CLICK ON TITLE BELOW TO GO TO PURCHASE!!!! CD submissions accepted! Guest writers always welcome!!

I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!

Please email me at

Wednesday, April 3, 2013

Good Lovin' - Big Gene & Danny Lee's Loud Pack

Big Gene and Danny Lee’s Loud Pack is East Tennessee’s hottest new blues band! This group is a winning combination of powerful, soulful vocals mixed with a team of excellent veteran guitars, screaming organ, and a rock-steady rhythm section. This may be the first time you have heard of this band, but Loud Pack will soon be a name that is synonymous with a great night of blues. Band members Big Gene Chandler (vocals), Danny Lee Michel (lead guitar), Steve Michel (rhythm guitar), Stevie Jones (organ), Ryan Johnson (bass), and Jared White (drums) are elated to be heading to Memphis in January to be representing the Smoky Mountain Blues Society at the 29th International Blues Challenge (IBC). The guys won the regional semi-quarters and will be competing with approximately 110 bands from around the world. Multiple W.C. Handy Award nominee and 1994 IBC finalist Sean Costello said many times of Danny Lee, “If I could afford him, I would have him in my band!” Loud Pack’s forth-coming album, Tennessee Blues, is “packed” with a fantastic assortment of blues originals written by Big Gene, Danny Lee, and Steve. Big Gene, like so many before him, learned to sing from his heart in church. He then added R & B and Rap. With his first love being blues and having been torn down a time or two, he has penned his pain and has some blues to share with us all. Everyone can relate to “Be Fine”: when Gene’s woman says “I don’t love you no more”, we can feel that hurt, but he lets her and the world know that “Big Gene’s gonna be fine.” Danny Lee and Steve bring their Strats into the songs and take turns telling us that they too have been there before. With influences ranging from Muddy Waters and the classic Chicago blues sound, to Little Milton, Bobby Bland, Johnnie Taylor, and the Malaco Records’ Soul blues, to Jimi Hendrix and his hybrid Rock/R&B/Blues style. These styles and the bluesmen that bore them are the heart and soul of this bands influence. Listen, these guys will take you way back, then they will rock the house! Members of the band have performed or shared the stage with John Mayer, The Allman Brothers, Buddy Guy, Los Lonely Boys, Bob Margolin, MC Lyte, Crime Mob, Jibbs, Anson Funderburgh, Sean Costello, Gary Nicholson, J.P. Soars, Damon Fowler, and many more.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorite band!

1 comment:

  1. Big Gene & Danny Lee’s Loud Pack

    The Memphis Mix EP

    The Tennessee-based Loud Pack ply an especially appealing version of contemporary blues. Their Memphis Mix EP was originally slated to be a full-length album. When half the recorded tracks vanished (computers improve our lives, don’t you know?), however, the band decided to make what remained in the can available as an EP, in order to raise funds to help the Pack take part in the 2013 International Blues Challenge.

    It’s a good thing for the rest of us that they did. The Loud Pack is a tremendously exciting band, firmly rooted in traditional blues but with a solid dose of sweet soul. Dig the very first track on the Mix EP, “Gonna Be Fine.” Steve Michel (guitar), Ryan Johnson (bass) and Jared White (drums) lay down a solid, mid-tempo shuffle. Stevie Jones’s organ pad tips the scale in the direction of greasy Memphis soul. And when Big Gene Chandler begins to sing…well, it’s all over. He’s got that elusive “it,” that edgy, emotive quality to the voice that all the best deep soul singers had. Among contemporaries, Tré Williams, Tad Robinson, Curtis Salgado, John Németh, and Ryan Shaw are there, and not many others. Danny Lee Michel’s guitar lines are terse and incisive, a bit jagged (the better to create tension), and eminently toneful. A great melody and sensible lyrics seal the deal.

    “Gonna Be Fine” establishes high production values that characterize the rest of the disc, but it’s hardly a template: this is a varied set unified by an unshakable, soul-blues sensibility. “Good Lovin’” is a powerful slow number, rooted in the pure blues approach of the rhythm section and in a dynamite organ part, pushed into edgier territory by the guitar fills and leads. “Tennessee Blues” alternates hard funk verses with deeply melodic choruses; its bold chord changes and mood shifts give Big Gene the chance to demonstrate a wide range, while Danny Lee dials in an aggressive (yet still blues-approved) sound, making his super-slinky lines pop out of the mix.

    The Loud Pack plays straight ahead blues just as effectively. Consider the rhythm arrangement behind “Fess Up,” which recalls Magic Sam’s groundbreaking infusion of soul into his blues, with perhaps a bit of the drive and intensity of Otis Clay’s live sides. There’s a great, fat-toned organ solo from Jones here. “Change In Things” offers a slower groove, based in Danny Lee’s Robert Lockwood Jr.-inspired guitar lines. The lead work on this cut is left to guest artist Paul Linden, a veteran of Sean Costello’s band, whose swooping, imaginative, and athletic harmonica lines echo Walter Horton’s.

    Based on The Memphis Mix EP, it is hard to believe that Big Gene and Danny Lee’s Loud Pack did not advance to the IBC finals. Their songwriting is appealingly catchy. The rhythm section has an unfailingly good feel, and the keys and guitar up front balance the solo options and the sound. Both Jones and Michel have terrific instincts, and play with creativity and great tone. And Big Gene is a truly exceptional singer. This project blends as well as anything out there a pure blues aesthetic with just the right elements of modern R&B, and avoids any whiff of the pre-packaged sound that permeates so much contemporary soul blues. I can’t say enough good things about this must-hear music.

    Tom Hyslop, Contributing Editor/Staff Writer Blues Revue Magazine