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Overton Music artist: Russ Green - Stone Cold - New Release Review

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 I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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One Eyed Jack - Tas Cru & Young Blood

Tas Cru (guitar) Jeremy Walz (guitar) Jared Alpern (keyboards) Steve Kirsty (bass) and Josh Bloomfield (drums) It is not for nothing he has been called "the master of the triple entendre." His songs are blues poetry - telltale life lessons crafted with rare verbal flair and delivered with a power and passion the heights of which only the seasoned concert entertainer can reach. Raucuss, rowdy, gentle, sweet, eccentric, quirky, and outright irreverent are all words that fittingly describe Tas Cru's songs and testify to his reputation as a one of the most unique of bluesmen plying his trade today. Cru grew up in a very musical and generally unquirky family (except for him). Unlike his talented brother and sisters, he did not pursue music in school instead exploring and developing his talent taking up with a rougher crowd of self-taught musicians. In these early bands he was introduced to the Sun Records heroes of that day. Cru's first foray into the blues came after leaving the US Navy when he was asked to join a band formed by a former shipmate named Delray Streeter, a bluesman of unlimited bravado and attitude but limited singing and harmonica skills. Streeter was raised in El Dorado, Arkansas and claimed a rich blues heritage from his upbringing. This partnership, though shot-lived, proved to be very influential as Streeter's repetoire tended toward the older and much rawer country blues. Cru's schooling in country blues later served as a counterpoint to the rock- blues influences he idolized like so many other young guitar players of his time. “To laugh often and much; to win the respect of intelligent people and the affection of children; to earn the appreciation of honest critics and endure the betrayal of false friends; to appreciate beauty; to find the best in others; to leave the world a bit better, whether by a healthy child, a garden patch or a redeemed social condition; to know even one life has breathed easier because you have lived. This is to have succeeded.” - Ralph Waldo Emerson If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!

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