smooth country rock feel with traces of the best of the Marshall Tucker Band (Can't You See). Easy paced lines, bounced against against Jones lead vocals make for a real nice track. Title track, Take Me High, is a complex rocker with interesting cross blending. Jones vocals are consistently clear and cool, and his guitar riffs are twangy yet punky with traces of Jimi's hammer ons. Cool! Down and Blue maintain's a blues rock format but the guitar work gets a bit more adventuresome and loose. Never losing control, this track helps to cement Jones' guitar prowess. With a light funk, The Price I Pay features Paul Jones on harmonica and a solid back beat by Inniss and Wilson. Jones plays snappy guitar riffs topping up the funky overtone and his vocals are nicely phrased. Wrapping the release is Stevie Wonder's super hit, Higher Ground. The original driving beat is maintained with only minute interruptions for guitar iteration. Jones breaks it open for a real nice guitar solo in the middle where Inniss maintains a basic blues bass line. With a bit of a change up the band double times it a few times in rock style and closes on a high spot. Very nicely done.

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Wednesday, September 7, 2016

Ruf Records artist: Ina Forsman - Self Titled - New Release Review

I just received the newest release, a self titled debut from Ina Forsman and it's terrific! Opening with Hanging Loose, Ina Forsman hits the road running with a solid and powerful, almost indescribable voice. Joined by Laura Chavez and Derek O'Brien on guitars, stellar piano work by Nick Connolly on keys, Russell Jackson on bass Tommy Taylor on drums and Mark Kazanoff on sax, John Mills on bari, Al Gomez on trumpet and Aaron Kazanoff on trumpet this is a solid opener. On Pretty Messed Up you hear solid sounds of the 60's R&B scene and Forsman sings like a star. Showing total confidence and composure, this girl can perform. With a cool piano opening by Connolly, Bubbly Kisses, eases up with a bit of 40' style mystery. Forsman's voice is intoxicating and with subtle nuance and outright power she commands your attention. Backing vocals by Alice Spencer, Tommy Taylor, Nick Connolly and Mark Kazanoff with sassy trumpet work by Al Gomez sets this track up nicely. Reggae track, Farewell, has a super rhythmic feel and really rich vocals. Masterful work by Taylor, Chavez and O'Brien gives Forsman plenty of room to do her stuff and she takes the track by storm. Trumpet accents by Gomez and Aaron and nice harp work by Helge Tallqvist makes this a particularly memorable track. Don't Hurt Me Now is one of my favorite tracks on the release with Forsman covering a latin beat with heavy B3 work by Connolly. Her vocal phrasing and effortless vocals, complimented by a slick solo by Chavez is tight and beautiful. Blues style track, Talk To Me, is given a tint of old school with solid blues style harp work by Tallqvist. Soul ballad, Now You Want Me Back, has a lot of punch with old school, up front vocal, warm backing vocals and nice horns. Very cool. Slinky, Devil May Dance Tonight, rides high on the drum work of Taylor and bass styling of Jackson. Essential piano phrasing by Connolly really works nicely with Forsman's voice and shimmery guitar work by Chavez adds to the dimensional qualities of the track. Very powerful. Fifties styled, Before You Go Home, really has style bringing thoughts of the late Amy Winehouse. Forsman has a powerful tool with a lot of character and she knows how to parlay it. A lower octave guitar solo by Chavez and relentless piano work by Connolly set the bar for this track. R&B track, No Room For Love, has a super beat and tight horns. It's obvious that Forsman has been doing her homework and studying the best in her stylistic influences. Very nice. Wrapping the release is Nina Simone's I Want A Little Sugar In My Bowl and it is over the top hot. Forsman shows just how smoking hot she really is with all of the blues you could possibly pack in one track. Backed only by Connolly, and with a sultry sax solo by Mark, this track is an excellent cherry on top of the whipped cream.

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