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Showing posts with the label Roger Earl

Cleopatra Records artist: Foghat - Slow Ride - Live In Concert - New Release Review

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 I just had the opportunity to review the most recent release, Slow Ride - Live In Concert , from Foghat and it's an excellent record of the energy produced by one of the best blues rock bands of their time. Spawned from Savoy Brown, Kim Simmonds brain child, Lonesome Dave Peverett (vocal and guitar), Tony Stevens (bass), Roger Earl (drums), joined up with slide master Rod Price and Foghat was an immediate hit. This concert was recorded in 1999 after the departure of Price and joined by Molly Hatchet's Bryan Bassett resulting in this line up. Opening with Drivin' Wheel , Bassett's gain saturated slide work gets things going and Peverett's incredible pipes lead on this terrific opener. Always known as a potent rocker Earl and Stevens provide a serious bottom. Excellent opener. On Elmo James' deep blues, It Hurts Me Too , again Peverett and Bassett have just a magical sound. Soulful vocals and overdriven slide is killer and with Earl and Stevens on the bottom, th...

Foghat Records presents: Foghat - Sonic Mojo - New Release Review

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 I just had the opportunity to review the most recent release, Sonic Mojo , from Foghat and it's a super classic blues based rocker. Opening with She's A Little Bit of Everything, Foghat shows that they still know how to rock. Teaming up with Savoy Brown's Kim Simmonds on writing, this track has that swagger. Foghat originated from Savoy Brown when Lonesome Dave Peverett and Roger Earl left Savoy Brown to pursue a more rocking sound and Simmonds kept his band which was really the king of boogie bands. This track is anchored by Earl on drums and fronted by Scott Holt and Bryan Bassett on vocals and guitars, with Rodney O'Quinn on bass and vocal and Eddie Lefebvre on percussion. With it's driving rhythm, catchy melody and stinging guitar, it's a solid opener. Simmonds' pen is definitely on Drivin' On with it's boogie feel and featuring Bassett on slide. Earl and O'Quinn really push the bottom making this one of my favorites tracks on the release...