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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Monday, June 25, 2018

VizzTone Label Group artist: Billy Price - Reckoning - New Release Review

I just had the opportunity to review the most recent release, Reckoning, from Billy Price and it's quite good. Opening with soul fused blues number, 39 Steps, Billy Price has surrounded himself with a who's who of musicians including Kid Andersen on guitar, Alex Pettersen on drums, Jerry Jemmott on bass, and Jim Pugh on keys for a solid radio style start. Dreamer is a strong track with a really nice bass line by Jemmott, nice pinched soloing by Andersen, and excellent backing vocals by Lisa Leuschner Andersen and Rusty Zinn. Very cool. Title track, Reckoning, has a real nice feel and an almost Al Green vibe. Price's vocals are smooth and warm keyboard work by Pugh, clean trumpet lines by Konstantins Jemeljanovs, lead bass lines by Jemmott and slick riffs by Andersen make this one of my favorite tracks on the release.  Another of my picks for the release is One and One, with its super melody, some of Price's best vocals on the release and cool sax work by Johnny Bones. Funky soul number, Never Be Fooled Again, has a tight bass line from Jemmott and warm backing vocals by Andersen and Courtney Knott. With a laid back attack, Kid Andersen lays in some mighty tasty licks on guitar. Expert Witness stays in the funky stream with power horn work by Nancy Wright. Very nice! R&B track, Love Ballad could easily have been a strong radio player in the early seventies with it's rich vocals, melody and that tale tell sitar work by Andersen. Lisa's backing vocals on this track are particularly nice. Wrapping the release is Your Love Stays With Me with a country blues feel. Warm horn work, coupled with Prices own smooth vocals over Jemmott's bass line set this track apart and Bones sax solo is really sweet. Cool closer to a cool release.


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