This Week's Reader's Favorite Post

Nicky T And The Snake Charmers - Ain't Wasting Time - New Release Review

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 I just had the opportunity to review the most recent release, Ain't Wasting Time , from Nicky T And The Snake Charmers and it's dripping blues, soul and R&B music. Opening with Magic Sam 's, That's All I Need , Nicky T with soulful vocals and groomed guitar riffs gets into that Impressions groove. With Todd Glass on drums, Alex Lyon on bass, Chris Codish on keys, and Greg Nagy on backing vocals, this is a solid opener. Rock n Roller, Feel Like A Hundred , features a driving guitar lead with vocals by Nicky and super piano work by Andy Szymanski on piano. Pete Berg on drums and Frank Greenhalgh round out the band and this track is really moving. Gritty blues, The Glass really gets down featuring guitarist extraordinaire, Ronnie Earl on lead guitar and excellent vocals by Greg Nagy. This tracks really sails with the addition of Jon Johnson on drums, Mike Marshall on bass, Jason Bone on rhythm guitar, John Gavin on piano and warm organ work by Szymanski. Excell...
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I started a quest to find terrific jazz and blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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I Hate a Man Like You - Lizzie Miles acc. by Jelly Roll Morton


Lizzie Miles was the stage name taken by Elizabeth Mary Landreaux (March 31, 1895 – March 17, 1963), an African American blues singer
Miles was born in the Faubourg Marigny neighborhood of New Orleans, Louisiana, United States, in a dark skinned Francophone Creole ("Creole of Color") family. She traveled widely with minstrel and circus shows in the 1910s, and made her first phonograph recordings in New York of blues songs in 1922 – although Miles did not like to be referred to as a 'blues singer', since she sang a wide repertory of music.

In the mid 1920s she spent time performing in Paris before returning to the United States. She suffered a serious illness and retired from the music industry in the 1930s. Not before she recorded "My Man O' War", described by one music journalist as "a composition stuffed with rococo suggestiveness". In the 1940s she returned to New Orleans, where Joe Mares encouraged her to sing again—which she did, but always from in front of, or beside the stage, since she said she had vowed in a prayer not to go on stage again if she recovered from her illness. Miles was based in San Francisco, California in the early 1950s, then again returned to New Orleans where she recorded with several Dixieland and traditional jazz bands and made regular radio broadcasts, often performing with Bob Scobey or George Lewis.

In 1958 Miles appeared at the Monterey Jazz Festival. In 1959 she quit singing, except for gospel music. She died in New Orleans, from a heart attack, in March 1963.

Her half sister Edna Hicks was also a blues singer
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