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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Red House Records. Show all posts
Showing posts with label Red House Records. Show all posts

Wednesday, April 8, 2015

LARRY CAMPBELL & TERESA WILLIAMS’ DEBUT out June 23 on Red House

LARRY CAMPBELL & TERESA WILLIAMS’ DEBUT
HONED AT LEVON HELM’S MIDNIGHT RAMBLES 
OUT JUNE 23 ON RED HOUSE
 
Listen to "Surrender to Love" at Wall Street Journal: http://on.wsj.com/1xyRU5a
In-demand guitarist/producer and singer for Dylan, Simon, Lesh, Crow, Harris, Staples, and more
 


On June 23, two of the most in-demand artists in roots music, Larry Campbell and Teresa Williams, will take center stage with their self-titled debut album on Red House Records. After decades of marriage and seven years working closely with Levon Helm - Campbell as bandleader and producer (winning three Grammys for his work) and wife Williams as singer - their first album together features eight originals and three covers honed at Helm's legendary Midnight Rambles.
 
"It was the most pure musical experience I've ever had," Campbell says of their time with Helm. "It gave me the template for how to make music for the rest of my life: no egos, no agenda, no petty stuff. I got inspired to write more songs for Teresa and me to sing."
 
After Levon’s 2012 passing, they grieved, celebrated his life, and got to work finishing "Larry Campbell and Teresa Williams." They had the tunes, and, with drummer (and ace recording engineer) Justin Guip and Ramble Band member Byron Isaacs on bass, they had an ass-kicking, road-worthy band. Additionally, the lovefest of guests on Larry Campbell and Teresa Williams sweetened the pot considerably: Amy Helm’s voice melding with Larry and Teresa’s on the gorgeous Grateful Dead hymn “Attics Of My Life,” Little Feat keyboardist Bill Payne’s rollicking touch on several tracks, and Levon himself appearing on “You’re Running Wild,” a tune made famous by the Louvin Brothers, now given an Orbison touch (originally recorded during Levon’s Dirt Farmer sessions). Finally, it all dovetailed into place.
 
In addition to Helm, Campbell and Williams have played with a Who's Who of Music Icons: Bob Dylan (Rolling Stone called Larry's eight-year tenure "the greatest period of the Never Ending Tour"), Paul Simon, Phil Lesh, Emmylou Harris, Sheryl Crow, Keith Richards, Cyndi Lauper, Hot Tuna and Mavis Staples. In addition to his Grammy wins with Helm, Campbell has won the Lifetime Achievement Award (2008) and Instrumentalist of the Year Award (2013) from the Americana Music Association.
 
With Larry Campbell and Teresa Williams, this duo not only brings a lot to the table, they bring the table itself – plus the house, the still, the church, the marriage bed, the sawdust-covered floor, and abiding, unconditional love, all carried in two voices harmonizing across hills, hollers, porches, and fire escapes. Those close harmonies ride atop music made in a mountain refuge, far from the madding crowd, connected to a spirit that lives on in song.   
 
Campbell and Williams will tour the country this spring and summer, including two New York shows before album release (4/8 at Rockwood and 5/18 at City Winery) and a two-day stand at Phil Lesh's Terrapin Crossroads in San Francisco (6/18-9). See current dates below (more TBA).
 
'Larry Campbell and Teresa Williams' Track Listing:
01. Surrender to Love
02. Bad Luck Charm
03. Another One More Time
04. Down on My Knees
05. You're Running Wild
06. Everybody Loves You
07. Did You Love Me At All
08. Ain't Nobody For Me
09. Midnight Highway
10. Keep Your Lamp Trimmed and Burning
11. Attics of My Life


Tour Dates:
* w/ Phil Lesh
! w/ Hot Tuna
5/09 - Woodstock, NY @ Levon Helm Studios (Midnight Ramble)
5/18 - New York, NY @ City Winery
6/06-7 - Hunter, NY @ Mountain Jam Fest
6/12 - Marlboro, NY @ Falcon
6/13 - Amagansett, NY @ Stephen Talkhouse
6/18 - San Rafael, CA @ Terrapin Crossroads *
6/19 - San Rafael, CA @ Terrapin Crossroads
6/26 - Saratoga Springs, NY @ Caffe Lena
6/27 - Katonah, NY @ Caramoor Roots Fest
7/10 - Plymouth, NH @ Flying Monkey !
7/11 - Beverly, MA @ Cabot Theater !
7/12 - Truro, MA @ Payomet PAC !

Thursday, April 2, 2015

Dale Watson performs on NPR's Mountain Stage

Dale Watson
 
Austin's king of honky-tonk performs on NPR's Mountain Stage
New episode out on April 3, click here for local listings and airtimes 
Watson's new album, Call Me Insane, out June 9 on Red House/Ameripolitan Records
 
 
 
 
Austin, TX: Dale Watson, keeper of the true country music flame, will be featured on the next episode of NPR's Mountain Stage. The episode will premiere on Friday, April 3; click here for stations and airtimes. Watson will be previewing new songs from his upcoming release Call Me Insane, a new studio album recorded in Austin with veteran producer Lloyd Maines (Robert Earl Keen, Jerry Jeff Walker, etc.) The album will be released on June 9 in North America via Red House/Ameripolitan Records on CD, digital, and vinyl. Dubbed "the silver pompadoured, baritone beltin', Lone Star beer drinkin', honky-tonk hellraiser" by The Austin Chronicle, Watson  recently sat in with Jimmy Kimmel’s house band as a guest on Jimmy Kimmel Live (ABC) from SXSW. He also emceed the first ever SXSW “Ameripolitan” showcase featuring the best of Honky-tonk, Outlaw Country, Rockabilly and Texas Swing music. 
 
Album highlights include “Jonesin’ For Jones,” a love song to the music of the legendary George Jones, “A Day At A Time,” about “getting by by barely getting by;” “Call Me Insane,” the album’s moody title track; “Bug Ya For Love,” a fun warning to all the single ladies, and “Mamas Don’t Let Your Cowboys Grow Up To Be Babies.” (Yes, it is an answer song to the Waylon Jennings/Willie Nelson hit.) “Crocodile Tears” is a barstool weeper that sounds like an instant classic and “Burden Of The Cross,” a reference to the tragic death of Watson's fiance in a car crash, show's his serious side.
 
Call Me Insane was recorded in Austin by Watson and his ace touring band, “His Lone Stars”: Don Pawlak (pedal steel), Mike Bernal (drums & percussion), and Chris Crepps (upright bass & background vocals). Dale plays electric guitar throughout and Lloyd Maines added acoustic guitar. They were joined in the studio by Danny Levin on piano and the Honky Tonk Horns: Jon Blondell (trombone), Joey Colarusso (saxophone), and Ricky White (trumpet).  
 
Since the release of El Rancho Azul in 2013, Watson’s profile has risen considerably via appearances on The Late Show with David Letterman (CBS), Austin City Limits and The Sun Sessions (PBS) and as a guest on NPR’s Wait Wait... Don’t Tell Me and American Routes. A veteran touring artist and consummate entertainer, he is on the road more than 300 days a year. He also put his money where his heart is and took over ownership of two struggling Texas honky-tonks, the Little Longhorn Saloon in Austin (home of Chicken $#!+ Bingo) and The Big T Roadhouse in St. Hedwigs (outside San Antonio).  If not on the road, he and His Lone Stars perform at one of them each Sunday.
 
Dale has flown the flag for classic honky-tonk for over two decades. He’s christened his brand of American roots music "Ameripolitan” to differentiate it from current crop of Nashville-based pop country. The Alabama-born, Texas-raised Watson may be the hardest working entertainer today and is rapidly approaching legendary status.  He is a country music maverick, a true outlaw who stands alongside Waylon Jennings, Willie Nelson, and George Strait as one of the finest country singers and songwriters from the Lone Star State.

www.DaleWatson.com
www.facebook.com/Official-Dale-Watson
www.twitter.com/TheDaleWatson
www.Ameripolitan.com
www.twitter.com/ameripolitan

RECENT KIND WORDS:
“I’m one of Dale’s biggest fans.  - Willie Nelson
 
“Country music’s a crazy, gold-diggin’ whore, and Dale Watson wants a divorce.”   - The Austin Chronicle 

“Graced with a deep, fluid George Jones-ish voice, Watson was mesmerizing, whether making fun of The Voice’s faux-country judge on ‘Old Fart (Song For Blake)”’or simmering through a train-chugging original such as ‘My Baby Makes Me Gravy.’” 
- The Philadelphia Inquirer 

“Nothing else is Dale Watson. In he strode in a long black Cash-worthy coat with long leather cuffs and a tux shirt.  His white hair was ship’s prow, or perhaps a mighty iceberg. And his Telecaster guitar, festooned with silver coins of every size and denomination, glinted in the footlights.  All through, Dale’s banter was loose and wry.  His guitar tone was just platonically perfect.”   - Music City Roots  

“To call Dale Watson’s music country is like calling Ray Charles’ music soul ... both have an air of authenticity that transcends genres and demands that they be put into a class of one.  Ray Charles is gone, but you can see Dale Watson…"
- The Troy Record 

"...he proved that he is the real deal, and when it comes to tradition, sometimes you can't get too much of a good thing."   
- Country Standard Time 
 
"This songwriter prides himself on crafting authentic, old-school country music, which he does so quite masterfully. Watson definitely nails the old-school country star persona." - No Country For New Nashville 

" He’s spent the past two decades proving there are still powerful tales to be told from the honky-tonk pulpit, and he's brought that message to the faithful.”  - The Nashville Scene


For Dale’s full tour schedule, please visit www.dalewatson.com or www.redhouserecords.com. 

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Friday, March 6, 2015

Red House records artist: Charlie Parr - Stumpjumper - New Release Review

I just received the newest release (April 28, 2015), Stumpjumper, from Charlie Parr and it's a dandy! With his wailing vocals and deft finger picking on his resonator, he gets the set started with Evil Companion. backed by Phil Cook revival like on piano, Ryan Gufstafson on banjo and James Wallace on drums, this track is a real kicker. Empty Out Your Pockets has the sound of a field holler backed by a nice banjo roll and only minimal percussion, rhythm and slide by Parr and Emily Parr on vocal harmony. Very nice! Falcon has a really rural feel... gutsy strumming and bluesy vocals. Remember Me If I Forget is a fast paced folk track with a finger picking /slide technique reminiscent of Leo Kottke. Nicely blended with Emily Parr fits nicely with the overall country blues feel. On Marrying a Woman With an Uncontrollable Temper has a real bluegrass basis but just that twist of blues that is present in the humble roots of all American music. Very nice! The most contemporary folk ballad on the release is Over The Red Cedar, a track with a simple forward melody/harmony blending and cleanly articulated guitar picking. Resurrection has a real swampy sound of original delta blues. A lone resonator guitar with slide and simple vocal melody makes this track particularly effective. Title track Stumpjumper is a uptempo foot stomper with nice resonator slide backing. Simple snare work from Wallace is particularly effective in focus. Temperance River Blues is another simple country blues but with a waltz tempo in this case. Emily is particularly successful in creating the country harmony and Charlie in capturing the rudimentary slide. Frank Miller Blues is a cool acoustic blues track with resonator and drums. Parr hits the blues square on vocally and his guitar pacing is relentless. Cool! Wrapping the release is Delia with a simple soft touch. Keeping the strings on the minimal percussive side, parr carries the track almost exclusively on his strong vocals. Very nice close to a particularly acute country/folk/blues roots release.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 

Friday, February 13, 2015

Pieta Brown's "Flowers of Love"video premieres today at the Huffington Post

Pieta Brown 
Pieta's new video for "Flowers of Love" premieres today
at the Huffington Post here
(featuring Justin Vernon on backing vocals)
US and Australian tour dates with Iris Dement announced
Just in time for Valentine's Day, Pieta Brown has released a new video for "Flowers of Love" from her recent Red House release,  Paradise Outlaw.  The track was recorded at Justin Vernon's April Base studio and features Vernon on backing vocals. The video is by artist Mei-Ling Shaw Williams and is premiering today at the Huffington Post.  Pieta will be touring through 2015, including US and Australian dates with Iris Dement (scroll down for tour details).  
 
Produced by Pieta, with frequent collaborator and partner, Bo Ramsey, Paradise Outlaw was recorded in four days at Bon Iver mastermind Justin Vernon's April Base studio in Wisconsin with a supporting cast that includes Vernon, Amos Lee, Brown's troubadour father, Greg Brown and various members of an experimental group of players she calls the Sawdust Collective. Paradise Outlaw boasts some of Pieta's most emotionally resonant compositions, and some of her most expressive performances, to date. 
 
Paradise Outlaw features 12 originals by Brown plus a co-write and duet with soulster Amos Lee ("Do You Know") and a cover of Mark Knopfler's "Before Gas And TV."  Such gently intoxicating tunes as "Do You Know," "Wondering How," "Ricochet" and "Flowers of Love" feature organically orchestrated arrangements that accentuate the insight and intimacy of Brown's lyrics, the understated craftsmanship of her tunes, and the alluring immediacy of her uniquely expressive voice. 
 
The project was set into motion in mid-2012, when Brown met Justin Vernon while both were on tour in Australia.  As she recalls, "The initial spark for this quest was when the songs 'Painter's Hands' and 'Rise My Only Rose'—both of which I wrote before I ever made my first album—fell out of a notebook onto the floor in a hotel room and landed next to the copy of Howl by Allen Ginsberg that I'd happened to bring out on the road.  Later that night, I met Justin and he invited me to check out his studio, and it just rolled from there.  It was a fun track to follow, and one link running through it all was this spark that I caught from re-reading a lot of beat poetry, especially Ginsberg and Lawrence Ferlinghetti, and thinking about that feverish hunt for freedom, as a human."
 
The creative restlessness that drives Paradise Outlaw has been a constant in Pieta Brown's life.  Born in Iowa, she lived in at least 17 different residences in multiple states during her youth.  Her parents separated when she was two, but she grew up around many artists and musicians, absorbing all manner of bohemian artistic influences.  By the age of eight, she was writing poetry and instrumental music on the piano, eventually picking up the guitar and merging the two into songs.
 
With Paradise Outlaw documenting a compelling new chapter of her ongoing musical journey, Pieta Brown continues to seek out and conquer new creative challenges.  
 
For tour dates and additional information, please visit www.pietabrown or www.redhouserecords.com
 
Pieta Brown
FR 2/27      Denver, CO - Tuft Theater - 8pm
SA 2/28      Ft Collins, CO - Avogadro’s Number
TH 3/5        Cincinnati, OH - 20th Century Theater
FR 3/6        Louisville, KY - KCD Theater
SA 3/7        Bowling Green, KY - The Warehouse
TH 3/26      Seattle, WA - The Triple Door - 7:30pm
FR 3/27      Portland, OR - Aladdin Theater
SA 3/28     Sisters, OR - The Belfry
SU 3/29     Eugene, OR - Cozmic - 8pm
FR 4/10     Minneapolis, MN - Cedar Cultural Center
TH 4/23     Winona, MN - Midwest Music Festival
SU 6/21     Fairfield, IA - Fair Fest
 
Australian dates with Iris Dement
FR 5/22      Adelaide, SA - The Gob
SA 5/23      Newcastle, NSW - Lizottes
SU 5/24      Brisbane, QLD - Old Museum
TH 5/28      Melbourne, VIC - Thornbury Theater
SA 5/29      Sydney, NSW - Factory Theate
 
 

Wednesday, February 4, 2015

CHARLIE PARR signs to Red House, premieres first track from the new album


 
CHARLIE PARR
 
Signs to Red House, new album, "Stumpjumper," set for release on April 28
Listen to an album track, "Over the Red Cedar," now at MPR The Current
 Recorded with a full band in North Carolina with producer Phil Cook
 
St. Paul, MN: Red House Records is proud to announce that songwriter/guitarist CHARLIE PARR has joined its roster. Parr will be releasing a new studio album, Stumpjumper, on April 28, 2015.  You can listen to a track from the album, "Over the Red Cedar," today premiering at MPR The Current here. Charlie has announced tour dates through April (scroll down for complete dates), including a Nashville show at Ryman Auditorium on Saturday February 7 supporting fellow Minnesota players Trampled by Turtles. 
 
Long a part of the vibrant Duluth, MN, music scene (Low, Trampled by Turtles), Charlie traveled to North Carolina to record this album with fellow musician Phil Cook (Megafaun, Hiss Golden Messenger). As well as being the first album Charlie has recorded outside of his native Minnesota -- he joined Cook and a cast of local players, setting up in an old outbuilding on the “Down Yonder Farm” in rural North Carolina -- it’s also the first to feature a full band.
 
Percussive and raw, the 11 songs on Stumpjumper, 10 originals and his version of the venerable murder ballad, “Delia,” could be lost field recordings from another era. His blistering picking -- he switches between acoustic guitar, dobro and banjo -- and keening, cut-through-the-crowd vocals resonate with a conviction that runs deep and true. It's the music of a self-taught guitarist and banjo player who grew up listening to his dad's recordings of America's musical founding fathers, including Charley Patton and Lightnin' Hopkins, Woody Guthrie and Leadbelly. His heartfelt and plaintive original folk blues and traditional spirituals don't strive for authenticity: they are authentic. 
 
“Red House has always held an exalted place in my heart because of their connectedness to the Midwest, because of Greg Brown, because of Koerner Ray and Glover, Paul Geremia, Guy Davis and so on and on,” Parr says. “Greg Brown introduced me to [late Red House founder] Bob Feldman at least 12 years ago on a farm in Wisconsin and he was so gracious and kind. I'm looking forward to being part of the family.”
 
“Signing Charlie is one of the most exciting things we have done in recent years,” says Red House president Eric Peltoneimi. “He is a mesmerizing artist and we have been fans of his for a long time. Charlie is one of only a very few these days whose music sprouts from the true vine ... from that deep-rooted place in the American soul."
 
Parr’s inspiration is drawn from the alternately fertile and frozen soil of Minnesota; his songs exude a Midwestern sensibility and humility. Parr  grew up in the Hormel meat packing city of Austin, MN (population 25,000) where most of the world's favorite tinned meat, Spam, is still manufactured. The combination of growing up with both of his parents working proud union jobs in an industrial meat factory and his largely rural environment had a broad impact on Parr.
 
"Every morning you'd hear the [factory] whistles blow, when I was a kid they had the stockyards and  animals there, so you were surrounded by this atmosphere," Parr says. Out the back door were soybean fields, as far as the eye could see. "As a kid I thought it was kind of boring, but now I go and visit my mom and I think it's the most beautiful landscape there is." 
 
Most of his recordings to date have eschewed typical studio settings; he’s recorded in warehouses, garages, basements and storefronts, usually on vintage equipment, which gives his work the historic feel of field recordings. It's not because he wants to sound like he was discovered 75 years ago by Alan Lomax; it’s because most modern recording studios make the reticent and self-effacing Parr feel uncomfortable. After a health scare a few years back, he lives very simply, no alcohol and a vegan diet, often cooking up his rice and beans on his engine manifold on the lonely, cross-country drives. He doesn’t go in much for fashion and frills and lives simply on the road, usually sleeping in his car.
 
The songs for Stumpjumper were written on the road, where Parr, touring solo, spends a few hundred days a year. “I was in a cocoon, traveling alone with my guitar, spending entire days without saying a word out loud.” Overwhelmed by the endless stream of bad news he was hearing, Charlie flipped off his radio and drove in silence to North Carolina to record at producer Phil Cook’s studio in rural Hillsborough, NC, where he met his “band” for the first time.
 
“I drove through the trees and into a clearing where a group of buildings and some horses and a couple donkeys stood around. Phil stepped out from the barn to welcome me to my new home, at least it felt like home,” Parr says. “I left North Carolina after we recorded these songs, all live, mostly first takes, and drove with all the windows down all the way to Knoxville, listening to the world's wind rush by, hearing its news. It was good news, finally.”
 
The songs are inspired by family members, the Bible, overheard conversations and places in his life. A native Minnesotan, he draws sustenance from the surprisingly large, thriving and mutually  supportive music scene of Duluth: Parr's 2011 album of traditional songs, Keep Your Hands on the Plow, features locals including Charlie's wife, Emily Parr, old-timey banjo/fiddle band Four Mile Portage and Alan Sparhawk and Mimi Parker of Low. 
 
The title track finds Charlie tapping into his childhood. “Songs aren't normally very autobiographical for me, they're more like stories, but this one is different,” he says. “I can see a 1966 International Harvester pickup truck with no hood and four snow tires, breaking field road land-speed records on my way to my job in a filling station.”
 
Tracks include “Evil Companion,” “Frank Miller Blues” (Death visits Frank to take him home but Frank needs to finish his chores and so Death helps out. Frank's wife is pissed) and “Remember Me If I Forget” which Parr dedicates to his Aunt Mid. “She was a tough customer ... also wise, sensitive, and hilariously funny. She stomped the terra, as they say.”
 
“Empty Out Your Pockets” is a song Parr describes as “another angry hymn from me.”
 
“All of the ones I've written so far seem to rely on God being a kind of big brother who shows up one day after you've been getting your ass kicked all over town by bullies and he takes care of business. I know, it's juvenile, but take a close look at a lot of legitimate hymns - ‘when I die I'm gonna tell God what you did to me’ comes to mind.”
 
Quiet and thoughtful, Parr always includes a few traditional songs of the hard life and the hereafter in his live sets. Such music isn't necessarily rooted in the Methodist church in which he grew up: "It was more like, let's get the service over quick so we can get downstairs and drink coffee and have pie!" 
 
But faith, though undefined, underlines all of Charlie's music, both in the listening, the covering, the writing and performing. For more information on Charlie, go to 
           
Charlie Parr on Tour
* With Trampled by Turtles
# With J.D. Wilkes
+ With Betse Ellis
            TH 2/5             Bloomington, IN - Bluebird Nightclub *
            FR 2/6             St. Louis, MO - The Pageant *
            SA 2/7             Nashville, TN - Ryman Auditorium *
            FR 2/13           Dresser, WI - Trollhaugen
            SA 2/14           La Crosse, WI - The Root Note
            FR 2/20           Berwyn, IL - Fitzgerald’s Nightclub
            SA 2/21           Minneapolis, MN - Cedar Cultural Center
            SA 2/28           Ludlow, KY - Ludlow Theater #
            MO 3/2            New York, NY - The Iridium
            WE 3/4            Northampton, MA - The Parlor Room #
            TH 3/5             Cambridge, MA - Atwoods Tavern #
            FR 3/6             Winooski, VT - The Monkey House
            SA 3/7             Rochester, NY - Abilene Bar and Lounge #
            SU 3/8             Albany, NY - The Linda, WAMC’s Performing Arts Studio #
            TU 3/10           Pittsburgh, PA - Club Cafe #
            WE 3/11          Maumee, OH - Village Idiot #
            TH 3/12           Milwaukee, WI - Linneman’s
            FR 3/13           Bayport, MN - Bayport BBQ
            FR 3/20           Minocqua, WI - Minocqua Brewing Company
            SA 3/21           North Mankato, MN - Equinox Fair, Best Western Mankato
            MO 3/23         Lutsen, MN - Papa Charlie’s
            FR 3/27           Fort Collins, CO - Aggie Theater
            SA 3/28           Denver, CO - Hi-Dive +
            WE 4/1            Boise, ID – Nerolux +
            TH 4/2             Seattle, WA - Tractor Tavern +
            FR 4/3             Portland, OR - Mississippi Studios +
            SA 4/4             Missoula, MT - Top Hat Lounge
            MO 4/6-WE 4/8          Reno, NV - Peppermill Resort Spa Casino +
            TH 4/9             Berkeley, CA - Freight and Salvage +
            TH 4/23           Winona, MN - Midwest Music Festival (Broken World Records)
            FR 4/24           Stoughton, WI - Stoughton Opera House
            SA 4/25           Zumbrota, MN - Crossings At Carnegie - 7pm
 
CHARLIE PARR ONLINE
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