Beauwater - Who Works For Who? - New Release Review

 I just had the opportunity to review the most recent release, Who Works For Who?, by Beauwater, a cool blues rock band from Canada. Opening with title track, Who Works For Who?, Jonathon Reid, on lead guitar and vocal is upfront with Michael Maddox on drums, Greg Newhook on bass, Chris Kirby on slide guitar (which adds nicely to the opener) and keys. With a heavy lumbering rhythm, The Real McCoy has a great feel, augmented by Kelly Hoppe on harmonica and the rocking guitar work of Reid. Funky, Long Way Down is really working it with a great bass line by Newhook, with solid vocals by Reid, warm organ work by Kirby and and the addition of trumpet by Terry Campbell and sax by Chris Harnett. Poison is a solid blues rocker with strong radio appeal. With it's straight forward melody, tight drum rhythm and wailing harmonica under Reid's vocals, this is a strong track. Wrapping the release is One Way Out, another solid radio track with a strong melody. A definite blues rocker with added tension on keys, this is a super closer for a solid rock release. 

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Miss Emily - Live At The Isabel - New Release Review

 I just had the opportunity to review the most recent release, Live at the Isabel, from Miss Emily and it's solid. Opening with Sometimes It's Better To Lose, Miss Emily takes command of the Isabel Bader Centre for the Performing Arts with her powerful vocals. Backed by Van Sheen, James McKenty and Rob Baker on guitar, Gord Sinclair on bass, Seamus Cowan on bass, Zak Colbert on bass, Sean Jensen and Rob Radford on drums, Benni Vander on keys, Jon "Bunny" Stewart on sax, and Spencer Evans on piano. Who Is He is a slinky R&B number with a cool guitar vamp and lush backing vocals by Kelly Prescott and Chad Murphy on backing vocals. Gospel flavored Three Words, is one of my favorite tracks on the release with super dynamics and heartfelt vocals, accompanied by piano. Very nice. The Letter, made popular by Joe Cocker is up next and really a strong rendition, closely following Cocker's arrangement. Soulful ballad, Blue Is Still Blue is a great showcase for Emily and another of my favorites on the release. With a sparse background, mostly piano, this track is strong. Another flavor is The Sellout with it's R&B basis. Emily hardly takes a breath nailing it to the wall and with rich backing vocals and tight guitar answer to her call, this track is very nice. Wrapping the release is Hold Back the River with it's gospel roots, acapella, handclaps and all. I really think that this is a cool release and one that should get some attention.

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Matay Records artist: Dione Taylor - Spirits In The Water - New Release Review

 I just had the opportunity to review the most recent release, Spirits In The Water, from Dione Taylor and it's a mix of pop, blues and rock. Opening with Water, a pop oriented track with blues roots, Dione Taylor on lead vocal and tambourine joined by Joel Schwartz on guitar, Lyle Molzan on drums, and Mark McIntyre on bass. With warm backing and a swaying rhythm, Down The Bloodline is a cool track and nicely complimented by Schwartz on banjo. Bluesy ballad, One More Shot is a real nice track that showcases Taylor's voice nicely. Cool dobro work by Schwartz adds another dimension and just the simplest of drum work by Molzan makes it one of my favorites on the release. Darkness is my choice for the radio track on this release with a solid melody, vocal layering and interesting guitar work sounding a bit like Fleetwood Mac. Wrapping the release is pop rocker, Running, with it's simple rhythm and solid melody. Taylor has put together a solid package with a broad variety of music.

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Steve Strongman - Tired of Talkin' - New Release Review

 I just had the opportunity to review the most recent release, Tired of Talkin', from Steve Strongman and it's his best release yet! Opening with title track, Tired of Talkin' with a wicked blues fused, southern rocker feel Strongman up front on lead vocal and guitar shows swagger. Backed by Dave King on drums, James Haggerty on bass, Jesse O'Brian on piano, Pat Sansone on on keys, and with Audrey Freed on guitars, excellent opener. Laid back, Still Crazy 'Bout You, is really cool with it's JJ Cale or Levon Helm texture. Strongman's dobro work complimenting his vocal work is the key. Funky, Just Ain't Right, is really fun with some strong slide work by Strongman, and tight bass/drum work by Haggerty and King and heavy organ by Sansone. Excellent! Hi octane blues rocker, Can't Have It All with Strongman on harmonica and guitar and snappy drumming by King really moves. Highway Man falls back into a more pure delta sound with dobro and vocal. This is stripped down and fluid. Very nice. Wrapping the release is Al Green's Let's Stay Together in it's original R&B format. Strongman does a real nice job on this track vocally and his added fusion style guitar soloing is tight. Solid closer. 

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Justin Saladino Band - Live - New Release Review

 I just had the opportunity to review the most recent release, Live, from Justin Saladino Band and it's a cool rocker with plenty of radio potential. Opening with Take What You Need, Saladino on lead vocal and guitar, joined by Antoine Loiselle on guitars, David Osel-Afrifa on keys, Denis Paquin on drums, Gabriel Forget on bass, and Lucie Martel on vocal and percussion. Continuing with it's happy go lucky pace and beat, Honey has a great melody and some real nice guitar work. On Tom Petty's You Don't Know How It Feels, Saladino adds in a little slide and some heavy organ giving the track a more bluesy feel. On blues ballad, Peace With You, Saladino really works the vocals laying down the best track on the release. Nicely phrased lead guitar soloing and a quiet background really elevate this track. Very nice. Another favorite on the release is Purple Girl with overdriven guitars with traces of Jimi or Gary Clark Jr. Really a cool blues rocker. Wrapping the release is No Worries a springy rocker with heavy overtones. I like the Haynes like guitar accents to the vocal lead and tight rhythm section on this track. This is a cool closer for a solid release. 

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Dancing Bear artist: Sunnysiders - The Bridges - New Release Review

 I just had the opportunity to review the most recent release, The Bridges, from Sunnysiders and it's a cool blend of 60's rock and blues. Opening with shuffle track, Crossroads of Your Own, Croation  blues duo, Antonija Vrgoc Rola on vocal and tambourine and Boris Hrepic Hrepa on vocal, acoustic guitar and harp set out on their 4th release. With backing by Manu Lanvin on slide guitar and the Norman Beaker Trio featuring Beaker on bass, Steve Gibson on drums, Nick Steed on keys and Kim Kishikawara on sax to is a solid opener. Blues rocker, Tiny Soul has a real interesting melody highlighting Rola on lead vocal and melodic slide guitar adding very nice dynamics. Blockstop is a real rocker with raging drums and solid sax work by Kishikawara. My favorite track on the release is blues ballad, You're Not That Good For Me To Cry with  melodic electric guitar lead throughout and strong vocals by Rola. Not The One of Those is a solid rocker with a strong rock beat and cool harp by Hrepa and strong slide work. Wrapping the release is Heaven Blues Band with a firm melody and nicely blended vocals by Rola and Hrepa. An easy tempo and clean guitar lead gives the track extra traction for a tight close. 

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Big Pacific: Welcome To The Party - New Release Review

I just had the opportunity to review the most recent release, Welcome To The Party, from Big Pacific and it's a pretty cool rocker. Opening with title track, Welcome To The Party, Roly Sandoval on guitar and vocal, Nick Dokter on drums and vocals, Wayne Veillet on bass and vocals and John Hannah on keys set a solid groove. Sandoval's slide work gives the track a fun feel and Dokter's drumming keeps it tight. Slip Away is a strong pop rocker that reminds me of early Kinks or Who. With it's strong melody, blended male vocals, primarily piano accompaniment and slide guitar, it's a cool radio track. Hard Road is another radio track but with a smoother "Eagles" type approach. With it's "sweet" melody, clean guitar solo and warm vocal harmonies, the track is on good footings. Run To The Night is another firm track with influences of Tom Petty or Don Henley with isolated lead vocal and well placed keyboards and guitar lead. My favorite track on the release is Blue Moon Blues with it's double time rhythm, driving drums and guitar sequence and over the top organ. Very cool. Wrapping the release is country flavored Here's To Yesterday with acoustic guitar accompaniment and cool vocal blending. This is a cool and pleasurable rocker with a little bit for everybody. 

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The Smoke Wagon Blues Band - The Ballad of Albert Johnson - New Release Review

I just had the opportunity to review the most recent release, The Ballad of Albert Johnson, from The Smoke Wagon Blues Band and we got some tasty stuff here. Opening with title track, Ballad of Albert Johnson, a romping boogie with a great bass line courtesy Jason Colavecchia on bass and strong lead vocals and harmonica by Corey Lueck. With Mike Stubbs on guitar, Brandon Bruce on keys, Gordon Aeichele on sax, Steve Sherman on guitar, and Tibor Lukacs on drums, this is a strong opener. Bluesy ballad, Ain't Gonna Be Your Fool is a great showcase for Lueck's vocals and a super radio track. New Orleans flavored, Lay Say Lay has a great beat with great piano work by Bruce and snappy drum work by Lukacs and percussion by Sherman, topped off with really nice sax work by Aeichele and backing vocals by Stubbs, Bruce, Sherman, Colavecchia and Lukacs. Poor Man Blues has a great shuffle feel and gives Lueck a wide open stage to play his harmonica and he does a terrific job, followed by a soulful sax solo by Aeichele. Very cool. Another cool boogie track, Can't Take The Blues has an infectious groove with a strong bass line, super vocals, a solid sax solo by Aeichele and a tight mix. Very nice. Wrapping the release is Steaming Comrades Harp Boogie, a live track with a rhythmic Bo Diddley beat. Lueck leads the way on vocal and harp kind of reminding me of an old John Mayall performance and the band pumps it up all the way. Cool closer. 

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Ben Hemming - The Devil Beside Me - New Release Review

I just had the opportunity to review the most recent release, The Devil Beside Me, by Ben Hemming and it's a unusual, yet interesting take on the blues. Opening with Dead Man Blues, a dark, lumbering blues rocker with contemporary influences, Ben Hemming on vocal and guitar shows the colors of metal rock joined by James Hosking on bass and Luigi Rampino on drums. Droning guitar riffs swirl on Inside as a heavy footed Rampino drives this train. Me And The Leper has a lot of movement with a highly active bass line, solid lead vocals and slide guitar with highly effective string  to hand contact on overmiked acoustic guitar. Very cool. One of my favorites on the release is One Eyed King with a driving rock beat and grinding slide guitar work by Hemming. Another of my favorite tracks on the release is The Sea, with a quiet, acoustic guitar backing under Hemming 's vocals. The electric guitar melody is what hooks me on this track with it's haunting sound. Very nice.  The title track, The Devil Beside Me, wraps the track  with a blues basis and dark tones. This is an interesting look at the blues from a different angle. 

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Adam Karch - Everything Can Change - New Release Review

I just had the opportunity to review the most recent release, Everything Can Change, from Adam Karch and it's an interesting mix of acoustic and electric fused folk/blues music with solid vocals. Opening with It's Your Song, a contemporary, radio style track with a solid melody and clean acoustic guitar work, Adam Karch shows his stuff on vocal and guitar, backed by Richard Deschenes on bass and Marc-Andre Drouin on drums. JJ Cale's classic, After Midnight gets a substantial rework and I like it. Starting with acoustic slide and fine finger picking, Karch's stylistic vocal phrasing really changes the track and it's as cool as the original. Very nice. Porch Groove (Sunday Morning) is a real relaxing meandering melody on acoustic guitar. Very nice. Another nice cover is Bob Dylan's Don't Think Twice, It's Alright. Karch has one of those voices that is warm and refreshing and his picking style is clean and concise. Very nice. Wrapping the release is another Porch Groove (Saturday Evening) with a more contemporary finger picked melody. Karch is a talented musician and vocalist who has put together a real nice release. 

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Black Hen Music artist: Maya Rae - Can You See Me? - New Release Review

I just had the opportunity to review the debut release, Can You See Me?, from Maya Rae who demonstrates strong vocal skills and a fine hand for melody to match her lyrical skills. Opening with title track, Can You See Me?, Maya Rae who has a clear, pop style voice, with traces of Joni, Fiona and other successful folk style vocalists backed by guitar whiz Steve Dawson, Jamie Dick on drums, Jon Estes on bass, Kai Welch on keys and uke, and backing vocals by Allison Russell and JT Nero. Very nice opener. With just a dash of country styling, The Sun Will Come Out Again is another strong composition with a solid melody, and includes vibes by Charlie McCoy, Kristin Weber on violin, and Larissa Maestro on cello. I really like the delicate vocal treatment and musical contrast by Rae on Picture Frame and the vocal harmony work on Storm Leaf really makes for a nice pair of tracks. Bluesy, Freedom Fighter, is one of my favorites on the release with Welch on Wurlitzer, Dawson on slide and adding Sam Howard on vocal. Moon Girl has one of those paces that just captivates you and the vocal backing by Russell and Nero beautifully compliment Rae's own lush lead. Wrapping the release is Goodnight River, a simple ballad with only the minimal of backing by Dawson, Dick, Howard and Welch. This is a very nice closer for a solid release. 

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Stony Plain Records artist: Rory Block - Prove It On Me - New Release Review

I just had the opportunity to review the most recent release, Prove It On Me, by Rory Block and it's pretty tasty. Opening with Helen Humes' He May Be Your Man, Rory Block uses her laid back bluesy style with some of her best vocals in years, matched by her always concise guitar riffs. Excellent opener. Stuff Smith's If You're a Viper is a great tune, paying tribute to Rosetta Howard. Block's vocals are altered into a cool, more vintage feel and with light percussion and great slide, all played by Block. Very nice. Ma Rainey's Prove It On Me is the title track and shines brightly with full, thick vocals and sweet slide work. Blocks really hits her stride on this release, with a clean contemporary recording of excellent old classics. Memphis Minnie's In My Girlish Days is among my favorites on the release with rich vocal styling and Block's well known slide techniques, backed by her own angelic harmonies. Merline Johnson's Milk Man Blues (Yas Yas Girl) is my favorite track on the release with it's perfect poised pace, Block's extra work on vocal delivery which is extremely convincing for the time period and always excellent slide work. Wrapping the release is Elvie Thomas' Motherless Child, a strong closer with deep vocal character and clean slide soloing. This is a strong acoustic release. Check it out!  

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Stony Plain Records artist: Sass Jordan - Rebel Moon Blues - New Release Review

I just had the opportunity to review the most recent release, Rebel Moon Blues, from Sass Jordan and it's got a raw edge. Opening with a funky take on Sleepy John Estes' Leaving Trunk, Sass Jordan shows just how special her vocals can be with Steve Mariner on harp adding great punctuation. Backed by the Champagne Hookers, Chris Caddell on guitars, Jimmy Reid on guitars, Derrick Brady on bass and Cassius Pereira on drums, this is a great opener. Smokin. On Keb Mo's Am I Wrong, Jordan works it hard with Caddell on slide acoustic guitar, kick drums and basic handclaps percussion. Simple and solid. JB Hutto's Too Much Alcohol gets a strong remake with Caddell on slide dobro. Keeping the track in it's raw "acoustic" format and accentuating the raw marriage between Jordan's vocals and the sound of Caddell's resonator guitar makes for great blues. Wrapping the release is Gary Moore's blues ballad, Still Got The Blues. Jordan backs off of the throttle just a little and allows the natural smoothness of her vocals float on the back of Moore's melodic guitar lead, played here by Caddell. This is a cool release showing the strong vocal talents of Jordan.

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Wide Mouth Mason - I Wanna Go With You - New Release Review

I just had the opportunity to review the most recent release, I Wanna Go With You, from Wide Mouth Mason and it's got a cool, stripped down, earthy sound. Opening with Bodies In Motion, Saskatoon born Shaun Verreault on vocal and guitars and Safwan Javed on percussion and vocals establish a high bar with a fat guitar toned, blues rhythmed, track with a solid melody and super vocals. With phrasing that puts me in mind of prime Leon Russell, this is a super track. Quick paced, Some Kind of Requiem, is a snappy, contemporary blues number with fluid slide runs and strong vocals. Very nice. I really love the overdriven electric guitar sound that Verreault gets on Erase Any Trace. These guys have focused in on a really cool blend of blues, rock and gospel styling that really hits square. Very nice. On Only Child, Mason stretches further into the driving rock styling but preserving the raw blues edge grinds out s pure rocker. Excellent! Another style covered is southern blues style of Shorty Medlock on High Road. Guitar picking, over laid on slide work and a driving bass line gives this track particular traction. Listen closely on Modern Love, yes, the Daviid Bowie hit track gets a total rework and if you don't catch the words will likely slip right past you. It retains the original energy but totally reworking the track format, and with the addition of Shawn "The Harpoonist" Hall makes this redo is very successful.  Rag style track, Outsourced gives Verreault a great opportunity to show off his guitar work and the addition of Kelly "Mr Chill" Hoppe on harmonica and nicely blended vocals, a cool track. Wrapping the release is a really solid radio track, You Get Used To It with great vocal blending between Verreault and Javed. With it's contemporary rock styling and sound, this is the definite radio track on the release and a super closer. 

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Moosicus Records artist: Bai Kamara Jr & The Voodoo Sniffers - Salone - New Release Review

I just had the opportunity to review the most recent release, Salone, from Bai Kamara Jr & The Voodoo Sniffers and it's a cool, mix of blues, folk and African sounds. Kamara, from Brussels originally came from Sierra Leone. Opening with Can't Wait Here Too Long, a cool folk oriented track, showcases Bai Kamara Jr on lead vocal and guitar with a distinct Mali influence and solid blues style vocal. Can't say I've heard anything quite like this before but it is cool. Black Widow Spider is another cool track with only a sketch of guitar and percussion behind ultra cool blues phrased vocals. With a bit of a more mellow blues format but still with what sounds to me like  Mali influence makes Cold Cold Love one of my favorite tracks on the release. Cry Baby has more of a pure "American" blues feel with bluesy vocal styling but again without abandoning that African purity. Very nice. Don't Worry About Me is another strong track with blending between western and African rhythms. Very nice. Time Has Come is a great song with a great Northern African beat. Highest energy track on the release and solid roots. Very nice change up. Boogie track, Fortune, has a distinct John Lee Hooker feel with percussion and a driving guitar beat. Excellent! Wrapping the release is Some Kind Of Loving Tonight which is heavily rooted in American blues with standard 12 bar formatting and even the traditional foot tap. This is a very interesting release and one that I am looking forward to listening to more.

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Marie Martens & The Messarounds - Travelled - New Release Review

I just had the opportunity to review the most recent release, Travelled, by Marie Martens & The Messarounds and it's old school blues rock. Opening with Change My Ways, Marie opens with a great slide riff and this band really has the grit of the early Yardbirds (if you don't know them check out the beginnings of Jeff Beck, Clapton and Page). With Ronnie Cacioppo on percussion, Jimmy B Natural on bass and Tom Selear on drums. I like Martens' slide style and with solid bass and driving drums...what's not to love. Very cool! On Keep On Loving Me, Martens steps out on guitar and her riffs are loose and fluid, consistent with the time and is a breath of fresh in todays climate. Just listen to the throaty rumble that she's getting on Mama Won't Allow Me. It's her basic style and those old Teisco (?) pickups that gives it that Hound Dog Taylor feel. Excellent! Listen to this fat slide work on Movin' On! Using just the basic slap drumming technique, Selear really emphasizes Martens' raw sound... really strong! The band continues to rock on through Kokomo Blues. Talk about rattling the rafters. This release is a blast! Hound Dog's own Give Me Back My Wig is next up and that fat fat slide work and grinding tone is just terrific. Closing the release is the Stones' Ventilator Blues. The overdriven, almost "blown up" driver sound that Martens is getting out of her amp makes me jealous as hell. Gotta go home and work on that. Managing this fat sound and on this, one of the Stones great songs is a terrific closer for a really super release.

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Guy Belanger - Eldorado - New Release Review

I just had the opportunity to review the most recent release, Eldorado, from Guy Belanger and it's pretty cool. Opening with instrumental, Carving The Wind, featuring Guy Belanger interweaving his harmonica work with Robert MacDonald on guitar over the bass work of Marc-Andre Drouin and Michael Dufour on drums. A pure Latin beat sets the tone for instrumental title track, Eldorado, with it's crisp rhythm and swaying feel. Belanger crafts a really nice melody and MacDonald shapes flowing guitar tones that almost sound like the wind. Very nice. A track with an overall blues feel and real tension, When Will I Know features Belanger on lead vocal and harmonica and Bob Stagg on b3, piano and Wurlitzer. This is a really sensitive track with a great radio sense. One of my favorite tracks on the release is light funky jazz rocker, Wicked with it's super bass line from Drouin, and Belanger on harmonica melody and including a real nice guitar solo by MacDonald. Another track with roots in the blues is Hummin' with some really nice blending between Eric Longsworth on cello and MacDonald on acoustic guitar and understated harmonica work by Belanger. With an almost Tower of Power (with no horns) feel, Ganga has you bobbing in no time and with harmonica lead, excellent guitar work by MacDonald, the addition of Paul Picard and the hard work of Drouin on bass. Excellent! Wrapping the release is Stillwater, an interesting, almost anthem track, with strong harmonica effects and a firm guitar, bass, drums underpinning. This is a smooth closer for a real interesting release. 

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