Scorch Sisters Bringin' Sexy Back (Blues That Is) To The Gold Cadillac

Music Connection Magazine "Hot 100" Artist Scorch Sisters Are Back...!!

"They're called the Scorch Sisters because these croonin' cuties just might be the hottest blues act in Los Angeles." - Will Phoenix, Los Angeles Examiner

(Photo by Suze Lanier-Bramlett)

Scorch Sisters (l to r) are keyboardist-vocalist Alicia McCracken Morgan; lead vocalist Francesca Capasso; guitarist Kimberly Allison. They were honored as a "Hot 100 Live Artist For 2012" by respected publication, Music Connection. A new Scorch Sisters album will be released soon. Catch Scorch Sisters performing live at KONGFEST July 7 at The Joint. More shows in Itinerary found below.

Bringin' Sexy Back (Blues That Is) To The Gold Cadillac - Saturday, June 16

"This trio of top-notch Hollywood female musicians host All-Star Pro Blues Jams which are known to draw surprise guests to their performances."
Nicole Pajer/HOLLYWOOD PATCH

"Scorch Sisters wowed the Real Blues Festival 2 audience....be ready for these Hollywood hipsters because they'll 'blue' you away. I really dig these gals and I think you will too."

Casey Reagan/AMERICAN BLUES NEWS

"The Scorch Sisters seize the blues as their own and subsequently fire it up with a unique intensity. They will demand your respect with their powerful vocals all the while having you wonder where the "Hell" have these ladies been hiding! The Scorch Sisters deliver the blues straight up: can someone say 'Cheers'?" Jim Lederle/AMERICAN VETERANS RADIO

Scorch Sisters are back, hotter and better than ever! Fresh off their recent accolades being recognized by longtime respected industry trade publication Music Connection as a "Top 100 Live Artist Of The Year For 2012." The Los Angeles-based group (Francesca Capasso, lead vocals; Alicia McCracken Morgan, keyboards-vocals; Kimberly Allison, lead guitar) were featured on the cover (above) and inside with a two-page spread of "The Blues Issue" in February by The Music Initiative magazine. Also catch a great feature on the trio in an L.A. Examiner article by Will Phoenix where he states, "these croonin' cuties just may be the hottest blues act in Los Angeles."

Come hear the Scorch Sister's Red-Hot Blues when they perform live at The Gold Cadillac, 21602 Roscoe Blvd., Canoga Park, Saturday, June 16. 9 p.m. No cover. Info: (818) 883-8181 or https://www.facebook.com/pages/Gold-Cadillac-bar/157807967601204.

Other upcoming Scorch Sisters shows of note: KONGFEST on July 7 (at The Joint In West L.A.); KCSN-FM deejay Ann The Raven's Blues Birthday Bash at Weber's Place on July 14; and "Ladies Play The Blues" on July 19, also at The Joint.

Excerpt from Will Phoenix's L.A. Examiner article: The ladies had all been working solo before they decided to form their blues band. Texas native Capasso moved to L.A. after high school having been interested in performing since childhood. She worked on the club scene and even sang background vocals for Motown Artist, Bobby Taylor at the CINE GRILL at The Roosevelt Hotel in Hollywood, California. It would not be until 2011-after a long Tuesday night residency performing with the Cats-A-Renos at The Pig n Whistle in Hollywood, that she would join forces with her friends as The Scorch Sisters.

Native New Yorker Morgan first worked as a session singer when she moved to the west coast. Her raspy blues-based vocals scored her gigs doing various commercial jingles and numerous songwriter demos. She was nominated for a 2010 Grammy for her work in the film Love n' Dancing which was produced by Bruce Robb of the Robb Brothers' Cherokee Studios. She would work with the musical Robbs yet again when she joined The Scorch Sisters.

Allison, originally from Missouri, has played in various venues since she was 16. She relocated to California and graduated from The University of Southern California having earned a degree in studio/jazz guitar (cum laude). Allison also graduated with honors from Musicians Institute (GIT), of Hollywood, CA. She was nominated as "outstanding guitarist" by the L.A. Music Awards and in 2001 was a finalist for the Independent Music Awards competition before eventually signing on with The Scorch Sisters in 2011.

A new Scorch Sisters CD is in the works and will be released on Kimberly Allison's Starliner Music label in the near future.

Watch some recent live performances by the Scorch Sisters (click link below):

June 16 (Sat.) THE GOLD CADILLAC Canoga Park, CA

July 7 (Sat.) KONGFEST@The Joint West Los Angeles, CA

July 14 (Sat.) WEBER'S PLACE Reseda, CA

July 19 (Thur.) LADIES PLAY THE BLUES@The Joint West Los Angeles, CA

www.thescorchsisters.com

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Joe Bonamassa - Live From New York - Beacon Theatre

Joe's newest release (DVD), Live From New York - Beacon Theatre opens with him standing in a subway playing what appears to be a Martin D41 and a very nice little intro tune called 72nd Street Subway Blues. The show begins immediately with Slow Train and Joe playing at the beautiful Beacon Theatre. Again Bonamassa playing a mystery guitar, an amber burst "Bona - Byrd" which looks like a Les Paul with only a bridge pickup (humbucker) and a Les Paul Neck but with a 6 on a side Firebird headstock with Banjo Tuners. Sounds great! There is a mystery to guitars with only one pickup...don't know what it is...but I am a fan (Esquire, Firebird I, etc). Joe no longer wears his frumpy Tee shirt and jeans but continues in his wall street attire. His playing is masterful.

Rory Gallagher's Cradle Rock is up next and he don's a custom shop 59 Les Paul. It has the beautiful flamed faded butter scotch/tobacco finish that we all love so much of the older instruments...not too ostentatious... very clean. It sounds great and he also whips out the slide and gives it a whirl. Not meaning to take at all away from the sonic or video quality of the DVD which is impeccable! Bonamassa is playing through multiple amps but primarily appears to be Marshalls with Vanweeklen Twinkleland, a signature Carol Ann and a signature Catagory 5 (no Dumble this trip). When The Fire Hits The Sea is played pretty straight and using the same gear. Gary Moore's Midnight Blues is up next and Bonamassa rips out some tasty riffs paying nice tribute to Moore. Gotta give the video guy credit for making sure to give guitar heads some pretty good shots of the gear. Bonamassa's vocals have continued to improve with each release and although I liked his vocals in early tracks it certainly should help his commercial appeal. Bonamassa of course has a masterful control of his instrument and the band plays well underneath him and he just turns out clear screaming riffs for the listeners pleasure! Joe has always had great chops but they shine brightly on this track. On Dust Bowl Bonamassa pulls out his Gibson Custom Shop signature model Goldtop Les Paul with mis matched knobs, black guard and humbuckers (like the one he had as a kid) and Bigsby trem arm. I've heard these are great but I haven't played one (also not a big Bigsby fan) but whatever rocks your boat. I like that the camera work catches every detail such as the squared corners on the humbuckers which look really great. Bonamassa plays a great guitar solo to keep the fans hot and the guitar sounds great. The mix is really strong! The River is up next with Bonamassa continuing on his Goldtop but this time with slide. I doubt that it's the first time it's been thought but the rhythm track sound quite a bit like a popular British band who may have had the best drummer in rock history and certain melody lines having nods to a famous dead Strat player who revolutionized rock music (can you say Voodoo Chile).

Great drumming by Tal Bergman on Vater drums and Sabian cymbals. Every song erupts from something else and Bonamassa does a great job on this. Next Bonamassa brings on Beth Hart to sing with the band. I'll Take Care Of You, an old Brook Benton soul classic with Rick Melick who holds down the "string" section on keys. Melick plays a Hammond B3 though much of the set but subs off on electric piano. Hart's vocals and the general tone of the song bring out some beautiful soloing from Bonamassa playing a different 59 custom shop Les Paul with a more classic look and less flame. Great tones again! Next up is a Lowell Fulsom song, Sinner's Prayer which is given a totally different take by Hart and her powerful vocal style. Bonamassa grabs back to the woodpile for yet another guitar, this time a Gibson '60 ES 360T for a little slide action. Bonamassa gets great fatness from this another tobacco burst instrument (guy has good taste)!

You Better Watch Yourself sees Bonamassa back on his '59 Les Paul and the first real up tempo Texas style blues track for the set. I think that it is a great breaker and again shows how effortlessly Bonamassa rips through the fretboard without sounding like he has to play every note he knows. Steal Your Heart Away is up next and Joe puts a slightly different spin on it (still on the 59). Leonard Cohens Bird On A Wire is up next as Bonamassa slows down for a ballad. On this Joe plays a Gigliotti Telecaster (semi hollow) which are made with brass or aluminum tops. Quite a cool sled. On Down Around My Place, John Hiatt joins Joe on stage playing a J200 with what appears to be a bear claw top and figured maple back and sides...really nice. Joe plays a pretty sweet solo on the most used 59 LP and sings high harmony over Hiatt. Nice track. Hiatt sticks around for a second song, I Know A Place but this time Bonamassa takes the lead vocals on the Hiatt composition (again on the 59). Joe rips out some solid power chords and the balance continues to sound intact and creamy. Some of Joe's most creative solos occur on this track and it's nice to see him pushing himself.

I haven't mentioned it yet mostly because he just does his job well, but bassist Carmine Rojas is right on it all through the performance. He is very solid and is responsible for keeping things so tight. Rojas plays a red 5 string Xotic bass through Gallien-Krueger gear for the entire set. Blue and Evil begins the blues rock set again and again the solid drumming take the lead. Joe gets some terrific solid low tones from his alternate 59 LP and off to the races they go. Rojas plays a little more lead lines on this track as Joe backs off of the throttle a little and it makes for a nice jam. Paul Rogers (Free / Bad Company / Firm/ Soloist) joins Joe on stage for Walk In My Shadow. Paul is one of the few great vocalists to survive the 60's and retain his solid vocal capabilities. The band takes it with a more of a modified Chicago Blues style and it's a cool track. Free song Fire and Water finds the band fully fronted by Rogers who looks like he's been playing with the band for years. Of course you keep waiting for Kossof to jump out from the curtains but Bonamassa certainly can foot the bill. Rogers even plays tambourine which you rarely see any more. Mountain Time finds Bonamassa switching camps to a beautifully flamed black maple capped MusicMan baritone guitar with humbuckers for one his terrific epic intros. This of course is another ballad but it gives Rojas a great chance to show his chops and Joe plays some subdued but dramatic guitar riffs which are cool. The encore, Mose Allison's Young Man Blues, finds Bonamassa playing a ES 1275 and tearing it up pretty good. A duel turns up on stage with Joe and Rojas jamming in mid stage. They use the natural breaks in the track to emphasize the power of the band. Joe does take a short jaunt on the 12 string neck and gives the spotlight to Bergman for a few moments and he does a great job. (All of this is on disk one of a great 2 disk set!)

Disk two has all of the supplemental stuff and here it is!
This opens with one of my favorites, a Warren Haynes (Gov't Mule) tune, If Heartaches Were Nickles. Joe begins this song rather quietly and slowly builds the heat. Playing 59 LP number 2 he opens the barn door and lets out a great, wailing, soulful solo which is more feel than flare. The band uses the dynamics of a wall of sound to emphasize the emotion in the song. Next up Bonamassa pulls out an acoustic Alvarez Koa single cut and demonstrates his latin styling before breaking into Woke Up Dreaming. The guitar has a great percussive sound. The third feature on this disk is a meeting with David Crosby where they discuss alternate tunings as used on Guinevere. (Guitar looks like it is stuffed with paper towels). Another excerpt from the show is Joe telling the tail of busking the subway (the opening scene). The final "add on" is a photo slide show of Joe's trip to NYC. The DVD set comes with a 26 page full color booklet with all kinds of photos and descriptive info. This is a really entertaining video and one that will not only please current Bonamassa fans but is sure to win many many more.

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Catfood Records artist: James Armstrong - Blues At The Border- new release review

I just got a pre release copy of copy of James Armstrong's new release called "Blues At The Border". (Release date December 6, 2011). I've listened to the cd about 3 times and it really is good. It has a really relaxed manner about it and it has a great bluesy swing. James has a smooth voice and plays really tasty guitar riffs over a tight rhythm section. The recording features 11 tracks which were all written by Armstrong or his production affiliates. Armstrong, a native of LA was born into a blues performing family and was performing at 8 and touring at 17. He has worked with Albert Collins, Keb Mo', Cooco Montoya, Roy Brown, Chaka Khan, Ricky Lee Jones, Jan and Dean, Mitch Mitchell and Tommy Castro to name a few. James is a real entertainer! This is a recording that you should check out!