Bman's Blues Report

 I just had the opportunity to review the most recent release, Young Rell , by Harrell Davenport , and it's hot! Opening with Chicago Style shuffle , Tomorrow , Harrell Davenport on harmonica, guitar and vocal evokes early Muddy Waters with plenty of grit and spunk. With Jim Pugh on piano, Daquantre "Q" Johnson on bass, and June Core on drums this is a super opener. R&B flavored, Spinning , shows Davenports roots with soulful vocals, Pugh on organ, Endre Tarczy on bass, Kid Andersen on rhythm guitar, and Core on drums with Larry Batiste on backing vocals, Aaron Lington on sax and Niel Levonius on trumpet giving an authentic 60's R&B feel. Very nice. Richland Swing is one of my favorite tracks on the release with Davenport really showcasing his guitar mastery ala Gatemouth Brown style , Pugh really pushing on organ, Lington wailing on bari sax, Levonius on trumpet and with Tarcyz on bass and Core on drums. Smoking!! I Be Tryin' is a great blues trac...

I just had the opportunity to review the most recent release, Wayback Machine , from Mark Hummel and it old school Chicago style blues. Opening with Flim Flam , a cool blues number with a great bass line courtesy of R.W Grigsby, with Mark Hummel on harmonica and lead vocal, backed by Rusty Zinn on guitar, Aaron Hammerman on piano and some great percussion by Dave Eagle. Super opener. A real nice Chicago flavored shuffle, Cut That out really provides a nice platform for Hummel on harmonica and Billy Flynn shows his chops on guitar, also joined by Kid Andersen. Hummel original, Road Dog is a super harmonica piece with eccentric percussion by Eagle giving it a real primitive feel.  One of my favorites on the release is Breathtaking Blues , a cool, harmonica lead instrumental with a nicely executed piano solo by Hammerman and Eagle's zany percussion. Very cool. Another favorite is Gillum's Crazy About You with a really cool pace, with barrelhouse, rat a tat percussion and H...

I just had the opportunity to review the most recent release, ...Took A While , from The Mike Duke Project and it's a soulful southern style release packed with musical elite. Opening with Little Miss Ponytail , a certain radio track, Mike Duke on lead vocal and piano leads the way with Bill Stewart on drums, Phil Yeager on bass, Ronnie Brown on guitar and Rick Kurtz on guitar. Hope You Love Me Like You Say You Do features Duke with Jimmy Hall and the vocals are not only warm and solid but this is really a strong track. Let Me Be Your Fool Tonight is a real cool track with the addition of Lloyd Meadows, Angela Strehi  and Lisa Lueschner Andersen on backing vocal and featuring super accordion work by Bruce Gordon. I'm Not Sad Tonight sounds like it could be pulled right out of Van Morrison's songbook with distinct vocal phrasing and poise and the addition on Jim Pugh on B3. Very nice. Gospel flavored Torn & Scarred is Duke, accompanying his vocal lead on piano wit...

I just had the opportunity to review the most recent release, Nothin' To It But To Do It , by Junior Watson and I really like it. It's become a theme, but I like most of what comes out of Greaseland, Kid Andersen's shop. Opening with Up and Out , an up tempo blazer led by Sax Gordon, Junior Watson opens this release like a showman with horns blazing. Gordon really has it humming with great underpinning by Kedar Roy on bass, Andrew Guterman on drums and Jim Pugh on keys, swinging the door open and letting Junior Watson run on guitar. Excellent! On swing boogie, Louella , Watson has lead vocal and guitar with big time sax work by Gordon. This track really has presence and Gordon shares the spotlight with Watson who shows why he's one of the best loved contemporary guitar players on the circuit. A Shot In The Dark is a terrific slower blues with Alabama Mike really working vocals upfront and giving Watson the space to work over his fretboard and he really does give i...

I just had the opportunity to review the most recent release, Howl , from Howell Devine and it's quite cool. Recorded at the acclaimed Greaseland Studios by Kid Andersen, this release has a great old style yet current vibe. Opening with Sonny Boy Williamson's The Key , Joshua Howell on vocal, guitar and harp melds nicely with Pete Devine on drums and Joe Kyle Jr. on bass. With it's lumbering pace, the track has deep blues roots. RL Burnside's Going Down South develops a rumble with solid bass lines and super vocals by Howell. Kickin it up a notch, Howell drives his guitar hard without breaking Burnside's basic monumental style. Very nice. Sookie Sookie has that great Booker T feel complimented by Kid Andersen on organ but this track is really a showcase for Howell's harp work. Very cool. One of my favorite tracks on the release is original composition, Sirenic Woman with raw slide playing and tom tom heavy drums and exaggerated bass lines by Kyle. Excelle...

I just received the newest release (July 8, 2016), A Little Too Late ,from Travis Green and it's quite good. Opening with title track, A Little Too Late , Travis Green on super lead vocals, shows country two step style, with Kid Andersen on guitar, Randy Bermudes on bass, Jason Hansen on drums, and nice key work from Jim Pugh. Cowboy styling on Please Don't Cry has a lot of polish with Lisa Leuschner Andersen on harmony. This is a real nice track that should hit the radio. Everybody Knows crosses over more to a rock sound, still influenced by country flavor. With the line "Everybody Knows That You're A Bitch A Heart" it is an auto hook that will certainly be a crowd favorite. Solid bass work from Bermudes and sassy sax work from Nancy Wright give this track a solid kick. Blues based ballad, The Only Love , has really nice organ work by Pugh giving it a great feel. Kid Andersen lays in some real nice bluesy country guitar riffs for good measure. Very cool. Kee...