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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

Saturday, May 7, 2011

Mississippi Blues - Stefan Grossman


Been listening to this guy for many years. Too bad that he doesn't have a broader audience.

Born in Brooklyn, New York, to Herbert and Ruth Grossman. Grossman described his upbringing, in Queens, New York, as "lower middle-class", and his parents as "very leftist", valuing education and the arts. He began playing guitar at the age of nine, when his father bought him a Harmony f-hole acoustic guitar. Later he moved on to an archtop Gibson guitar which he played between the ages of nine and eleven, taking lessons and learning to read music. For a few years, he gave up playing but resumed again at the age of 15.

Grossman's interest in the Folk revival was sparked by attending the Washington Square Park "Hoots", and he started listening to old recordings of artists such as Elizabeth Cotten, Big Bill Broonzy, Lightnin' Hopkins and Woody Guthrie. He took guitar lessons for several years from Rev. Gary Davis, whom he later described as "one of the greatest exponents of fingerstyle blues and gospel guitar playing" and "an incredible genius as a teacher". He spent countless hours learning and documenting Davis's music, recording much of it on a tape recorder, and developing a form of tablature to take down his teacher's instructions.

In the folk and country blues revival of the 1960s he was listening to Broonzy, Brownie McGhee and Lightnin' Hopkins and beginning to collect old 78 rpm records from the 1920s and 1930s. This brought him into contact with other collectors, including John Fahey, ED Denson, Bernie Klatzko, Tom Hoskins and Nick Perls. Collecting the 78s developed into searching for the artists who had recorded them, with many successes: during the mid-60s, Grossman met, befriended and studied guitar with Mississippi John Hurt, Son House, Skip James, Mississippi Fred McDowell and other major blues artists.

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