Bman's Blues Report

 I just had the opportunity to review the most recent release, Temple of Blues II , from Cactus and it's strong blues rock...old school! Opening with Back Door Man Pt 1&2 , Eric Gales leads the way on vocal and guitr with Artie Dillon on rhythm guitar, Billy Sheehan on bass and featuring the driving drum work of Carmine Appice . Super. Pat Travers is featured on lead and slide guitar on Moanin' At Midnight with Ed Terry on vocal, Dillon on rhythm guitar, Jim Caputo on bass and Appice on organ and drums. Travers style really give the track a great bluesy feel, really grinding in. Very cool. Ron Bumblefoot Thal on guitar leads the way on Tokin Chokin' , a fun, country pop rocker with edge. Terry handles vocals and with plenty of splash cymbals by Appice, and Johnny Rod on bass, Bumblefoot really sails on slide. Tail Dragger has a Brit blues rock feel with Terry on vocal and Rockin Jake on harp. Appice's driving drum line with Rudy Sarzo on bass, gives guitarist ...

 I just had the opportunity to review the most recent release, Jaded , by Shouse and it's a substantial display of metal guitar prowess. Opening with a Synthesizer and electric guitar display by Mike Shouse on Romeo and Juliet theme it wets your appetite for what is to come. On A Bitter Cold , Shouse uses a solid hammer on technique running melodic rudiments on electric guitar. Very cool. On rocker, Smiley Faced Emoji , James Pulli on bass and Charlie Zeleny on drums lay a firm foundation and Shouse shows lightning fast shredding, wide vibrato and wild bends giving the track real commercial appeal. Title track, Jaded , has a real led footed drum kick and a moving bass line providing a firm bottom for Shouse to sculpt a scorching melody, with excellent phrasing, and solid suspended notes, hammering home his thematic concept. Wrapping the release is Upon Looking Back with a traditional rock rhythm and featuring Tony MacAlpine . A concrete bottom courtesy of Pulli and Zeleny rea...

 I just had the opportunity to review the most recent release, Temple of Blues , from Cactus , and it's a strong blues rocker. Opening with Bukka White's Parchment Farm really rocks. Using Mayall's basic arrangement, Carmine Appice on drums really drives it hard with Billy Sheehan on bass, Jim McCarty on guitar, Joe Bonamassa on lead guitar and Jim Stapley on vocal and harp. Excellent opener. Willie Dixon's Evil gets a real nice heavy makeover with heavy weight drum work by Appice and great guitar lead by McCarty. Dug Pinnick on bass really sets the groove and Dee Snider on lead vocal is outrageous. Coopper and White's country anthem, No Need To Worry is now a slow blues with excellent vocal and guitar phrasing by Warren Haynes with Jorgen Carlsson on bass and Appice on drums. Cactus original (from their 70's album) Big Mama Boogie (Pts 1&2) is a great track with Appice in his own seat at drums and James Caputo on bass. Stapley on vocal and harp does a r...

 I just had the opportunity to review the most recent release, Dark Encounters , from Prog Collective , a project founded and helmed by Billy Sherwood of Yes note. Opening with Darkest Hour , longtime Billy Idol guitarist, Steve Stevens is featured with soaring guitar riffs over Sherwood's bass, keyboard and drum composition. Atmospheric and intense, this is a strong opener. Steve Morse (Dregs/Deep Purple) adds his own virtuosity to Ominous Signs with a more structured composition allowing more freedom for Sherwood's own exploration. Dark Days is one of my favorite tracks on the release with Bumblefoot (GNR) contributing some real nice guitar and vocals, Patrick Moraz (Moody Blues) on keys, Omar Hakim (Weather Report) on drums and Sherwood on bass. Soft Machine's John Etheridge lays down some nicely phrased guitar lead on The Fifth Hour , paired with Sherwood on bass, keys and drums. Very cool. Another of my favorite tracks, Between Two Worlds features Steve Hillage (Gon...