CAP Records artist: Eric Goletz - Standard-ized - New Release Review

 I just had the opportunity to review the most recent release, Standard-ized, by Eric Goletz and it's really enjoyable. Opening with Charlie Parker's Now's The Time, bandleader and trombonist, Eric Goletz shows exceptional skill on trombone with an excellent lead solo, followed by Don Braden on soprano sax. With Henry Heinitsh's strong guitar work, Jim Ridl laying in a really nice piano solo of his own, Brian Glassman on bass, and Steve Johns on drums, this is a great opener. On a more solitude take on Juan Tizol's Caravan, Goletz shows what great trombone tone is with nicely inventive phrasing. Joe Mowatt percussion on this track adds a lot of depth and Goletz lets it all hang out on his solo and in tandem with Ridl on piano. Add in strings by Robin Zeh and Paul Woodiel on violin, David Gold and Michael Roth on viola, Sarah Hewitt -Roth on cello and Brian Glassman on contra bass, this track really is cool. Eden Ahbez's, Nature Boy really is a showcase for Lajuan Carter on lead vocal and she does a really nice job. Gershwin's Summertime really gets kicked up a notch with a Latin rhythm by Glassman and Johns and Ridl anchoring on piano. Goletz's solo on this track is vibrant, further enhanced by Ridl's bright piano soloing. Very nice. Stanley Turrentine's Sugar really throws Goletz out front of this trio layout with a lot of sliding and articulate runs over a great bass line of Glassman and Johns on drums. Stevie Wonder's Overjoyed, is the solid radio ballad for the track with Goletz laying down a solid piano loead and then doing a straight melodic solo on trombone. This really is a strong release (and I love jazz trombone) so if you're inclined...it's definitely worth the listen. 

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J&R Adventures artist: Joe Bonamassa - Tales of Time (Live)- New cd/dvd release review

 

I just had the opportunity to review the most recent release, Tales of Time, by Joe Bonamassa and he is really pulling it together. A performance of his new solo release, Time Clocks, Tales of Time opens with Notches, and Bonamassa has a solid riff going with a heavy footed kick drum by Lemar Carter and full bass by Calvin Turner. Building a full blown blues rocker with Reese Wynans on keys,and Josh Smith on guitar Bonamassa on lead vocal and fluid guitar solos ans backing vocals by Jade MacRae, Dannielle DeAndrea and Mahalia Barnes makes this a terrific opener. The deeper you get into the release the more you see that it is built as a continuous piece of art somewhat like a Pink Floyd release. All of the songs relate and one is as powerful as the next. Mind's Eye starts off light with a ballad style, Bonamassa on guitar and vocal but slowly builds to epic proportions with full band and rich backing vocals. Very strong. Throwing in a bit of R&B construction, Known Unknown has a solid melody and lots of backing vocals. Bonamassa of course really continues to develop his vocals and holds his guitar in reserve for meaningful phrases. Very nice. Based around Albert Kings famous riff, Just Cos You Can Don't Mean You Should is a strong new look at blues rock. I love the riff and Bonamassa's guitar work and tight organ solo by Wynans really propel this track. Wrapping the release is Evil Mama with it's driving bass line and high energy. This track really does wind with Smith keeping the heat on on guitar and Bonamassa playing some esoteric but cool riffs. Wynans takes you for another ride on keys and Bonamassa winds it up one more time for an excellent blues riff filled solo. The man has grown up and his music shows it. All of the excitement has finally paid off. Can't wait to watch the DVD which is 18 tracks long. 

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Origin Records artist: Tito Carrillo - Urbanessence - New Release Review

 I just had the opportunty to review the most recent release, Urbanessence, from Tito Carrillo and it's very cool. Opening with Momentum with a paired lead melody by Tito Carrillo on trumpet and Troy Roberts on sax this track is humming. With Ben Lewis on piano, Clark Sommers on bass, Jay Sawyer on drums and Victor Gonzalez on congas, this is a strong opener. Crazy, Stupid Fine is a really cool track with a cool, lightly funky rhythm. Opening with a bass solo setup, Carrillo and Roberts again pair on the melody, splitting off to seperately lay in very nice variations on the melody. Carrillo's tone and phrasing is clean and controlled and Robert's tone, warm and more frantic. With excellent punctuation and melodic improvisation by Lewis on piano, this is a terrific track. Carrillo pulls out the flugelhorn for warm tone on Phillip Kocheril's Up The Down Staircase sharing this introspective melody with Lewis on piano. Wrapping the release is Sublime (for Roy Hargrove) with it's lush melody and crisp piano work by Lewis. This is really a cool release with a various colors of jazz well performed by a talented group of guys. 

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Blue Heart Records artist: Tomislav Goluban - 20 Years On The Road - New Release Review

 I just had the opportunity to review the most recent release, 20 Years On The Road, from Tomislav Goluban and it's chocked full of great blues harp. Opening with blues rocker, Express Ride, blues harp wiz Tomislav Goluban really has it cranking, backed by the Tobacco Road Blues Band (Peter Prammerdorfer on guitar, Mike Diwald on guitar, Christian Egger on bass and Klaus Sauli on drums. On shuffle, Searchin' For My Baby features Skylar Rogers on lead vocal and she does a real nice job. With Goluban on harmonica, Hrvoje Funda on guitar, Vid Kotarski on guitar, Jurica Leikauff on keys, Tomislav Kusar on bass and Dragutin Hojsak on drums, a real nice jam. With a twist of country, Ryan Donohue leads the way on No Means No. Mike Sponza and Funda on guitars, Vid Bajevic on trumpet, Mario Sincek on trombone, Damjan Grbac on bass, and Igor Vugrek compliment Goluban on harmonica. Another track with a taste of country is Speedin' Train featuring the super vocals of Teresa James. Goluban really wails the whistle and with a solid bottom compliments of Funda, Kitarski, Leikauff, Kusar and Hojsak, this may be my favorite track on the release. Shuffle, I Can't Take It Anymore has a great feel and saturated with harmonica. Crooked Eye Tommy is upfront on vocal anchoring this bluesy track. Boggie, Everyday's Fear, has a great drive and Goluban sails, courtesy Funda, Kotarski, Jurica Leikauff, Damjan Grbac and Vugrek and featuring Kelly Zirbes on lead vocal. Wrapping the release is rock and roller,  I Love You Baby with Goluban on lead vocal. This is a solid closer for a cool release. 

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Jonathan Mills - No Mentions, No Worries - New Release Review

 I just had the opportunity to review the most recent release, No Mentions, No Worries, from Jonathan Mills and I really like it. Opening with title track, No Mentions, No Worries I immediately like this release. Jonathan Mills has a light, tight touch like Billy Cobham, and with Tyrone Jackson on Fender Rhodes piano and Tommy Sauter on bass the theme is set. Luke Weathington on alto sax is first to step up and his elaboration on the theme is terrific. Patrick Arthur is next to the front with a really stirring guitar solo before the band is brought back for a thematic chorus. Very nice opener. Slower, more introspective in nature, For Hadley's Folks is "a lulaby" written for Mills' niece and family to find sleep during the early months of infancy. With poetic phrasing by Weathington on alto and Arthur on guitar. This track floats. Uptempo, Calderazzish, has the melody and tempo for top radio track on the release. With a really nice piano interlude by Jackson, excellent drum punctuation by Mills and smart alto work by Weathington, this track is spot on. Moving back into more of a fusion mode, Wait For It, is a real nice showcase for Mills chops on drums. Sauter reinforces the bottom with solid bass line and Arthur leads off with round, clear guitar phrasing. Jackson's piano touch really adds to the composition with crystal clear melodic work and Weathington on alto gives the track the juice. Wrapping the release is rocker, Sneak Attack with Weathington setting the melody on alto. Jackson is first out of the box with a real nice run on piano. Weathington reinforces the bop feel of this track with his approach on sax leading to a real nice exploration by Sauter on bass. Arthur shows a real nice hand at bop soloing himself trading off with Mills on drums before consolidating for a unified closing. Super closer for a real nice release. Really cool cover too... by the way.

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Henry Godfrey Jazz Orchestra - Attitude and Gratitude - New Release Review

 I just had the opportunity to review the most recent release, Attitude and Gratitude, by Henry Godfrey Jazz Orchestra and it's very enjoyable. Opening with For McCoy, a tribute to pianist McCoy Tyner who died in 2020. With really clean piano work by Rowan Barcham and lush guitar lead by Pritesh Walia, this track is great. Featurning Aaron Dutton, Alex Ramirez, Ian Buss, Eli Block and Nicholas Suchecki on sax, Miles Keingstein, Matt Kelly, Eli Block and Zoe Murphy on trumpets, Joey Dies, Jasmine Sloane and Sam Margolis on trombone and Michael Juba Prentky on bass trombone and tuba and Anna Abondolo on bass, all tied together by Henry Godfrey on drums, this is a strong opener. I particularly like Forgetting What Will Never Be, with Joey Dies on trombone leading the way. I also like hearing Anna Abondolo stepping up with a fluid bass solo, floating on woodwinds. Ian Buss with his tenor sax solo adds to real grit to the mix and Godfrey brings a Latin percussion bottom giving the track a great boost. Very nice. Wrapping the release is We'll Get There with a strong, jagged drum rhythm by Godfrey and muted trumpets. Alex Ramirez on alto sax lays in a really interesting melody line, joined by the band and leading to further soloing by Matt Kelly on trumpet over clean piano lines of Barcham and intricate drum work of Godfrey. This is not a bag of pretty tunes but a well thought out set of composiotions. Very nice. 

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Jeremy Green - Standing Eight - New Release Reviewx

 I just had the opportunity to review the most recent release, Standing Eight, by Jeremy Green and it's a cool jazz rock instrumental release with plenty of juice. Opening with No Jacket Required, Jeremy Green and Mike Stern on guitars lay in some great dialog over excellent drum work of Keith Carlock and featuring the excellent bass lines of Jimmy Haslip. Very cool. Will Lee lays down a funky bass line and fine soloing on Ain't No Chevy and Carlock is incredibly tight with Green and Robben Ford really working it on guitar and including the fine trumpet work of Mark Levron. Green and Michel Cusson really put on a great show on Close with a Jab and the solid bass work of Moto Fukushima sets a super framework for the highly articulate drumming of Carlock. Excellent. Wrapping the release is Car Rock with Oz Noy paired with Green on guitar and an aggressive bass line by Ian Da Souza. With bluesy yet adventurously jazzy guitar riffs, and the phenomonal drum work of Carlock, this is a solid closer for a solid release.  

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Mind's Eye Music artist: Vinnie Moore - Double Exposure - New Release Review

 I just had the opportunity to review the most recent release, Double Exposure, from Vinnie Moore and it's a solid rocker with blues roots. Opening with Vertical Horizon, guitar man, Vinnie Moore wastes no time getting things hopping with a lightly funky rocker and a very aggressive bass line by Pete Griffin. Richie Monica on drums really mixes it up and with lead vocals by Ed Terry, Moore just keeps his foot on the throttle. Super opener. Paid My Dues is another strong track with a heavy bottom by Monica and Griffin and scorching riffs by Moore. Keith Slack on vocal is a great match for this band making this one of my favorites on the release. Instrumental, Astro Man is a power hitter with choice use of wah wah pedal and hot fiery riffs by Moore over the relentless drive of Griffin and Monica. Another pure guitar instrumental, Breaking Through, features Moore on what may be a chorus pedal playing doubled or triples on the melody but breaking free  for strong single line lead work and rapid fire riffs. Very cool. Wrapping the release is Southern Highway with a trademark rhythm but with a definite "southern" style. With John Pessoni on drums, Michael Bean and Moore overdubbing his lead, this is a solid closer for a real enjoyable release. 

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Roger Street Friedman - Love Hope Trust - New Release Review

 I just had the opportunity to review the most recent release, Love Hope Trust, from Roger Street Friedman, and it's a solid slice of Americana. Opening with the title track, Love Hope Trust, singer songwriter Roger Street Friedman has the joint rocking with nicely blended vocals behind his own lead, Jim Toscano on drums, Larry Campbell on guitars, Jason Crosby on piano, Matthew Schneider on bass and Teresa Williams and Lucy Kaplansky on backing vocals. Vapor In The Air has a real nice Tex-Mex feel with strong vocal melody by Friedman and really cool contributions by Gil Goldstein on accordion,  and Campbell on fiddle, mandolin and guitars. Excellent. One track that really stands out is The Ghosts Of Sugarland delivered in true folk style. A story delivered about civil war living with Campbell on acoustic guitar, banjo, mandolin and fiddle, I really like this track. A warm Jackson Browne/James Taylor like, Multiply By Two, is a pure radio track with strong melodic bones. With warm steel work by Campbell and Williams and Kaplansky on backing vocals, this track is radio gold. Wrapping the release is Cut Your Losses, a potent track with a really nice melody, patient melody and with steel and mandolin backing under the acoustic guitar and vocal of Friedman is a perfect summary track to a really nice release. 

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Joplin Sweeney Music Company artist: Jim Witzel Trio & Quartet - Feelin' It - New release review

 

I just had the opportunity to review the most recent release, Feelin' It, from Jim Witzel Trio & Quartet and it's really nice. Opening with title track, Feelin' It. Jim Witzel on guitar really has solid phrasing over a strong bottom provided by Jason Lewis on drums and Brian Ho on B3. Dann Zinn steps up on tenor sax with an aggressive solo followed by Ho laying out the B3 making this a dynamic opener. In 3/4 time, Beyond Beijing has great flow with Witzel and Zinn playing in tandem on the melody. Zinn breaks free first with an abstracted melodic solo line with Ho providing plenty of bottom and the crisp rhythm work of Lewis tying it all together. Witzel has a really clear guitar tone and his phrasing is classic. Witzel really dices Gershwin's I Love You, Porgy is excellent traditional jazz style. Possibly my favorite track on the release. Wrapping the set is Cannonball Adderley's, The Old Country which is a true jazz standard. Nancy Wilson did a terrific job on this track and Ho and Witzel trade lead with adventurous wandering on their solos. This is really a strong track and an excellent closer for a really strong release. 

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Boptism Music artist: Rich Willey - Puttin' On The Ritz - New Release Review

 I just had the opportunity to review the most recent release, Puttin' On The Ritz, by Rich Willey. Opening with Poor Butterfly, a Latin fused track, Rich Willey on bass trumpet really leads the way, backed by Paul Mutzabaugh on piano, Larry Kohut on bass, and George Fludas on drums. Excellent opener. Frank Zappa's, Uncle Remus is a cool addition to this set, featuring Willey on trumpet. With clean articulation, he sails, backed by Mike Pinto on guitar, Larry Kohut on bass, Neal Wehman on drums and Paul Mutzabaugh on piano and B3. Really cool interpretation. Wrapping the release is Holy Trinity, is a lush instrumental with David Mann on soprano sax, Andrew Synowiec on guitar, Willey on bass trumpet, John Swana on EVI, and with Carey Dredman adding trumpet on the top. Solid closer for a different kind of release. 

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Griffin Woodard Group - Completion - New Release Review

 I just had the opportunity to review the most recent release, Completion, from Griffin Woodard Group who blends solid jazz and pop vocals for a real nice release. Opening with Little Angel, Georgia Heers is featured on vocal, with a really nice bed of piano by Abe Gold, Miles Gilbert on bass, Hugh Kline on drums and of course the deep sound of Griffin Woodard on bass clarinet. With really nice piano phrasing by Gold and a strong solo by Woodard, this is a strong opener. Miles Gilbert is front and center on Bass Interlude featuring his playing alone and I personally find it terrific. Alchemy is a really cool improvisation by Woodard on bass clarinet, backed only by Kline on drums... quite provocative. With an aggressive tempo, Route 1 features Coleman Rose on tenor sax in tandem with Woodard on bass clarinet creating a great mix. With an aggressive bass line by Gilbert and solid phrasing by Gold on piano this track rips. Deneen Jones has the mic on Kyrie, an uplifting ballad featuring a really nice blend of vocals with Heers, over a nice field of piano and featuring soprano sax lead by Rose. With captivating drum work by Kline, this is another hot track. Wrapping the release is title track, Completion, it's captivating melody being articulated by Woodard on bass clarinet, joined in relay by Rose on soprano sax and with only the framework of bottom by Gold on piano and drum adornment, this track slowly builds. Gilbert gets another turn up front on bass creating a real nice tension and the track continues to build on the reentry by Woodard and Rose. The track grows in intensity and dynamics as it nears it's completion. Very nice close. 

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Cleopatra Records artist: Andy McCoy - Jukebox Junkie - New Release Review

 I just had the opportunity to review the most recent release, Jukebox Junkie, by Finnish rocker Andy McCoy and it's a solid rocker with a twist. Opening with I'm Gonna Roll, a great power rocker with a driving beat, McCoy is up front on guitar with Sammy Aaltonen, Matthew Janaitis and Tommi Piipponen on vocal, Christian Wentzel on drums and Matthew Janaitis on bass.  Hot Night In Texas gas a great thumping bottom with Jamie Hembree and Niki Westerback on vocal and Jouni Kari on keys giving McCoy a great platform to show his guitar aero acrobatics. Very cool. Climax Blues Band's I Couldn't Get It Right, gets a minor redo with Janaitis on vocals and Roni Star on percussion, Kari on keys and overlayed guitar soloing by McCoy. 60's surf styling comes to play on Funnel of Love featuring Sofia Zida on vocal and space age keyboard work by Kari and some otherworldly guitar from McCoy. Wrapping the release is UKSubs' Countdown with a cool rock bottom by Janaitis and Robert Valeno, heavy vocals by Piipponen and obtuse key/guitar work by Kari and McCoy. This is an interesting release with solid rock footings. 

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Blue Heart Records artists: The Texas Horns - Everybody let's Roll - New Release Review

 I just had the opportunity to review the most recent release, Everybody Let's Roll, from The Texas Horns, and I really like it! Opening with title track, Everybody Let's Roll, The Texas Horns (Kaz Kazanoff on tenor sax, Al Gomez on trumpet, and John Mills on bari sax) come out steaming with Carolyn Wonderland on lead vocal, Mike Keller on rhythm guitar, Sean Giddings on keys, Chris Marsh on bass, and Tom Brechtlein on drums and featuring Anson Funderburgh with some real nice guitar lead. Solid opener. Piano boogie, I Ain't Mad With You, led by Matt Hubbard really rocks with excellent solos from Kaz and Johnny Moeller and a fat fat bottom by Mills. Excellent! A really interesting (bluesy) rework of The Beatles, I Want You (She's So Heavy), has great horn blending with Gomez taking the lead on trumpet. With it's jazzy drum hitch by Brannen Temple, a cool organ solo by Sean Geddings and a blast of blues by Moeller on guitar, this is a punchy track.  Soulful, Prisoner In Paradise, features Guy Forsyth on lead vocal and is the certain radio track with brassy backing and a real nice trumpet solo by Gomez and a warm sax solo by Kaz. Wrapping the release is JB Lenoir's J.B.s Rock with hot drumming by Jason Corbiere and sassy sax work by Kaz. Flanigin rolls in some warm organ tones and Jimmie Vaughan  lays down some trademark guitar riffs making this a great closer. 

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Outside In Music artists: Barry Coates, Jimmy Haslip, Jerry Kalaf - New Dreams - New Release Review

 I just had the opportunity to review the most recent release, New Dreams, from Barry Coates, Jimmy Haslip, Jerry Kalaf and the title seems quite appropriate. Opening with Towner, Kalaf on drums, forms a tight, stabling, drum reference as Haslip creates a chord like structure over which Coates plays soaring solo lines. Very nice. On Faith, Kalaf uses brushes on the snare head and cymbal to give structure, firmed by Haslip's bass lead and adorned by the articulated melody by Coates. Before is a playful track with Coates on synth, super improvisational bass lead by Haslip and a direct snappy drum line by Kalaf. My favorite track on the release is Sacred with a percussive rhythm by Coates freeing Haslip to play lead on bass and giving the space to Kalal to improvise on drums. Wrapping the release is Retrograde giving Kalaf the lead with explosive percussion over the synth guitar work of Coates. With atmospheric work by Coates, Kalaf really works the heads, leading to rudimental bass lines and painterly solo work by Haslip on bass. This is a really interesting set of music but not one that you're likely to dance to. Enjoy. 

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Blue Bamboo Music artist: Chris Cortez - Live at Blue Bamboo - New Release Review

 I just had the opportunity to review the most recent release, Live at Blue Bamboo from Chris Cortez and it's quite good. Opening with The Visit, Chris Cortez leads the way with his cool, fluid lead work on guitar. Bob Thornton on piano takes the second lead with vibrant phrasing over the tight bass lines of Doug Mathews and Jeff Sipe on drums. This is a strong  opener with a potent upbeat melody. Arlington Park has a cool Latin feel with the addition of Joel Rosenblatt on drums, Ron Jenkins on bass, Jeff Rupert on sax and John DePaola on trumpet. Both Rupert and DePaola add really solid lead work making this a standout track. Very nice. Different Strokes is a cool bop tune with really nice muted trumpet work by DePaola, accented by Thornton. Both Thornton and Cortez stretch on melodic solos and Rosenblatt shows his stuff as well, making this one of my favorite tracks on the release. Funky, Aarrgh, really hits a nice groove with Cortez grinding in with some more aggressive over driven guitar lead. Rupert really sails on sax lines and super sub melody by DePaola. Excellent! Wrapping the release is the subtle, A Remark You Made, with it's quiet melody, and Cortez alone on guitar, showing all of the tones of his jazz electric guitar, played with a mix of finger articulation and lush chords. Very nice closer for a strong release. 

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Madfish Music artist: Jeff Cotton - The Fantasy of Reality - New Release Review

 I just had the opportunity to review the most recent release, The Fantasy of Reality, by Jeff Cotton and it's curiously cool. Opening with Does It Work For You, an abstract progressive rocker, this track has the feel of a Fripp/ Belew composition. With spoken lyrics on echo, a straightforward drum rhythm and assorted overlaid guitar riffs and themes, this track is really interesting. A more classically oriented, Ivy, shows Cotton's depth as a composer and acoustic guitar artist. With a solid central melody, I really like this track. Quirky, Elvirus, is really a modern take on traditional blues, with a contemporary theme... vocal backed by acoustic slide. On The Thread is an eccentric take on an instrumental surf theme. I like quirky but not kitschy and this track slides in nicely. With a driving drum line, interwoven electric guitar riffs, Indian influences and slide guitar, this track really is cool. Heavy, is another delta style blues instrumental, even mimicking the surface noise found on old 78rpm records. Although much of the vocal delivery is tongue in cheek, the slide work is right on. Hear The Word is a thematic blues/ rock track with a jazz overtone, changing themes and "Jack Bruce" like vocals.  Wrapping the release is Clean In Nature's Stream with it's folk like rhythm guitar and vocals. The surprise is Cotton's relentless electric attack which permeates the theme making for a rich completion. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

For your convenience, you can click the title of this post above to be taken to a site where this cd can be purchased - Happy Listening