BEJEB Music artist: Deb Ryder - Let It Rain - New Release Review

I just received the newest release (April 21, 2015), Let It Rain, from Deb Ryder and it swings. Opening with That's Just How It Is, Ryder comes out hot and heavy with powerful backing from Kirk Fletcher, Ric Ryder on bass, Mike Finnigan on B3 and Tony Braunagel on drums. Fletcher really hits the groove and Finnigan lays it flat out. On Latin/shuffle track Can't Go Back Again, Braunagel sets a mean line and Johnny Lee Schell joins Fletcher on guitar with Lee Thornburg on Trumpet and Lon Price on sax. Very nice! On You Won't Be True Thornburg and Price give the track a much heavier swing and Schell and Fletcher lays down some really hot riffs. I really like Ryders vocal work on this release. Excellent! On the smokey, Guilty As Sin, Ryder guides her listeners down a dark slinky alley. Finnigan's B3 punctuation is particularly effective, Kim Wilson tips in some warm harp work on this track and Fletcher steps up with a few real nice R&B style blues guitars solo as well. Very smooth! Cry Another Tear has a spiritual undertone with Finnegan leading the way on both piano and B3. With a hand clapping revival feel, Ryder shows she has it all joined by Johnny Lee Schell and Finnigan on backing vocals. Fletcher steps up with a flight fingered country style solo on guitar which I would have sworn was Albert Lee. Very nice! Ryder's solid bass work drives the train on Hold Your Lamp High with rich horn work from Thornburg and Price. Finnegan creates the tension on B3 but it's the super lead vocals by Ryder that shines brightest on this track. Thornburg takes a cool muted trumpet solo on this track giving it a quiet jazz sound for a bridge but Ryder drags it back into the soul arena with her gritty voice. On boogie stack, Money Monsoon, Fletcher again shows his fast finger work and Finnegan, Thornburg and Price push it over the top. Excellent! On quiet ballad, Kiss and Dream, the entire band softens it back with James Hutchinson on double bass and Finnegan on piano accompanied by Braunagel on brushes. Ryder shows the clarity of her vocals and Price lays out a really nice sax solo. Title track, Let It Rain has a R&B feel and Fletcher steps up and delivers Robert Cray style. Kim Wilson blends his harp work in nicely with finesse and control. This is really an ideal radio track with a catchy melody, simple but tight instrumentals and of course the super vocal work of Ryder. David Fraser joins on accordion for New Orleans flavored Ma Misere and Albert Lee takes the lead guitar role bouncing off of the super piano work of Finnigan. Wrapping the release is a stripped down bluesy track, Round and Around with Ryder on vocal, Wilson on harp, Schell on guitar and backing vocals. Nice wind down from a really pretty hot release!

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 

Deb Ryder - Might Just Get Lucky - New Release Review

I just received the newest release, Might Just Get Lucky, from Deb Ryder and it's smokin'! Opening with Get A Grip, Kirk Fletcher pulls out some super riffs and Ryder shows her incredibly rich pipes. Larry David steps up on harp blowing a cool 8 and Ryder keeps a firm "Grip" on this track, shuffle style. On Blue Collar Blues, Ryder takes us on a swingin' ride and Albert Lee adds his own guitar wizardry to the mix. Brad Swanson on drums and Paul Kenedy on bass round out the mix. Greasy shuffle, Really Gone is a real hot potato with sassy vocal work from Ryder and great guitar response from Fletcher. Stan Behrens takes the harp on this track and a nice job he does. Fletcher shows why he is a wildly requested session man playing some really cool solo work on this track. Somber ballad, Might Just Get Lucky, takes an easy pace reflecting the jazzy side of the blues. Ryder has the opportunity to show the more reflective side of her work and this track is very strong complimented by nicely played keys from Greg Hilfman. The up tempo R&B/funky Come On Home To Me finds Ric Ryder leading the way on bass. Fletcher again steps up with some flaming hot guitar riffs punching up the mix. On Louisiana infused Ce Soir Ce Soir, Fletcher, Ryder, Hilfman and Swanson make a cool gumbo to highlight Ms Ryder's vocals. Bad Bad Dream is a really heartfelt slower blues track and not only highlights Ryders vocals but also puts the spotlight on Fletcher for some of the richest guitar work on the release. Excellent! On The Angels Cried, Ryder paints a vivid picture vocally on a blues/R&B track along the lines of Robert Cray. Fletcher again is up to the job laying down some articulate riffs in the mix. On boogie track, Love Stealin Liar, Dave Dills really pulls out the stops on his guitar ride. This is a swinging boogie and Ryder gives it a kick with Dills pushing all the way. These Hands, a country gospel style track wraps the release with the smooth dobro work of James McVay and some of the most compelling vocals on the release. This is an especially cool vocal release with obvious hot guitar work and super supporting instrumentalists.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”