I just received a copy of Tomorrow, the newest release by Andy Poxon. This is a much more mature release than his earlier release, Red Roots, which came out on Eller Soul records last year. This release, produced by Duke Robillard, opens with Too Bad, a R&B style blues track blending really nice vocal harmonies, horns and flashy Texas style blues riffs. You Lied has a strong melody line and with the Rich Lataille and Mark Earley on sax backing, Poxon is really starting to sound like a young Jimmy Hall in musical style. A tasty guitar player he takes a short guitar break but sticks to the business of what is basically a strong radio track. College Boy brings a rock n roll piano boogie lead by the great Bruce Bear and bringing all of the spirit of JL Lewis. Don't Come Home really starts to solidify Poxon as a vocalist with experience, the great sax arrangement behind the track really warming up the bottom and with an beautifully tasty guitar solo in the middle makes this a choice for crowd pleasers. The title track, Tomorrow, is a bluesy ballad, is a really strong track and Doug Woolverton plays some really crisp trumpet riffs over the melody. This band is killer and it's not surprising that Mark Teixeira, Lataille, Earley and Woolverton show up on a lot of recordings. There is a really strong jazz guitar instrumental in the center of this track that is just right. Duke Robillard and Poxon share the guitar chair and they make a great team. The arrangement on this track is perfect. Just beautiful. Latille takes a great sax solo on All By Myself complimented by some great Nashville picking by Poxon. There are little things about this recording that really make it special like the dixieland horn treatment in one area of this track really set it off. On You Don't Love Me, a basic Latin style blues track, the bluesy breaks are really productive with smokin guitar riffs and using Poxon's voice as an instrument to push the track. Really nice. Please Come Home has a more traditional R&B styling with a real familiar feel. Opening with Bear and his clean piano work, Poxon takes another opportunity to stand up front and sing, with the sax men carrying the bottom. There is a guitar break and extremely melodic guitar riffs. I don't know how much influence Robillard had on Poxon in this recording but the guitar work on his most recent recording, his strongest in years, seems to be carried forward here. On One More Time, Poxon shows his vocal youth but also his willingness to explore other music. This track one of the 13 written by Poxon on this 14 track endeavor, sounds like it could be right out of the Porter Wagoner songbook. Quite a switch from the polished jazz and blues tracks throughout the release but nicely done. Frankie Blandino add some nice steel work to this track giving it some real C&W flavor and I really like the honesty of the track. Last up is Jammin' At Lakewest, the only Robillard composed track on the release. This is a really slick guitar bop jazz jam. Extremely tasty and strong. Robillard has brought a whole new world to Poxon's feet and he has made good use of it. Now we have to wait and see what he does next. I'll be looking forward to it!If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! - ”LIKE”
