Bman's Blues Report

 I just had the opportunity to review the most recent release, Pease , from Frank Bey and it's a solid  compilation of Bey's music. Opening with That's What Love Will Make You Do , Little Milton's funky blues, Bey on lead vocal is joined by Anthony Paule who really lays out some real nice riffs on guitar, Loralee Christensen on backing vocals, Tony Lufrano on keys, Nancy Wright on sax, Tom Poole on trumpet, Mike Rinta on trombone, Endre Tarczy on bass and Paul Revelli on drums, this is a great opener. R&B track, Midnight and Day has a really nice feel with Doug Travis on keys and Kevin Frieson on bass and Thomas Jefferson on drums creating a great bottom and Bey's rich vocals sharing the spotlight with  Jeff Monjack on guitar. Rolling blues, Blues Comes Knockin' is bound to get you moving, with a great bottom by Jefferson and Frieson and with with Beys dynamic vocals, hot harmonica work by Sark Damirjian and smoking guitar lead by Monjack, this is my fav...

I just had the opportunity to review the most recent release, What My Eyes Have Seen..., from John Blues Boyd , and it's tasty. Opening with shuffle track, In My Blood, John Blues Boyd has the mic with silky smooth vocals, backed by Kid Andersen on guitar, Jim Pugh on piano, Quantae Johnson on bass, June Core on drums, and Eric Spaulding and Jack Sanford on sax. Solid opener.  Title track, What My Eyes Have Seen... is a really cool track with soulful vocals by Boyd over a dark bass line/guitar lead by Johnson and Anderson. There is quite a bit going on here with super percussion from June Core and Kid Andersen, Jack Sanford on sax, John Halblieb on Trumpet, Ric Feliziano and Pugh on organ. Excellent! Straight up blues number, A Beautiful Woman (For Dona Mae) is strong vocally with nice guitar soloing by Andersen and featuring Nancy Wright on sax. 49 Years is a real nice slower blues number with strong piano lines by Pugh, wailing sax by Spaulding and super blues phrasing b...

I just had the opportunity to review the most recent release, All My Dues Are Paid , by Frank Bey and it's a solid mix of R&B, soul, funk and blues. Opening with Eddie Palmieri's Idle Hands with it's excellent NO funk. Bey really works this one Jim Pugh on organ, Eric Spaulding on sax solo, Jack Sanford on bari sax, Nancy Wright on tenor sax, John Helbleib on trumpet, Alex Petersen on drums, Jerry Jemmott on bass, Martin Winstad on percussion, Kid Andersen on guitar and Lisa Leuschner Andersen on backing vocals. Excellent opener! Rick Estrin's, Calling All Fools is a great shuffle with some really cool work by Nancy Wright and showcasing Bey's silky smooth vocals. Very nice. One of my favorites on the release is another Rick Estrin track, I Bet I Never Cross Your Mind , with it's slow, bluesy approach, and terrific guitar work by Kid Andersen. Nancy Wright's sax is thick and juicy and Pugh's organ solo is prime. Percy Mayfield's Ha Ha in th...

I just had the opportunity to review the most recent release, Live from Johnny Burgin and it's really good. Opening with brisk shuffle, You Got to Make A Change , Johnny is upfront on vocal and guitar, backed by Aki Kumar on harp, Kid Andersen on guitar, Chris Matheos on bass and Steve Dougherty on drums. Excellent, slow blues, Can't Make It Blues , Johnny really shines with his soulful vocal and blistering guitar riffs. Most people don't think of Chicago bluesmen as hot, slingers with real pyrotechnics but Burgin is here to show you that Buddy Guy is no longer the only game in town. Excellent! There are only a few contemporary players that can really pull off the funky blues like Albert King could and Burgin is one of them. She Gave Me The Slip is a great example with solid blues riffs over a great funky beat. Time for a great Chicago blues instrumental and Kumar is up and ready on harp. Burgin, Andersen and Kumar really kick it on this one with smoke flying. Rae Gor...

I just had the opportunity to review the newest release, Alive & Blue from Nancy Wright and it's electrifying. Opening with Bugalu , a honky sax instrumental number with a James Brown kind of rhythm, Nancy Wright shows she really knows how to fill the pipes with air. With distinguishable fat sax tone and phrasing, Wright is backed by Paul Revelli on drums, Tony Lufrano on keys, Jeff Tamelier on guitar and Karl Sevareid on bass. Super jam opening. Jo-Jo has a cool walking bass line and a cool 50's jazz feel. Wright really takes flight on this track with excellent lower register work, slick trills and octave jumps. Lufrano grinds in solid on the organ followed by a sick guitar solo by timelier as well. Great track. Funky pop number Warranty has a really nice bass line by Sevaried accentuated by Tamelier with his wah wah fused guitar work. Wright's lead vocals on this track are her best on the release and her sax work really wailing.  Bernie's Blues is a reall...

Johnny Burgin Live" on Delmark Records, CD/LP Street Date 8.16!   This live CD/LP offers twelve brand-new originals and two covers, performed in front of an enthusiastic crowd in Sonoma County, CA on Jan 5 of this year.    The band consisted of my road-tested rhythm section of Steve Dougherty and Chris Matheos in addition to some special guests and friends that I don't get to work together regularly, namely Kid Andersen, Rae Gordon, Aki Kumar, Charlie Musselwhite and Nancy Wright.  We had just one night to nail it, which made this recording a crazy, but thrilling, high wire act!  Blues legend Charlie Musselwhite's driving boogie-woogie harp on L"California Blues" is an absolute highlight.  You ...

I just had the opportunity to review the most recent release, Blind Spot , from The Lucky Losers and it may be their best one yet. Opening with It's Never Too Early , a melodic two stepper featuring nicely blended vocals by Cathy Lemons and Phil Berkowitz, backed by Ian Lamson on guitars, Chris Burns on keys, Endre Tarczy on bass and Robi Bean on drums. Take The Long Road is a real cool track with an Al Green strut. Lemons' vocals are spot on, with Laura Chavez on lead guitar and Berkowitz harp contributions are notable. Alligator Baptism is a cool blues rocker with a pinch of Latin spice courtesy of D'mar on percussion and the addition of Kid Andersen on lead guitar, Jack Sanford on bari sax and Nancy Wright on sax. Another strong track, The River , this time country soul really nicely showcases Lemons' voice which sounds a lot like Susan Tedeschi. Lamson's slide work and harp work by Berkowitz add nicely to this really solid entry. With a cyclical bass line...

I just had the opportunity to review the most recent release, Neoprene Fedora , from Rockin' Johnny Burgin and it's spectacular! I've had the pleasure to review a few Rockin' Johnny releases and also to see him in person and I gotta say, there aren't too many players out there right now that I'd rather see. (Check here to see my recent interview with RJB) . He is inventive, his guitar work is clean and distinctive, his vocals are cool and he's music is a lot of fun. Opening with the title track, Neoprene Fedora , Burgin hits the strip running with a 50's style blues surfer with great great vibrato, and cool phrasing. The Latin beat and the shimmery guitar soloing is out of sight and Nancy Wright 's sax work is hot and heavy. Excellent! Joining Burgin are Kid Andersen on guitar, Bob Welsh on guitar, June Core on drums and Chris Matheos on bass. On Guitar King Burgin swings back into his Chicago roots and I really like his vocals. Aki Kumar...

Bman: Hi Johnny, Haven’t seen you in a while. I'm really sorry that I missed your show in Phoenix. I was in Europe and just got back. One show I really wanted to see. How did it go? RJB: I had a great show in Phoenix. " Bob Corritore and " Dave Riley sat in.  I had a great bassist from Alburquerque, J.D. Sipe , and Brian Fahey from The Paladains on drums.  I hadn't played with him since a tour in Europe three or so years ago with Mud Morganfield and Taildragger . Bman: Wow. That must have been a great show! Damn. I really wanted to see you. Are you coming back again this year? RJB: I hope to be back in October. Bman: Great! I should be  good then. I don't think I have anything planned for October. Last I heard you were in Europe with Aki Kumar . I love Europe. How did the tour go? Where were you? RJB: I left for Europe on Halloween, and got back at Christmas.  The first two weeks of the tour were with Aki Kumar and o...

I just had the opportunity to review the newest release, Playdate! , from Nancy Wright and it's smokin! Opening with funky, Why You Wanna Do It , Wee Willie Walker takes the lead on vocal and Nancy Wright really sails on sax. Joe Kyle Jr. sets the pace on bass with some heavy lines and J. Hansen's drum work is tight. Excellent opener! On Willie Dixon's I Got What It Takes , Kyle again sets a strong bass line and Tommy Castro brings a real nice guitar solo. This track is in the groove and Wright delivers a great sound on sax backed by Tom Poole on trumpet and Faris Jarrah on trombone. Yes He Do is a great swinger with Victor Wainwright really taking control on piano. Wright takes it higher and the two hit it out of the park. Super. Eddie Shaw's Blues For The Westside is an absolute screamer with Wright really digging in. Chris Burns' piano work on this track really stands out and Joe Louis Walker stands tall with soulful guitar riffs fluidly added throughout as ...

I just received the newest release, Putting Down Roots , from Nancy Wright and it has a nice groove. Opening with pop soul track, Sweet Soul Satisfaction , Wright takes the lead on vocal with Lisa Leuschner Andersen on warm backing vocals. Of course she plays hot sax, a signature that she is well know by. Funkin' It Up , is a smoking instrumental jazz groove with Paul Olguin on bass and Paul Revelli on drums setting the forms for a great sax lead by Wright. Tony Lufrano on keys adds the glue and cementing this cool track in place. Just Can't Put A Finger On It returns to the soul style pop format again joined by Anderson on backing vocals. The track is capped off by some sweltering sax riffs... nice! Driving paced, A Serendipity , has a Motown feel, almost like a Martha Reeves meets Jr Walker. Hot key riffs from Lufrano also add nicely to the track. Instrumental, The Big Queen has a deep throaty sax voice with a New Orleans rhythm section making this funky track one of my ...