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Nicky T And The Snake Charmers - Ain't Wasting Time - New Release Review

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 I just had the opportunity to review the most recent release, Ain't Wasting Time , from Nicky T And The Snake Charmers and it's dripping blues, soul and R&B music. Opening with Magic Sam 's, That's All I Need , Nicky T with soulful vocals and groomed guitar riffs gets into that Impressions groove. With Todd Glass on drums, Alex Lyon on bass, Chris Codish on keys, and Greg Nagy on backing vocals, this is a solid opener. Rock n Roller, Feel Like A Hundred , features a driving guitar lead with vocals by Nicky and super piano work by Andy Szymanski on piano. Pete Berg on drums and Frank Greenhalgh round out the band and this track is really moving. Gritty blues, The Glass really gets down featuring guitarist extraordinaire, Ronnie Earl on lead guitar and excellent vocals by Greg Nagy. This tracks really sails with the addition of Jon Johnson on drums, Mike Marshall on bass, Jason Bone on rhythm guitar, John Gavin on piano and warm organ work by Szymanski. Excell...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Louisiana Lament - Herbie Hall, Sammy Price, Pops Foster

George Murphy "Pops" Foster (May 19, 1892 – October 29, 1969) was a jazz musician best known for his vigorous playing of the string bass. He also played the tuba and trumpet professionally. Foster was born to Charley and Annie Foster on a plantation near McCall in Ascension Parish near Baton Rouge in south Louisiana. His family moved to New Orleans when he was about ten years of age. His older brother, Willard Foster, began playing banjo and guitar; George started out on a cello then switched to string bass. Foster married twice: to Bertha Foster in 1912 and Alma Foster in 1936. Pops Foster was playing professionally by 1907 and worked with Jack Carey, Kid Ory, Armand Piron, King Oliver and other prominent hot bands of the era. In 1921 he moved to St. Louis to play with the Charlie Creath and Dewey Jackson bands, in which he would be active for much of the decade. He also joined Ory in Los Angeles. He acquired the nickname "Pops" because he was far older than any of the other players in the band. In 1929 Foster moved to New York City, where he played with the bands of Luis Russell and Louis Armstrong through 1940. He giged with various New York-based bands through the 1940s, including those of Sidney Bechet, Art Hodes, and regular broadcasts on the national This Is Jazz radio program. In the late 1940s he began touring more widely and played in many countries in Europe, especially in France, and throughout the United States including returns to New Orleans and California. In 1952, Foster toured Europe with Jimmy Archey's Band. He played regularly at Central Plaza in New York and briefly in New Orleans with Papa Celestin in 1954. In the late 1950s and early 1960s, he played with Earl Hines' Small Band. In 1966, he toured Europe with the New Orleans All-Stars but remained based in San Francisco, where he died. The Autobiography of Pops Foster was published in 1971, with a new edition in 2005 ISBN 0-87930-831-1 (alk. paper). The book is not known for great accuracy when some anecdotes are compared to other sources. If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!

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