I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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I just received the newest release, Mustang Blues, from John Earl Walker and it digs in deep. Opening with Hey Baby, a cool 12 bar jam with a Allstars flare. John Earl Walker has been playing his guitar for some time and he lays on it early showing he knows his way around. Joined by Peter Harris on bass, Frank Diorio on drums and Gene Cordew on keys, this track is a great opener! Solid down, The Devil Follows Me, sounds like it's straight from Chicago and Walker slings his guitar with comfort. His riffs roll off of his fingertips like water pushed along nicely by Cordew on piano. Title track, Mustang Blues, has a funky R&B feel along the lines of Mustang Sally or Poke Salad Annie. This is a cool track with Steve Ress adding some real nice slide guitar work on the mix. Funkify is a guitar led instrumental with a funky beat and extended guitar soloing. I'm Already Gone is a modern blues style take on a soul feel. It has the blues basis with strong bass by Harris and keys by Cordew with Savoy Brown like guitar and vocals giving it a very cool bluesy sound. One of my favorite track on the release. My Mama Told Me is a nicely paced shuffle track with stinging guitar riffs. Slower drag blues, Superstorm Sandy Blues plays into any blues guitar's hand with a great tempo and plenty of space to improvise. Walker really breaks loose on this track with some great trem bends. Excellent! Readjust falls more into a rock feel with R&B anchor. Tandem guitar leads and one flat out solo near the end of the track cap it off. Another nice shuffle track, One Plus One, finds Walker using some real nice double stop techniques on his solos giving them a grittier feel and George Thorogood like vocals makes this another top track. Wrapping the release is Even Up The Score, a driving shuffle backed track with Walker on vocal and lead guitar. A rowdy blues rocker, this is a fine track to close the set.
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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