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💿 ALBUM REVIEW: Leigh Pilzer - Keep Holding On

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Get ready to groove with Dr. Leigh Pilzer , the Washington, D.C. baritone sax powerhouse who proves that jazz is meant to be a living, breathing party, not a dusty museum piece. Described as a pure force of nature with a gruff, punchy, and assertive sound, Leigh brings a heavy dose of soulful grit to the stage. She has traded licks with the legendary Smithsonian Jazz Masterworks Orchestra and even arranged horns for local legends like Chuck Brown and Eva Cassidy , and now she is bringing that deep, soulful swagger front and center with her vibrant new album, Keep Holding On. This record is a masterclass in pure, undeniable groove, packed with plenty of attitude, low-end bark, and raw energy that blues fans will instantly appreciate. Keep Holding On strikes the perfect balance between paying respect to the jazz heritage and absolutely cutting loose, making it an essential, high-energy addition to your playlist.   🎵 LISTEN & SUPPORT THE ALBUM   Keep Holding On by Leigh ...

King Biscuit Festival


Earl collected blues, jazz, rock and soul records while growing up. He studied American History at C.W. Post College on Long Island for a year and a half, then moved to Boston to pursue a Bachelor's Degree in Special Education and Education at Boston University where he would graduate in 1975. He spent a short time teaching handicapped children. It was during his college years that he attended a Muddy Waters concert at the Jazz Workshop in Boston. After seeing Waters perform in a close setting, Earl took a serious interest in the guitar, which he had first picked up in 1973. His first job was as a rhythm guitarist at The Speakeasy, a blues club in Cambridge, MA. In addition to playing in the Boston blues scene, Earl traveled twice by Greyhound Bus to Chicago, where he was introduced to the Chicago blues scene by Koko Taylor. Later he would travel down South to New Orleans and Austin Texas, where he would spend time with Kim Wilson, Jimmy Vaughan and The Fabulous Thunderbirds. In 1979 he joined The Roomful of Blues as lead guitarist for the band. It was also around this time that he adopted the last name of "Earl". As he put it, "Muddy Waters would invite me onstage, but he could never say my last name. So because I liked Earl Hooker, I took the last name of "Earl".
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