This Week's Reader Favorite Post

Zac Harmon & The Drive - Live - New Release Review

By Bman -
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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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Main Squeeze Records artist - Missy Andersen - In The Moment - New Release Review

By Bman -
I just received the newest release, In The Moment, from Missy Andersen and it scratches a lot of itches. Opening with Rent Party is a cool blues swing track with a touch of jazz. Heine Andersen lays out a nice guitar solo and Sue Palmer is tight on piano. Horn work from Robbie Smith (trumpet), Gerrard Nolan (tenor sax) and Bob Mathes (Bari sax) give it a bit of a club feel. Whole Lotta Nuthin' has a New Orleans feel with marching style drums from Marty Dodson and Ben Moore lays down some nice B3 work. Heine cooks the frets on this track with some hot jazzy riffs. On Latin styled Night Stalker Andersen again plays into a 40's - 50's sophistication. She really has a strong voice and has strong support from vocalists Sonja Mack and Karen Trapane. R&B track More Than Enough has a really strong presence and Andersen's vocals are top notch. Light instrumental accompaniment of light drums and B3 and punctuation but the horn section makes this one of my release favorites. Better Or Worse has a bit of a Chicago blues style featuring James Harman on harp and Nathan James on guitar. On No Regrets, roots in gospel can be heard cemented in Andersen's vocal styling and the warm B3 key work from Moore. Very nice! Same Things Make You Laugh Will Make You Cry is a R&B style number with great delivery from Andersen. Soild rhythm work, B3 backing and horns give this a true feeling of the age of R&B. Reach Out is an easy going blues number with a real twist of gospel. I really like Anderson's feel on this track and the backing vocals of Mack and Trapane as well as the nice walking bass line of Michael McKinnon and stirring guitar solo by Heine Andersen make this one of the most memorable tracks on the release. Ladies Shoes is a real down and dirty blues number with Andersen digging in deep. I really like the contributions of Heine Andersen on guitar on this track which are inspired. Funky rhythms on Hey Now! highlighting the percussion work of Christopher Hoffee and Moore on B3 nicely compliment Andersen's vocal work. Wrapping the track is I've Been Walkin' gets a nice "revival" feel going but with a bit of twang. Nice vocal call and response between Andersen and Mack/Trapane and strong support from Sue Palmer on piano and Marty Dodson make this a real uplifting end to a cool release.

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