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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Alligator Records. Show all posts
Showing posts with label Alligator Records. Show all posts

Wednesday, March 16, 2016

Moreland & Arbuckle Release PROMISED LAND OR BUST on May 6



BLUES ROCKERS MORELAND & ARBUCKLE SET TO RELEASE
PROMISED LAND OR BUST ON MAY 6, 2016

“Raw, dirty, primal and infectious…sizzling guitar, sturdy vocals and rude harmonica”
–USA Today
“Deeply satisfying...gritty soul and blues with garage overtones and fire-and-brimstone vocals”
–Living Blues



Alligator Records has set a May 6 release date for Promised Land Or Bust, the label debut from Wichita, Kansas' blues rockers Moreland & Arbuckle. Guitarist Aaron Moreland — co-founder of the groundbreaking Kansas-based trio — describes their music as “gritty blues and roots rock from the heartland.” Moreland, harmonicist/vocalist Dustin Arbuckle and drummer Kendall Newby bring fierce electric fury and unrelenting punk rock energy to their original songs, inspired by raw Delta and Mississippi Hill Country blues.

Their songs are expertly executed with musical muscle and fifth-gear urgency. When they perform more traditional blues, they play with the same decisive command. With each of their six previous releases, the band has grown musically and lyrically, creating a signature sound while earning a large and loyal worldwide fan base. Their legendary raw and raucous live shows are played with wild abandon. The New York Post says Moreland & Arbuckle have “a raw juke joint exuberance with a dirt-under-the fingernails garage band attack.”

The group’s evolution continues with their Alligator Records debut Promised Land Or Bust (available on CD and vinyl) produced by Matt Bayles (Mastodon, Botch, The Sword). From the howling cosmic opener Take Me With You (When You Go) to the stomping Mean And Evil to the plaintive Mount Comfort, Promised Land Or Bust is a far-reaching musical showcase. The instantly-memorable, slice-of-life songs paint scenes of double-crossed lovers, women meaner than the devil, and isolated loners beaten down by careless love. According to Moreland, “The new album is consciously traditional but still has the signature drive and power that we have crafted over the past thirteen years.”

Moreland says signing with Alligator is a perfect fit. “One of our biggest influences ever, Hound Dog Taylor, was the very first Alligator artist. One of the reasons we have the non-traditional lineup of no bass player was inspired by listening to Hound Dog’s music as we were coming up.” According to Alligator president Bruce Iglauer, bringing Moreland & Arbuckle to the label known for its Genuine Houserockin’ Music was an easy choice. “I’ve watched this band grow from talented interpreters of raw, traditional blues into creators of fresh, original roots-based songs. Live, the energy just pours out of them.”

Aaron Moreland was born December 16, 1974. He played in a number of garage bands while growing up and was influenced by punk music before having what he calls his “Son House moment.” Hearing the blues legend’s Death Letter Blues for the first time at age 22, he changed course, focusing his playing on nothing but acoustic blues for the next several years. Dustin Arbuckle was born December 25, 1981. He first discovered blues in his mid-teens and received what he refers to as “a calling. Getting into blues made me want to play music,” he says. He played in blues-rock bands, inspired by Little Walter and Sonny Boy Williamson, while learning to sing with deep soul and honest authority.

The two met at an open mic session in their hometown of Wichita, Kansas back in 2001 and they quickly bonded over their mutual love of blues. Less than a year later, they joined forces, their raw and energetic approach to the music melding perfectly. Soon after coming together, Moreland and Arbuckle played both as an acoustic duo and as The King Snakes, a four piece electric band. Keeping a bass player proved difficult, and they soon found they made a better sound without one, as Moreland kept the rhythm thumping on his guitar while Arbuckle took the music into overdrive with his harmonica and vocals. The band quickly became local heroes, filling clubs beyond capacity. It wasn’t long before they started touring larger cities around the country, earning new fans with every performance.

From their 2005 self-release Caney Valley Blues to 2013’s 7 Cities on Telarc, Moreland & Arbuckle have grown from a fiery, crowd-pleasing duo to a genre-smashing three-piece band. Together, Moreland’s simultaneous bass, rhythm and lead guitar work and Arbuckle’s emotionally-charged harmonica and edgy vocals—driven by Newby’s propulsive drumming—create a sound that is forceful enough to grab a listener’s attention and nuanced enough to hold it. American Songwriter says the group’s music is “swampy, sweaty and muggy...mixing a bluesy foundation with bits of country, folk and squawking American rock and roll.” WNYC’s Soundcheck says the band plays “gritty blues with a thoroughly contemporary bite.”

Over the course of their career, Moreland & Arbuckle have played hundreds of shows and have logged hundreds of thousands of road miles (recently replacing their van after driving it over 400,000 miles), performing in the United States, Canada and across Europe. In 2008 they spent 10 days in Iraq, playing for the troops. They’ve shared stages with ZZ Top, George Thorogood, Buddy Guy, Robert Cray and Los Lonely Boys. They’ll return to the road in support of the new album, with dates in the United States, Europe and beyond. No Depression says, “These guys have kegs full of talent. Their songs will keep you driving fast and long.”

Now, with Promised Land Or Bust, Moreland & Arbuckle are ready to bust it all wide open. Arbuckle calls the new album “our best yet,“ and says, “we continue to evolve musically outside of the box we started in, but the bedrock—the blues —is always there.” Moreland adds, “We consciously went back to where we started and it took us to a brand new place.”

Sunday, March 6, 2016

Alligator Records artist: Toronzo Cannon - The Chicago Way - New Release Review by Stilladog -Guest contributer



First thing you need to know about Toronzo Cannon is, playing blues is his second job.  And when you first hear this album you are going to say, “Huh?”  But it’s true. Toronzo still drives a bus for the Chicago Transit Authority.  Maybe not for too much longer…

Coming off what I am hearing was a series of smoking performances on the January 2016 Legendary Blues Cruise where he tore it up jamming with Elvin Bishop, Alligator Records released this album of all Toronzo originals.

Chicago Ways is without a doubt Cannon’s strongest album to date.  In part due to excellent production by Alligator El Presidente, Bruce Iglaur, but mostly to the maturity of Toronzo’s own guitar playing and song writing. This album is the result of a lifetime of building chops working with the best bluesmen Chicago has. 

The album starts off strong right out of the gate with The Pain Around Me and keeps the groove going with the somewhat humorous lyrics of Bad Contract, burning guitar throughout. What amounts to the title track, Walk It Off, the dilemma you find yourself in when you’ve got a girlfriend and a wife, follows.  Some hired horns add tremendously to Fine Seasoned Woman. Various flavors of Chicago blues are delivered in the next several tracks culminating in the slow blues, When Will You Tell Him About Me? which hits hard. The clever shuffle Mrs. From Mississippi and the powerful I Am close out the album

You will hear bits of Magic Sam, Otis Rush, and Son Seals in these songs along with another lesser known Chicago legend, Chico Banks.  But believe, it’s all Toronzo paying his respects.  It’s the Chicago Way!     

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Monday, February 15, 2016

Tom Waits Streams New Track From Blind Willie Johnson Tribute Album



TOM WAITS STREAMS SOUL OF A MAN FROM NEW COMPILATION
GOD DON'T NEVER CHANGE: THE SONGS OF BLIND WILLIE JOHNSON
AT HIS FACEBOOK PAGE

 

Legendary artist Tom Waits is streaming his new recording of Soul Of A Man from the forthcoming album God Don't Never Change: The Songs Of Blind Willie Johnson at his Facebook page. Waits also recorded John The Revelator for the album.

The album -- to be issued on CD on February 26 and soon after on vinyl -- features newly recorded versions of the iconic slide guitarist/vocalist's most seminal material. In addition to Waits, Lucinda Williams, Derek Trucks and Susan Tedeschi, Cowboy Junkies, Blind Boys Of Alabama (with Jason Isbell on guitar), Sinéad O'Connor, Luther Dickinson featuring The Rising Star Fife & Drum Band, Maria McKee, and Rickie Lee Jones all deliver deeply moving interpretations of Johnson's otherworldly "gospel blues" music.

Produced by Jeffrey Gaskill (producer of the twice Grammy-nominated compilation, Gotta Serve Somebody: The Gospel Songs of Bob Dylan), God Don't Never Change: The Songs Of Blind Willie Johnson highlights the music of one of the greatest and most influential slide guitarists and vocalists who ever walked the Earth. Johnson sang his sanctified gospel lyrics with overwhelming intensity, his deep, raspy voice accompanying his haunting, blues-drenched guitar playing. Rock fans will no doubt recognize many of his songs which have been recorded over the years by artists ranging from Led Zeppelin to Eric Clapton to Bob Dylan. Johnson's recording of John The Revelator was included in the Anthology Of American Folk Music, archivist Harry Smith's 6-LP collection released in 1952 that set the folk revival of the 1960s into motion. God Don't Never Change: The Songs Of Blind Willie Johnson is, according to Gaskill, "my life's work." The project was years in the making, and Gaskill is thrilled it's ready to be released. "You gotta serve somebody," he says, referencing his earlier compilation, "and I got the songs of Blind Willie Johnson."

Blind Willie Johnson, whose life remains shrouded in mystery, was born in Pendleton, Texas in 1897 and grew up around Marlin, Texas, He recorded a total of 30 songs between 1927 and 1930 for Columbia, leaving behind a priceless legacy of the unforgettable music he created by marrying the raw, gospel fervor of his voice with the steely blues fire of his guitar. His songs were mostly traditional or came from hymnals, but when Johnson performed them, he transformed them with his soul-shaking voice and amazing slide guitar. Johnson was among the best-selling black gospel artists of the era, but the Great Depression ended his recording career. He continued traveling as a street singer, moving between Dallas, Galveston, Houston, Corpus Christi, San Antonio and finally to Beaumont, where he thundered out his street corner evangelism, spreading his sacred message through his transfixing music. He died in 1945 in Beaumont, Texas at the age of 48.

God Don't Never Change: The Songs Of Blind Willie Johnson
1) The Soul Of A Man (Tom Waits)
2) It's Nobody’s Fault But Mine (Lucinda Williams)
3) Keep Your Lamp Trimmed And Burning (Derek Trucks and Susan Tedeschi)
4) Jesus Is Coming Soon (Cowboy Junkies)
5) Mother’s Children Have A Hard Time (Blind Boys of Alabama)
6) Trouble Will Soon Be Over (Sinéad O'Connor)
7) Bye And Bye I’m Going To See The King (Luther Dickinson featuring The Rising Star Fife & Drum Band)
8) God Don’t Never Change (Lucinda Williams)
9) John The Revelator (Tom Waits)
10) Let Your Light Shine On Me (Maria McKee)
11) Dark Was The Night--Cold Was The Ground (Rickie Lee Jones)

Monday, December 7, 2015

Shemekia Copeland Receives Grammy Award Nomination



SHEMEKIA COPELAND'S OUTSKIRTS OF LOVE
RECEIVES GRAMMY AWARD NOMINATION

CD NAMED ALBUM OF THE YEAR BY THE BLUES MAGAZINE (UK)

Blues/soul/roots singing sensation Shemekia Copeland's new CD, Outskirts Of Love, received a Grammy Award nomination in the Best Blues Album category from the Recording Academy on Monday, December 7. Winners will be announced in Los Angeles on February 15, 2016. This is Copeland's third Grammy nomination. Copeland, the reigning "Queen Of The Blues," also appears on Muddy Waters 100, a various artists tribute album also nominated for Best Blues Album.

The outstanding Shemekia Copeland news does not end with the Grammy Award nomination. The prestigious United Kingdom publication The Blues named Outskirts Of Love its 2015 Album Of The Year. In the magazine's review of the record, writer Rev. Keith Gordon says, "Shemekia Copeland is one of the best singers performing today. A rich blend of blues, soul and roots-rock that will astound the casual listener while rewarding Copeland's longtime fans. Pure joy." Editor Ed Mitchell calls it "a mature masterpiece of modern blues."

Copeland’s return to Alligator Records with Outskirts Of Love (she recorded four albums for the label from 1998 through 2006) finds her at her most charismatic. She mixes freshly written material with thrilling reinventions of songs originally recorded by Solomon Burke, ZZ Top, Jesse Winchester, Sonny Terry and Brownie McGhee, Creedence Clearwater Revival, Jesse Mae Hemphill and her father, the late Johnny Clyde Copeland. MOJO magazine says, "It is Copeland’s thrilling voice, part Koko Taylor, part Mavis Staples and capable of incredible expression, that makes Outskirts Of Love so super-special. Spectacular, stirring, sanctified and sassy…at the crossroads where funk meets blues rock. Her band, led by producer Oliver Wood, and featuring guests Billy F Gibbons, Robert Randolph, Alvin Youngblood Hart and Will Kimbrough, is faultless throughout."


View Bman Blueswriter's profile on LinkedIn If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”